... on sale for only ::
new to stock as of
october 11th, 2011
|northern spy (usa) #ns 013 lp|
neptune “silent partner” long playing record
- #35 (1:43)
- cash mattress (8:03)
- triple your money (5:23)
- canine species (4:28)
- collection plate (7:02)
- #36 (3:11)
- rest from breathing (7:43)
- #37 (1:11)
|october 2011 release ; ... first (& last :: farhad has already left the ranks) neptune album featuring a quartet lineup of founders jason sanford & mark pearson, along with long-time producer kevin “animal hospital” micka & farhad ebrahimi ...|
... neptune of course being boston’s long-running institution of self-built guitars & (increasingly) jerry-rigged electronic prowess, here serving up a dovetailing array of short sound-sculptures & honest-to-goodness songs (many of which channel the energy & spastic pacing of peers like sightings) ...
|northern spy press release...|
title: silent partner
catalog number: ns 013
street date: october 11th, 2011
there’s probably not much to say about punk’s continued existence. like jazz or sitcoms or party politics, it just carries on eating and breathing and shitting and propogating. it’s only interesting when someone comes along trying to advance the form. like “arrested development” or dennis kucinich, they’re usually forgotten.
this would all be relevant if neptune were a punk band, which we’re not at all sure is the case. they create a sense of undermining the status quo, which is pretty punk, but then they screw things up by undermining the punk status quo. they’re not really a guitar band, although they do play guitars of a sort, handcrafted by boston sculptor and founder jason sidney sanford. but they’ve also covered the go go’s, which isn’t punk, not really.
recorded at machines with magnets, the same studio employed by battles, the psychic paramount, and the skull defekts, “silent partner” pushes neptune up to two dozen releases over 15 years, and finds them continuing to push their electrified, rhythmic sound while staying true to what has always made them evocative. they’re too musical to be a noise band, and yet the noises they make are never quite recognizable. having lost drummer daniel paul boucher in 2009, sanford and mark william pearson made the counter-intuitive decision to focus on making an album heavy on drums. with kevin emil micka (animal hospital) and farhad alexander ebrahimi (big bear), they envisioned a new sort of drum thing for neptune and devised a new arsenal of instruments – not least of which is a feedback machine devised out of a prototyped yoga ball. there’s also amplified bicycle spokes and drum-triggered oscillators.
and yet, it’s a tightly controlled sonic environment. the eight-minute “cash mattress” might be a display of sonic creation, but when they come around to the simple rock of “canine spaces” the sound is familiar, even if the sounds comprising it aren’t. neptune is not dealing in willful avant-gardism. they are creating out of necessity. they’re crafting new rock where the old one won’t do. excitement’s at play.
jason sidney sanford: vocals, low-end guitar, railroad spike, bicycle crank arm, spoke protectors, spring, whistle, electronic noise generator, aluminum bowls and plates
mark william pearson: oscillator organ, baritone guitar, amplified toms, drums, percussion, suitcase, aluminum bowls and plates
kevin emil micka: drums, percussion, drum-triggered electronics, vocals, oscillators, radio, aluminum bowls and plates
farhad alexander ebrahimi: drums, amplified drums, percussion, amplified bell, voltage-controlled oscillators, vocals, triggered electonics, feedback membrane, aluminum discs and bowls