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previous record label:
 static aktion 
there are 36 titles on staubgold in stock.
they are listed below.
next record label:
 stephen kasner 
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$15.13

back in stock as of
august 22nd, 2008

first in stock on
october 31st, 2007


threads:
modern-psych

staubgold (germany) #staub 079 cd

suni’ll be the same” compact disc

  • mosquito (4:55)
  • bruise things (3:57)
  • help yerself (6:36)
  • right now (5:49)
  • soul pusha (4:28)
  • smile (7:29)
click the play button to hear an excerpt of "help yerself"
german / staubgold version (previously i’ve had the australian / preservation pressing) of oren ambarchi & chris townend’s 2nd album as sun.
staubgold press release...
staubgold 79 sun - "i'll be the same" cd

staubgold is proud to present "i'll be the same", the second recording from australian duo sun.

sun is the coupling of sound artist oren ambarchi and musician-producer chris townend. the pair have been kindred spirits for many years, with townend being a sensitive and crucial ear in engineering ambarchi's landmark solo recordings.

it was their shared love for expansive pop that led them to their first musical collaboration together as sun, released on staubgold in 2003 (staubgold 39 2cd/2lp). the self-titled debut was a laidback delight of many melodic charms and artful creation, as sweet as it was wry in its lyricism.

those trademarks continue with "i'll be the same", though the songs here are more freewheeling pleasures where an unaffected sense of experimentalism breezes in. there's a special kind of warmth to "i'll be the same" that feels easy, a reflection of the state of play when these two come together. and with ambarchi now residing in melbourne and townend's imminent move to tasmania, along with multiple touring and recording commitments for both, really the only thing about sun that isn’t easy is finding the time to make it happen.

"i'll be the same" is finally a beaming signal of more to follow.

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new to stock as of
october 1st, 2007


threads:
modern-psych
modern-composition
free-improvisation

staubgold (germany) #staub 078 lp

alejandro franovkhali” long playing record

  • micerino alap (1:35)
  • micerino tema (2:43)
  • shumba (4:26)
  • gandanga (2:39)
  • pasando el mar (3:40)
  • khali (2:07)
  • sumatra (6:24)
  • luxor (4:15)
  • isis (3:09)
  • nyamaropa (4:02)
  • sudan (8:05)
  • cuentos (2:48)
  • karigamombe (4:32)
staubgold press release...
staubgold 78 - alejandro franov - "khali" cd/lp

argentinian songwriter and multi-instrumentalist alejandro franov is one of the key figures of the alternative folk and world music scene of his country, brought to worldwide critical acclaim by singer/sonwriter and actress juana molina. franov collaborated with juana molina on three of her albums, "segundo" (2000), "tres cosas" (2002) and "son" (2006). with "khali" staubgold is proud to present his first worldwide release, after five solo albums which have only been released in south america and japan.

"khali" which is mainly based on three instruments - the african mbira, the paraguayan harp arpa and the indian sitar - is the result of franov's studies in african and arabic music, especially the music of the shona from zimwbabwe. he carefully combines these unique instruments with percussion, voices and minimal electronics in order to create a comfortably floating stream of world music in the purest sense, hardly relating to any certain country or region.

on the one hand "khali" is the name of the croatian island where franov's grandfather was born, on the other hand it's taken from the tabla rhythm cycle of hindustani music, and it's the name of a hindu goddess.

born in 1972, today alejandro franov is one of the most important musicians in argentina. his unique musical talent has attracted many artists and led to collaborations with juana molina, liliana herrero, fernando kabusacki, mono fontana, santiago vasquez, seiichi yamamoto (rovo, ex-boredoms), yuji katsui (rovo), kama aina and many more.

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october 1st, 2007


staubgold (germany) #staub 078 cd

alejandro franovkhali” compact disc

  • micerino alap (1:35)
  • micerino tema (2:43)
  • shumba (4:26)
  • gandanga (2:39)
  • pasando el mar (3:40)
  • khali (2:07)
  • sumatra (6:24)
  • luxor (4:15)
  • isis (3:09)
  • nyamaropa (4:02)
  • sudan (8:05)
  • cuentos (2:48)
  • karigamombe (4:32)
staubgold press release...
staubgold 78 - alejandro franov - "khali" cd/lp

argentinian songwriter and multi-instrumentalist alejandro franov is one of the key figures of the alternative folk and world music scene of his country, brought to worldwide critical acclaim by singer/sonwriter and actress juana molina. franov collaborated with juana molina on three of her albums, "segundo" (2000), "tres cosas" (2002) and "son" (2006). with "khali" staubgold is proud to present his first worldwide release, after five solo albums which have only been released in south america and japan.

"khali" which is mainly based on three instruments - the african mbira, the paraguayan harp arpa and the indian sitar - is the result of franov's studies in african and arabic music, especially the music of the shona from zimwbabwe. he carefully combines these unique instruments with percussion, voices and minimal electronics in order to create a comfortably floating stream of world music in the purest sense, hardly relating to any certain country or region.

on the one hand "khali" is the name of the croatian island where franov's grandfather was born, on the other hand it's taken from the tabla rhythm cycle of hindustani music, and it's the name of a hindu goddess.

born in 1972, today alejandro franov is one of the most important musicians in argentina. his unique musical talent has attracted many artists and led to collaborations with juana molina, liliana herrero, fernando kabusacki, mono fontana, santiago vasquez, seiichi yamamoto (rovo, ex-boredoms), yuji katsui (rovo), kama aina and many more.

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$15.13

back in stock as of
august 22nd, 2008

first in stock on
october 1st, 2007


staubgold (germany) #staub 077 lp

kammerflimmer kollektiefjinx” long playing record

  • palimpsest (6:27)
  • jinx (7:20)
  • live at the cactus tree motel (4:14)
  • gammler, zen & hohe berge (3:55)

  • both eyes tight shut (3:26)
  • jinx (version) (7:10)
  • nest (2:26)
  • subnarkotisch (10:46)
staubgold press release...
staubgold 77 - kammerflimmer kollektief - "jinx" cd/lp

whispering, a laid back pop rhythm and something that sounds like an overwound gramophone – thus begins "jinx", the new album by the kammerflimmer kollektief. recorded by tobias levin at electric avenue studio, it is their sixth longplayer.

this band is still a "collective", although within the last years and extensive touring through europe, a group of three core members emerged from the original line-up: thomas weber (guitar, electronics, piano), heike aumüller (harmonium, vocals, synthesizer, percussion) and johannes frisch (double bass and percussion).

the eight songs on "jinx" leave the wide-screen cinemascope soundscapes of the previous albums behind. with their serenity, these songs sound almost like a sediment of the band's earlier approach. this becomes evident in a track like "nest" (which is reminiscent of the folk-jazz-approach of early pentangle albums), or the beautifully minimalist yet very touching country-epic "live at the cactus tree motel".

faced with this music, the usual groping for stylistic comparisons and genre attributions appears more helpless than ever. this is mainly due to the focused use of instrumental improvisation on this album. in their dialogue with the sound impulse, the musicians re-endow data folk with a body and electronic music with its metaphysics. this becomes evident in both the title track and in "both eyes tight shut", where in a repetitive swing heike aumüller's voice persistently fishes half-words from the vortex of sound particles.

in "gammler, zen & hohe berge", a tiny echo from the beat on a small wood block which is electronically slowed down, dies away. time drips through the spheres, quietly. this is not an escape into esotericism but rather the attempt at reflection and clarification, a catharsis somewhere between a constructed reality and karma.

jinx – the mythological bird that heralds bad luck - comes to you when you return from the quest for happiness in the computer game world of virtual identities. with "jinx", the kammerflimmer kollektief has created a touching soundtrack for these moments – when you leave the simulated wonderworld of commerce like "second life", when you log off your atavar and suddenly find yourself confronted with the disdainful universality of your own thinking.

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october 1st, 2007


staubgold (germany) #staub 077 cd

kammerflimmer kollektiefjinx” compact disc

  • palimpsest (6:27)
  • jinx (7:20)
  • live at the cactus tree motel (4:14)
  • gammler
  • zen & hohe berge (3:55)
  • both eyes tight shut (3:26)
  • jinx (version) (7:10)
  • nest (2:26)
  • subnarkotisch (10:46)
staubgold press release...
staubgold 77 - kammerflimmer kollektief - "jinx" cd/lp

whispering, a laid back pop rhythm and something that sounds like an overwound gramophone – thus begins "jinx", the new album by the kammerflimmer kollektief. recorded by tobias levin at electric avenue studio, it is their sixth longplayer.

this band is still a "collective", although within the last years and extensive touring through europe, a group of three core members emerged from the original line-up: thomas weber (guitar, electronics, piano), heike aumüller (harmonium, vocals, synthesizer, percussion) and johannes frisch (double bass and percussion).

the eight songs on "jinx" leave the wide-screen cinemascope soundscapes of the previous albums behind. with their serenity, these songs sound almost like a sediment of the band's earlier approach. this becomes evident in a track like "nest" (which is reminiscent of the folk-jazz-approach of early pentangle albums), or the beautifully minimalist yet very touching country-epic "live at the cactus tree motel".

faced with this music, the usual groping for stylistic comparisons and genre attributions appears more helpless than ever. this is mainly due to the focused use of instrumental improvisation on this album. in their dialogue with the sound impulse, the musicians re-endow data folk with a body and electronic music with its metaphysics. this becomes evident in both the title track and in "both eyes tight shut", where in a repetitive swing heike aumüller's voice persistently fishes half-words from the vortex of sound particles.

in "gammler, zen & hohe berge", a tiny echo from the beat on a small wood block which is electronically slowed down, dies away. time drips through the spheres, quietly. this is not an escape into esotericism but rather the attempt at reflection and clarification, a catharsis somewhere between a constructed reality and karma.

jinx – the mythological bird that heralds bad luck - comes to you when you return from the quest for happiness in the computer game world of virtual identities. with "jinx", the kammerflimmer kollektief has created a touching soundtrack for these moments – when you leave the simulated wonderworld of commerce like "second life", when you log off your atavar and suddenly find yourself confronted with the disdainful universality of your own thinking.

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$14.96

back in stock as of
january 25th, 2008

first in stock on
april 27th, 2007


threads:
electro-acoustic-composition

staubgold (germany) #staub 076 cd

thilgesla double absence” compact disc

  • izdiucz (5:25)
  • hig (4:58)
  • mehraban bash (4:03)
  • neba'h (6:26)
  • oudische (4:55)
  • izdiucz radio edit (4:09)
  • ayn (3:25)
  • vãlkische (4:48)
  • hijaz on d (5:03)
staubgold press release...
staubgold 75 - thilges - "la double absence" cd

thilges (sometimes known as thilges3) are austrians gammon (bass, drums, guitar, electronics) and nik hummer (trautonium, synth, programming) and this is their second full-length release on staubgold after their die offene gesellschaft release in 2002.

la double absence is western experimental music meets oriental art music. the ensemble emerged in 2003, when thilges was commissioned by the renowned music promoter jeunesse to make a composition. the track "izdiucz" is characteristic of this release: in arabic, this term describes the fusion of two different materials, and stands for breaking down cultural barriers, and certainly the guest artists on this recording are emblematic of that.

the persian vocalist zohre jooya is a widely known interpreter of persian and afghan music, and asim al-chalabi who composed the tracks with thilges is regarded as grandmaster of the oud in the arabic world. also appearing on this cd is american viola player eyvind kang.

for la double absence a specific, new way of playing had to be developed; some pieces are completely notated, others are improvised. the music is based on magams, traditional arabic scales, that were assigned to particular musicians. for this, thilges invited some of austria's most approved musicians for guest performances: franz hautzinger (zeitkratzer, comforts of madness) and peter rosmanith (otto lechner ensemble), who contribute trumpet and percussion parts. patrick pulsinger is responsible for the mastering of the record.

la double absence offers everything a good pop record asks for: catchy melodies, complex rhythms, and a downright atmospheric density. the music is about bacchanal, melancholic, and difficult situations, thus simply about life. this is international music; timeless, beautiful, meditative, and complex. thilges has been one of austria's standard bands for sophisticated experimental and electronic music for a long time, and you can see why.

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back in stock as of
january 25th, 2008

first in stock on
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threads:
electro-acoustic-composition

staubgold (germany) #staub 075 cd

reubersudpol” compact disc

  • altweiber (3:46)
  • amundsen (4:21)
  • dominique-b (3:13)
  • tausendnadelwind (4:00)
  • tagebuch (3:42)
  • auf auf (3:15)
  • nach vorn' (3:26)
  • südpol (4:40)
  • sonnenbad (3:47)
  • steppengraskrieger (12:03)
staubgold press release...
staubgold 75 - reuber - "südpol" cd

cologne electronic musician reuber (one half of the duo klangwart, along with markus detmer) presents his fourth album on staubgold, südpol (trans. "south pole").

reuber creates unusual electronic pastiches that weave a massive selection of esoteric and unexpected samples into a stunning, vibrant patchwork that constantly pulls in different directions. much in the same way that reuber so successfully welded image with associative sounds and sequences from various different musical contexts on his previous release, kintopp, reuber's instinct for unusual juxtapositions goes well beyond the postmodern irony of incorporating aboriginal music into a psychedelic techno collage -- he has a true ear for combinations that work.

much like shifting curtains of the aurora australis, südpol is cosmic.

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back in stock as of
october 1st, 2007

first in stock on
august 9th, 2007


threads:
modern-psych
beat-research

staubgold (germany) #staub 073 cd

to rococo rottaken from vinyl” compact disc

  • mit dir in der gegend (6:56)
  • autoachmittag (5:01)
  • schon sehr viel teleoniert (3:18)
  • jackie's dream (3:58)
  • she understands the dynamics (4:52)
  • rebound (2:17)
  • telema langs (2:58)
  • telema (3:42)
  • days (3:41)
  • hotel morgen (3:55)
  • days between stations (4:16)
  • gelb (3:59)

  • video : telema
staubgold press release...
staubgold 73 - to rococo rot - "taken from vinyl" cd

12 rare vinyl-only tracks taken from their out-of-print releases on fat cat, sub pop, domino and city slang plus the video of "telema" directed by sebastian kutscher. comes in 6-pages digipak with extensive linernotes.

that magic moment when the needle sinks into the groove...

flashback: in 1924, bauhaus-artist laszlo moholy-nagy attacked the surfaces of shellac discs by manually engraving them with alphabetic characters. this "ritzschrift abc" ("scratched writing abc") made the needle jump, thus generating unpredictable sequences of sound, which were to create a new form of music. this was the first time that the record became an instrument and its original function as a storage medium for sound was expanded to a medium of their creation.

almost right from its beginnings, the record was a medium which was used and interpreted in many different ways. and if one thinks of all the other forms that were developed over the years, such as picture discs, shaped vinyl, dubplates, coloured vinyl, audiophile editions and lots more, it becomes evident that the record has acquired a cult which goes far beyond its practical value.

during its history, the record has been complemented by other sound storing media. many of those are still in use, whereas others – like wax cylinders, wire or floppy discs – are now on display in museums.

maybe it was just a coincidence that the first artistic statement of to rococo rot in 1995 had been a sound installation, in which record players were driven by power drills. the dubplates specially produced for this occasion were played both ways. a short time later, their first album was released by kitty-yo as a picture disc.

like many others, to roroco rot have approved of and used all kinds of existing sound storage media. as their music is addressed to everyone everywhere, it requires many different formats to transport the music to the diverse places and to make it audible there. for example, in the nineties, they produced tape editions of their albums for the east-european countries.

some of the tracks you will hear on this cd are taken from 12" eps, which had been produced for experimental and ambient-orientated clubs (many of which have since ceased to exist, and the remaining clubs no longer possess the vibrancy they had in the nineties). also, the role of the single as the "herald" announcing an album has substantially changed.

this compilation cd is an assortment of out-of-print-tracks, which hitherto had been available only in vinyl format. mostly, they are exclusive, one-off contributions to compilations and commissioned by labels such as fat cat, sub pop, domino or city slang.

during the last years, the number of requests for this material has steadily increased, which led to the decision to make some of those tracks available again. reissuing them in their original format would have been unfeasible for financial reasons. and besides, not everything has to exist permanently.

the majority of the tracks on this cd has been remastered from vinyl in order to retain a few traces of the original's sound. and some of the old dat- and adat-tapes couldn't be located anyway.

the compilation "taken from vinyl" is also a view on the last eleven years during which to rococo rot played together. in the time that stretches between their latest album ("hotel morgen"/domino, 2004) and their forthcoming album – which can not be expected before 2008 – to rococo rot have decided to offer and share this overview. it provides the opportunity to re-visit things said a long time ago, to listen to them in the present and to see, what it is that this music – which creates itself within the moment – rears itself on today. so please feel free to draw no line between the past and the future, between the music that has been made and the music that is to be. all is constantly moving.

the next album will again be released on domino and in vinyl format.

(stefan schneider / to rococo rot, september 2006)

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first in stock on
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threads:
contemporary-classical
electro-acoustic-composition

staubgold (germany) #staub 071 cd

paul wirkusdéformation professionnelle” compact disc

  • view finder (6:16)
  • kocham (4:47)
  • valore energetico (5:55)
  • dog after flight (4:20)
  • nie kocham (3:05)
  • exoten (2:19)
  • déformation professionnelle (3:41)
  • 1964 (4:18)
  • erineru (3:27)
  • terres fortes (7:38)
staubgold press release...
staubgold 71 - paul wirkus - "déformation professionnelle" cd

when paul wirkus' previous album "inteletto d'amore" came out on the quecksilber label two years ago, for the wire magazine it was the most engaging and fully formed work in the field of glitchology to that date.

"what makes wirkus such a master is his ability to show enough of the source material to allow the listener to follow the narrative journey of its processing, and to fit the digital shards and splinters which result into the music's total perspective", keith moliné wrote. "he never once falls into the trap of believing that it's only in this digi-scree that the art happens."

all this can also easily be said about the polish musician's and cologne resident's new work "déformation professionnelle". but that's just half the truth. wirkus has gone a big step further. the glitch still forms the basis, but the result is much more song-structured than before, further emphasizing this sound artist's unique narrative qualities. there's hardly any programming here, with most of the tracks directly recorded live onto dat without overdubs. melody has become the main focus.

wirkus' background as an improvising percussionist still informs the pointillist perfection of his output, developed through a series of solo albums and extremely varied collaborations with barbara morgenstern and stefan schneider (mapstation) as september collective and the free jazz trio with kammerflimmer kollektief's johannes frisch and mikolaj trzaska. his previous musical history includes performances with polish punk group karcer and late '90s post-rock group mapa, which may account for his favouring a live, lo-fi approach to recording.

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back in stock as of
january 25th, 2008

first in stock on
september 6th, 2006


threads:
electro-acoustic-composition
electro-acoustic-improvisation

staubgold (germany) #staub 069 cd

rafael toralspace” compact disc

  • space part i
  • space part ii
  • space part iii
click the play button to hear an excerpt of "space part iii"
finally back in stock !!! - although the lovely plastified digipack edition has now been replaced with a slightly more utilitarian jewel-case. still; one of the records-of-the-year for me...

september 2006 release from mr. toral; his first record in quite some time; always a cause for celebration! nary a guitar to found within; but ah, everyone needs to move on every now & then...

here rafael is concerned more with electronics; i’m assuming the lion’s share of the music herein was created in a similar fashion as his recent liveshows... when we shared a bill in lisbon in october 2005, rafael was at that point using a combination of both the battery-powered amps/microphone feedback system and a tiny 4/5-module doepfer mini-modular (out of which he coaxed the most unbelievably rich array of squawks...)
staubgold press release...
rafael toral: modified ms2 pocket amplifier feedback with light-controlled filter / amplified coil spring percussion / gloves and theremin-controlled computer sinewaves / theremin-controlled white noise generator / delayed feedback empty circuit with joywtick-controlled filter modulation / joystick-controlled sawtooth pulse bass resonance / pure and filtered sawtooth oscillator pulses / random pulse width modulation oscillator.
faia mariam: alto trombone.
sei miguel: pocket trumpet

...

"space", the new album by rafael toral, marks a radical change in his music after 15+ years of accomplished work on guitar and electronics. "the future perspectives of my former approach to music were threatening to become a comfortable, formulaic 'modus operandi'. it would be against my nature to accept such a development, so i serenely decided to terminate it."

it took him three years to find his way into a complete renovation of his music: "for a new endeavor i needed new information, and i discovered that the field of knowledge in music that i had most to learn from was jazz. there is a long line of connections and fusions between jazz and electronic music, and i envisioned that a step beyond would not be more jazz with electronics, but on electronics." it may sound exaggerated, but this sounds like the blueprint for a new approach to both jazz and electronics with a single stroke.

in his emerging new conception of electronic music, toral looks to the value of human performance while sharing values from jazz culture. his playing is "articulated with a kind of individual decision, a sense of phrasing and a sensibility to rhythm and form that have little in common with the types of electronic music we know". quoting sei miguel, he says it's "not composed, not improvised, and not a compromise between the two".

in recent years, rafael toral has been developing and performing solo concerts on his instruments (modified or custom-built electronic devices) in a field of work he calls the "space program". he slowly merged hours of live and studio recordings into "space" (the program's first release), which is no less than a full orchestra of such instruments. the result suggests that the expression "space-jazz" was invented before the music it would describe best.

the "space program" is a vast and ambitious undertaking, featuring two parallel series of record releases: "space elements" - centering each volume on a certain instrument, while adding few others and featuring collaborations; and the "solo series" - documenting solo performance on various instruments. the album "space" belongs to none of the series. it is the "space program's" fundamental release.

rafael toral was considered in the 1990s "one of the most gifted and innovative guitarists of the decade" (chicago reader). he has collaborated with jim o'rourke, john zorn, alvin lucier, evan parker, david toop, sonic youth, fennesz and many others, having played across europe and the us, canada and japan. he's a member of the electronic orchestra mimeo, alongside keith rowe and peter rehberg, and continues his long-term work with sei miguel.

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back in stock as of
october 1st, 2007

first in stock on
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threads:
musique-concrète
modern-psych
electro-acoustic-composition
digital-musics

staubgold (germany) #staub 068 cd

leafcutter johnthe forest and the sea” compact disc

  • let it begin (5:54)
  • maria in the forest (7:07)
  • dream states i (2:49)
  • dream states ii (1:57)
  • dream states iii (3:00)
  • in the morning (6:50)
  • seba (3:51)
  • go back (6:42)
  • now (5:30)
staubgold press release...
staubgold 68 - leafcutter john - "the forest and the sea" cd/lp

leafcutter john is london-based john burton, and this is his first release on the staubgold label. since his debut on planet mu records in 2000, burton has developed a strong musical identity using processed instrumental and environmental recordings. the forest and the sea features a dynamic hybrid of electronic and acoustic songs. telling a true story, the compositions are bound together by a meticulous narrative enriched by haunting vocals and traditional instrumentation. both story and field recordings were constructed and gathered in various locations including greece, sweden and the united kingdom.

this journey reveals john's musical kaleidoscope and his consolidated approach to songwriting, field recordings and electronics. a significant development from john’s earlier works, he manages to produce seamless transitions between electronics and songwriting. the end result is the creation of a new, all-encompassing genre. the list of guests includes drummer seb rochford and bassist tom herbert from mercury music prize nominees polar bear — of which john is a fulltime member. additional vocals are provided by leo chadburn aka simon bookish, and alice grant.

burton is an accomplished remixer, having worked on projects for nettle (dj rupture), µ-ziq/speedy j, electric company, badly drawn boy and capitol k, amongst others.

the housebound spirit (planet mu, 2003) won an honorary mention at the 2004 ars electronica prestigious awards and was featured on the wire's top 50 records of 2003.

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october 1st, 2007

first in stock on
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threads:
modern-psych

staubgold (germany) #staub 067 cd

the no-neck blues band / embryoembryonnck” compact disc

  • wieder das erste mal (9:28)
  • five grams of the widow (2:39)
  • after marja´s cats (5:03)
  • frank cologne (1:42)
  • die farbe aus dem all (5:32)
  • zweiter sommer (6:54)
  • das erste mal (13:20)
staubgold press release...
staubgold 67 - no-neck blues band and embryo - "embryonnck" cd/lp

the cd version includes a 24-pages booklet with photos and linernotes, the limited vinyl edition comes in heavy cardboard sleeve with poster and inserts.

"the greatest band ever in the history of the universe." (sonic youth on the no-neck blues band)

new york mavericks no-neck blues band and munich-based krautrock band embryo explore the indigenous urban music phenomenon on this, their debut collaborative release. the no-neck blues band are one of the most enigmatic, mysterious, and defiantly anti-commercial groups to emerge from the new york loft scene during the '90s. the collective was formed in 1992 around a core of multi-instrumentalists who have stubbornly and admirably insisted on individual anonymity. incorporating elements of folk, drone, psychedelia, free jazz, noise, and just about everything else, nnck have nevertheless carved out a distinctive sound from complementary and disparate component elements.

one of the most original and innovative krautrock bands, embryo fused traditional ethnic music with their own jazzy space rock style. over their 30-year existence, during which christian burchard has been the only consistent member, the group has traveled the world, playing with hundreds of different musicians and releasing over twenty records. melding their wildly diverse forays into experimental, blues, middle eastern, turkish and african music, these two groups have since become brothers in unparalleled improvisatory spirit, and embryonnck is the fruit of that merge.

to quote christian burchard, "the nnck players were flying... little melodies we never had heard, different moods, rhythmic interplays, and in between the musicmaking it was like we had been together all the time."

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back in stock as of
october 1st, 2007

first in stock on
september 6th, 2006


threads:
digital-musics

staubgold (germany) #staub 066 cd

ekkehard ehlersa life without fear” compact disc

  • ain't no grave
  • frozen absicht
  • strange things
  • a second fire
  • die sorge geht uber den fluss
  • nie wieder schnell sagen
  • misorodzi
  • maria & martha
  • meeresbeschimpfung
  • o death
staubgold press release...
staubgold 66 - ekkehard ehlers - "a life without fear" cd/lp

no boundaries, please. we live in an age of parallel listening. history is stored in soundfiles, the needle being their connecting factor as it jumps from groove to groove. sound is information which will not be encumbered by time or space. search engines like google bear testimony to this. robert johnson, albert ayler, ekkehard ehlers - one click and you get thousands of hits. because of ehlers' ten-track-cd "plays" (released in 2002 as staubgold 30) they sometimes overlap. with these tracks, he paid homage to the famous delta bluesman and new york's cosmic and universal saxophone player among others.

after his preoccupation with schönberg, john cage, blissful techno and happy house, on "a life without fear" ehlers has been searching for a historic position. this serves as a reference which in turn encourages subjective formulations. in the blues, a world presumed lost or rather: the belief in a world presumed to be doomed manifests itself. chernobyl, 9/11, new orleans: like johnson, eddie "son" house or the other stray protagonists of the blues, ehlers has no intention to be an accomplice of present circumstances, nor does he want to be their vicegerent. in ehlers' music, it is rather a room for thought which is opened up by the sound of a guitar reverberating in an amplifier's speaker or the ascending overtone of a harmonica. it is about "a state of consciousness", as greil marcus put it in "mystery train" with regard to robert johnson, "a tension which arises when almost everything is tacitly implied, when the simplest words house the most evil secrets". the lyrics on "a life without fear" operate in the same way, but more often than not their narrative is fragmentary: "strange things are happenin'" – charles haffer jr.'s rendition of this sentence is not a bleary melancholic singsong but a study in alertness.

"approaching and translating" would be an apt description for the principle with which ehlers retraced the tracks of the blues. its roots are common knowledge, they can be found in the archives of john fahey and – most prominently – alan lomax, who with his field recordings began to conserve and therefore preserve the heritage of black america within the thirties – not as trophies to be hung in the living room of an "advanced civilisation" nor as radical chic, but as the expression of a folk music being "deterritorialized" by a movement from rural to urban regions. but ehlers is not really interested in using its main topic - the inability to settle or to be home – as a metaphor for a present which is marked by neo-nationalist discourses. on the contrary, he takes the social significance of the artist's outlaw status very seriously. he also does this by asking himself in how far one's own research can already be a participation in the protest of others.

the answer can be found on a subliminal level. it is not by accident that ehlers has discovered hissing as a language. he arrived at it by wiring up several amplifiers in a way that makes audible the sound they "naturally" produce. "a life without fear" is the acoustic equivalent to what the term "immanence" describes in philosophy: activity, performance and history meet in this music – be it in the dysfunctional traditional "ain't no grave", in the blue-mood-scales of early miles davis (in "die sorge geht über den fluss"), in the south african dirge "misorodzi" or in the precisely interlocked flageolets of "maria & martha".

"a life without fear" urges forward to the point, where traces dissolve – even those of the blues. neither territory nor country can be discerned here. and yet, maybe it is this homelessness beyond all boundaries (be they of the moral, religious or cultural kind) where one is able to live without fear.

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back in stock as of
august 22nd, 2008

first in stock on
october 1st, 2007


threads:
modern-psych

staubgold (germany) #staub 065 lp

hassle houndlimelight” long playing record

  • anvil stamping stallion (3:43)
  • tahitian sideshow (3:55)
  • star lantern and two mice (5:49)
  • poppy blush (5:23)
  • the night of the great season (1:15)
  • monsters are due on maple street (4:36)

  • white roads (4:30)
  • woods & water dept (0:31)
  • the farce of dusty knee (3:11)
  • busy fang (0:59)
  • hazel (3:14)
  • o baba pino (1:55)
  • saw walk on nighttime minutes (5:57)
  • primrose (3:17)
  • lucky bugs win prizes (2:52)
staubgold press release...
staubgold 65 - hassle hound - "limelight cordial" cd/lp

hassle hound are a benign tornado, roaring and twisting through the best and most eclectic of record collections, ripping out and tearing off ideas and samples. they plunder for a reason – to make fragile and lovely music, often charmingly odd but with a gleeful melancholy, off-kilter but on the ball. there is a childlike quality to their music, but the child in question must be a musical prodigy with a wry sense of humour and a maturity beyond his years.

they are not afraid to be beautiful. machines and beats are caressed into soft humanity by delicate vocals, the boisterous cuddle of eccentrically played instruments and ingenious guitar patterns. here are wistful love songs which also sound like the greatest james bond theme ever (if those films had ever been made by a 60's new wave czech director). cartoon oneirics slapstick their way across lush countryside and toddle through town, favourite-uncle drunk and beaming expansively.

trying to pin them down is like drinking beer with a fork. they coin new genres like other bands do sound checks – too much funky not enough, crofter dub, genial noise, surf and turf guitar, carousel gothic, collagetronica. if harry partch had made music for ice-cream vans it might have been like some of these affable inventions.

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$14.96

new to stock as of
october 1st, 2007


threads:
modern-psych

staubgold (germany) #staub 065 cd

hassle houndlimelight” compact disc

  • anvil stamping stallion (3:43)
  • tahitian sideshow (3:55)
  • star lantern and two mice (5:49)
  • poppy blush (5:23)
  • the night of the great season (1:15)
  • monsters are due on maple street (4:36)
  • white roads (4:30)
  • woods & water dept (0:31)
  • the farce of dusty knee (3:11)
  • busy fang (0:59)
  • hazel (3:14)
  • o baba pino (1:55)
  • saw walk on nighttime minutes (5:57)
  • primrose (3:17)
  • lucky bugs win prizes (2:52)
staubgold press release...
staubgold 65 - hassle hound - "limelight cordial" cd/lp

hassle hound are a benign tornado, roaring and twisting through the best and most eclectic of record collections, ripping out and tearing off ideas and samples. they plunder for a reason – to make fragile and lovely music, often charmingly odd but with a gleeful melancholy, off-kilter but on the ball. there is a childlike quality to their music, but the child in question must be a musical prodigy with a wry sense of humour and a maturity beyond his years.

they are not afraid to be beautiful. machines and beats are caressed into soft humanity by delicate vocals, the boisterous cuddle of eccentrically played instruments and ingenious guitar patterns. here are wistful love songs which also sound like the greatest james bond theme ever (if those films had ever been made by a 60's new wave czech director). cartoon oneirics slapstick their way across lush countryside and toddle through town, favourite-uncle drunk and beaming expansively.

trying to pin them down is like drinking beer with a fork. they coin new genres like other bands do sound checks – too much funky not enough, crofter dub, genial noise, surf and turf guitar, carousel gothic, collagetronica. if harry partch had made music for ice-cream vans it might have been like some of these affable inventions.

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$8.34

new to stock as of
october 1st, 2007


threads:
beat-research

staubgold (germany) #staub 064 lp

kammerflimmer kollektiefremixed part 2” twelve inch single record

  • sutekh - absencen remix (4:44)
  • lump200 - nachtwache remixed (5:47)

  • secondo - unstet (secondo reshuffle) (6:00)
  • radian - radian on equilibrium (3:48)
staubgold press release...
staubgold 64 - kammerflimmer kollektief - "remixed part 2" 12"

this is the second part in a series of two remix 12"es featuring four superb mixes again, done by sutekh, secondo, lump200 and radian.

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$8.43

back in stock as of
august 22nd, 2008

first in stock on
october 1st, 2007


threads:
beat-research

staubgold (germany) #staub 063 lp

kammerflimmer kollektiefremixed part 1” twelve inch single record

  • david last - matt (david last's doki doki rock mix) (6:17)
  • aoki takamasa - after the rain (remix) (3:45)

  • nôze - lichterloh (remix) (4:54)
  • jan jelinek - unstet-schleifen (7:37)
staubgold press release...
staubgold 63 - kammerflimmer kollektief - "remixed part 1" 12"

after the successful and critically acclaimed release of kammerflimmer kollektief's "absencen" album in spring this year, staubgold now offers the first in a series of two remix 12"es featuring four beautiful and kicking mixes, done by jan jelinek, aoki takamasa, nôze and david last. executive production and cover design by tim tetzner (dense).

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$13.09

back in stock as of
august 22nd, 2008

first in stock on
october 1st, 2007


staubgold (germany) #staub 062 lp

andrew peklerstrings + feedback” long playing record

  • p'luckd (2:33)
  • localite (2:31)
  • ogonjok (2:28)
  • pale fyr (3:50)
  • mirrorise (6:31)

  • vor (3:40)
  • refusenik (2:15)
  • doublemoon (3:35)
  • cygnus (4:19)
  • oragainst (8:32)
staubgold press release...
staubgold 62 - andrew pekler - "strings + feedback" cd/lp

the ten tracks on this new album embark on an excursion into the direct vicinity of sounds and into the inner life of the mixing desk. it is here where sounds are organized, where they all must pass through, that pekler develops his breathtaking signal flow. calm and patient he opens up the material from the inside and self-confidently develops a music consisting of only very few essential elements.

"strings and feedback": very lucid and rough. inside his mixing console, pekler confronts a few strings and piano samples (taken mostly from morton feldman's work in the 1950s) with themselves, forcing unpredictable encounters, intensification and distortion. he inaugurates an interplay of reminiscences and unreliable fragments of a chapter in the history of music which lies behind us. if pekler on his previous albums appeared as a minute observer who knows how to describe even the most delicate atmospheric conditions through music, then on "strings and feedback" he has become an intermediary between sound worlds.

similar to the imaginary circuit diagram on the album's cover, pekler's pieces leave the safe and beaten tracks on which most specialists tread and instead create open-ended and yet to be discovered paths which cannot be described through the logic of a manual. it may be unintentional that the cover design is reminiscent of the 1960s situationist's visionary city maps, but it matches pekler's approach to create a new topography by re-organizing existing sound material.

on "strings and feedback", andrew pekler brings into being an impressive music which manages to convince the listener not despite its renunciation of compositional variety, but because of it. or, in the words of yoko ono: draw a map and get lost. (text: stefan schneider)

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$14.96

new to stock as of
october 1st, 2007


staubgold (germany) #staub 062 cd

andrew peklerstrings + feedback” compact disc

  • p'luckd (2:33)
  • localite (2:31)
  • ogonjok (2:28)
  • pale fyr (3:50)
  • mirrorise (6:31)
  • vor (3:40)
  • refusenik (2:15)
  • doublemoon (3:35)
  • cygnus (4:19)
  • oragainst (8:32)
staubgold press release...
staubgold 62 - andrew pekler - "strings + feedback" cd/lp

the ten tracks on this new album embark on an excursion into the direct vicinity of sounds and into the inner life of the mixing desk. it is here where sounds are organized, where they all must pass through, that pekler develops his breathtaking signal flow. calm and patient he opens up the material from the inside and self-confidently develops a music consisting of only very few essential elements.

"strings and feedback": very lucid and rough. inside his mixing console, pekler confronts a few strings and piano samples (taken mostly from morton feldman's work in the 1950s) with themselves, forcing unpredictable encounters, intensification and distortion. he inaugurates an interplay of reminiscences and unreliable fragments of a chapter in the history of music which lies behind us. if pekler on his previous albums appeared as a minute observer who knows how to describe even the most delicate atmospheric conditions through music, then on "strings and feedback" he has become an intermediary between sound worlds.

similar to the imaginary circuit diagram on the album's cover, pekler's pieces leave the safe and beaten tracks on which most specialists tread and instead create open-ended and yet to be discovered paths which cannot be described through the logic of a manual. it may be unintentional that the cover design is reminiscent of the 1960s situationist's visionary city maps, but it matches pekler's approach to create a new topography by re-organizing existing sound material.

on "strings and feedback", andrew pekler brings into being an impressive music which manages to convince the listener not despite its renunciation of compositional variety, but because of it. or, in the words of yoko ono: draw a map and get lost. (text: stefan schneider)

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$12.95

back in stock as of
january 25th, 2008

first in stock on
october 1st, 2007


staubgold (germany) #staub 061 lp

schwabinggrad ballettschwabinggrad ballet” long playing record

  • under control
  • herdentrieb & hospitalismus
  • trashcan
  • ice bertolt brecht (ab)
  • wenn's anfaengt durch die decke zu tropfen
  • geliebte viecher in the night

  • ueber den selbstmord
  • so sehr der gedanke auch schmerzt
  • will es mir doch leider so scheinen
  • als ob ich selbst in einer befreiten gesellschaft zu einer minderheit gehoeren wuerde
  • 65 sekunden hauptbahnhof
  • moderne welt
  • zara
  • ice bertolt brecht (an)
  • l'orange
  • arie banausin
  • sie will nicht begreifen
staubgold press release...
staubgold 61 - schwabinggrad ballett - s/t - cd/lp

the schwabinggrad ballett was founded in 2000 at an antiracist no border camp. the group developed a flexible performing strategy, with which it wants to create confusion, to break up old forms, to politicize and reactivate. the schwabinggrad ballett (which in its name combines the memory of the nazi's worst defeat and the first innocent bohemian riots of street musicians in this land) is an open collective and understands itself as part of a network, which among other activities runs the buttclub in hamburg, which in turn organizes discussions, readings, exhibitions, concerts and reading groups.

members of the schwabinggrad ballett are:
der buttclub, thomas butteweg, christine eder, ekkehard ehlers, ted gaier, bernadette hengst, frank john, thomas lörtsch, heiko marn, roberto ohrt, peter ott, dj patex, tina petersen, knarf rellöm, christoph schäfer, barbara schulz, christine schulz, christoph twickel, kathrin wildner, frank will.

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new to stock as of
october 1st, 2007


threads:
digital-musics
electro-acoustic-composition
minimalism-drones
modern-composition
electro-acoustic-improvisation
free-improvisation
sound-art

staubgold (germany) #staub 060 cd

childish music” compact disc

  • fan club orchestra - mika bubble sing
  • maher shalal hash baz - good morning
  • hassle sound - lucky bugs win prizes
  • lawrence - falling down a dam of mashed potatoes
  • doctor rockit - lullaby for william
  • yuichiro fujimoto - country musicfellow
  • la grande illusion - let's pretend
  • world standard - tic tac
  • arrow tour - humidity of mountains
  • rdl - mn2
  • guido möbius - sweet raphael (edit)
  • f.s. blumm - fa
  • kammerflimmer kollektief - alles glühen
  • devendra banhart - make it easier
  • oren ambarchi - creepy crawl
  • asa-chang & junray - kobana
  • harald sack ziegler - ritterball
  • nobukazu takemura - vibrante
  • lullatone - wooden toy trumpet
  • anne laplantine - december
  • asao kikuchi - kula botanical gardens
  • bernadette la hengst - meets cybermohalla
  • sketch show - fly me to the river (märz remix)
  • kazumasa hashimoto - noaro
  • takagi masakatsu - come march
staubgold press release...
staubgold 60 - various artists - "childish music" cd

naive sounds from germany, scotland, france, japan, australia and the united states make up for a superstar collection of new music for new children featuring contributions by dr. rockit, devendra banhart, nobukazu takemura, sketch show, lawrence, maher shalal hash baz, f.s. blumm, anne laplantine, world standard and many more. the cd comes with a luxurious 32-pages full-colour booklet including extensive linernotes. compiled by ekkehard ehlers.

"children like to be silly. secretly, adults like to be silly too. here's a space to be silly, with the children." (david toop)

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back in stock as of
october 1st, 2007

first in stock on
september 6th, 2006


threads:
electro-acoustic-composition

staubgold (germany) #staub 054 cd

dean robertsand the black moths play the grand cinema” compact disc

  • the fake and detached
  • cindy tells me...
  • welcome home
  • little birds
  • you and the devil blues
  • sugar got a cocaine heart
  • the grandest of streets
  • the dole of liars
staubgold press release...
staubgold 54 - dean roberts - "and the black moths play the grand cinema" cd/lp

a re-release of the long deleted ritornell cd from 2000, many fans and critics regard new zealander dean roberts' second solo album "and the black moths play the grand cinema" as his best so far. this re-issue comes with complete new artwork and is available on vinyl for the first time. guest musicians include tim barnes, charles curtis and matt valentine.

beginning with the post punk rock trio thela and moving through white winged moth and into his solo recordings, dean roberts has marked himself as a guitarist of unique talents. his latest album, "be mine tonight", has been released on kranky in 2003. roberts has played a variety of solo gigs and played with some of the heavyweights of electrical/acoustic improvisation. currently he has been working with werner dafeldecker (polwechsel) and martin brandlmayr (radian, trapist) on a trio album, to be released under the moniker of the autistic daughters on staubgold (vinyl) and kranky (cd) in november 2004.

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back in stock as of
october 1st, 2007

first in stock on
september 6th, 2006


threads:
minimalism-drones
machine-music

staubgold (germany) #staub 053 cd

minitnow right here” compact disc

  • now right here (19:31)
  • cg (9:16)
  • ij variation (9:48)
  • ij muiden (11:19)
staubgold press release...
staubgold 53 - minit - "now right here" cd/lp

a long awaited release from sydney's minit culminates in a masterpiece collection of spectral drone music.

with their unhierarchical approach to the use of 'found' sound, a fuzzed out electric bass line sits neatly alongside field recordings of atmospheric hum - their individual sound qualities overriding their semiotic value, so that each sound, representing a layer, shimmers and swells within minit's evolving, sonic habitat.

now right here, the title track as well as the album, is about being caught in the moment. from fragile harmonic and melodic intonations to towering, ecstatic drones and electrical disturbances this album captures a balance betwen noise and harmony, excitation and calmness, distance and intimacy - drawing you into a hypnotic, psychedelic sound-world that belongs uniquely to minit. now right here is a fragile, immersive and emotional album.

minit is jasmine guffond and torben tilly. they are currently living and working in berlin.

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$12.95

back in stock as of
october 1st, 2007

first in stock on
september 6th, 2006


threads:
electro-acoustic-improvisation
guitar-themed
digital-musics

staubgold (germany) #staub 049 lp

ekkehard ehlers / joseph suchy / franz hautzingersoundchambers” long playing record

  • soundchambers 1 (8:01)
  • soundchambers 2 (2:59)
  • soundchambers 3 (9:32)
  • soundchambers 4 (9:51)
  • soundchambers 5 (10:10)
staubgold press release...
staubgold 49 ekkehard ehlers/joseph suchy/franz hautzinger - "soundchambers" cd/lp

comes in 8-pages deluxe digipak designed by surface. vinyl includes extra inlay photo. well-known improvisers ekkehard ehlers (laptop), joseph suchy (guitar) and franz hautzinger (trumpet) team up for a supertrio of broken pop ambient. while on the one hand providing a state-of-the-art sound aesthetic, "soundchambers" will on the other hand also appeal to friends of the music that brian eno and trumpeter jon hassell created in the mid-70s.

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$14.96

back in stock as of
october 1st, 2007

first in stock on
september 6th, 2006


threads:
digital-musics
electro-acoustic-improvisation
guitar-themed

staubgold (germany) #staub 049 cd

ekkehard ehlers / joseph suchy / franz hautzingersoundchambers” compact disc

  • soundchambers 1 (8:01)
  • soundchambers 2 (2:59)
  • soundchambers 3 (9:32)
  • soundchambers 4 (9:51)
  • soundchambers 5 (10:10)
staubgold press release...
staubgold 49 ekkehard ehlers/joseph suchy/franz hautzinger - "soundchambers" cd/lp

comes in 8-pages deluxe digipak designed by surface. vinyl includes extra inlay photo. well-known improvisers ekkehard ehlers (laptop), joseph suchy (guitar) and franz hautzinger (trumpet) team up for a supertrio of broken pop ambient. while on the one hand providing a state-of-the-art sound aesthetic, "soundchambers" will on the other hand also appeal to friends of the music that brian eno and trumpeter jon hassell created in the mid-70s.

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$12.95

back in stock as of
october 1st, 2007

first in stock on
august 9th, 2007


threads:
modern-psych

staubgold (germany) #staub 044 lp

hans-joachim irmlerlifelike” long playing record

  • elektroblitz (5:18)
  • atlantik (3:31)
  • trepido (3:33)
  • the actor's gone (3:59)
  • kleine welt (3:14)

  • trevo (11:00)
  • eis (7:19)
  • werft! (6:33)
2003 solo album from this member/leader of faust ...
staubgold press release...
staubgold 44
hans joachim irmler - "lifelike" cd/lp

"it's a highly individual, warm, glowing soundworld, and irmler stitches it all together with a grace and organic continuity that makes you feel like you're being told a story. or maybe even a fictional aural biography. beautiful." (peter marsh).

"whenever i talked to him over the last weeks, it seemed that wherever he was, he had a version of lifelike running in the background - in his house, at friends’ houses, in his car (very often), and i suspect that once he even persuaded the owner of a pub to put it on. why he did this? certainly not to show off, because he is by nature a shy person. my guess is that he wanted to change the record by listening to it. he has been working for a long time on his first ever solo-outing, which also is - if i’m not greatly mistaken - the first official solo album of any of the original faust members ever to be released." (ralf bei der kellen).

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back in stock as of
october 1st, 2007

first in stock on
august 9th, 2007


threads:
modern-psych

staubgold (germany) #staub 044 cd

hans-joachim irmlerlifelike” compact disc

  • elektroblitz (5:18)
  • atlantik (3:31)
  • trepido (3:33)
  • the actor's gone (3:59)
  • kleine welt (3:14)
  • trevo (11:00)
  • eis (7:19)
  • werft! (6:33)
2003 solo album from this member/leader of faust ...
staubgold press release...
staubgold 44
hans joachim irmler - "lifelike" cd/lp

"it's a highly individual, warm, glowing soundworld, and irmler stitches it all together with a grace and organic continuity that makes you feel like you're being told a story. or maybe even a fictional aural biography. beautiful." (peter marsh).

"whenever i talked to him over the last weeks, it seemed that wherever he was, he had a version of lifelike running in the background - in his house, at friends’ houses, in his car (very often), and i suspect that once he even persuaded the owner of a pub to put it on. why he did this? certainly not to show off, because he is by nature a shy person. my guess is that he wanted to change the record by listening to it. he has been working for a long time on his first ever solo-outing, which also is - if i’m not greatly mistaken - the first official solo album of any of the original faust members ever to be released." (ralf bei der kellen).

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$14.96

back in stock as of
october 1st, 2007

first in stock on
august 9th, 2007


threads:
guitar-themed
free-improvisation
electro-acoustic-composition

staubgold (germany) #staub 043 cd

joseph suchycalabi.yau” compact disc

  • calabi.yau (10:30)
  • su-um (6:08)
  • ka-asam (3:24)
  • moo-ay (4:24)
  • by-baa (1:09)
  • soan-ne (5:48)
  • uum-u (3:19)
  • kaalya (4:13)
  • kao-on (3:18)
staubgold press release...
staubgold 43
joseph suchy - "calabi.yau" cd/lp

"not a rocker. not an electronic artist. a sensual, a feeling person. no copy-art. in these times of senseless struggles for sovereignty at the musicians' regular table, suchy is the cowboy with the indian's face." this is what one of germany's biggest daily newspapers recently wrote about joseph suchy, "cologne's very own professor of guitar research". they got it spot on.

in the global improv & avantgarde community, the born franconian is no unknown person. he collaborated with artists like david grubbs, ekkehard ehlers, niobe and fx randomiz; he is a permanent member of burnt friedmann's nub dub players; and he was one of the founders of cologne-based cult-improv-label grob. the musical sensitivity of this slightly odd artist in his mid-forties is hard to match."calabi.yau" is suchy's new solo-outing. it's a music of delicate sounds, in which acoustic guitars and electro-acoustic signals are woven into non-linear, fragile sound sculptures. at times, this music borders on sensory deception (what is this sound? electric or acoustic?); it is an illustrated broadsheet of a strange, yet familiar reality. suchy cunningly and imperturbably evades the categorisations of contemporary modern music: what he does is giving his listeners a carte blanche to dream. or, as the artist himself puts it: "music in search of the freakwave".

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$12.95

back in stock as of
october 1st, 2007

first in stock on
september 2nd, 2003


threads:
bedroom
digital-musics

staubgold (germany) #staub 042 lp

sack & blummkind kind” long playing record

  • cassius carrera
  • baby bass box
  • bedroom seven
  • maria mbira
  • bass car
  • baby bad bug
  • bedroom five
  • to go to
  • sleep less ness
  • shop beats
  • new new new
  • anna bory
  • kind kind
summer 2003 album from the two...
staubgold press release...
staubgold 42 sack und blumm - "kind kind" cd/lp

three years after their phenomenal "shy noon" album on the seminal gefriem label harald "sack" ziegler and frank schültge blumm continue a homerecording series that travels between their postboxes since 1999. sack & blumm are not a band or a studio project, but may be described rather as a homerecording project that was conceived independendly in their bedroom studios in berlin and cologne.

instead of being sequenced on computers, the music lives from the experience of two true musicians. folk themes are set against digital fragmentations. sounds are taken from everywhere. instruments include horn, kalimba, tabla, bass, knitting needles, toy drums and toy piano, melodica, mbira and more. even rod stewart is hidden somewhere on this album.

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$14.96

back in stock as of
january 25th, 2008

first in stock on
september 2nd, 2003


threads:
bedroom
digital-musics

staubgold (germany) #staub 042 cd

sack & blummkind kind” compact disc

  • cassius carrera
  • baby bass box
  • bedroom seven
  • maria mbira
  • bass car
  • baby bad bug
  • bedroom five
  • to go to
  • sleep less ness
  • shop beats
  • new new new
  • anna bory
  • kind kind
staubgold press release...
staubgold 42 sack und blumm - "kind kind" cd/lp

three years after their phenomenal "shy noon" album on the seminal gefriem label harald "sack" ziegler and frank schültge blumm continue a homerecording series that travels between their postboxes since 1999. sack & blumm are not a band or a studio project, but may be described rather as a homerecording project that was conceived independendly in their bedroom studios in berlin and cologne.

instead of being sequenced on computers, the music lives from the experience of two true musicians. folk themes are set against digital fragmentations. sounds are taken from everywhere. instruments include horn, kalimba, tabla, bass, knitting needles, toy drums and toy piano, melodica, mbira and more. even rod stewart is hidden somewhere on this album.

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$17.27

back in stock as of
january 25th, 2008

first in stock on
june 30th, 2003


threads:
modern-psych
beat-research
electro-acoustic-composition
minimalism-drones

staubgold (germany) #staub 039 cd

sunsun” double compact disc set

  • make it
  • reach for the sky
  • leave it on its own
  • moon
  • letter to an old dog
  • sleepin’
  • i don’t mind
  • it’s not real

  • make it > mapstation
  • reach for the sky > pluramon
  • leave it on its own > pimmon
  • moon > tom recchion
  • letter to an old dog > rafael toral
  • sleepin’ > hrvatski
  • i don’t mind > norbert möslang
  • it’s not real (reactionary mix) > christoph heeman
2001 full length recorded by chris townsend and oren ambarchi in sydney, originally released on the preservation music label, now reissued as a double cd/lp set with remixes... i sussed it out for pitchforkmedia.com thusly:

the side of oren ambarchi no one gets to hear: his complete & total infatuation with all things brian wilson. no no-wave caterwaul. no coldly calculated guitar-sine throbs. no drones. just good old-fashioned summertime jangly sunshine music. some of this reminds me of low (whispered couplets over near-imperceptable acoustic tone clusters) or maybe even the clientele sans-baggage. i have nothing but respect for oren following through on his various seemingly contradicting musical visions. hearing him lay his boyish tenor bare on record for posterity only makes me like him more. and the songs are quite nice, catchy, hummable, am-radio stuff. lovely.
staubgold press release...
staubgold 39 sun » s/t« 2cd/2lp

"heartfelt melodies and crystalline guitars play throughout throbbing atmospherics. it all makes for soulful listening." (rolling stone australia).

staubgold proudly presents the self-titled debut album from the sydney duo sun, licensed from australia's preservation records for exclusive worldwide release, and accompanied by a complete bonus remix album feat. mixes of all original tracks by artists like hrvatski, mapstation, pluramon, rafael toral, christoph heemann and pimmon.

sun is the unusual pairing of world renowned experimental guitarist oren ambarchi and australian music figurehead chris townend. sun confirms its authors as two truly original music minds, a languid and sweet pop creation, brimming with sly invention in its classicist frame. these songs simply float into the consciousness with a grand air and sublimely delicate touch. there's an easy warmth to sun as well as some darker surprises for added depth and nuance.

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$12.95

back in stock as of
october 1st, 2007

first in stock on
september 6th, 2006


threads:
playback-music
sound-installation
electro-acoustic-improvisation

staubgold (germany) #staub 025 lp

institut für feinmotorikpenetrans” long playing record

  • problem?
  • behalte du deinen traum
  • ich behalte das geld!
  • ein versuch ist ja wohl nicht strafbar.
  • rufen sie die polizei.
  • organismen!
  • wird es sehr weh tun?
  • ...ja das ist kunst!
  • es ging mir niemals besser!
staubgold press release...
staubgold 25 institut fuer feinmotorik - "penetrans" cd/lp

long expected new album by southern german turntable rockers and clicks'n'cuts veterans institut fuer feinmotorik. 8 killer tracks created on up to 8 "empty" record players prepared with household materials.

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$14.96

back in stock as of
october 1st, 2007

first in stock on
september 6th, 2006


threads:
playback-music
sound-installation
electro-acoustic-improvisation

staubgold (germany) #staub 025 cd

institut für feinmotorikpenetrans” compact disc

  • problem?
  • behalte du deinen traum
  • ich behalte das geld!
  • ein versuch ist ja wohl nicht strafbar.
  • rufen sie die polizei.
  • organismen!
  • wird es sehr weh tun?
  • ...ja das ist kunst!
  • es ging mir niemals besser!
staubgold press release...
staubgold 25 institut fuer feinmotorik - "penetrans" cd/lp

long expected new album by southern german turntable rockers and clicks'n'cuts veterans institut fuer feinmotorik. 8 killer tracks created on up to 8 "empty" record players prepared with household materials.

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add this item to your
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$12.95

back in stock as of
october 1st, 2007

first in stock on
september 6th, 2006


threads:
guitar-themed
electro-acoustic-improvisation
playback-music

staubgold (germany) #staub 015 lp

oren ambarchi / martin ngreconnaissance” long playing record

  • procession
  • surfacing
  • reconnaissance
summer 2000 sessions from the duo of oren ambarchi & martin ng - on guitar & electronics and turntables, respectively...
staubgold press release...
staubgold 15 oren ambarchi & martin ng - "reconnaissance" cd

"reconnaissance" is the first duo release by australian composers oren ambarchi and martin ng from sydney - a trilogy of pieces based upon the fluid architectural modulation of harmonics and resonances. recalling the landmark experiments of the sonic arts union (robert ashley, david behrman, alvin lucier and gordon mumma), ambarchi and ng create an enigmatic tapestry of pulsing, shimmering and shifting sound which represents a subtle and compelling realignment of eastern and western minimalist traditions.

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$11.22

back in stock as of
october 1st, 2007

first in stock on
september 2nd, 2003


threads:
bedroom
digital-musics

file under:
contemporary-electronic
staubgold (germany) #staub 014 ep

sack & blumm2 x 5” ten inch single record

  • harald “sack” ziegler - play pack
  • harald “sack” ziegler - tree top
  • harald “sack” ziegler - art cooking
  • harald “sack” ziegler - moon groove
  • harald “sack” ziegler - mild west
  • f.s.:blumm - linealenin
  • f.s.:blumm - windtage
  • f.s.:blumm - sehrport
  • f.s.:blumm - und nacholst
  • f.s.:blumm - melolyrischer
  • f.s.:blumm - indig und dreikleine
  • f.s.:blumm - abweise a und b
  • f.s.:blumm - schlingenfinger
  • f.s.:blumm - mohneuler
staubgold press release...
staubgold 14 sack und blumm - "2 x 5"

after their highly acclaimed cd releases on tom and gefriem labels sack (cologne) and blumm (berlin) are back on vinyl and present themselves as solo musicians, each having recorded one side of this 10" mini album.

blumm's side is an adventurous collage of loops, rhythms and melodies, arranged in the style of a radio play and echoing the sound world of sack & blumm's previous duo work.

sack's five tracks are classic examples of his unique toy techno goes dada pop style.

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$12.95

back in stock as of
october 1st, 2007

first in stock on
september 6th, 2006


threads:
beat-research
playback-music
sound-installation

staubgold (germany) #staub 005 lp

institut für feinmotorikwenig information: kein titel” long playing record

  • 5.33 (5:33)
  • 6.45 (6:45)
  • 4.56 (4:56)
  • 6.17 (6:17)
  • 7.13 (7:13)
  • 6.38 (6:38)
staubgold press release...
staubgold 5 institut für feinmotorik - "wenig information: kein titel" mini-lp

institut für feinmotorik (= institute for precision motoricity) is a project which is interested in the complex relationship between perception of micro-phenomenons in acoustic and visual spheres and the precisioned stumbling through micro-social behaviour in daily situations. on this mini lp the group’s work is focused on the acoustic sphere beyond usual gain signals. elements of noise containing no original sense emerge to significant structures. the setup consists of six to eight "empty" record players which means that no gain signals but the empty or manipulated lock grooves or the paper labels of the records are played. besides that institut für feinmotorik have found some other ways to generate acoustic signals out of empty record players: house-rubberbands, adhesive tape and tooth brushes are just a few instruments used to produce different sounds. not only for friends of minimal techno in brinkmann and studio 1 style.

previous record label:
 static aktion 
...and that's everything on staubgold in stock.
(why not take a look at the previous and next labels?)
next record label:
 stephen kasner 
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... this page was last updated on wednesday, march 10th, 2010 @ 4:59 pm