art zoyd “symphonie pour le jour où brûleront les cités” long playing record

• brigades spéciales (13:25)
  
• masques (9:03)
  
  
• simulacres (7:01)
  
• les fourmis (5:35)
  
• scènes de carnaval (8:57)

art zoyd “symphonie pour le jour où brûleront les cités” compact disc

• brigades spéciales (13:25)
  
• masques (9:03)
  
• simulacres (7:01)
  
• les fourmis (5:35)
  
• scènes de carnaval (8:57)
  
• don juan • danse macabre (1:25)
  
• don juan • le bain (1:40)
  
• don juan • la sainte famille (3:15)
  
• un jour au chateau • le parc (1:12)
  
• un jour au chateau • le matin (1:59)
  
• un jour au chateau • le secret (1:33)
  
• don juan • le bain [final] (0:37)

sub rosa press release...

art zoyd symphonie pour le jour où brûleront les cités compact disc this cult album was no more available since years. re-released with a new artwork and additional tracks. in 1976, a self-released lp by art zoyd appeared in belgian record stores. at the time, nobody knew symphonie pour le jour où brûleront les cités (symphony for the day cities will burn) would be the first of many albums from this strange chamber progressive rock outfit. all the ingredients of art zoyd's sound for its first decade are here: unusual acoustic instrumentation for a rock band (violin, cello, piano, and trumpet, plus guitar, bass, and percussion), dark and mysterious atmospheres recalling france's magma and foretelling univers zero (formed by art zoyd percussionist daniel denis), and complex pieces owing as much to contemporary classical as to progressive rock. the lineup for this first offering included patricia dallio (piano), alain eckert (guitar, vocals), gérard hourbette (violin), jean-pierre soarez (trumpet, percussion), and thierry zaboïtzeff (bass, cello, vocals). the album is split in two. first is symphonie pour le jour où brûleront les cités in three parts, an apocalyptic work opening with mad laughter, a vision of the end of the world with percussion clashing, frenetic violin motifs, and the trumpet from judgment day. part one, brigades spéciales, is the most striking moment of the album. then comes deux images de la cité imbécile ('two pictures of the stupid city'), two movements leaning more toward some warped chamber rock conception of the burlesque, especially on scènes de carnaval. features gerard hourbette thierry zaboitzeff patricia dallio daniel denis alain eckert gilles renard jean-pierre soarez

dub taylor “lumière for synthesized & concrète sound” long playing record

• lumière: side one (17:09)
  
  
• lumière: side two (14:50)

dub taylor “lumière for synthesized & concrète sound” compact disc

• lumière (for synthesized and concrète sound) part one (17:11)
  
• lumière (for synthesized and concrète sound) part two (14:52)
  
• variations on the ‘dudley do-right’ theme (3:19)

sub rosa press release...

dub taylor lumière (for synthesized and concrète sound) digipack cd this real masterpiece of concrète and synthesized music was no more available since its original manufacture in 1973. dub taylor is an us composer, producer, engineer and designer born june 22, 1948 in burbank, california. he has many creative facets: recording and mastering engineer, record producer as well as composer, graphic designer and visual artist. he has studied with pianist richard bunger and composer karlheinz stockhausen. not long after the release of lumière, taylor established vargod studios for electronic music and recorded sound, where in 1974 he created his second work, variations on the 'dudley do-right' theme for sampled and processed sound (never released before, this exclusive track is included on the cd version). taylor has bounced between the music world and the visual arts for most of his life and continues to pursue diverse creative projects. lumière evolved over a period of three years from 1969 to 1972. i started by recording random sounds: jets taking off at lax, my girlfriend laughing and screaming, my cat bartok biting a microphone, conversations, etc. i also sampled music, film soundtracks and tv and radio broadcasts. during this period i acquired the first self-contained portable synthesizer, the newly-designed arp 2600. i began to envision an electronic and musique concrete piece combining various natural and processed sound recordings with synthesized sound into a suite of noise. in june of 1972 i did a preliminary version of elements of the piece. by october i was ready to put it all together. i set up all these reel to reel machines with tapes i had pre-recorded and plugged them into a mixing board, feeding stereo to a two-track master 15 ips revox a77 tape deck. my idea was to create a sound collage with form but without losing spontaneity and an element randomness. so i rehearsed my fade-ins and fade-outs and the starting and stopping of the various playback decks and when i was ready i went for it, 'playing' all these machines like a musical instrument in this mad moment of creation. in effect, lumière was a 'live' performance. the only later additions were the silence gaps inserted near the end of the piece using pieces of blank leader tape. - dub taylor

charlemagne palestine / joachim montessuis “voxorgachitectronumputer” compact disc

• voxorgachitectronumputer (61:14)

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charlemagne palestine x joachim montessuis voxorgachitectronumputer sr326 digipack features charlemagne palestine / voice, organs joachim montessuis / voice, computer after two massive works from etudes to cataclysms - for the doppio borgato (2cd / sr272) and strumming music for piano, harpsichord & strings ensemble (3cd / sr297) charlemagne's work is now rooted in sub rosa for good ! but next to his solo records, we want to continue to publish collaborative works: we started with an aural symbiotic mystery (sr204) featuring tony conrad. we'll publish soon too some recent recordings done with z'ev. but this time, joachim montessuis is the special guest of another magical night with mister palestine ! charlemagne palestine wrote intense, ritualistic music in the 1970s, intended by the composer to rub against audiences' expectations of what is beautiful and meaningful in music. a composer-performer, he always performed his own works as soloist, but likes new experiences too ! his earliest works were compositions for carillon and electronic drones, and he is best known for his intensely performed piano works. ... joachim montessuis since his birth in 1972, has lived in 15 different cities, including bordeaux, strasbourg, marrakech, abidjan, besançon, rotterdam, cologne. he is currently based in paris. he is interested in the links between art, sound, science and spirituality. since 1993 he has been developing a transversal sonic poetry praxis focused on experimental voice processing and immersive concert-installations. his noise and video events are devised as panic-poetic spaces in which sensorial disturbance and blurring occur, starting from silence to wall of sound. his current work is oriented towards a reflection process on the observation and perception of reality through a non-dual approach.

daniel menche “feral” compact disc

• feral one (17.33)
  
• feral two (14:12)
  
• feral three (17:31)
  
• feral four (18:00)

sub rosa press release...

new series framework #8 / daniel menche feral 700 copies limited edition / cd digipack sr322 new series framework an extension of our concrete electronics noise, a brand new mix-up of unusual conceptions of sound material by young unknown composers, well known not-so-young composers and old but clever composers. daniel menche has established himself as a musician with a sense of focus and determination uncharacteristic in a genre known for its randomness and chaotic structure. rather than creating 'noise,' he strives for order and cohesiveness. his presentation of sonic structures is similar to the way a writer depicts a story, an allegory seems to arise, which uses confusion as a symbol for the imaginative process of total sound purity; aural intensity is not a representation of confusion or the chaotic, but a concerted effort to provoke and stimulate the listeners imagination by generating intensely powerful sounds and music. daniel menche's work originates from the idea that there is no restriction to the potential sound sources and especially sonic energy. any sounds -all sounds are used and exploited to create the music. there are absolutely no barriers or biases in what can be used and have been used. self made and recorded sound sources, percussion and instruments are the main emphasis in creating a living and emotional feeling to daniel menche's form of contemporary music. subtle and patient compositions rely on long, dense layers of droning sounds, while abrasive pieces rely on sounds amplified and processed to extreme levels, pushing the full spectrum of frequencies to the most threshold of limits. menche has amassed a sizable discography on some the most discerning independent labels in the world. constantly performing live extensively throughout north america, europe and japan with performances that are intense and powerful. characterized as both extremely loud and patiently subtle, daniel menche's live performances define its own sonic presence, an entity that gives form to an emotional rawness with highly textural and dominating sounds. characterized by forcefulness of sound, music that strives for one goal: vehement beauty.

jac berrocal / david fenech / ghedalia tazartès “superdisque” long playing record

• joy divisé (4:11)
  
• human bones (1:45)
  
• cochise (2:59)
  
• quando (2:34)
  
• david’s theme (3:49)
  
• ife l'ayo (1:28)
  
  
• porte de bagnolet (4:47)
  
• j'attendrai (2:43)
  
• jac's theme (3:04)
  
• powow (3:06)
  
• sainte (2:15)
  
• final (4:46)

jac berrocal / david fenech / ghedalia tazartès “superdisque” compact disc

• joy divisé (4:11)
  
• human bones (1:45)
  
• cochise (2:59)
  
• quando (2:34)
  
• david:s theme (3:49)
  
• ife l'ayo (1:28)
  
• porte de bagnolet (4:47)
  
• j'attendrai (2:43)
  
• jac's theme (3:04)
  
• powow (3:06)
  
• sainte (2:15)
  
• final (4:46)
  
• zilveli (7:07)

sub rosa press release...

jac berrocal - david fenech - ghedalia tazartes superdisque cd digipack superdisque is the first album of the french trio formed by david fenech (electric guitar) with jac berrocal (trumpet) and ghédalia tazartès (vocals). somewhere beyond the borders of rock, jazz, punk and sound poetry... the vocals seem to come from another planet, with lyrics in an improvised language. the winds are blown from tibetan human bones and conch seashells. guitars sound like rubber and steel. expect the unexpected. david fenech is a french musician living in paris. he has played and recorded with musicians such as felix kubin, jad fair, tom cora, rhys chatham, bérangère maximin, james plotkin, shugo tokumaru, ergo phizmiz, and many others. his baroque style has been described as 'a kind of punk musique concrète'. he is at the origin of the superdisque recording project, using his own home studio as an instrument. jac berrocal is a cult trumpet player living in paris. he has played with various musicians including pascal comelade, jaki liebezeit (can), nurse with wound, sunny murray, jacques thollot, james chance, pierre bastien, aki onda, lol coxhill, catalogue, christophe. he's also known for his famous 'rock and roll station', recorded with the black angel of rock, vince taylor. ghédalia tazartès is an orchestra and a pop group in one person. his voice shifts constantly from child to diva, from african sorcerer to tibetan monk. his hypnotic, disturbing polyphonies draw us into an emotional universe. it's punk, sound poetry, folklore and electroacoustics rolled into one. ghédalia has been recording music in his parisian home studio for more than 40 years. he has also worked for theater (la comédie française), dance and more recently for cinema. both jac berrocal and ghédalia tazartès appear on the famous "nurse with wound list". features jac berrocal david fenech ghedalia tazartes zap pascal

henri pousseur “parabolique d'enfer • paraboles-mix avec leçons d'enfer” compact disc

• parabolique d'enfer (1) (6:02)
  
• parabolique d'enfer (2) (8:08)
  
• parabolique d'enfer (3) (8:10)
  
• parabolique d'enfer (4) (5:55)
  
• parabolique d'enfer (5) (5:45)
  
• parabolique d'enfer (6) (4:10)
  
• parabolique d'enfer (7) (4:52)
  
• parabolique d'enfer (8) (4:22)
  
• parabolique d'enfer (9) (5:02)
  
• parabolique d'enfer (10) (5:38)
  
• parabolique d'enfer (11) (8:20)
  
• parabolique d'enfer (12) (5:50)
  
• parabolique d'enfer (13) (5:48)

sub rosa press release...

henri pousseur parabolique d'enfer / paraboles-mix avec leçons d'enfer cd digipack sr318 this recording will be our first posthumous recording of henri pousseur. it is the sixth release (out of eight) in our catalog devoted to this composer's experimental and electronic works. it also marks the end of the trilogy on the parabolic works (following the 1972 unreleased recordings and the 2001 collective performance). this time around, we have a piece built through another major pousseur work: leçon d'enfer (composed in 1990-1991 around arthur rimbaud). this previously unreleased version was realized by henri pousseur in cologne in 1992. paraboles-mix avec leçons d'enfer - this release was important to henri pousseur, as it concludes, in a sense, the paraboles trilogy, after 1972's 8 etudes paraboliques (released as a 4-cd box set sr174 comprised of all the etudes to be used as the basis for all current and future mixes) and 4 parabolic mixes (sr199, 2001, on which four composers - robert hampson, philip jeck, markus popp, and pousseur himself) tackled those source tapes. this suite of works was gradually pushing composition further into the territory of destruction and abstraction. this final installment, a mix made from the 1972 etudes, as should be, integrates a major external element (something already planned in the initial design): another work by pousseur, leçons d'enfer, a complex piece of musical theatre dedicated to the memory of arthur rimbaud and composed in 1991 for the centennial of the poet's death. this work, over 100 minutes long, was written for two actors, three singers, seven musicians (clarinet, alto saxophone, tuba, harp, piano, and two percussions), tapes (including traditional ethiopian music and field recordings from that area), and electroacoustic devices. with this version, henri pousseur shows how the deep impression left by a work in constant mutation can take different guises. the rimbaud pictured in this flux is neither the promising teenager, nor the striking genius, nor even the desperate man struggling in vain in an empty landscape ; it is an appeased hybrid breathing the ebullient air of the final times.

adolf wölfli / baudoin de jaer “analysis of the musical cryptograms • the heavenly ladder” book and compact disc set

• part 1 : la couronne du roi (0:31)
  
• l'oiseau en cage (bird 1) (0:58)
  
• the high and lower nobility of the english-british union of canada on their ride to saltlake-seawest (0:20)
  
• riisen=kannaari: 10 meter spann=flügel=weitte (1:10)
  
• the swan / pandulen=wasser=fall (3:24)
  
• a l'ombre des arbres / rhodonus spain (1:25)
  
• les notes en bleu / die himmelsleiter (1:17)
  
• island neveranger (1:17)
  
• assiisen=des=mittel=landes (1:52)
  
• part 2 : la baleine / feeding of the fishes (0:30)
  
• joyeux et carré (0:41)
  
• island neveranger (1:14)
  
• pandulen=wasser=fall (0:50)
  
• riisen=kannaari (2:08)
  
• zweitter foliantten=marsch (0:27)
  
• march (geographische und allgebräische hefte, heft 11, s. 837) (1:16)
  
• the st adolf ring of oberburg (0:57)
  
• prélude aux notes en bleu / die himmelsleiter (0:35)
  
• la petite île / island neveranger (1:01)
  
• bird 2 (0:27)
  
• le cours d'eau (0:42)
  
• zweitter foliantten=marsch (1:55)
  
• le sacre de st adolf / the divine almighty and wisdom at the zenith (1:31)
  
• part 3 : bird 3 (0:20)
  
• lea tanttaaria (0:16)
  
• die oberste regenttschaft von sant maria st hall (0:54)
  
• st eugène ysaïe / die oberste regenttschaft von sant maria st hall (1:28)
  
• dans le fond de la crypte (1:37)
  
• march, 1913 (geographische und allgebräische hefte) (0:54)
  
• la tour de st adolf tower (0:28)
  
• dans les rues de berne (0:55)
  
• juno, die göttin der neger (2:12)

sub rosa press release...

adolf wölfli the heavenly ladder / analysis of the musical cryptograms by baudoin de jaer cd / book cd + book 52 full color pages french + english contains only unreleased before material. all tracks exclusively recorded for this project. sr312 cd / book baudouin de jaer's approach gives a new dimension to the works of 20th century's major artists. he had not been previously exposed to wölfli's work. he was completely moved by the artistic and human dimensions of the mystery surrounding this gigantic and universal body of work created within the waldau hospital in the early 20th century. he managed what none other had accomplished before: to decode wölfli's hermetic and emblematic scores. adolf wölfli (bern, february 29, 1864 - waldau, november 6, 1930) was a swiss artist who was one of the first artists to be associated with the art brut or outsider art label. wölfli was abused both physically and sexually as a child, and was orphaned at the age of 10. institutionalized in 1895 at waldau psychiatric asylum near bern (switzerland) where he spent the rest of his adult life. he suffered from psychosis, which led to intense hallucinations. wölfli started drawing in 1899, but no work prior to 1904 has been preserved. in 1908, wölfli started developing what would become a potentially endless narrative stretched across 25,000 pages interrupted only by wölfli's death in 1930. his images also incorporated an idiosyncratic musical notation. this notation seemed to start as a purely decorative affair but later developed into real composition which wölfli would play on a paper trumpet. after his death the adolf wölfli foundation was formed to preserve his art for future generations. today its collection is on display at the museum of fine arts in bern and can be seen in many museums in the world. features baudouin de jaer

ulrich krieger “fathom” compact disc

• fathom (50:19)

luc ferrari “didascalies 2” long playing record

• didascalies 2 (18:00)
  the dress rehearsal performed before brunhild on 24.10.08
  
  
• didascalies 2 (19:17)
  the posthumous world premiere on 25.10.08

erik satie “42 vexations (1893)” compact disc

• 42 vexations (69:30)

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erik satie 42 vexations (1893) cd digipack + 16 pages booklet sr294 16 page booklet including cage's place in the reception of satie by matthew shlomowitz. performed by stephane ginsburgh musique d'ameublement literally, "furniture music," the phrase coined by satie in 1917, where he identifies sound as drapes, tiling, wallpaper - items belonging to the environment - and changing it simply by being in it, by actually becoming elements of the space. the idea being that, since you don't notice the sound right away, it becomes, in a sense, part of the furniture. this recording, the second installment in that series (after marcel duchamp), also involves a peculiar physical device since it calls for 840 repetitions of a single motif. satie jotted down the idea in 1893. a concept - surely; a joke - obviously; something feasible - yes, for it has been done in 1963, on john cage's impetus. john cale was one of the musicians involved: between 9 and 10 september 1963 i was one of a relay team of pianists, under the direction of john cage, who played vexations by eric satie at pocket theatre, 100 third avenue near 13th street, in 18 hours and 40 minutes. the 180 notes of this 80-second work were played 840 times. the whole thing was john cage's idea. the admission was $5, but members of the audience got a refund of five cents per twenty minutes, and those who stayed to the bitter end got a 20 cent bonus. soso, in vexations, satie will be evocated through cage. had satie envisioned playing the piece? who knows. neither do we know if duchamp's erratum musical was meant to be executed. what can be said, however, is that when played in its entirety, vexations inevitably becomes a performance for both players and listeners. an experience in repetition - repetition without the slightest variation, except for the unavoidable tempo shifts that occur over such a lengthy performance, alterations in how the piano keys are hit, in other words everything that falls within the realm of the mechanically involuntary. what would you say about a ritornello that would last between 18 and 24 hours ?

“an anthology of noise & electronic music • sixth a-chronology 1957-2010” double compact disc set

• israel martínez - mi vida (6:59) 2007
  
• sote - turquoise gas in ice composed by - ata ebtekar (3:36) 2008
  
• joseph nechvatal - ego masher (7:05) 1983
  
• oliver stummer + liesl ujvary - trautonium jetztzeit #4 (3:44) 1930
  
• henry cowell - the banshee (2:23) 1925 / 1957
  
• dick raaymakers* - piano-forte (4:55) 1959-1960
  
• manuel rocha iturbide - estudio antimatierico n°1 (5:02) 1989
  
• tetsuo furudate - you are the man who crucified him (6:26) 2008
  
• pain jerk - aufheben (6:28) 1993
  
• hijokaidan - untitled (11:54) 1994
  
• incapacitants - shall we die ? (6:25) 1990
  
• torturing nurse - yes or no (4:49) 2010
  
• sachiko m - 28082000 (5:32) 2000
  
• ultraphonist - how to practice scales (3:07) 2000
  
  
• z'ev - 12 november 1980, melkweg, amsterdam (7:31) 1980
  
• daniel menche - fulmination (12:00) 2009
  
• john wiese - new wave dust (2:25) 2004
  
• the pain barrier - virus (5:29) 2003 julie rousse - flesh barbie techno fuck (4:45) 2008
  
• bird palace - phing (4:23) 2009
  
• robert piotrowicz - lincoln sea ice walic (8:09) 2009
  
• tzvi avni - vocalise (5:18) 1964
  
• else marie pade - syv cirkler (7:05) 1958
  
• john duncan - the nazca transmissions #2 (8:10) 2005
  
• stephen o'malley - dolmens & lighthouses (6:53) 2009
  
• ilios - the continuum of emanation from the one (6:06) 2009

sub rosa press release...

an anthology of noise & electronic music #6sixth a-chronology 1957-2010 sr290 2xcd digipack + 52 pages booklet the sixth volume of seven published from 2001 to 2011, curated, noted and edited by guy marc hinant. so here is the 6th and penultimate installment in our series. as usual, it culls old historical pieces, little-known gems, and even a few previously unreleased tracks from the greatest japanoise bands, a few representatives of the younger generations (from all around the world), some rare tracks from the '80s, and it all ends with a lull that lets transpire what may be felt as a kind of undefinable mystery. the avant-garde - the possibility of a new music (think about it). then it scattered into small communities whose best-known protagonists are totally unknown to people outside that particular circle. we are facing this fragmentation, and one form of avant-garde (you could say) ends up scattered into several (not exclusively musical) forms. it is not in avant-garde's nature to create one elementary form for each individual. other phrases used include "forays," "breakthroughs," "pushing the envelope," and then of course "going too far"...

alireza mashayekhi / ata ebtekar / the iranian orchestra for new music “ornamentalism” compact disc

• pearly gates (5:38) 1999
  
• little tales 4point5 (2:03) 1993
  
• ornamental (9:51) 1995
  
• little tales 3 (3:17) 1993
  
• broken silence cmpd (3:20) 2002
  
• turquoise gas in ice (3:35) 
  
• aural blue (0:24)
  
•  phonata opus 11 remod. (6:35) 1999
  
• little tales 2 (2:02) 1993
  
• meta xy (12:58) 2001
  
• pattern logic (0:21)
  
• little tales 1 (2:25) 1993
  
• tonus (3:02) 2006

sub rosa press release...

ornamentalism ata ebtekar & the iranian orchestra for new musicperforming works of alireza mashayekhi     sr284  an organic electrocution perfect follow-up to the highly acclaimed persian electronic music (sr277), this new persian music album involves a cast of seasoned musicians performing works written by legendary iranian composer alireza mashayekhi ; in which ata ebtekar (aka sote) was granted complete creative freedom by mashayekhi himself to transform these compositions into fully realized pieces using his techniques of synthesis and electronic manipulation.it's an organic electrocution without sacrificing the beauty of the performance. these sound sources and compositions were metamorphosed via electronic processing, rearranged and decomposed using sound generators, effect boxes, modular synthesizers and samplers. finally, ebtekar programs synthetic sounds and adds new electronic harmonies, melodies and soundscapes to the sonic palette of western classical music and persian instrumentation for a unique musical experience. sote unites the grace and symmetry of noise and silence inside the magic circle of electronic music composition. the tehran contemporary music group cofounded in 1993 by farimah ghavensadri and alireza mashayekhi. in 1995 mashayekhi established the iranian orchestra for new music as a performing entity. the tehran contemporary music group's main goal is the presentation of new music in order to promote young composers and performers. the group has also helped to establish the biannual for composing and performing of contemporary music in iran. alireza mashayekhi: a short biography alireza mashayekhi was born in 1940 in tehran, iran. he is one of the pioneers of modern music in iran. mashayekhi's works have been performed in iran and abroad for more than 35 years. mashayekhi believes that contemporary composers should create music in wide range of styles. his own compositions have tended towards three major direction: pieces that are directly inspired by iranian music (e.g. symphony no. 5, persian suite and shahrzad) and compositions that are not directly related to iranian music (e.g. symphony no. 6, concerto for violin and orchestra,sonata for piano) and multicultural compositions (e.g. symphony no. 8 and the electronic composition east-west). at the time of stalin in the ussr, many pieces were composed with predetermined identities in honor of marxism and leninism by the request of the governmental authorities or by the artist's own whishes. among these pieces those with artistic rightfulness remained and they were honored in both east and west, but the political weight of the other ones did not succeed to help them survive. alireza mashayekhi alireza mashayekhi is regarded as a pioneer iranian avant-garde composer whose ideas and works, which have been performed in iran and abroad for more than 35 years, have greatly influenced the contemporary music in iran.. hooman asadi of the university of tehran, iran ata ebtekar aka sote: a short biography aka sote is an iranian-american electronic composer and sound artist. he was bornin germany to iranian parents, spent the first eleven years of his life in iran and the next six years in germany. at the age of seventeen he moved to the united states and lived inthe bay area for fifteen years. he has spent the last few years living in tehran and workingon several projects. one of these projects was released in 2007 as a double disc set called 'persian electronic music - yesterday and today' (sub rosa sr277) for which he compiled early electronic music from alireza mashayekhi who had created these compositions forty years ago. disc two features ebtekar's own electronic compositions to present a timeline in modern iranian music history. sote's compositions are sonic tales synchronously decoding and regenerating customary patterns of thought in nature; aural designs of crisis and harmony where contempo meets folklore, orchestrating an artificial saga with a variety of illuminations and analysis. he believes that music is a cultural habit of sound and anti-sound (silence). therefore, he generates music without a specific culture, which he believes to be 'the other sound'.

asad qizilbash “sarod recital / live in peshawar” compact disc

• raga darbari (27:22)
  
• raga bihag (13:49)
  
• raga piloo (13:32)

ibimeni “garifuna traditional music from guatemala” compact disc

• wadabuaguei marine snail trumpet call (0:50)
  
• aguhuya nidugueñu / my family has gone / hüngünhügü (2:50)
  
• vinu niguirayali / i:ll quit liquor / parranda with guitar (4:31)
  
• chagachaga / pororo (4:55)
  
• ñunsu garifunaou /spoken word (0:49)
  
• adari labugana / livingston boyfriend / parranda (2:14)
  
• ahurahali wadunari / the water has boiled / chumba (3:00)
  
• wala diru lumala / the cricket has sung / abeimahanei (4:13)
  
• came beyedana / why did you lie to me ? / punta (3:34)
  
• tari edna golu / edna:s gold tooth / pororo (4:08)
  
• chülüya ñunsu / news have arrived / hüngünhügü (4:09)
  
• wasanriaha / union / religious chant (2:26)
  
• nati conde / brother conde / punta rock (3:10)
  
• baroumuga / sleep / lullaby (2:18)
  
• lidan misiñeba / when someone doesn:t love you / parranda with guitar (3:03)
  
• monderubadina hama hara / i won:t join them / parranda (4:18)
  
• laguñeda / it:s getting dark / wanaragua (3:14)
  
• dodo fafa / sleep fafa / lullaby (1:03)
  
• san francisco / processional march (2:34)
  
• naluwahañadibu inina / i:m looking for you / abeimahanei (4:01)
  
• bonus track wanaragua (2:47)

“anthology of noise & electronic music / fifth a-chronology 1920-2007” double compact disc set

• rogelio sosa - vinylika (7:02) 2003
  
• christian galaretta - maranon (part vi) (10:27) 2004
  
• li chin sung aka dickson dee - shame (4:57) 1994-2007
  
• francois-bernard mache - prelude (5:28) 1959
  
• richard maxfield - pastoral symphony (4:01) 1960
  
• wolf vostell - elektronicher de-colagge. happening raum. (3:00) 1968
  
• charlemagne palestine - seven organism study (7:53) 1968
  
• andre boucourechilev - texte 2 (4:36) 1959
  
• helmut lachenmann - scenario (12:30) 1965
  
• alireza mashayekhi - shur, op.15 (6:28) 1966
  
• claude ballif - points, mouvements (10:14) 1962
  
  
• mauricio kagel - antithese (9:21) 1962
  
• vladimir mayakovsky - and would you? (0:32) 1920
  
• raoul hausmann - fmsbw (recorded by henri chopin) (0:45) 1918
  
• gil joseph wolman - megapneumies, mars 1963 (4:54) 1963
  
• leo kupper - electro-poeme (5:54) 1963-1970
  
• josef anton riedl - leonce und lena (2:17) 1963
  
• sten hanson + henri chopin - tete a tete (5:08) 1973
  
• dajuin yao - satisfaction of oscillation (9:27) 1997
  
• pere ubu - sentimental journey (7:01) 1978
  
• ground zero - live 1992 (1:01) 1992
  
• masonna / yamazaki "maso" takushi - spectrum ripper (part i-ii-iii) (3:32) 1996-1997
  
• sutcliffe jugend - blind ignorance (5:39) 2007
  
• club moral - l'enfer est intime (6:32) 1985
  
• dub taylor - lumiere (part i) (17:11) 1972

luc ferrari “didascalies” compact disc and digital versatile disc set

• rencontres fortuites (23:14)
  
• tautologos iii  (21:19)
  
• didascalies (15:07)
  
  
• dvd: luc ferrari facing his tautology: two days before the end (52:50)

ben baruch “the complete recordings 1949-50” double compact disc set

• zol noch sain schabbes [zol nokh zayn shabbes]
  
• dos lempl
  
• rouah [ruakh]
  
• el molé rakhamim [eyl mole rahamim]
  
• shalom
  
• arzenu [artseynu]
  
• kol nidrey
  
• kaddish
  
• kadisch fin barditschev
  
• eli eli
  
• wie ahin soll ich gehn [vu ahin zol ikh geyn]
  
• s'wet geschehn [es vet gesheyn]
  
  
• zochrenou lachaim [zohreynu lehayim]
  
• zechor [zehor]
  
• yehi rotzon [yehi rotson]
  
• shabbes beim shalosh sudos [shabes baym shalesh-shudes]
  
• elou devorim [elu devorim]
  
• menashe
  
• veoulai [veulay]
  
• bearvot haneguev
  
• oifn pripetshik [oyfn pripetshik]
  
• kinderyorn [kinderyorn]
  
• fartweiflung [fartsveyflung]
  
• haben yakir

“musics in the margin” compact disc

• jacques brodier - extrait du "filtre de réalité" (6:07)
  
• anton et quentin - sans titre (6:42)
  
• wesley willis - singing (0:19)
  
• wesley willis - trama hell ride (2:57)
  
• wesley willis - composing a song (0:51)
  
• wesley willis - wesley willis and the dragnews (2:47)
  
• wesley willis - selling a cd (0:43)
  
• andré robillard - batterie (3:51)
  
• andré robillard - changer sa vie (2:19)
  
• mc speedy - improvisations pour l'emission implosief sur un truc de dd ... (8:14)
  
• konstantin raudive - radio stimme + microphone stimme (3:25)
  
• daniel johnston - premarital sex (3:04)
  
• daniel johnston - fly eye (2:00)
  
• reinhilde tastenoe - dikke trom (0:15)
  
• reinhilde tastenoe - dikke meneer (0:09)
  
• marcella dumarey - zweden (1:28)
  
• dagboek - lentegedichteden (0:44)
  
• dagboek - aaaaaavalon (2:36)
  
• david - pépère (2:53)
  
• david - la mer (1:10)
  
• chantal robette - l'amour est belle (1:39)
  
• martha grunenwaldt - sans titre (2:00)
  
• martha grunenwaldt - sans titre (6:15)
  
• oscar haus - sans titre (4:21)
  
• galaxia - the revolution starts now (12:12)

luc ferrari “son memorise” compact disc

• presque rien no 4: la remontée du village (1) (7:25)
  
• presque rien no 4: la remontée du village (2) (8:55)
  
  
• promenade symphonique dans un paysage musical ou un jour de fête à el oued en 1976 (1) (5:51)
  
• promenade symphonique dans un paysage musical ou un jour de fête à el oued en 1976 (2) (5:24)
  
• promenade symphonique dans un paysage musical ou un jour de fête à el oued en 1976 (3) (6:59)
  
• promenade symphonique dans un paysage musical ou un jour de fête à el oued en 1976 (4) (6:45)
  
  
• saliceburry cocktail (1) (5:21)
  
• saliceburry cocktail (2) (7:18)
  
• saliceburry cocktail (3) (3:28)
  
• saliceburry cocktail (4) (4:48)
  
• saliceburry cocktail (5) (8:28)

brion gysin “live in london 1982” compact disc

• live in london 1982

israel quellet “oppressum” compact disc

• pour frappes sur citerne, percussions, voix / for tank strokes, percussion & voice (7:29)
  
• pour percussions et saturation, bruits de gorge / for percussion, saturation & throat sounds (4:46)
  
• pour frappes sur citerne, percussions / for tank strokes & pecussion (7:22)
  
• pour percussions, jouets sonores / for percussion and sound toys (6:06)
  
• pour orgue, voix / for organ & voice (2:28)
  
• pour frappes sur citerne, percussions / for tank strokes & percussion (7:08)
  
• pour voix et rire, percussions, orgue / for voice, laughter, percussion & organ (4:39)
  
• pour percussions, ponceuse, frappes sur clavier de téléphone / for percussion, sander & telephone keyboard strokes (4:59)
  
• pour seaux traînés à terre et saturation / for buckets dragged on the ground & saturation (5:55)
  
• pour voix, orgue et saturation / for voice, organ & saturation (7:50)
  
• pour percussions et saturation / for percussion & saturation (5:31)

the master musicians of joukouka “boujeloud” compact disc

• boujeloud al boudadi (7:42)
  
• boujeloud featuring mujehid mujdoubi (4:30)
  
• boujeloudia/ joujouka ei calihoun boujeloud/joujouka black eyes (13:32)
  
• mali mal hal m'halmaz everyone is together (5:48)
  
• boujeloud solo drums (0:59)
  
• boujeloud (9:06)
  
• allah a mohamed el hub tenani allah and mohamed kiss my heart (3:23)
  
• boujeloud (5:34)
  
• joujouka ei calihoun/ t'werkia d'boujeloudia: aishi h'liba bab dar joujouka black eyes / boujeloud / wait while i open the door of the house (8:20)
  
• jewash halal/tweka miserisa (3:52)

nodern “nodern” compact disc

• nodern loves you (1:29)
  
• the meat in the street (3:10)
  
• fidelity guards (0:56)
  
• cool it (3:03)
  
• lockerbroom rumble (3:08)
  
• johnny 123 (3:21)
  
• bleak purple (4:34)
  
• thomas d playing synth (2:08)
  
• the coal mine worker (4:33)
  
• sharkface (1:26)
  
• letter puncture pnx pass (5:10)
  
• national republic of harelip (6:59)
  
• not down that alley (1:46)
  
• slave news (7:52)
  
• crutch receiver (1:22)

mitchell akiyama “small explosions that are yours to keep” compact disc

• strategies for combatting invisibility (5:37)
  
• but promise me (4:07)
  
• full then felt (6:27)
  
• your distance kept (4:42)
  
• through fall and flicker (1:54)
  
• small explosions that are yours to keep (7:18)
  
• suggestions for walking alone (2:54)
  
• contrapuntal lung apparatus (4:24)
  
• overhead then exit (6:15)
  
• with her shadow cast in doubt (4:42)
  
• ghost storms (5:34)

fanfare savale “speed brass of the gypsies” compact disc

• ciobnasul (1:26)
  
• hrpeasca (1:17)
  
• dansuursului (1:57)
  
• suita lui ernoe (2:54)
  
• ciocarlita (2:47)
  
• cantecul mirelui (3:58)
  
• sarba basilor (1:55)
  
• iahabibi (1:50)
  
• suita a lunelu (1:46)
  
• iuteala cprii (2:00)
  
• hora lunea mihai (2:21)
  
• hora lusofia (1:48)
  
• rumba lugeorgel (2:07)
  
• polca pe furate (1:05)
  
• petricuta (2:51)
  
• ce frumoasa esti (3:33)
  
• sarba de la chisinu (2:38)
  
• ruseasca ludrgoi (1:51)
  
• sarba lutractor (1:56)
  
• pe drumul romanului (1:58)

simon keep “interview with the eggs” compact disc

• hokkaido (parts 1-13)
  
  snow powder dust (3:44)
  snow glitch (0:58)
  recording silence (0:56)
  treated silence (2:25)
  snow drone: one (2:32)
  snow drone: two (2:32)
  snow cracks one (0:35)
  snow cracks two (1:09)
  snow cracks three (0:35)
  snow crunch bit (0:38)
  night outside cabin (3:40)
  cold wind (1:40)
  distant kushiro lights (1:59)
  
  
• zazen, listening to the room
  
  bell waves (1:05)
  bell two (1:55)
  zazen bell one (2:28)
  zazen bell two (1:05)
  untitiled process (0:56)
  listening to the room (3:53)
  
  
• interview with the eggs
  
  low eggs (0:48)
  treated steam (0:11)
  steam wheat one (0:28)
  steam wheat two (0:14)
  interview with the eggs (3:20)

tod dockstader “aerial #3” compact disc

• mutter
  
• wave
  
• descent
  
• dissent
  
• voicetrain
  
• howl
  
• surge
  
• wheeze
  
• cq
  
• jam
  
• bounce
  
• whisper
  
• oh
  
• stomp
  
• harmonic
  
• din
  
• pressure
  
• serious jig
  
• stream
  
• steam
  
• wait
  
• woo
  
• finale

henri pousseur “mixed music 1966-1970” compact disc

• crosses of crossed colors (1970)
  
• jeux de miroirs de votre faust (1977-67)

“tibetan and bhutanese instrumental and folk music” compact disc

• song with lute self-accompaniment
  
• song with lute self-accompaniment
  
• tuning of bhutanese lute
  
• lute solo
  
• whistle flute, played by gete dope
  
• folk-songs sung by droma, of talo
  
• folk-songs sung by droma, of talo
  
• folk-songs sung by trin lem, of tongsa
  
• folk-songs sung by trin lem, of tongsa
  
• pawo, oracles' dance and song, with pellet-drums
  
• tibetan dramnyen, 6-stringed lute, played by amanul, of lhasa
  
• ho-chin, 2-stringed fiddle, played by amanul
  
• tibetan minstrel, with small son, singing folk-songs from eastern tibet, self-accompanied by pi-wang, 2-stringed fiddle
  
• tibetan minstrel, with small son, singing folk-songs from eastern tibet, self-accompanied by pi-wang, 2-stringed fiddle
  
• folk-song sung by men from chhokhor in bumthang district, eastern bhutan
  
• uragi ache lhamo, women from ura in bumthang district, song with drum accompaniment.
  
• folk-song by men from nub, in tongsa valley
  
• folk-song by women from nub, in tongsa valley
  
• folk-song sung by tsewang lhamo, of paro
  
• ache lhamo, dance of goddess, from the drama, the life of king norzang, song with cymbal and drum accompaniment

tod dockstader “aerial #2” compact disc

• approach
  
• omaggioa fellini
  
• pipes
  
• orgal
  
• babbel
  
• yaya
  
• ba loon
  
• clocking
  
• wail
  
• bottom
  
• feeder
  
• spindrift
  
• surfer
  
• low roller
  
• still
  
• beating
  
• piccolo
  
• wire
  
• knock
  
• wah
  
• aah

“dada pansaers and correspondance 1917-1926” compact disc

• james ensor - speech given for his retrospective exhibition at the palais des beaux-arts in brussels 1929. (01:35)
  
• pierre bourgeois - clément pansaers 191 red roses (00:48)
  
• albert lepage - clément pansaers at diable au corps (rue aux choux) (00:46)
  
• pascal pia - clément pansaers and james joyce (02:15)
  
• louis aragon - i think of clément pansaers (02:57)
  
• philippe soupault - clément pansaers in paris (01:27)
  
• paul neuhuys - a letter by clément pansaers
  
• the opposition of the french dadaists (01:10)
  
• clément pansaers jr - clément pansaers my father (01:15)
  
• paul neuhuys - clément pansaers
  
• the last letters (02:25)
  
• paul neuhuys - about founding ça ira (03:36)
  
• franz hellens - tous les vents me traversent and testament (02:16)
  
• robert guiette - henri michaux and camille goemans (02:12)
  
• gabriel séverin - ecce homo by henri michaux (01:13)
  
• marcel lecomte - toward extra-literature (00:56)
  
• andré souris - correspondance (05:41)
  
• marcel lecomte - 1923 (02:08)
  
• marcel mariën - paul nougé
  
• his opposition to andré breton (02:49)
  
• andré souris - letter from paul nougé to andré breton (01:45)
  
• marcel mariën - a possible definition of paul nougé (01:03)
  
• paul nougé - correspondance (02:14)
  
• salvador dali - impressions on nougé and goemans (01:13)
  
• robert guiette - camille goemans (01:38)
  
• andré souris - camille goemans
  
• the surrealist man (07:50)
  
• marcel lecomte - aspects of surrealist aesthetics (00:58)
  
• andré souris - the event at the mercelis (11:02)

tod dockstader “aerial #1” compact disc

• song
  
• om
  
• rumble
  
• shout
  
• raga
  
• dada
  
• tremblar
  
• lala
  
• myst
  
• aw
  
• march
  
• harbor
  
• swell
  
• pulse
  
• second song

“an anthology of noise & electronic music • third a-chronology 1952-2004” double compact disc set

• bernard parmegiani de natura sonorum : matières induites (1975) 3:44
  
• hugh le caine short presentation of the 1948 sackbutthe sackbut blues (1953) followed by a noisome pestilence (1958) 3:25
  
• keith fullerton whitman / hrvatski stereo music for serge modular prototype (2003) 5:30
  
• ilhan mimaroglu the last largo (1989) 9:33
  
• michael j. schumacher room pieces excerpt (2003) 4:41
  
• justin bennett ovipool (2003) 3:25
  
• scott gibbons / lilith stone : reciprocal (1992) 3:30
  
• fred szymanski / modular flume (2003) 6:41
  
• francisco lopez untitled #148 (2003) 10:03
  
• zbigniew karkowski execution of intelligence (2004) 8:20
  
• masami akita / merzbow birds and warhorse (2004) 11:30
  
• michel chion requiem : dies irae (1973) 6:00
  
  
• erkki kurenniemi sähkösoittimen ääniä #4 + #1 (1971) 5:26
  
• carsten nicolai / alva noto time..dot (3) (2000) 4:26
  
• peter rehberg / pita early work 6 (1984) 3:00
  
• herbert eimert + robert beyer klangstudies ii (1952) 4:43
  
• günther rabl eve (1987) 6:00
  
• asmus tietchens teilmenge 35 c (2004) 4:40
  
• michael rother feuerland (1976) 7:20
  
• faust the faust tapes: untitled #16 + #17 (1973) 2:55
  
• to rococo rot contacte (2004) 4:30
  
• rune lindblad till zakynthos (op. 205) (1988) 13:39
  
• cm von hausswolff + erik pauser / phauss eternal love #3 (1993) 13:07

“early american minimalis: walls of sound ii” compact disc

• phillip glass - music in fifths (11:24) 1969
  
• steve reich - pendulum music (7:28) 1968
  
• terry riley - dorian reeds (32:02) 1964
  
• phillip glass - 1 + 1 (4:42) 1968
  
• steve reich - reed phase (14:26) 1967

zbigniew karkowski “one and many” compact disc

• one and many (40:50)

merzbow / kim cascone “rondo / 7phases / blowback” compact disc

• rondo (32:26)
  
• 7phases (16:28)
  
• blowback (1:48)

luc ferrari “les anecdotiques” compact disc

• ronda : spain : june 2001.
  
• plaza de toros : ronda. rebuilding of an arena.
  
• saint jean d'angélys : france. jully 2001. french actors try their clothes
  
• toscana sky : italy. august 2001
  
• superstrada n°2. toscana.
  
• a cyprès at sunset. toscana.
  
• mer d'eze. france. september 2001.
  
• les vendanges. saint-laurent d'eze : france.
  
• the ranch. texas usa : october 2001.
  
• chicago usa. octobre 2001. rehersal for a concert.
  
• harley davidson. texas. sunday ballad in a village.
  
• l'estaque : france. juillet 2002. sounds from lafarge cimentery.
  
• sea hole : trou de mer : l'estaque. juillet 2002
  
• la joliette. port de marseille. france. the works of the harbour
  
• the rove gates : les portes du rove. l'estaque.