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previous record label:
 samadhi sound 
there are 2 titles on san francisco museum of modern art in stock.
they are listed below.
next record label:
 saturn research 
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$12.81

back in stock as of
april 23rd, 2008

first in stock on
november 18th, 2003


threads:
musique-concrète
electro-acoustic-composition
digital-musics
harsh-noise

23five incorporated (usa) #23five 903 cd
san francisco museum of modern art (united states) #sfm 903 cd

33 rpm • ten hours of sound from france” compact disc

  • kasper t. toeplitz - purr#2 (2003)
  • kristoff k. roll - zócalo masqué (2003)
  • jean-claude risset - resonant sound spaces/bell brass metal (2002)
  • jean-claude risset - resonant sound spaces/plectra (2002)
  • jean-claude risset - resonant sound spaces/filters (2003)
  • lionel marchetti - à rebours (1989)
  • christophe havel - excerpt/metamorphosis (2003)
  • laurent dailleau - it was too dark to hear anything (2003)
  • mathieu chamagne - on sonne (2003)
  • pizmo - nim (2003)
  • jean-phillipe gross - gris épais (2003)
  • mimetic - evolution (2003)
click the play button to hear an excerpt of "gris épais"
third and newest in a series of compact disc tie-ins with geographically sensitive experimental music overviews at the sfmoma. any queries as to the state of contemporary french electro-acoustic music should be address to this title...
23five incorporated press release...

33 rpm: 10 hours of sound from france
23f/sfm 903, compact disc

an exhibition companion compilation to sfmoma's 2003 listening room program 33 rpm: 10 hours of sound from france, curated by laurent dailleau. 33 rpm's compact disc companion features compositions from kasper toeplitz, kristoff k. roll, jean-claude risset, lionel marchetti, christophe havel, laurent dailleau, mathieu chamagne, pizmo, jean-philippe gross, and mimetic. comes with a 24 page booklet and original program details.

click the image above to
add this item to your
shopping cart

$12.81

back in stock as of
april 23rd, 2008

first in stock on
november 18th, 2003


threads:
electro-acoustic-composition
electro-acoustic-improvisation
guitar-themed
musique-concrète
digital-musics

23five incorporated (usa) #23five 902 cd
san francisco museum of modern art (united states) #sfm 902 cd

variable resistance • ten hours of sound from australia” compact disc

  • oren ambarchi - stactedit (2000)
  • robbie avenaim - impulse control disorder (2002)
  • philip samartzis - soft and loud (2001)
  • david brown - were holes mended? (2002)
  • jim knox (xonk) - never mind the ruddocks (2002)
  • jim knox (xonk) - fuck to mandatory detention (2002)
  • jim knox (xonk) - prophylactic liquidation of our pig government (2002)
  • thembi soddell - violation (2002)
  • darrin verhagen - p2 (2002)
  • pimmon - steps gaps (flicker) (2002)
  • délire - fxcr_2_r2 (2002)
click the play button to hear an excerpt of "were holes mended?"
this disc, along with “motion - a movement in australian sound”, will provide an air-tight compendium on contemporary out-sound workings in the outback. nice to see my man jim knox on a tangible artifact...
23five incorporated press release...

variable resistance: 10 hours of sound from australia
23f/sfm 902, compact disc

over the past three or four years, the australian experimental musical community has flourished, thanks in part to the tireless globetrotting from artists like oren ambarchi, pimmon, and philip samartzis. variable resistance — a co-presentation between 23five incorporated and the san francisco museum of modern art — originally celebrated this australian renaissance with a 10 hour ‘listening event’ in september of 2002. from those ten hours, curator philip samartzis distilled the best tracks to be featured on this cd compendium. variable resistance is a title that encapsulates the tone and extent of the work on hand, referencing not only the electronic gizmo (the variable resistor) as key to many of the featured homespun constructions filtered through state of the art dsp filters, but also as an applicable non-definition of those artists who “offer variable resistance in how they are defined and the positions they occupy in a broader cultural context, fragmented, and dispersed among remote cities and divided by enormous physical and psychological space.”

within this disc, the australian aesthetic finds itself reflecting a number of ideas previously mined throughout the history of electronic music from mego’s fascination with the streaming micro-textures of digital fragmentation to metamkine’s conceptual riddles within their cinema pour l’oreille series to the brazen noise-junk collages from merzbow and otomo yoshihide. yet, variable resistance resolves its uniqueness by smashing these references with brutish noise and demonstrative force applied to the stereotypically delicate sensibilities of electro-acoustic composition. for instance, samartzis’ collages of environmental, plundered, and digitized sound meld into psychologically abrasive narrative scalded by toxic agents; pimmon transforms agitated chunks of granular synthesis into cybersonic lullabies; and david brown’s jarringly angular duet between a prepared guitar and a squeaking door stands as a steroid injected homage to pierre henry’s musique concrete classic variations pour une porte et un soupir. along with samartzis, brown, and pimmon, variable resistance also features exclusive compositions from oren ambarchi, robbie avenaim, philip samartzis, xonk, thembi soddell, darrin verhagen, and delire.

previous record label:
 samadhi sound 
...and that's everything on san francisco museum of modern art in stock.
(why not take a look at the previous and next labels?)
next record label:
 saturn research 
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