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previous record label:
 straw 2 gold pictures 
there are 13 titles on streamline in stock.
they are listed below.
next record label:
 students of decay 
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threads:
modern-composition
minimalism-drones
playback-music
lo-fi
1970s-electronic

streamline (usa) #streamline 1030 cd

william basinskia red score in tile” compact disc

  • a red score in tile (45:05)
february 2011 release ; cd issue of this 1979 recording, issued in 2003 lp (orig. c/o andrew chalk & christoph heemann’s die stadt sub-label three poplars) ...

... as to the piece’s seemingly static, purely looped nature, here’s what it looks like, mathemagically ::


... you can clearly see some change / development in the waveform there ... but yes, largely a 20.39~ second loop of piano warble, repeated 132 times ...

i’ll count this as among my personal favorite of basinki’s work ; submit to it, or let it destroy you ...
streamline press release...

william basinski a red score in tile cd

street date feb. 22, 2011

originally released as a limited edition lp on the three poplars label in 2003, it is now available on cd for the first time ever.

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threads:
electro-acoustic-composition
musique-concrète
field-recordings
minimalism-drones

streamline (usa) #streamline 1029 cd

jim o’rourke / christoph heemannplastic palace people • vol. 2” compact disc

  • untitled (50:22)
july 2011 release ; ... second in this on-going series of collaborative works recorded in the early 90’s by christoph heemann & jim o’rourke, later conceptually aligned with the mythos of noel scottwalkerengel ...

... contrasting vol. 1’s “synth freakout” bluster entirely, this is instead a single, extended musique concrète piece (heavily reminiscent of luc ferrari’s later “east-west news” series of travelogue pieces) concerned with tape-slown ambiences, prickly percussive installations, and some lovely, reedy droning (the sound-sample covers most of that in roughly reverse order) ...

killer disc ; we’re all blessed if these issues of two-decade-old music continue to spring forth in regular intervals ...
streamline press release...

jim o’rourke & christoph heemann plastic palace people vol. 2 cd

july 19, 2011

the windows
are ringing.

shaking
ight-nites
for angels,

rattling throats
up and down
on a beam.

cooling
the hearts,
cooling the plasma,

keeping
ice junkies
packed hard
on a seam.


(n.s. engel)

produced by jim o’rourke and christoph heemann in aachen, germany 1992, mainly composed from field recordings and found sounds of all sorts. part of an ongoing process (and a real departure from the first album) : volume 3 is in preparation now ...

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threads:
electro-acoustic-composition
electro-acoustic-improvisation
analogue-synth
modern-composition
modern-psych
minimalism-drones
machine-music
live-electronic

 best of 2011 !!! 
streamline (usa) #streamline 1028 cd

jim o’rourke / christoph heemannplastic palace people • vol. 1” compact disc

  • untitled (1) (27:48)
  • untitled (2) (13:54)
  • untitled (3) (17:05)
february 2011 release ; “recorded and mixed 1991 in aachen, germany by christoph heemann and jim o’rourke” ; i’m somewhat baffled that ... in all of the semi/recent dips into jim’s tape-archive that this wasn’t one of the first to leave the gates !!!

three extended pieces of stasis-oriented electronic music, utilizing voice (tons of drone-singing) and analogue synth (the burble-oriented freakout at the end of the first needs to be heard to be believed ; so much so that i’ve given you a good chunk of it there in the sound-sample to your left) & traditional instrumentation (do i hear some ... accordion in there?) ; each using the same “rise to an early peak, secede, then rise again” form ...

a really great disc, esp. for vintage o’rourke & heemann heads (like myself) ; highly recommended !!!
streamline press release...

jim o’rourke & christoph heemann plastic palace people vol. 1 cd

street date feb. 22, 2011

an album of previously unreleased recordings that go back as far as 1991 when jim o’rourke had just graduated from music school and travelled to aachen, germany to meet christoph heemann — who had just set up his studio there. both the elvis messiahs — jim’s first band from school days — and christoph’s h.n.a.s. were in their final stages, and both collaborators felt the desire to explore different directions, drawing inspiration from their wide ranging musical interests and varying backgrounds. volume one presents an intense three-part journey, a mix of granular synthesis and concrete sounds, reshaped, reassembled:

but there was something high in the sky, swinging slowly down toward the mound. something globular that wore what looked like a shining crown and shook like a mound of jelly. nearer it came and nearer, swinging lower with each vibration of its circular bulk. it blazed suddenly into sharp visibility. it wasn’t a king, and it wore no crown. it was a floating spheroid, veined and translucent, filled with an intricate assortment of moving parts that gave off a continuous whirring sound...

more episodes of plastic palace people are forthcoming on streamline.

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first in stock on
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threads:
electro-acoustic-composition
sound-poetry
minimalism-drones

 best of 2010 !!! 
streamline (germany) #streamline 1027 lp

christoph heemann / jim o’rourke / lee ranaldobloomington, indiana b/w autumn” long playing record

  • bloomington, indiana (17:56)

  • autumn (17:09)
april 2010 release ; much-needed lp covering two separate, unreleased-until-now pieces from the early-mid-90s by christoph heemann & jim o’rourke ...

the first is an “i am sitting in a room” style distillation of lee ranaldo’s voice (even just a few minutes into the piece rendered into a string of broken phonèmes, sent packing through a long metallic tube) ; something of a master-class in voice-transformation (esp. given the crude nature of era digital processes ; hasn’t aged a day in almost 2 decades) even if lee’s delivery can leave you a bit cold ...

the second is a gloriously muted canon of cyclic electronic resonance and reed-organ / hurdy gurdy drones recalling both jim’s “happy days” set and christoph’s contemporaneous work (“aftersolstice”, specifically) that ranks as one of the most goddam heartbreakingly beautiful things i’ve heard from either ... at 17 minutes it’s way to short ...

i don’t know about you guys, but any newly-unearthed recordings from jim & christoph’s “classic era” are a serious cause-célèbre around here ; this one just “does it” for me on a bunch of levels (both nostalgic & future-oriented) & should be investigated upon post-haste ... lovely, extremely reasonably priced domestic lp issue btw (w/ all the trimmings) ; highly recommended !!!
streamline press release...
lee ranaldo / jim o’rourke / christoph heemann bloomington, indiana ... autumn lp

two side-long pieces from the early 90s released here for the first time ever.

part one, may 1994: lee ranaldo lends the voice and words of his “bloomington, indiana” piece to jim o’rourke and christoph heemann for a text-based collaborative composition that turns into an electroacoustic exploration making use of ranaldo’s voice exclusively.

a critic’s remark made after a first version of this piece was premiered at a sound art festival in the netherlands that same year: “rock and roll burnout syndrome goes whistling down a dark and lonely street,” still appears as peculiar as the piece itself.

part two: “autumn,” goes back further to the time when heemann and o’rourke produced several pieces for their plastic palace people project (of which more releases are in preparation now)...

well then – a painting or a piece of statuary is a thing outside the human life, your life. it is an emotional experience only. it has actually nothing to do with you yourself. you could live very well the rest of your life if you never saw it again, although you would remember it every now and then the ache would come again at the memory of it. but imagine a form of life, a culture, a way of life, a way you yourself could live, so beautiful that it made you ache just like the painting, but a thousandfold more so...


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first in stock on
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threads:
modern-psych
folk
guitar-themed
field-recordings
lo-fi
bedroom

 best of 2008 !!! 
streamline (usa) #streamline 1025 lp

red favoritered favorite” long playing record

  • starry sky
  • first
  • the storm watch
  • routine
  • green hill beach
  • flight
  • agrippina
  • taken in
  • cistern
  • wingshot
  • pallid
october 2008 release ; i absolutely love it when a bunch of different planets align & artists whom i know about through one channel get their work out through another entirely ...

in this case, northampton, ma’s jeremy pisani’s debut album here was initially released by ron “pewtr” schneidermann on his spirit of orr label up near brattleboro, vt ; a copy of which must have landed in the hands of christoph heemann, halfway around the world in aachen, germany, resulting in this lavish lp reissue on his streamline label (p&d’ed by drag city, hence the “domestic” price) ...

musically speaking, this is off down its own avenue entirely - a mix of variable-fidelity fingerstyle acoustic guitar pieces, found sound, and woozy, tape-hiss addled minimalist-inspired overdub-collages that are all extremely effective in invoking that rarified “private universe” vibe i’m always going on about ...

fans of the first few six organs records will find similar themes explored herein (albeit in totally different configurations) ; but the best comparison i can make (and the one that ties this streamline edition together) is to the andreas martin & christoph heemannlebenserinnerungen eines lepidopterologen” set ... highly recommended !!!
streamline press release...
red favorite, a cycle of compositions for guitars, electronics and voices created by jeremy pisani was first released as a limited edition cd on spirit of orr and is now offered, as it was originally conceived to appear, on an lp. for this new release, streamline has brought its mystery and magic to vinyl. each of the grooves resonates with an ageless quality; the sound of a man making music in the decayed isolation of his own company. just like it used to be 200 years ago, when records were really records! but seriously, red favorite is a fabulous trip. and it's a lot more than some 200 year-old piece of shit! this is tomorrow's sound, via yesterday — but here today.

he moved closer and looked through the peephole. and he saw: the world stretched out before him, a quiet and gentle space with a broad expanse of grass that practically glistened in its greenness. a sparkling brook ran through the meadow in the middle distance, and now he saw that the grass was dotted with the pale blue and soft yellow of many blooming flowers, which, half hidden in the grass, stared out at him like so many frightened eyes. on a distant hilltop stood a grove of small pink trees, covered and obscured by the astonishing pinkness of their blossoms. the world had a sense of freshness, as if it might only be minutes old -- washed clean by a careful springtime rain, dried and scrubbed by a solicitous breeze, burnished to its brightness by the rays of a gentle sun. it was an uncomplicated place, a very simple place. but what it had was quite enough; it had all it needed.


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$16.72

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first in stock on
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threads:
musique-concrète
electro-acoustic-composition
minimalism-drones
modern-composition
site-specific
field-recordings

streamline (germany) #streamline 1024 lp

andrés krausemove ground” long playing record

  • move ground • part 1 (18:38)

  • move ground • part 2 (20:43)
april 2010 release ; just gorgeous collection of interwoven musique concrète and stasis-field oriented electronic work from köln resident & composer andrés f. krause (whose name should be familiar from his excellent lucky kitchen disc & tonschacht single from the late 90s / early 00s) ...

using köln itself as an “orchestra,” krause deftly intermingles site-specific resonance recorded in & around acoustically “huge” spaces into a rising & seceding suite of narrative electronic music (yes, in classic “cinema pour l’oreille” fashion) that is both subtly engaging and quietly majestic ...

one of the finer takes on the “audio voyage” style in recent times, pressed up by the domestic arm of heeman’s streamline (meaning it’s a $16 full-color / high-spec lp, instead of a $32 b&w paste-on “import”) ... highly recommended !!!
streamline press release...
andrés krause move ground lp

the development and reproduction of new sound spaces, move ground is based on the soundtrack of an audio-visual installation of the same title which was premiered at the third horkunst festival in erlangen, germany in 2005. field recordings from locations with inspiring acoustic qualities in cologne were edited and mixed with select electronic sounds to create a sonic journey exploring varying external and internal spaces, providing an experience of the atmosphere and the spatial dimensions of the different locations.

move ground was recorded and mixed by andrés krause in 2004-2006.

from the top you can make out the wonderful and awesome sight of the plains that lie below, worn-out at the foot of the city. on the horizon tall brick chimneys, round and square, vomit billows of soot into the clouds, while little further down, barely passing over the flat roofs of workshops covered in bituminized felt and sheet-metal, whistling jets of white steam escape from thin aluminum flue-pipes... a great silence descends over the plain as the rumble of the city dies out little by little and the noise from distant factories reaches you but falteringly. sometimes, however, like a horrible complaint, you can hear the dull, raucous whistle of trains from the station as they pass, hidden by an embankment planted with acacias and ash trees... finally, in the distance, in the far distance, a large white road climbs a hill and looses itself in the sky, its summit crowned by a billow of dust, like a cloud stirred up by an invisible horse drawn cart, hidden by the curve of the earth.


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$19.49

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first in stock on
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threads:
minimalism-drones
modern-composition
electro-acoustic-composition
analogue-synth

 best of 2008 !!! 
streamline (germany) #streamline 1023 cd

jim o’rourkelong night” double compact disc set

  • long night pt. 1 (78:10)

  • long night pt. 2 (79:09)
august 2008 release ; epic long-form work by jim o’rourke, completed in 1990 and released here for the first time, 18 years later, by christoph heemann on his streamline label ...

dedicated to david behrman (in fact, “on the other ocean” isn’t such a bad a reference point here ...), “long night” consists of slowly mutating clusters of band-passed electronic tones in harmonically close combinations, yielding a tonal bed that’s consistently pleasant for the piece’s entire 157:19 (!!!) duration ...

of jim’s recently unearthed early 90s home tape-studio music (see: “6 oscillators” on no fun, “3 organs” on three poplars, etc ...) i’m going to place this on at the top of the heap, if only for the extended fidelity (clearly this was transferred & remastered for digital with love) and clarity of vision ...

long-term and recent converts to the long-form spec, this one comes highly recommended !!!

ps. as the standard 1:20 sound-sample really wasn’t going to do this one justice, i’ve put up a clean 6:00 segment nearing the end of the piece ... enjoy !!!
streamline press release...

long night, a 2 1/2 hour electronic drone work produced by jim o'rourke in 1990 around the time of his graduation from music school had been buried in the archives along with several other electronic music pieces jim had created before he went about to explore other musical territories. unearthed, remastered and now released for the first time, its ageless qualities shine as brightly as ever.

...the tower was not a tower; it was a needle. standing on top a high hill, it jabbed a finger heavenward. at the base it measured a good six feet across, tapering to a sharp point a hundred feet or more above the ground. it was of a rather nasty pinkish color and was made of a substance that appeared similar to the substance of which the cube had been constructed. plastic, he thought to himself, although he was fairly sure it was not plastic. when he laid his hand flat against its surface, he could feel a slight vibration, as if the wind out of the west, playing upon it, was causing it to vibrate along its entire length as a freestanding, tapering, most unlikely violin string would vibrate to the bow. it was not generally loud, although at times it became a little louder. despite the fact that more often than not it was a soft music, it had fantastic carrying power.


journey to the end of long night

out today, august 19th, is a new streamline release of, as mentioned above, a recording jim o’rourke made way back before you were born (again), though by the time he finished making it, whole families had probably been conceived. it’s just that epic! but seriously, jim rolled this work out over the course of one very long night in 1990 (the very night that gives this piece its title!). then he moved on and made another dozen records before the year was over — the kid was moving fast back in those days, and not just with the ladies.

like other pieces from the early years of o’rourke (tamper, anyone?), long night is a work of minimalism, and in fact, outright drone. truth be told, both cds of this double-disc release contain one single drone! admittedly, it wiggles all over the place, but it’s undeniable one long-ass tone doing it’s minimal thang. sure it could have been released in the early 90s — but who would have noticed? just a bunch of high-nosed aficionados of avant sounds and egg-headed academic types. by waiting until now, streamline is opening long night up to a whole new world of listeners born into a much more permissive time (in terms of music, that is — sadly, none of ‘em give a fuck without putting a sheet of plastic between ‘em — oh, for the days of truly free love!).

anyway, we’d like to congratulate streamline for taking the time to put this out, as it should definitely be heard, double-cd or no. and, show of hands here, who’s up for a triple-lp version?

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first in stock on
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threads:
modern-psych
minimalism-drones

streamline (usa) #streamline 1021 lp

little anniediamonds made of glass” twelve inch single record

  • diamonds made of glass
  • lullaby

  • diamonds made of glass (christoph heemann remix)
2001 release ; a pair of torch songs from “littleannieanxietybandez, replete with an extended electro-acoustic re-work by none other than christoph heemann ...
streamline press release...
little annie (a/k/a annie anxiety bandez) is known for her own records and collaborative work with adrian sherwood, keith leblanc, crass, coil and nurse with wound. this, her first release of all-new material in a number of years, includes songs written in collaboration with larry t. and joseph budenholzer, and a remix by christoph heemann. it marks a change of direction for her....

her voice touched something immeasurably old in him, something that slept deep. it lulled the surface parts of his consciousness to sleep, allowing what was far more ancient to awaken. like the town, with its elaborate pretense of modern active life, the upper layers of his being became dulled, soothed, muffled, and what lay underneath began to stir in its sleep. the big curtain swayed a little to and fro. presently it might lift altogether....



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$8.41

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threads:
modern-psych
minimalism-drones

streamline (germany) #streamline 1021 cd

little anniediamonds made of glass” compact disc single

  • diamonds made of glass (5:19)
  • lullaby (3:45)
  • diamonds made of glass (christoph heemann remix) (9:52)
2001 release ; a pair of torch songs from “littleannieanxietybandez, replete with an extended electro-acoustic re-work by none other than christoph heemann ...
streamline press release...

little annie (a/k/a annie anxiety bandez) is known for her own records and collaborative work with adrian sherwood, keith leblanc, crass, coil and nurse with wound. this, her first release of all-new material in a number of years, includes songs written in collaboration with larry t. and joseph budenholzer, and a remix by christoph heemann. it marks a change of direction for her....

her voice touched something immeasurably old in him, something that slept deep. it lulled the surface parts of his consciousness to sleep, allowing what was far more ancient to awaken. like the town, with its elaborate pretense of modern active life, the upper layers of his being became dulled, soothed, muffled, and what lay underneath began to stir in its sleep. the big curtain swayed a little to and fro. presently it might lift altogether....


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threads:
experimental-instruments
sound-art
free-improvisation
sound-installation
site-specific
modern-composition

streamline (germany) #streamline 1016 cd

limpe fuchsnur mar mus” compact disc

  • ton (1:28)
  • dru (3:01)
  • mus (7:35)
  • nur (6:44)
  • nop (1:44)
  • mit (1:57)
  • hau (4:46)
  • kra (2:33)
  • did (4:27)
  • zug (5:28)
  • mar (13:14)
september 1999 release ; excellent collection of site-specific recordings of compositions by anima collective (see the “anima~sound” reissue on alga marghen for a treat) member limpe fuchs, largely incorporating her various self-built instruments (with names like serpentinit stones & ballaststrings) as well as traditional instrumentation (kettle drums, percussion, strings) and naturally-occurring sounds (dripping water, etc) ...

... those that have been digging the moniek darge reissues on kye, this describes a similar landscape ...
streamline press release...

it is no exaggeration to say that limpe fuchs' musical creations really have a life of their own, whether the sounds are produced by conventional instruments, vocal chords, or even from objects she found or constructed specifically for that purpose. her music is characterized, especially when she is playing the ballastring instruments, by the reverberating humming of the strings, rich in overtones, and by the mysterious echoes emanating from stones.

for limpe fuchs, music means setting out on a joyous journey of discovery. she is not afraid to leave firm ground behind and thus, by avoiding rigidity, preserves the vitality of her music. this particularly comes across when collaborating with other musicians, whether improvising freely or on a given theme. her music makes us sit up and listen, and at the same time enriches us, for only when we have learnt how to listen can we really appreciate the true nature of things.

- michael montgomery


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threads:
electro-acoustic-improvisation
minimalism-drones
modern-psych
analogue-synth
guitar-themed
1980s-electronic

 best of 2007 !!! 
streamline (usa) #streamline 1014 cd

mimirmimir (1st)” compact disc

  • entrance • escalator • window (24:27)
  • smashed (7:54)
  • curtain • december 3, 1989 (8:47)
  • december 2, 1989 • air (25:25)
  • evening (7:00)
2007 release ; reissue of the debut album from mimir - at this stage a quartet involving christoph heemann & andreas martin, edward ka-spel, and silverman - originally issued by the flabbergast label as a cd and double lp in 1990 / 1991, respectively ...

people tend to rep the o’rourke-era mimir sides as their defining moments, but i ride quite hard for this early statement, hinging largely on heemann’s contributions ...
streamline press release...

a completely remixed / reworked version of the first mimir album which was originally recorded between 1989 / 90 and released in 1991 : edward ka-spel, andreas martin, silverman and christoph heemann concentrate on a variety of analog synths and krautrock guitars.

...immediately after he caught sight of the lights marking the town, he pressed the ejection button and felt himself flung upward with a greater violence than he had expected. for a moment he was enveloped in darkness; then, as his body spun, he saw the lights of the town again. his fall was slackening and suddenly, as the chute popped open to its full extent, he was jerked sidewise and began swinging in wide arcs. an updraft caught the chute, forcing it back toward the looming peaks and slowing the swinging; but in a moment it slid out of the updraft and was floating smoothly downward.


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threads:
modern-psych
musique-concrète
electro-acoustic-composition
electro-acoustic-improvisation
1980s-electronic
analogue-synth
guitar-themed

streamline (germany) #streamline 1013 cd

h.n.a.s.im schatten der möhre” compact disc

  • part 1 (21:31)

    motorbeine (du geiles luder)
    ganz unverbindlich
    poppelsdorfer sequenzen / lottoglück unt with cannons
    bobbejaanland

  • part 2 (22:33)

    erst geht die kuh..
    im land der möhre
    die nacht der grünen götterspeise
    dicke leut’, dünne leut’
    happy end im hofbräuhaus
march 2002 release ; cd issue the classic 1987 h.n.a.s. album (their fourth) as reissued by band-member christoph heemann ...

this ones covers bunch of ground, from gnarly synth-work, blasted guitars (c/o andreas martin), & the occasional bereft torch-song, all housed in a pristine late-80s electro-acoustic sound-field ... rather than run it all down, i’ll just give you a nice, extended sound-sample of the album’s second-side apex ...
streamline press release...

the long awaited cd issue of the long-deleted and sought after fourth h.n.a.s. album. a few months after the original lp version appeared on dom in june 1987. reissues of the other hnas albums are in preparation featuring remastered versions of the original tapes and faithfully restored original artwork.

late 80s euro-psych relic, remastered to sonic perfection! psychedelic, like nurse with wound psyhedelic, from germany’s most bizarre underground terrorists – featuring christoph heemann and andreas martin – even the artwork oozes freakish tonalities that beckons one hither.

recorded at artlos studio, aachen, 1986/87. originally released on lp (dom, 1987).

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threads:
electro-acoustic-improvisation
modern-psych
minimalism-drones

 best of 2007 !!! 
streamline (usa) #streamline 1001r cd

mimirmimyriad” compact disc

  • mimyriad (1) (4:58)
  • mimyriad (2) (14:51)
  • mimyriad (3) (3:38)
  • mimyriad (4) (4:30)
  • mimyriad (5) (5:00)
  • mimyriad (6) (5:21)
2007 release ; reissue of the 2nd album by mimir; a super-group of sorts consisting of christoph heemann & andreas martin, edward ka-spel, silverman, and (debuting on this album) jim o’rourke ...

a single extended piece in distinct episodes (ala the hafler trio) taking in cues from all over the stylistic map (musique concrète, avant-folk, field recordings, psychedelic synthesizer weirdness, drones, etc... ) ; one of my favorite albums from this clique, extremely glad to have it back in print & accessible to future-generations ...
streamline press release...

jim o'rourke first joined mimir for mimyriad in 1992. it was completed and released as the first streamline cd in 1993. in 1998, a radically remixed and re-edited version was issued as a limited edition streamline lp. this new cd release contains a re-mastered version of the mimyriad lp material and comes in a reworked and updated package

...peering down, he tried to gauge how close he might be drifting to solid ground, but the darkness made it impossible to judge. he found himself tensing, then consciously willed himself to relax. when he hit, he had to be relaxed. the spatter of brilliance that was the space port was almost dead ahead. a blackness intervened to shield out the spaceport lights and he hit the ground, knees buckling under him...


previous record label:
 straw 2 gold pictures 
...and that's everything on streamline in stock.
(why not take a look at the previous and next labels?)
next record label:
 students of decay 
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