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... happy spring everyone !!! to commemorate our favorite season (and to help get this place back to some sort of workable condition) we're having a "spring cleaning" sale !!! please visit the spring (2013) cleaning page to view a list of (recent, mostly 2012) releases that we're now offering at reduced prices (while supplies last, no rainchecks, etc) ...
previous record label:
 sourdine 
there are 33 titles on southern lord in stock.
they are listed below.
next record label:
 spanish magic 
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 $13.44

new to stock as of
june 12th, 2009


threads:
doom
minimalism-drones
modern-composition
modern-psych

southern lord (usa) #sunn 100 cd

sunn o)))monoliths & dimensions” compact disc

  • aghartha (17:34)
  • big church [megszentségteleníthetetlenségeskedéseitekért] (09:43)
  • hunting & gathering (cydonia) (10:02)
  • alice (16:21)
may 2009 release ; impressive outing from an “orchestral” lineup of sunn o))), with regulars stephen o’malley, greg anderson, oren ambarchi, and attila csihar aided by a who’s who of contemporary sound, including deep listening band founder stuart dempster (!?), trombonist julian priester, steve moore, eyvind kang, dylan carlson, cuong vu, daniel menche, joe preston, rex ritter, and dozens more ...

the opener “aghartha” immediately places us in familiar territory as unison slo-mo riff-walls blast us for a good 5 minutes ... but then ensemble begins to rear it’s head ; at first all penderecki-like, then coalescing into a woozy conch-shell pattern under attila’s recitation(s) ... “big church” is a straight-up choral piece, with said buzzsaw guitars offering a rattling foundation under the angelic proceedings ... “hunting & gathering” reminds me of “grimmrobe” era sunn o))), albeit with a nice layering of analogue synths ... and finally “alice” ; were it not for the southern lord catalogue number, i could easily take the striated brass writing & penultimate drone-doom core for something out of the xi / pogus catalogue(s) ...

love that these guys, after a pretty lengthy break there, didn’t just drop “black 2” on us, but instead something much closer to the heart of the matter here @ mms ... beautifully captured long-form sound, taking cues from the 70s/80s west-coast minimalism & modern composition wave & site-specific explorations ... highly recommended !!!
southern lord press release...

sunn o)))
monoliths & dimensions

sunn o))) is proud to present their 7th studio album, after 10 years of existence, entitled monoliths & dimensions. the album showcases the core guitar duo - stephen o’malley and greg anderson - incorporating influences from a plethora of guest musicians, bringing the sunn o))) sound to epic new levels. the band also collaborated with composer eyvind kang (notable for his work with john zorn, marc ribot, bill frisell, etc.) on various acoustic ensembles, in addition to the helios fueled electric guitars and basses. key players on the album include australian guitar genius oren ambarchi, enigmatic hungarian vocalist attila csihar (mayhem, tormentor, etc.) and slow music godfather dylan carlson (earth), as well as julian priester (worked with sun ra in the 50s, john coltrane’s african brass band, and herbie hancock’s sextant band) and new-music horn player stuart dempster. there's also an upright bass trio, french & english horns, harp & flute duo, piano, brass, reed & strings ensembles, and a viennese woman's choir led by persian vocal savant jessika kenney.

the album is not "sunn o))) with strings" or "metal meets orchestra" material. the band took an approach concentrating on more of allusion toward the timbre of feedback and the instruments involved, so the piece is really illusory, beautiful and not entirely linear, stating that the end product is "the most musical piece we’ve done, and also the heaviest, powerful and most abstract set of chords we've laid to tape" the album was recorded and mixed by randall dunn & mell dettmer at various points over the last 2 years. as can be expected the packaging for this album is beautiful and appropriately compliments the audio content. jewel case is sheathed by a velum o-card. expansive 24 page booklet with velum cover and specially coated heavy-weight paper. truly a site to behold!

monoliths & dimensions is practice in density, gravity and momentum.

maximum volume yields maximum results.

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threads:
minimalism-drones
concert-recordings
doom
black-metal
guitar-themed
free-improvisation

southern lord (usa) #sunn 095 lp

pentempleo))) presents ... pentemple” long playing record

  • pazuzu 1 (22:23)

  • pazuzu 2 (20:11)
may 2008 release ; vinyl version, featuring a lovelyembossed goat’s hoof” on the cover ...
southern lord press release...

pentemple - 0))) presents.... lp (180 gram vinyl!)

180 gram deluxe vinyl version of this recent live documentation. in may of 2007 the mighty sunn 0))) embarked on a pacific rim tour that included performances in australia and japan. the lineup for this tour included the core sunn 0))) duo: greg anderson and stephen o'malley plus t.o.s. (moog), oren ambarchi (analog effects and supplemental guitar) and vokillist attila csihar. upon arrival in sydney, sunn 0))) invited one of their favourite black metal artists: striborg over from tasmania to collaborate with them during their show.

this unholy meeting went over very well and the inaugural ritual was a warm up gig at the toft in town club one evening before the larger gig at the hi-fi bar (w/brethren: boris). the results of this collaboration was a completely improvisational, vicious audio and visual assault on the sold out, standing room only audience. this was among the first time that sunn 0))) had worked with live drums and the outcome was completely unprecedented. the whole event was recorded live to 24-track/multi-track. afterwards oren ambarchi edited, sequenced and overhauled the eq to make it as brutal as possible.

limited to 3,000 numbered copies. heavy duty cardboard sleeve features embossed goats' hoof! full color heavy weight inner-sleeve.

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 $12.48

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threads:
doom
minimalism-drones
guitar-themed
concert-recordings
black-metal
free-improvisation

southern lord (usa) #sunn 095 cd

pentempleo))) presents ... pentemple” compact disc

  • pazuzu 1 (22:23)
  • pazuzu 2 (20:11)
may 2008 release ; another one-off featuring sunn o)))’s greg anderson & steven o’malley, oren ambarchi, striborg’s sin nanna and attila csihar ...

i’m into this one ; there’s a seriously great bit of raw, squared-off long-form sound (laced with errant, chirping electronics - listen to the sound-sample) during the second “side” that takes the cake ... but sin nanna’s free-form drumming dots both pieces in fine fashion, and the “in-the-red” fidelity throughout makes for some dense, heavy listening ...
southern lord press release...

pentemple - 0))) presents.... cd

in may of 2007 the mighty sunn 0))) embarked on a pacific rim tour that included performances in australia and japan. the lineup for this tour included the core sunn 0))) duo: greg anderson and stephen o'malley plus t.o.s. (moog), oren ambarchi (analog effects and supplemental guitar) and vokillist attila csihar. upon arrival in sydney, sunn 0))) invited one of their favourite black metal artists: striborg over from tasmania to collaborate with them during their show.

this unholy meeting went over very well and the inaugural ritual was a warm up gig at the toft in town club one evening before the larger gig at the hi-fi bar (w/brethren: boris). the results of this collaboration was a completely improvisational, vicious audio and visual assault on the sold out, standing room only audience. this was among the first time that sunn 0))) had worked with live drums and the outcome was completely unprecedented. the whole event was recorded live to 24-track/multi-track. afterwards oren ambarchi edited, sequenced and overhauled the eq to make it as brutal as possible.

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 $12.48

new to stock as of
june 12th, 2009


threads:
modern-psych
guitar-themed

southern lord (usa) #sunn 092 cd

borissmile” compact disc

  • flower sun rain (7:26)
  • buzz-in (2:57)
  • laser beam (4:30)
  • statement (3:24)
  • my neighbour satan (5:18)
  • ka re ha te ta sa ki -no ones grieve- (8:58)
  • you were holding an umbrella (8:54)
  • untitled (15:29)
... surprised we hadn’t had this in stock until now !!! boris’ most recent (ca. 2008) studio album, with guests spots from michio kurihara & stephen o’malley ...
southern lord press release...

boris - smile cd

some bands are fly-by-night operations, garnering instant fame, critical acclaim and shattering all album sales expectations within their first couple years of operation. you've seen 'em before — they're certainly here today, everyone's darlings tomorrow, and merely relegated to curbside refuse service just before the end of the week.

boris is certainly not one of those spontaneous success stories. though the thunderously heavy and melodic japanese experimental rock outfit has only very recently been introduced to american ears — most notably via its groundbreaking 2006 release, pink — the trio (vocalist/drummer atsuo, vocalist/guitarist wata and vocalist/bassist takeshi) has been steadily grazing its unique sonic turf for well over the past decade. and the release of its latest full-length endeavor, smile, will force the boundaries of boris' already-expansive repertoire — which features nearly a dozen albums — into new extremes.

but before looking at its illustrious present, it's important to understand where boris originated. the group came together in the early '90s as a four-piece, formed simply for the sake of having some fun. each current member had been playing in other acts, and boris was assembled as a way to have the members interact together in a band atmosphere with their former drummer. "we simply wanted to play loud, heavy, extreme and intense music at that time," the band says. "we have had the same feeling now as we did then."

the timing was ripe for an experimental rock band in japan. grunge and noise rock were increasing in popularity, and the music scene in the band's tokyo homebase became borderless, allowing for the free exchange of musical thought and ideas. with influences including the melvins and earth to use as sonic templates, the foundation was set for boris to flourish in the artistry it so immersed itself — and consequently gain the respect from like-minded audiences.

in 1996, boris released its first full-length, absolutego, which would quickly lead to a slew of album releases, including collaborations with japanese experimentalists merzbow and american-based drone metal guitar duo sunn o))). releasing albums with a surprising consistency and frequency would be immensely advantageous to boris in a variety of ways. the multitude of labels across the globe (from ubiquitous u.s.-based indies hydrahead and drag city to japan's daymare, inoxia and diwphalanx) and the abundance of limited releases produced by the band would allow boris to the gain the studio experience it had sought. it also found the band pushing the creative visual envelope with its stunning artwork and packaging, primarily directed by atsuo. furthermore, it affirmed that boris was able to morph and mutate into a variety of related styles and moods. and lastly, it also gave the group the much-deserved recognition it needed to break through into the often-fickle american underground music scene.

after befriending southern lord label chief greg anderson during their first us tour supporting the release of absolutego, boris continued to maintain their contacts with the label, sending their latest wares to anderson and routinely corresponding with him about his involvement in sunn o))). soon thereafter, a relationship had developed, and anderson, after launching his record label, obtained the blessing to release boris albums for north american consumption.

boris' southern lord catalog began with the u.s. release of absolutego in 2000, followed by the bombastic amplifier worship (issued in america for the first time in 2003), and the six-song akuma no uta (issued in america in 2005), which melded several different aspects of the act's vast repertoire into one finite release, and featured novel artwork paying homage to nick drake's bryter layter album cover (a more rare version of this album is known as the "venom version," because its artwork is in tribute to the veteran metal band).

however, one of the highlights of the sunn o))) / boris relationship came to fruition through the recording and subsequent release of the collaborative recording, altar (2006), which spawned from an experience in which boris had also performed without the use of a drummer. the release was significant in that it also featured a number of guest collaborators, including vocalist jesse sykes, soundgarden's kim thayil and former melvins bassist joe preston.

2008 marks another milestone in the boris timeline. it finds the act as a four-piece in live formation, with the addition of guitarist michio kurihara (with whom the band collaborated in 2006 for its rainbow release). and it also finds boris with the release of smile, its latest full-length effort, which melds the buzzsaw guitar and rhythmic drone-like experimentation of the band's back catalog in a fresh, distinctive, song-oriented presentation unlike any of the band's previous releases.

though the genesis of the album might hail from the recording sessions of the band's pink album, boris maintains that they opted to more closely structure the material for smile, a first for the band in composing and arranging the album's content in an attempt to find the meaning and understanding in affirming the composing process. "smile is including various ways of the 'emergence of the song,'" the band says.

one of the most representative themes of the smile album hails from "ka re ha te ta sa ki (no one grieve)," a distortion-drenched, psychedelic rhythmic barnburner. atsuo maintains that with over-extended touring, never-ending recording sessions and the flurry of activity that relates to the band's career, the members of boris often felt exhausted, losing interest in music. however, they continued to relentlessly persist in this expression of themselves. and in the end, the band asks, "how is my face looking like? i really hope that is a smile."

"we should act, and act anyhow," they add. "the starting point is always here. act and act until we feel exhausted. lastly, we think, 'we are done.' we wish our faces could be smile."

eschewing the traditional categorization of music is something which the members of boris have continually prided themselves. "we really want to share the experience, phenomenon, or feeling that we have had and really hope smile is going to be a new experience for everyone beyond music."

a distinctly characteristic transformation noted with the release of smile is takeshi's vocal styling, which is more melodic and captivating than ever before. his seamless delivery, knack for harmonies and consonance drive smile into innovative horizons within the already-extensive boris catalog.

and what keeps boris moving ahead in its various stages of its lengthy career? whether it's referencing "boris," "boris" (undercase or titlecase refers to the group's less mainstream wares) or "boris" (uppercase indicating the trio's more structured material), the band's outlook remains the same — an outlook that revolves around a constant evolution of its approach and form.

"we are always looking for exciting, stimulating and interesting music at the moment and expressing in that way, therefore our style is changing spontaneously and that change becomes its character at that point. interesting experience and incident are way more important than surface style."

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first in stock on
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threads:
guitar-themed
modern-psych
doom
minimalism-drones

southern lord (usa) #sunn 090 cd

earththe bees made honey in the lion’s skull” compact disc

  • omens and portents i : the driver
  • rise to glory
  • miami morning coming down ii (shine)
  • engine of ruin
  • omens and portents ii: carrion crow
  • hung from the moon
  • the bees made honey in the lion's skull
february 2008 release ; a new album from earth expanding on their american-primitive doom-psych formulas in increasingly dense instrumental arrays ... here they even enlist bill “naked city” frisell to the proceedings (who sounds especially nice doing his hendrix-lineage fuzz-pedal amplifier-worship bit ...)

comes as a jewel-cased disc inside a lovely embossed slipcase (the image to your left is of the inside-cover - the slipcase wouldn’t scan due to the metallic-inks ...)
southern lord press release...
earth - "the bees made honey in the lion's skull"
sunn90 cd & 2xlp

dylan carlson: electric guitars and amplifiers
adrienne davies: drums and percussion
steve moore: acoustic grand piano and wurlitzer electric piano, hammond organ
don mcgreevy: electric bass and acoustic upright bass

songs one, four, five featuring:

bill frisell: electric guitar and amplifier

earth's latest incarnation has arrived. after refaceting some old gems for greater illumination on "hibernaculum". the band returns once again to it's continuing evolution. where "hex" reveled in dark satanic twang and austere american beauty, "the bees made honey in the lion's skull" finds dylan carlson and the band growing into a harder, more rock, american gospel and impovisitory direction framed by truly psychedelic production and blazing guitar sounds.

earth shows it's affinity with a nod to the best elements of the more adventurous san francisco bands of the late 60's and 70's, and the more spiritually aware and exciting forms of jazz-rock from the same era. this is no nostalgia trip but a thoroughly inspired and original metamorphosis. earth is also very honored to be joined on this record for three songs by legendary and virtuoso guitarist bill frisell (doing some of his most fuzzed out playing in years!) .

bill frisell adds a brilliant texture and counterpoint to the scintillating and inspired riffs of dylan carlson and the band. adrienne davies joins again on drums lending a classic and steady feel to the proceedings. steve moore also returns adding heavy hammond organ and his intense jazz inspired piano playing. live bassist don mcgreevy also makes his full length earth debut on this record.

earth will begin touring throughout the world when the album is released, australia, europe and a full us campaign and on from there. the new songs are equally compelling live where earth takes the vehicles and expand and explore them for further musical and meditative exploration. enjoy "the bees made honey in the lion's skull".

"from strength, sweetness. from darkness, light, the bees made honey in the lion's skull"

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first in stock on
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threads:
doom
modern-psych

southern lord (usa) #sunn 086 cd

ompilgrimage” compact disc

  • pilgrimage (10:33)
  • unitive knowledge of the godhead (5:50)
  • bhima’s theme (11:40)
  • pilgrimage (reprise) (4:15)
october 2007 release; the third album from the drum/bass dirgebild unit om (last seen on split singles w/current 93 & six organs of admittance). i’ve been a closet fan of their first two records for holy mountain; this feels like their apotheosis.
southern lord press release...
om was formed by al cisneros (bass/vocals) and chris hakius (drums), both founding members of legendary doom pioneers sleep. they recorded their debut album variations on a theme in 2004. the album was an instant success; heralded as a triumphant return by mr. cisneros who had not made any music publicly for many years. the underground popularity of the band lead to exclusive live engagements in london, new york, san francisco and los angeles.

om spent the fall of 2005 recording the album - conference of the birds. comprised of two songs that build on om’s use of cyclical rhythm, riff and vocal intonation, the album blends metal, chant, drone, dub and psychedelia. the band’s lyrics expound upon the structure of the universe, potentiality and freedom from the physical body. engineered by billy anderson (neurosis, melvins) as with the debut album and produced by the band, conference of the birds progressed beyond their debut, variations on a theme with more fully-realized songwriting and production.

pilgrimage:

three new songs featuring om’s unique use of riff, cadence and chant comprise the duo’s new album pilgrimage. lyrical themes address the processes of mind, psychic reality, astral and causal planes of being, and the nature of the soul. pilgrimage was recorded and engineered by steve albini at his electrial audio studios in chicago and produced by the band. mastering was handled by bob weston (also of shellac). motifs that were initiated on the band’s previous album are continued here unabated.

of particular note is how much the song-writing has developed and in turn makes the dynamics of the songs much more intensely powerful. the present journey finds the band expanding their vision into new territories.

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threads:
black-metal

southern lord (usa) #sunn 085 cd

tangorodrimjustus ex fide vivit” compact disc

  • when heirs of the horned shamelessly attack.
  • no light.
  • cold flame of death.
  • the wolves are also coming...
  • justus ex fide vivit.
  • without eyes and anything above.
southern lord press release...
t(h)angorodrim is from the works of j.r.r. tolkien and means 'mountains of oppression'

hailing from israel (!!!) tangorodrim unleash alcoholica fueled black metal that raises its whiskey drenched goblet to the eternal atmosphere of unholy black metal!

pure, unholy black metal from israel! after their "unholy and unlimited" album released on southern lord in 2005 this filthy horde hibernated and shape-shifted into a new more vicious beast. recruiting ex-rabies caste (previous releases on earache) drummer :terno graderz they regressed into a more primitive animal for this their 4th studio album. justus ex fide vivit is raw alcohol-fueled black metal colliding violently with disgusting punk rock.

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first in stock on
october 24th, 2007


threads:
doom
minimalism-drones
free-improvisation

southern lord (usa) #sunn 084 cd

orthodoxamanecer en puerto oscura” compact disc

  • con sangre de quien te ofenda (8:46)
  • mesto, rigido e ceremoniale (9:02)
  • solemne triduo (4:11)
  • amanecer en puerta oscura (1:46)
  • puerta osario (2:09)
  • templos (15:01)
  • parte ii. apogeum (7:54)
southern lord press release...
orthodox - "amanecer en puerta oscura" cd

in december 2006, orthodox recorded this, their second album "amanecer en puerta oscura". the album helps give a new perspective into the soul of the music they create as well as its movement into several different directions.

"amanecer en puerta oscura" comes off like a trip crossing through different genres,  where jazz influences, collide with progressive sounds and ultra-heavy, crushing metallic-punk experiments.   at the same time the band has not forgotten their true metal roots and andalusian cultural origins. the use of new instrumentation (clarinet, trumpet, contrabass), fits naturally with the band's original sound yet opens a new window in order  to see the light within their dark musical concept. 

orthodox are continually searchinng for new and diverse forms of music expressions, "amanecer en puerta oscura" is a logical manifestation of their current "discoveries" during this quest.  released exclusively in north americal by southern lord.

...

orthodox is a power trio whose sonic larder is filled to the brim with such cold storage 90s basics as the melvins, sleep, trouble, earth, sunn0))), thrones, plus they’ve added to the mix an inevitable ur-trudge of early sabbath, dance of the lemmings-period amon duul 2 and yankee sabbalikes bang (future shock), with unconscious nods to early japrock deadbeats speed glue & shinki (red doll), joey smiths philipino walking dead juan de la cruz (wanna take you home) and flower travellin bands evenmorestrungoutthantheoriginal versh of black sabbath or (again) flowers own hiroshima." - julian cope.

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threads:
doom

southern lord (usa) #sunn 082 cd

weedeatergodluck and goodspeed” compact disc

  • god luck and good speed (4:25)
  • wizard fight (2:18)
  • for evan's sake (7:08)
  • alone (2:14)
  • $20 peanut (2:56)
  • dirt merchant (5:12)
  • gimme back my bullets (4:15)
  • weed monkey (7:28)
  • willow (2:57)
southern lord press release...
sunn82
weedeater - "god luck and good speed" cd
release date: july 31st 2007

in the mid-1990's, weedeater arose from the ashes of the southern-drug-lord-band buzzov-en, who had disbanded along the swampy shores of the cape fear river in north carolina not too long before. fronted by famed madman and bass virtuoso "dixie" dave collins, this three piece doom juggernaut has been eating audiences alive for more than 10 years now.

after two critically acclaimed full length releases under their belts recorded by billy anderson (neurosis, melvins, high on fire, etc.) and released respectively on berserker and crucial blast records, the latest and highly anticipated album, entitled "god luck and good speed" is due out in july of 2007 on la's southern lord recordings. all but one of the songs on the album were recorded and produced by the legendary steve albini (neurosis, high on fire, nirvana, etc.) at electrical audio studios in chicago.

the sound is gigantic and both the production and recording skillfully capture the intense experience of a weedeater show while achieving tones that will swallow you whole. the remaining track, "alone", was recorded by mike dean (corrosion of conformity) and simply consists of an acoustic bass track, a banjo track, and vocally some of dixie's best somber and sub-baritone rasping. the mastering was executed by john golden (neurosis, melvins, pelican, etc.) and the finished product is nothing short of amazing.

if you want to see weedeater in print, you can catch the boys in thrasher magazine's skater of the year issue in an interview done in the van after a packed show in portland or, and you can read the "stoner rock vs. weed metal" debate between dixie dave and stoner-guru bobby black in the high times magazine harvest issue. aside from the national publications, the boys have also been in the weekly mags gaining national attention for being one of the most moving live bands in recent history, with the proof lying in each of the hundreds of blazing shows they play every year.

at first, fans might not know whether to be afraid of them or worship them, but like with anything held sacred, it always ends up being a combination of both. weedeater has recently toured the us with coc, crowbar, and alabama thunderpussy, as well as sharing the stage with a host of other great bands like clutch, the sword, kylesa, 400 blows, and label mates the hidden hand. in spring 2007 they headlined tours with such bands as stinking lizaveta and rwake in sold-out clubs from nyc to austin. in 2006 they destroyed sxsw at room 710, and then they did it again this year by blowing the roof off of emo's at the tone deaf touring showcase. the front rows were crammed with rock illuminati including members of mastodon and even jello biafra himself, but the club was over capacity so unfortunately many rabid fans were not granted their weedmetal fix at sxsw this year.

needless to say, the future is looking bright for weedeater, and the boys are fondly looking forward to the summer west coast tour with label mates sunn 0))), earth, and wolves in the throneroom, then following with tours of the remaining us and europe later in the year. these will be legendary shows and a great opportunity to pick up your newest hymnal from the reverends of weedmetal.

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threads:
black-metal

southern lord (usa) #sunn 081 lp

glorior bellimanifesting the raging beast” long playing record

  • from darkness there springs light (5:47)
  • deadly sparks (4:09)
  • sinister resonance (5:03)
  • severed from the self (4:51)

  • manifesting the raging beast (3:37)
  • said lucifer in twilight (5:58)
  • serpentine admonition (4:07)
  • altered verses (6:47)
southern lord press release...
hailing from france,...glorior belli came out from the dark in 2002. the first demo "evil archaic order" was released in june 2004, followed by the first album "ô lavdate dominvs" in may 2005. despite their exquisitely filthy & brutal nature, their recordings emit a mesmerizing otherworldly resonance that cannot be denied. an omnious rumble & surge.....always moving forward with various points of tension & terror!

glorior bellis' whole aesthetic has a strangely melodic bent that helps it to stand out from other black metal records. somehow they manage to write bestial art that is ultra- catchy while at the same time being suffocatingly black & grim.

"manifesting the raging beast" is their second full length album and first for their new label-coven: southern lord. we feel that glorior belli holds their own against other classic black metal weve released like: craft, leviathan, deathspell omega, and funeral mist as well as creating their own unique sound.

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threads:
black-metal

southern lord (usa) #sunn 081 cd

glorior bellimanifesting the raging beast” compact disc

  • from darkness there springs light (5:47)
  • deadly sparks (4:09)
  • sinister resonance (5:03)
  • severed from the self (4:51)
  • manifesting the raging beast (3:37)
  • said lucifer in twilight (5:58)
  • serpentine admonition (4:07)
  • altered verses (6:47)
southern lord press release...
hailing from france,...glorior belli came out from the dark in 2002. the first demo "evil archaic order" was released in june 2004, followed by the first album "ô lavdate dominvs" in may 2005. despite their exquisitely filthy & brutal nature, their recordings emit a mesmerizing otherworldly resonance that cannot be denied. an omnious rumble & surge.....always moving forward with various points of tension & terror!

glorior bellis' whole aesthetic has a strangely melodic bent that helps it to stand out from other black metal records. somehow they manage to write bestial art that is ultra- catchy while at the same time being suffocatingly black & grim.

"manifesting the raging beast" is their second full length album and first for their new label-coven: southern lord. we feel that glorior belli holds their own against other classic black metal weve released like: craft, leviathan, deathspell omega, and funeral mist as well as creating their own unique sound.

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 best of 2007 !!! 
southern lord (usa) #sunn 078.5 ep

scurshahor / striborgsplit” seven inch single record

  • scurshahor - malicious resplendence (5:08)

  • striborg - psychedelic nightmare (3:44)
  • striborg - syncopated pandemonium (3:49)
split single by two black metal acts from the pacific rim; tasmania’s striborg (two prior discs on southern lord) and the melbourne-based scurshahor (about whom very little is known... other than that it’s a two-piece consisting of zulaikha on “destruction” and natalone on “explosions”) ...

ps. i guess no one fell for that one ; scurshahor is oren ambarchi’s “secretblack metal project ... completists take note ...
southern lord press release...
striborg / scurshahor - split 7"

killer new split 7" from two darkened souls truly from down under!

scurshahor is an australian entity , brethren in aesthetic to sin-nanna /striborg. the actual identity of this project is shrouded in mystery.

striborg tracks composed and recorded exclusively for this session. said to be inspired by the events that transpired between sin-nanna (striborg) and sunn 0))) during their collaborative performance together in australia, may 2007.

limited to 1500 copies.
....design by stephen o'malley

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threads:
guitar-themed
modern-composition
minimalism-drones
modern-psych
electro-acoustic-composition
electro-acoustic-improvisation

 best of 2007 !!! 
southern lord (usa) #sunn 078 cd

oren ambarchiin the pendulum's embrace” compact disc

  • fever, a warm poison (17:55)
  • inamorata (10:20)
  • trailing moss in mystic glow (12:36)
october 2007 release; the follow-up to 2006’s grapes from the estate from composer/improvisor oren ambarchi.

...don’t let the southern lord catalogue number fool you (actually; the disc was simultaneously released in the uk on touch) - despite oren’s recent doom/black metal transgressions, this music follows on from his earlier experiments with sine-tone guitar throb & extended forms.

utilizing “electric and acoustic guitars, piano, bells, glass harmonica, voice, drums,” oren has meticulously honed these three pieces into “late-night come-down monsters.” veren grigorov’s strings (the only non-oren-performed instrumentation hereon - listen to the sound-clip) add a warmer feel to the proceedings than the earlier, guitar-electronic records.

i make my love of this music known throughout this site, no need to repeat it ad infinitum here... this is a fine, fine record, easily one of the quantifiably best of the year. highly recommended.
southern lord press release...
oren ambarchi - "in the pendulum's embrace" cd

by now mr. ambarchi should be no stranger to the initiated drone fiends as his unmistakable tonal presence has permeated many southern lord releases in the last few years.  most notable were his contributions to the "black one" album by sunn 0))) but he is also involved with the 0))) related trios: grave temple, and burial chamber trio.

oren ambarchi continues his otherworldly investigations with “in the pendulum’s embrace”, a kind of dark twin to his landmark 2004 album “grapes from the estate”.  returning again to the hallowed halls of bjb studios in sydney, ambarchi expands the scope and range of his unique musical language, incorporating an even broader pallette of instruments and sensibilities. despite the use of glass harmonica, strings, bells, piano, percussion and guitars, it’s startling that the world created is still unmistakably his own, and that there is such a cohesion of vision throughout the albums’ three lengthy pieces. with this record there’s an even more tenuous coexistence of fragility and density; sounds as light as air mingling with wall shaking low-end. 

packaged in a 5" mini-gatefold w/ printed inner-sleeve.  design by john wozencroft. released exclusively in north america by the lord.

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threads:
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sound-art
guitar-themed

 best of 2007 !!! 
southern lord (usa) #sunn 077 lp

sunn 0)))oracle” long playing record

  • belülrol pusztít (16:01)
  • orakulum (18:37)
late summer 2007 release from drone-metal lynchpin sunn o))) ; the soundtrack to the banks violette gallery-piece (the band’s entire live/stage rig cast in salt !!!) on one side, an “experimental piece” on the other...
southern lord press release...
orakulum was originally composed for a live performance collaboration with the new york sculptor banks violette at the maureen paley gallery in london, june of 06. violette created sculptural representation of sunn o)))’s entire backline in cast resin and salt, including amplifier stacks, instruments, effects & accompaniments. in addition, black laquered stage platforms and sound panels were created as a basis for the groups actual backline setup, and a selection of drawings were presented within the context. the result of this performance and collaboration, which was conducted in a sealed gallery space, was intended to generate a feeling of absence, loss and a phantom of what once was. along with the experiment belülrol pusztít, it is intended as a document of sunn o)))’s interpretation of such said collaboration.

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southern lord (usa) #sunn 076 cd

asbestos deathunclean, dejection” compact disc

  • nail
  • scourge
  • anguish
  • the suffering
southern lord press release...
in the late eighties …before the mighty formation of sleep: al cisneros (bass/vocals), chris hakius, and matt pike (guitar) played together (along with thomas choi/guitar) in asbestosdeath. asbestosdeath are the roots of the oak that branched into the massive creation of not only sleep but of course om (al and chris), high on fire (matt) and itisi/operator generator (thomas choi).

asbestosdeath was short-lived and only existed long enough to record 4 songs that were released on 2 separate 7’s. one: “unclean” was self-released by the band, the other: “dejection” was released by profane existence. these recordings are long out of print…buried by time and dust. on the specific request of the band southern lord has been chosen to unearth these recordings and make them available once again!

unclean, dejection” album contains every asbestosdeath studio recording on one specially priced release. the recordings were carefully mastered from original source material (ie: the vinyl!) by mell dettmer (earth, sunn 0))), altar, etc..)

it is our honor to unveil this compact disc properly documenting these sacred hymns! be prepared for divine punishment!

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southern lord (usa) #sunn 075 cd

abruptumevil genius” compact disc

  • honores vultus mutares ex aeris campi (3:12)
  • aerge facere alci (1:26)
  • icendio fulminis tecis (2:21)
  • calibus frontem tumeo acidus abcessus (2:24)
  • corpus in as trahere abincere (4:29)
  • bis semina dies hora dea membra corpora (3:53)
  • feci factum sanguine gladios made fieri factus (2:17)
  • tortus torquero colla tumentes (3:36)
  • turannum bellux eventus alci exeo sivium vitae carthaginis integra (3:32)
  • hostes orco hostium legiones dis manibus pacis ruptores ultioni (5:41)
  • unimum, mentem alcis juventutem largitionibus, hostes ad dimicandum, commotis exita sacris thyias (4:48)
  • de profundis mors vas cousumet (5:39)
southern lord press release...
swedens' abruptum was formed in 1989 by it and all. it had planned to create the band already in 1987 but it wasn't until 1990 that he found the right member to do it. the same year, they recorded their first two demos. there are a multitude of myths surrounding this cult act. among them are:

* midget singer it is a gypsy whos vocal "performances" are achieved by being tortured and electro-cuted by band member all.

* following the completion of their first demo in 1990, bassist: ext was thrown out of the band. according to it, ext was so disturbed by the pure evilness of the demo after hearing the finished product that he joined the nearest church after his departure.

speaking of departures, shortly after the relase the "evil" 7" all began to drink heavily and was forced to leave the band. it then found a new member in (the appropriately named) evil from the young band marduk.

the band further became legendary due to the fact that it was one of the leaders within what was called the satanic black circle. it left the scene completely after several events within the circle and threats to him and his family. abruptum continued on without it, and ultimately ended in 2005.

"abruptum is not in any ways music, something that for reasons i never grasped, i have had to point out time yet time again. “the essence of pure black evil” may be a way to illustrate it, as euronymous (mayhem) formerly put it, but for me these recordings are journals of certain journeys of whatever has been my individual and personal “evil”.

to the mass consumer, facts as “it tortured himself in the studio” or “these are sessions of occult rituals, forbidden mysterious arts recorded” may be ways of selling points, but the sincerely curious mind will unearth that the quintessence of this experience lies in the individual quest one might practice throughout the sinister voids of abruptum.

this is blood, chaos, fornication and various acts beyond where most will ever dare to venture. the only thing truly within my power is to bid you welcome, take a step ahead and plunge yourself into this abyss. keep in mind that you do so at your own peril, we take no responsibility for any actions that may spring from this source of utter obscurity.
"

darkness it will be,
it, november 2006

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southern lord (usa) #sunn 073 cd

striborgnefaria / a tragic journey towards the light” compact disc

  • nefaria (7:07)
  • permafrost forest (3:43)
  • somnambulistic nightmares (5:32)
  • garmonbozia (3:29)
  • lament (4:22)
  • bleeding black tears of hate (9:03)
  • black apparitional void (9:09)
  • into / the hordes of darkness (5:15)
  • beyond the shadow of silence (3:47)
  • one with the night (5:02)
  • drowned in black beauty (1:39)
  • alone in darkness (7:19)
  • a tragic journey towards the light (1:41)
  • palace in the heart of the forest (7:39)
  • haunted forest (2:23)
  • drowned in black beauty ii (2:09)
southern lord press release...
kvlt minimalist true underground black metal from striborg
(aka: sin-nanna)

"striborg" is the god of winds in slavonic mythology and "sin (nanna)" is a sumerian crescent moon god. all winds and storms are said to be his grandsons ("stribozhivnuci").

striborg unleashes bleak, misanthropic, depressive black metal with, blurry guitars, clean minimal bass and plodding relentlessly pounding rhythms that create a very dark and ghostly atmosphere.

nefaria was recorded in may as the last analogue recording from sin-nanna (aka striborg) and is comprised of 7 tracks/42 minutes of material. the sound is comparable to other striborg works: "spiritual catharsis" with the style progressing even further than the previously released southern lord release: embittered darkness.

overall "nefaria" incorporates all previous styles into one album but with a more organic feel. the nefaria material is combined with the rare 1995 demo: " tragic journey towards the light". this exclusive north american version was licensed from displeased records in the netherlands.

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threads:
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free-improvisation
electro-acoustic-composition
minimalism-drones
experimental-instruments

southern lord (usa) #sunn 071 cd

z’ev / stephen o’malleymagistral” compact disc

  • 6m 59s from last 42s left channel only - 26 track submix (6:59)
  • 13m 48s from 34s from 5m - 5m 34s - 20 track submix (13:48)
  • 6m 7s from 36s from 6m 53s - 7m 27s - 34 track submix (6:07)
  • 14m 10s from 1m from 22s - 1m 22s - 28 track submix (14:10)
  • 8m 39s from 1m 18s from 4m 55s - 6m 13s - 18 track submix (8:39)
a disc’s worth of stefan “z’ev” weisser’s composings/processings of stephen o’malley’s solo guitar drone/kill; a wooly wash of percussive interjections (some of it coming close to daniel menche’s recent work) and full-frequency spectral pileup. quite nice, actually...
southern lord press release...
z'ev & soma - magistral (cd)

new collaboration album from stephen o'malley (sunn 0)))) and legendary experimental percussionist: z'ev (glen branca, boyd rice etc..). packaged in a special 5" mini-gatefold cardboard jacket (like sunn/boris - altar, grave temple etc..). mixed by randall dunn (earth, sunn 0))))

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southern lord (usa) #sunn 070.2 cd

the hidden handthe resurrection of whiskey foote / devoid of color” double compact disc set

  • purple neon dream
  • someday soon
  • dark horizons
  • spiritually bereft
  • the lesson
  • majestic presence
  • the resurrection of whiskey foote
  • lightning hill
  • broke dog
  • slow rain

  • the key
  • devoid of color
  • the dagger
  • vulcans’ children
  • devoid of color (reprise)
southern lord press release...
the hidden hand - "resurrection of whiskey foote"
sunn70
release date: feb. 2006

this is the third full-length album from marylands' the hidden hand. after firmly establishing themselves with their two previous albums: divine propaganda (2003) and mother, teacher, destroyer (2004, released on southern lord), hidden hand unleash another epic masterpiece: "the resurrection of whiskey foote." lyrically the band has evolved from their previous politically charged content also incorporating historical story based lyricism. musically there is a subtle southern or classic rock vibe (ala killer slide playing from wino and even some harp by michael anthony miller) that creeps into the foundation of their brand of dark, heavy, progressive rock. only a lineup consisting of the capable "rock-veterans" that make up the hidden hand can properly pull off an album of this magnitude. vocalist/songwriter scott wino weinrich (whose rich history includes being a song-writer, vocalist and lead guitarist in: saint vitus, the obsessed, spirit caravan, place of skulls and contributor to dave grohls' probot album) is joined by the kick-ass rhythm section of bassist/vocalist bruce falkinburgh (who also recorded the album) and drummer evan tanner. the union of these 3 incredible musicians produces a unique sound force that is setting a precedence that most bands will find impossibly challenging to match.

statement from bassist bruce falkinburgh regarding the album:

"the resurrection of whiskey foote" is less of a "concept" album but more like snapshots or "episodes" of a larger story. the basic premise that drove the song writing is that early in the history of modern america, there were numerous conflicts or rebellions amongst truly early pioneers, the fledgling colonial governments, native peoples, and those brought here against their will. we devised a character, a fictitious "hero" of sorts, namely whiskey foote who was indeed one of these first "americans" being perhaps the 1st generation son of an indentured servant and an african black or native american person - essentially "mixed" in ethnic or racial origin, a true modern american. he was free, but a part of an expanding frontier that was rife with conflict, many times against a governing system that was on the verge of tyranny as in the case of bacon's rebellion or the whiskey rebellion, etc..."

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southern lord (usa) #sunn 070 cd

the hidden handthe resurrection of whiskey foote” compact disc

  • purple neon dream
  • someday soon
  • dark horizons
  • spiritually bereft
  • the lesson
  • majestic presence
  • the resurrection of whiskey foote
  • lightning hill
  • broke dog
  • slow rain
southern lord press release...
the hidden hand - "resurrection of whiskey foote"
sunn70
release date: feb. 2006

this is the third full-length album from marylands' the hidden hand. after firmly establishing themselves with their two previous albums: divine propaganda (2003) and mother, teacher, destroyer (2004, released on southern lord), hidden hand unleash another epic masterpiece: "the resurrection of whiskey foote." lyrically the band has evolved from their previous politically charged content also incorporating historical story based lyricism. musically there is a subtle southern or classic rock vibe (ala killer slide playing from wino and even some harp by michael anthony miller) that creeps into the foundation of their brand of dark, heavy, progressive rock. only a lineup consisting of the capable "rock-veterans" that make up the hidden hand can properly pull off an album of this magnitude. vocalist/songwriter scott wino weinrich (whose rich history includes being a song-writer, vocalist and lead guitarist in: saint vitus, the obsessed, spirit caravan, place of skulls and contributor to dave grohls' probot album) is joined by the kick-ass rhythm section of bassist/vocalist bruce falkinburgh (who also recorded the album) and drummer evan tanner. the union of these 3 incredible musicians produces a unique sound force that is setting a precedence that most bands will find impossibly challenging to match.

statement from bassist bruce falkinburgh regarding the album:

"the resurrection of whiskey foote" is less of a "concept" album but more like snapshots or "episodes" of a larger story. the basic premise that drove the song writing is that early in the history of modern america, there were numerous conflicts or rebellions amongst truly early pioneers, the fledgling colonial governments, native peoples, and those brought here against their will. we devised a character, a fictitious "hero" of sorts, namely whiskey foote who was indeed one of these first "americans" being perhaps the 1st generation son of an indentured servant and an african black or native american person - essentially "mixed" in ethnic or racial origin, a true modern american. he was free, but a part of an expanding frontier that was rife with conflict, many times against a governing system that was on the verge of tyranny as in the case of bacon's rebellion or the whiskey rebellion, etc..."

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threads:
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modern-psych

southern lord (usa) #sunn 062 cd

sunn 0))) / borisaltar” compact disc

  • etna (9:51)
  • n.l.t. (3:50)
  • the sinking belle (blue sheep) (7:38)
  • akuma no kuma (7:53)
  • fried eagle mind (9:47)
  • blood swamp (14:46)
southern lord press release...
sunn 0))) / boris - altar (cd)

southern lord are extremely honored to present the new collaboration album from boris and sunn 0))) entitled: “altar”. this album is not a split album. “altar” is a true collaboration album between sunn 0))) and boris that is a result of both bands conceptualizing, writing and recording the album together as one entity. both groups have stepped outside their previous sounds and created a wholly unique album that stands on its own unique ground. there are elements of each groups trademark sound within the album but true to each groups progressive and experimental aspects, “altar” moves into a completely new dimension.

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southern lord (usa) #sunn 060 cd

striborgembittered darkness / isles des morts” compact disc

  • protagonist of misanthropic virtues
  • wrapped in a cocoon out of harm's way
  • race of apathy
  • in the eerie pre-dawn silence of the cold
  • embittered darkness
  • digging a ditch to die in
  • through the veils of darkness
  • descending from the blackened sky
  • holding the throne of night
  • the day for my kingdom to rule
  • the cold slumber that awaits me
  • return of the dark lord
  • landscapes of mist cast across the steel of cold
  • in darkness...
  • mist
  • misanthropic isolation
southern lord press release...
southern lord is very proud to present the first ever domestic release of cult underground tasmanian black metal legend: sin-nanna aka striborg. "sin (nanna)" is a sumerian crescent moon god and "striborg" is the god of winds in slavonic mythology. all winds and storms are said to be his grandsons ("stribozhi vnuci").

bleak, misanthropic, depressive black metal with, blurry guitars, clean ephemeral bass and plodding relentlessly pounding rhythms that create a very dark and ghostly atmosphere. lyrics about the forest, fog and nocturnal desires. contains a brand new recording along with the very rare "isle des mortes" demo from 1997. released under exclusive license from displeased records in the netherlands.

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threads:
electro-acoustic-improvisation
minimalism-drones
guitar-themed

 best of 2005 !!! 
southern lord (usa) #sunn 046 cd

oren ambarchitriste” compact disc

  • triste part 1 (18:09)
  • triste part 2 (19:30)
  • triste part 1 - remake (8:25) by tom recchion
  • triste part 2 - remodel (6:10) by tom recchion
ok... now here’s where the doom-metal/minimal-drone crossover gets interesting... i didn’t find it odd in the least when oren did a european tour as a member of sunn o))); o’malley and co. had prior gone down to oz for a “what is music?” appearance and must have been bowled over by oren’s solo guitar work during their stay...

what is interesting, however, is how this record; arguably one of oren’s most challenging and minimal works, is being re-marketed to the massive audience for the southern lord/doom-metal spec. frankly, the prospect is pretty damn exciting...

southern lord has done a fine job of repackaging the original idea-label 220gsm/stoughton heavy-stock aqueous gloss sleeve edition into a stoughton cd-gatefold (retaining the original tina frank/inwirements design.) and the music itself, recorded live @ extrapool in 2001, shows oren at the peak of his prowess in coaxing otherwordly, alien tones out of his chopped gibson explorer & moogerfrooger/boomerang pedal-set. nice that the music can be heard for less than the idea lp was fetching (something like $28 new.)
southern lord press release...
triste
oren ambarchi: guitar

triste remake/remodel
oren ambarchi: guitar, tom recchion: hammond organ, tape loops, cds & synth

an expanded reissue of the triste album from australian electronic guitarist and percussionist oren ambarchi. the triste material is reminiscent of his work on grapes of wrath, with his guitar sound/tone transformed into a dark, tonally extreme, percussive instrument, with the sound arranged melodically to create beautiful drone soundscapes. includes all the tracks from the original version (released on vinyl in a limited edition), along with some remix collaborations with tom recchion.

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modern-psych

southern lord (usa) #sunn 041 cd

borisakuma no uta” compact disc

  • introduction (9:44)
  • ibitsu (3:22)
  • furi (3:20)
  • naki kyoku (12:14)
  • ano onna no onryou (6:29)
  • akuma no uta (4:01)
southern lord press release...
southern lord’s favorite, and most excellent japanese power trio; boris are back with another offering from their eclectic catalog. akuma no uta is a 39 minute, six song album that offers up a variety of styles from past boris albums, drawing from the heavier-than-thou rumble of absolutego and amplifier worship (both previously released on southern lord), to the exquisite beauty of flood, and the sheer jams-out-kickin' of heavy rocks.

starting off with a earth-esque drone-metal intro the record then slams into the riffed-out, noisy stormer "ibitsu". distorted, manic, tear-shit-up stuff. after another song in the same hendrix meets the stooges style psych-punk rawk vein, boris switch gears again, for the album's centerpiece, a twelve-minute opus entitled "naki kyoku" that begins all super languid, quiet and pretty before building into a soaring psychedelic jam. the jams continue on the next track, another in the red garage stompin' blow-out. finally, title track "akuma no uta" winds things up with a return to the immense sludge grind of track one, melded into a headbanging groove, ending the disc on an adrenaline high.

boris adds a unique 'experimentalist' ambience to all they touch. which perfectly explains their involvement and collaboration with such cult-experimental artists like: merzbow, and keiji haino. every release from this group is different, colossal in its own right. boris also incorporate elements drawn from other sources, including psychedelic rock, garage rock, metal, noise, minimalism, and pure sludge-drone.

akuma no uta is now available in the usa for the very first time with a cover that perfectly re-creates nick drake's bryter layter! except with double neck electric guitar-bass instead of acoustic guitar.

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threads:
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southern lord (usa) #sunn 037 cd

sunn 0)))the grimmrobe demos 72:24 • anno 1.998” compact disc

  • black wedding (19:16)
  • defeating: earths’ gravity (14:58)
  • dylan carlson (21:30)
  • grimm & bear it (16:40)
nice how the puerile origins of the band (see below) have morphed into something much more “serious”... or at least “life altering”...

even still this, their original 1998 demo, repressed and launched into the fresh young hands of a million young stalwarts of “doom”, still clenches a mighty fist ...
southern lord press release...
bootsy kronos [subharmonics]
the duke [sunn & drone}
mk ultra blizzard [crust, earth & virus]


“sunn 0))) is a side project of khanate/burning witch (steve o' malley) and goatsnake (greg anderson) members. it was formed in memory of the cult drone-riff founders earth and honors the beautiful ozma. the sunn0))) mission is to create trance like soundscapes with the ultimate low end/bottom frequencies intended to massage the listeners intenstines into a act of defecation. sunn 0))) have gathered 2x for live performances, at which they have succesfully made audience members instantly nauseous, or better yet run for the toilet in terror.

the powers that be contracted the heaviest low end destructors sunn 0))) to create the most subharmonic drone recording ever put to tape. a test impossible for most mortals. prepare your sound system!”

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southern lord (usa) #sunn 031 cd

sunn 0)))white2” compact disc

  • hell-o)))-ween (14:11)
  • bassaliens (23:22)
  • decay2 [nihils’ maw] (25:19)
southern lord press release...
sunn o))) white2

greg andersono’malley
attila csihar
joe preston
rex ritter
dawn smithson

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threads:
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minimalism-drones

southern lord (usa) #sunn 028 cd

khanatethings viral” compact disc

  • commuted (19:13)
  • fields (19:50)
  • dead (09:27)
  • too close enough to touch (11:11)
southern lord press release...
like a cement mixer slowly filling the room as you read this web page, khanate belches another discharge of lung stopping power. not happy music, but total music. even more sparse than their first record on southern lord, this boils doom down to the individual atoms. slow and deliberate, it paints the room the room in coal dust choking all in its path. necessary and essential for those picking up the pieces from similarly minded projects from sludge captains like the melvins, earth and boris. buy this and live forever with the knowledge of the gods!

the end of october brings their second full length, “things viral”, via southern lord. “things viral” showcases khanate at their peak. the chemistry of the players has intensified into something otherworldly. with extremely advanced songwriting mixed with the unusual trademark khanate production, khanate has focused their attention on extreme dynamics and the “space between notes” on this album. its difficult to pinpoint reference points when talking about khanate, but if needed:

imagine bon scott-era ac/dc puked through a qualude binge, captured in the studio by steve albini. laugh while you can because afer carefully ingesting this album, chronic depression will set in.

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threads:
black-metal

southern lord (usa) #sunn 026 cd

attila csiharthe beast of attila csihar” compact disc

  • aborym - ”out of shell”
  • plasma pool - ”chanceless religion”
  • tormentor - ”heaven”
  • korog - ”worshiping the current”
  • anaal nathrakh - atavism
  • mayhem - ”cursed in eternity”
  • plasma pool - ”story of flying”
  • professor fate - ”orom”
  • limbonic art - ”serpently inspired
  • emperor - ”funeral song (fog)”
  • plasma pool - false the saints
  • aborym - here is no god
  • mayhem - ”freezing moon”
  • tormentor - ”trance”
  • sunn0))) - “decay”
southern lord press release...
"the beast of attila csihar" cd
southern lord recordings 2003

attila csihar biography (w/ assistance from greg anderson)

i started to play music in 1986 when we formed tormentor. tormentor become pretty famous in hungary since we were the most extreme band there at that time. first we recorded a demo in 87 (“the seventh day of doom” ) from our force. we played around 100 gigs in hungary during that period. we split in the end of 1989-90 cause of the hopeless conditions in hungary.. some years later our recordings had become very famous in the underground world thanx to our fans who spread low quality tapes around.. it was cool and a suprise later to hear about the very positive feed backs from many parts of the world but it was too late then.. (“anno domini” the debut album was released only in 95 by nocturnal art productions)

then we formed plasma pool in 1990-91. "plasma pool was influenced by the very old electro “ebm” bands like skinny puppy, front line assembly, leather strip.. as well by the old current 93 stuffs. it was a very big challenge for us to make this kind of music at that time. just think, during that time there were no computers with sampler and studio softwares as today!. we were playing extreme and dark electro music and we become famous in hungary. it was going untill 1993............................. then i was asked by eurnonymous to join mayhem."

eurnoymous, varg vikernes (count grishnack) hellhammer and attila recorded the de mysteriis dom sathanas album. considered by many to be thee best black metal album of all time. the performance of attila on that album is completely groundbreaking, and often imitated. on those recordings, attila simultaneously created a new standard for vocalists, and established himself as thee premier black metal vocalist.

"after shit happened.. mayhem was split as well as plasma pool, both for strange reasons. one was the murder of euronymous (mayhem guitarist), while plasma pool was robbed by the maffia (they took our stuff).. plasma pool also become famous only years after when our first demo was released with some live tracks at a small italian label called “holocaust records” in 95-96.. "

"then i had a break.. between 93-98 i was busy with my family however we had some experimental projects in those years ( n.a.p. , himalaya, ::northpole, ..). in this period i was more into ancient philosophies"

"in 1998 i returned to the extreme metal scene when i was asked to join aborym. first i was just a guest on “kali yuga bizarre” but for the second album (“fire walk with us”) i became the only vocalist since the old vocalist had left the band"

"also in this year i appeared on one track (“from the dark past”) on a mayhem live album called “mediolanum capta est” which was recorded in milano in the same period when i did the guest vocals for the first aborym (this album was censored in some countries). "

"in 1999 i was asked to do a mayhem cover (“funeral fog”) with emperor for a tribute to mayhem album so i went up to norway to do that."

"also in 1999 we recorded a new tormentor album called “recipe ferrum” which was found very strange by many of our older fans. however especially in the last period i had many emails and feedbacks from fans saying that they understood its message and that they started to like it a lot. sometimes the music needs time to find its audience.. "

"in jan. 2000 i was in norway again, invited to the satyriconroadkill extravagance party” and to meet my friends. that time i went down to meet with the guys from limbonic art and we done that track which also appears on the compilation." ("serpently inspired")

"also in this year we recorded the second aborymfire walk with us”. it has been said it laid down new standards in industrial black metal. we had problems with our label as they did a very weak promotion (they almost boycotted us !!!) so we had the rightfull attention later only in the end of 2001 thanx to our us distributor: “world war 3/ mercenary music” who actually made the right promotion and thanx to such great magazines like “terrorizer”, “unrestrained”..etc. for the support! (ec we had 10/10 and album of the month almost one year after its release at terrorizer)"

"in summer 2001 i also joined a hungarian band called korog for one album since i had no band here (my hometown) at that time, so it was needed and important for me to practice and rehearse periodically. in the end of this year we have recorded a 4 track demo from which actually there is one track on the compilation. ("worshipping of current")"

in 2002 we recorded the 3rd aborym album: “with no human intervention”.

in this year i also did some guest vocals for anaal nathakh ("atavism"), sunn o))) ("decay") and for finnugor (is a hun-finn black metal band). also this year we founded professor fate with mick from anaal nathrakh, its a side thing, more for fun for the future. .... "

"2003: i put together this compilation, played some cool gigs with sunn o))) (including the all tomorrows parties festival curated by autechre) and then i was asked to do a mini 4 track ep of keep of kalessin (with the guys from satyricon)"

"also we are thinkin to do another side project album for our pleasure called “born to murder this world” (w. shane from napalm death, mick from a.n., and maybe necrobutcher from mayhem its really not sure and under constructions) "

"you could ask why are there lots of side things?"

"first becouse i love many forms of extreme music and art. also is just because im filled with creative energies and since i have no any seriously working band with tours and so..etc. , i have more time to do this. (however my main goal always is to play live but it seems not easy recently) "

"some words about my personal life: i have a family - wife with two kids, im an electric engineer by profession, im into high fidelity sound systems, sometimes im working for films however recently im workin at a sound studio here... "

i hope from this you can have a picture..

all the be(a)st!

attila

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threads:
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southern lord (usa) #sunn 025 cd

sunn 0)))white1” compact disc

  • my wall (25:30)
  • the gates of ballard (17:22)
  • a shaving of the horn that speared you (15:36)
april 2003 album by sunn o))). the cope input kind of ruins the epic for me (maybe it won’t for you, i don’t know), but the rest is liquid oro. listen good ...
southern lord press release...
“steve and i converged in portland, oregon to record the 4th sunn0))) album (known as "white-1" album). we met up with joe preston (ex-earth, ex-melvins, thrones) and runhild gammelsaeter (thorrs hammer vokillist) at the magnetic park studios (run by our hero rex ritter of fontanelle) in south east portland. with massive help from our friends, we also played our first live gig in over 2 years at the blackbird with all the above mentioned names in tow. the result was monolithic! the studio recording is turning out to be our most eclectic, pro/regressive yet. the highlight for me thus far was witnessing runhild and joe do a vocal-drone mantra duo! also joe programmed some sick and bombastic drum machines to coincide with a all-keyboard track !!! there was enough material recorded for at least 2 seperate albums. march/april 2003 will see the unleashing of the first batch of material. so far confirmed tracks are:

1. my wall (featuring a vocal collaboration with julian cope - w/steve, joe, greg)
2. the gates of ballard (w/greg, rex)”

the fourth album from hella-doom sludge-throwers steve o'malley (ex-burning witch, current lotus eaters & khanate) and greg anderson (goatsnake). conceived during august 2002 with comrades joe preston (thrones, the whip, ex-melvins) and runhild gammelsaeter (thorr's hammer) at the magnetic park studios (curated by the heroic rex ritter of fontanelle/ex-jessamine), and aided by the band's english supporter and wodanic underground cult figure julian cope through his composition and oratorial performance on the incredible "my wall" ode. witness the expansion of doom fission.

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threads:
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guitar-themed

southern lord (usa) #sunn 024 cd

borisamplifier worship” compact disc

  • huge (9:14)
  • ganbou-ki (15:44)
  • hama (7:30)
  • kuruimizu (14:27)
  • vomitself (16:57)
southern lord press release...
in 2001 southern lord released: "absolutego (special low-frequency version)", from boris. an intense, treacherous 65:34 (one song) journey into the abyss.. enormously epic doom powerful enough to move mountains and decimate large cities. 2003 brings us another classic re-release from boris in the mammoth form of: "amplifier worship". nearly all their releases are impossible to find, japan-only releases. so once again, another dark chapter from their massive body of recorded material is now available worldwide!

like the strange packaging on "absolutego" (orange jewel case with bright psychedelic artwork , seemingly resembling a japanese toy), "amplifier worship" goes completely over the top with the most fucked up packaging ever! we won't ruin the surprise for you, but we will tell you that it involves candy and grotesquely bright colours!!!

boris add a unique "experimentalist" ambience to all they touch. which perfectly explains their involvement and collaboration with such cult-experimental artists like; merzbow, and keiji haino. every release from this group is different. colossal in its own right. earth moving drones swallow the listener whole. they have a lot in common with the melvins musically, including a fondness for heavily down-tuned guitar/bass tones and exceedingly slow tempo. but they also incorporate elements variously drawn from othersources, including psychedelic rock, punk, noise, minimalism, pure sludge-drone music à la earth,and the more recent, rhythmic trance experiments of their countrymen the boredoms.

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threads:
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minimalism-drones
harsh-noise

southern lord (usa) #sunn 015 cd

sunn 0)))3:flight of the behemoth” compact disc

  • mocking solemnity (9:12)
  • death becomes you (13:09)
  • o))) bow 1 (5:54)
  • 0))) bow 2 (12:53)
  • f.w.t.b.t. (10:19)
to be fair, akita only worked on the two o))) bow tracks but that doesn’t matter. when played loud - glass drips. nothing’s making me happier...
southern lord press release...
the third album from this molten rock-charged drone and doom supergroup featuring steve o'malley (ex-burning witch, current lotus eaters & khanate) and greg anderson (goatsnake). a thundering sludge of ultra-low-end sternum-core in the vein of earth and thrones, shudderingly produced by masami akita (merzbow).

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threads:
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doom

southern lord (usa) #sunn 010 cd

borisabsolutego+ (special low frequency version)” compact disc

  • absolutego (65:34)
  • dronevil2 (7:50)
early (1996/1997) boris album, remastered, reissued. what was originally a one-hour-plus single monolithic block has now been augmented by a comparitively sprightly romp (only 7 minutes plus).

boris are currently one of my favorite practising groups, this status attained through their relentless invention, chameleonic morphing from record to record... first crusher/bruiser riff-rock, then low-end feedback drones, then progressive freaknikery, often within the same album. they’ve done collaborative records with keiji haino and merzbow, although they’ve come into their own over the past fews years after associations with groups like earth and sunn o))) made them a household name (albeit, households dabbling in the black arts, with a copy of anton lavey’s satanic bible in the bathroom magazine rack).
southern lord press release...
"absolutego is the soundtrack to two slugs fucking." (dylan carlson/earth)

finally, a release from this cult japanese band is available outside of their native country!!! after several impossible to find japan-only releases, the darkest hour of their entire body of recorded material is finally available worldwide! a one hour song with a bonus track "dronedevil 2" has been added to this newly remastered version.

after touring the us in 1996 with the thrones (joe preston/earth-melvins fame), boris retreated to their homeland to lay down this punishing, cult masterpiece. it must be noted that absolutego was recorded and released (in japan) before sleep recorded jerusalem!!! this is not to discredit or belittle those godz, but to shed light on the fact that boris is indeed the real deal.

like sleep, boris was ultimately inspired by the melvins (in particular the lysol album) and earth. besides pure heavy riff-droning bombast, boris adds a unique experimentalist ambience to all they touch. this perfectly explains their involvement and collaboration with such cult-experimental artists such as merzbow and keiji haino. every release from this group is different. each is colossal in it's own right, but absolutego is the group's finest achievement. words do not describe this mammoth accomplishment. earth moving drones swallow the listener whole, then regurgitate you as a mass of sloth like jelly.

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first in stock on
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threads:
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doom

southern lord (usa) #sunn 002 cd

burning witchcrippled lucifer (10 psalms for our lord of light)” double compact disc set

  • sacred predictions (7:03)
  • country doctor (10:19)
  • tower place (5:24)
  • sea hag (14:20)
  • the bleeder (9:57)

  • rift.canyon.dreams (1997)
  • warning signs (8:22)
  • stillborn (11:57)
  • history of hell (crippled lucifer) (6:02)
  • communion (9:25)
  • rift.canyon.dreams (13:04)
january 2008 release ; the reissue of every bit of material by the pre-sunn o))) group burning witch. comes as a double-disc set (triple-fold digipak) with a lenticular card w/codes to grab even further out-takes and whatnot from “the internet” ... impressively crude/screechy goings-on, presumably at the bottom of a well ...
southern lord press release...

burning witch

formation:
after the breakup of the cult doom/death band thorr's hammer in 1995, stephen o'malley, greg anderson and jamie sykes formed burning witch. the band then added g. stuart dahlquist and vocalist edgy 59, rounding out their lineup. anderson left the band and moved to los angeles to form the band goatsnake. in 1996, the band (w/out anderson) recorded songs with steve albini, which would become the towers... ep. this collection would actually not see a formal release on 12" until 1998 on slap a ham records. after the sessions for these songs, sykes left the band and was replaced by b.r.a.d.

the sessions that followed the albini recordings resulted in the rift.canyon.dreams ep, which would prove to be the final recordings by the band, as they broke up soon after the disc was completed. it was released on 12" by merciless records.

disintegration:
shortly after disbanding: " crippled lucifer" a compilation cd of the two eps, was released in 1998 by the then new label southern lord records. it was the second release of the label, the first being thorrs' hammer. burning witch briefly reformed for their last shows in the fall of 1998 after which edgy 59 left the band. o'malley reunited with anderson to form sunn o))), and dahlquist joined both in sunn 0))) for their first two albums (the grimm robe demos øø void) then briefly joined anderson in goatsnake for the "flower of disease" album. currently, o'malley is in various projects including sunn o))), and ktl. dahlquist and b.r.a.d are in asva.

the unholy birth of a genre....
the sound, attitude and execution of burning witch is very slow,painful, and heavy. while the band was unabashed about their influences they effectively used these influences to create something unique for the time. ultra-heavy, dark minimalist riffs, bombastic bass, and plodding war drums collided with vocals which alter between a nasal, melodic singing voice to a brutal, tortured demented scream/shriek. burning witch were truly the first band to incorporate the dark atmosphere of black metal with tortured doom-metal. their influence is worn on the sleeves of many bands these days including: graves at sea, goatsblood, middian (yob), isis.

this deluxe double cd re-issue of all burning witch recordings will serve as a respectful epitaph for this incredible band. it compiles both the towers and rift canyon dreams albums which were on the the original crippled lucifer release plus the following out of print material:

"communion" and "the bleeder" from split cd with goatsnake (hydra head records 2000) out of print and "rift canyon dreams" from split 12" with asva (dos fatales records 2004) out of print (remixed by randall dunn (sunn, boris, earth) and available for the first time ever on cd)

previous record label:
 sourdine 
...and that's everything on southern lord in stock.
(why not take a look at the previous and next labels?)
next record label:
 spanish magic 
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... this page was last updated on sunday, may 19th, 2013 @ 7:12 pm