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$24.93

new to stock as of
july 19th, 2008


threads:
electro-acoustic-composition
playback-music
plunder-phonic
beat-research
digital-musics
sound-art

schoolmap (italy) #school 4 lp

giuseppe ielasistunt” twelve inch single record

  • stunt (1) (3:30)
  • stunt (2) (5:05)
  • stunt (3) (2:50)

  • stunt (4) (4:10)
  • stunt (5) (4:10)
  • stunt (6) (2:00)
click the play button to hear an excerpt of "stunt (3)"
july 2008 release ; excellent ep of deconstructed turntablism from composer giuseppe ielasi ...

this is pretty far removed from giuseppe’s overall modus of guitar-centric compositions, although i do recognize some of the polyrhythmic underpinnings from his last few häpna-label outings (that indescribably woozy, almost free-time feeling lilt is here in droves) ... some of this material comes off as a purely anti-dancefloor take on the whole basic channel / chain reaction oeuvre (w/schoolmap even going so far as to have d&m master the record !!!) or even the automatic pulse/beat-finding efforts of other berlinite producers such as errorsmith / smith n’ hack et.al ... really nice stuff.
schoolmap press release...
schoolmap records proudly presents:

giuseppe ielasistunt

format: 12” vinyl ep, full color cover, 6 tracks, 22 minutes, edition of 500 copies
cat no: school4
release date: july 7th, 2008

stunt’ is the first in a series of three ep’s which represent an interesting stylistic departure from ielasi’s previous work. the series is focused on the use of one turntable and a large selection of vinyl records as sources for raw material, and pulses/rhythm as main organisational principle. the basic sound material, in the form of short segments and loops or longer and more complex improvisations, was collected over the course of three months, using techniques influenced more by “turntablism”, than traditional sampling or plunderphonics. the raw sequences have then been edited and assembled in 6 tracks (more to follow...), whose structures are probably closer to house music productions than to ielasi’s more atmospheric and layered compositons from his earlier releases.

stunt was mastered and cut by rashad becker at dubplates & mastering, berlin. full color cover photo by italian artist amedeo martegani.

giuseppe ielasi, born in 1974, lives and works in milan, italy. he started playing guitar in 1988, and worked for many years in the area of ‘improvised music(long term collaborations with alessandro bosetti, michel doneda, ingar zach, dean roberts, thomas ankersmit). he has performed live with taku sugimoto, jerome noetinger, mark wastell, martin siewert, brandon labelle, nikos veliotis, gert-jan prins, phill niblock, oren ambarchi and many others. apart from extensive solo activities, ielasi is one half of bellows (with nicola ratti) and oreledigneur (with renato rinaldi). he released music on various labels such as erstwhile, bowindo, kning disk, sedimental (his first solo ‘plans’), hapna (‘gesine’ and ‘s/t’), 12k (the critically acclaimed ‘august’, also featured in the ‘best of 2007’ list for the wire magazine).

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$19.58

back in stock as of
july 19th, 2008

first in stock on
may 19th, 2008


threads:
field-recordings
site-specific

schoolmap (italy) #school 3 cd

akira rabelaishollywood” compact disc

  • hollywood (56:48)
click the play button to hear an excerpt of "hollywood"
may 2008 release (despite what it says below) ; the first music from akira rabelais since 2004’s “spellewauerynsherde(released by david sylvian & steve jansen on samadhisound) ... essentially a deftly edited hour-long suite comprised solely of field recordings ; specifically those made on hollywood boulevard ... definitely in & of the “presque rien” tradition, and, as much as i hate l.a., an intriguing listen ...
schoolmap press release...
schoolmap records proudly presents:
akira rabelaishollywood

format: cd in jewel-box, edition of 500 copies
cat no: school3
release date: april 10th, 2008

the birth of akira rabelais’ “hollywood” has its roots in the composer’s lifelong interest in field recordings and in the desire to create a piece of work dedicated to los angeles: texas born rabelais has used a tascam recorder to capture almost four hours worth of sounds on hollywood boulevard, between betty grable’s and of rod serling’s stars. these original recordings have been lightly edited, cut and mastered into a composition that encapsulates the sounds of casual chats, drunken tourists, peddlers, passing cars, music coming from surrounding shops. an extremely dynamic and always changing soundscape dedicated to “the pleasure of being present”.

akira rabelais, composer and software developer based in los angeles, has released records on ritornell, orthlorng musork and samadhisound. he has collaborated, among others, with björk, david sylvian, harold budd and stephan mathieu.

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 best of 2007 !!! 

$27.01

back in stock as of
july 19th, 2008

first in stock on
november 23rd, 2007


threads:
analogue-synth
electro-acoustic-composition
minimalism-drones
modern-composition
1970s-electronic

schoolmap (italy) #school 2 cd

eliane radiguechry-ptus” double compact disc set

  • chry-ptus i (23:40) 1971
  • chry-ptus (24:47) version 2001

  • chry-ptus ii (20:28) 1971
  • chry-ptus (23:40) version 2006
click the play button to hear an excerpt of "chry-ptus i / ii (mixed)"
november 2007 release; the long-awaited reissue of eliane radigue’s 1971 piece “chry-ptus” :: presented here in two iterations: eliane’s own 1971 realization utilizing the buchla music box at nyu, and a contemporary recording/performance jointly realized by radigue herself (ca. 2001 @ ccmix in paris, assisted by stefano bassanese) and giuseppe ielasi (in 2006).

each realization contains two parts (the first track on each disc forming one pair; the second track the other...); these are intended to be played simultaneously but work just as well as individual halves... musically, the introduction of continuous-pulse rhythms (the mid-register twittering) into the purely synthesized/flowing timbres is something i haven’t heard from radigue (outside of “e=a=b=a+b” - another piece with two distinct parts intended for simultaneously/non-sync’ed play...)

as will all of radigue’s long-form electronic music, this is something you’ll want to immerse yourself in for extended durations... highly recommended for the lover of pure analogue sound & those patient enough to let this music in...

(ps. the sound-sample to your left consists of a minute-long stretch in the middle of a stereo-mixdown of the two 1971 radigue realizations of the piece mixed together...)
schoolmap press release...
schoolmap records proudly presents:
eliane radiguechry-ptus

format: double-cd in jewel-box, edition of 1000 copies
cat no: school2
release date: october 10th, 2007

chry-ptus” (1971) :
originally two tapes which are to be played simultaneously, with or without synchronisation, which does not affect the structure of the work, but creates changes in the game of sub-harmonics and overtones. three variations on this piece were performed at the new york cultural center in 1971, with variations of amplitude and location modulation as well as synchronisation. realised on the buchla synthesizer at the new york university. the booklet contains a text by painter paul jenkins, who also realised the watercolor on the front cover, written on occasion of radigue’s first concert in new york, april 6th, 1971.

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$19.56

back in stock as of
july 19th, 2008

first in stock on
november 23rd, 2006


threads:
electro-acoustic-composition
plunder-phonic
playback-music

file under:
psych-prog
schoolmap (italy) #school 1 cd

tom recchionsweetly doing nothing” compact disc

  • the elephant god (11:16)
  • jazz 10,000 a.d. (5:42)
  • oozings (11:59)
  • the crazy beat (6:19)
  • ho ho 66 (9:16)
  • underwater girls (10:05)
click the play button to hear an excerpt of "the elephant god"
november 2006 release; the third solo album by lafms co-founder / graphic designer (check out any number of major-label jazz box-sets from the last 10-odd years; you’ll be surprised just how many mr. recchion is responsible for!) / collaborator (recent whispers of a tom recchion / oren ambarchi / greg anderson (sunn o)))) trio are sweeping east from the left-coast ...) tom recchion.

an epic, sweeping suite of pieces that dwell on themes of repetition, yet aren’t comprised solely of loops per se... what i love about tom’s music is how deftly he lays out his albums; hedging the more capital-a avant-garde material(s) with light, playful pieces (usually comprised of exotica samples.)

all in all, a great, wide gamut run... just about every conceivable phylum of contemporary experimental music is represented herein, yet there’s a coherent feeling to whole endeavor; certainly a music for and by record-collectors. superb.
schoolmap press release...
schoolmap records proudly presents:

tom recchion “sweetly doing nothing

format: cd in digipack
cat no: school1
euro release date: october 20th

with a 30 year practice in sonic explorations – including, record manipulation, live tape loops, free improvisation, found and invented instruments - tom recchion is one of the world’s most established and finest experimental artist and musician. based in los angeles, tom recchion has co-founded the legendary music entity lafms (los angeles free music society), collaborated with david toop, christian marclay, oren ambarchi, keiji haino, max eastley, rova, john duncan, smegma (just to name a few). tom recchion plays in extended organ with paul mccarthy, joe potts, fredrik nilsen and mike kelley and occasionally writes for the british music magazine the wire.

sweetly doing nothing” is tom’s first solo release after the critically acclaimed “i love my organ” (birdman, 2004) and will further serve to enhance the artist’s cult status with an unmistakably unique mixture of underwater exotica-tinged minimalism, futuristic jazz, subtlety constructed dronescapes and a vivid orchestral pop sensibility. all the tracks were composed and realized in the 2005. for the first time in his career, tom recchion has used a computer – an apple g4 powerbook with ableton live sequencing software – as the main compositional instrument: “i previously avoided composing music on the laptop for reasons of lo-fi purity and the belief that the ‘mistake’ and the unknown produce the best art. much to my surprise live was the perfect environment to compose in. not only did it work as a great improvisational tool for non-idiomatic composition but it also served my interest in loopy tonal mood music”.

most of the pieces on “sweetly doing nothing” were featured in a performance with visual artist jonathon rosen as part of moca’s visual music exhibition. the performance was held at the redcat, a small theatre part of the disney hall in downtown los angeles dedicated to avant-garde activities. jonathon rosen’s visuals used for the artwork of the package and label. the cd features instrument inventor max eastley on several tracks.

tracklist and notes from tom recchion:

track 1: the elephant god
“heavy with the smell of incense burning and the weight and lethargy of a parade of elephants or the ornate adornment of ganesha with the head of an elephant and the body of a man, the lord of success - son of shiva and parvati - sitting on his throne amongst ancient walls”. features max eastley.

track 2: jazz 10,000 a.d.
“an ongoing attempt to imagine ‘jazz’ music from the future. i hope that the ensemble sounds like it’s melting”

track 3: oozings
“part of the collaboration with jonathon rosen. these scenes were composed with the idea of being a series of chapters that we could use with flexibility as soundtracks to an array of visual jonathon created. different combinations of sounds, moods, textures and layers. features max eastley”

track 4: the crazy beat
“a dark space; crime ridden, bloody, dangerous cityscape. drunkards, prostitutes and junkies in cheesy dives filled with the stench of booze and cigarettes hang-out doing nothing, while short circuiting jukeboxes play as the dice is rolled over and over. in strolls a blonde bombshell”

track 5: ho ho 66
“twisted kids hit the road, making their way out of the city on the open highway. a road trip. with teen-age lust in their eyes, they have no idea they’re heading into the transformative powers of the deep blue sea. their escapist angst disappears into the fog and they are gone forever at the toll of the bell”

track 6: underwater girls
“out there somewhere in the vastness of the ocean lives a society of creatures who are half-fish/half- woman. they swim all day and rest at night”

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