... on sale for only ::
new to stock as of
september 17th, 2012
|new images limited (usa) #ni 07 lp|
unchained “happy stirrup” double long playing record set
- falsini fop or blade
- crystal drops of quilmes
- the happy stirrup
- licking tides
- anlehnung (bonus track)
- reflections (bonus track)
- grenze (bonus track)
- gateway evening colours (bonus track)
|august 2012 release ; ... impressive, epic blurst of psf-lineage overblown psych-scramble from a coupla lineups of a coupla different acts (namely innocent delights & gateway evening colours) centered around one nathaniel davis, featuring folks like sam “meringue” mehran (aka matrix metals, flashback repository) & dreamhouse’s miles huston ...|
... into this stuff ; blown-out sonics create (harmonic) order out of chaos ; loose, jammy forms leave much open to both performer & listener / end-user interpretation ... really nice record !!!
|new images limited press release...|
|unchained / happy stirrup|
new images limited ni 07
street date: august 21st, 2012
originally released as a cdr in 2007, unchained is the project of nathaniel davis.
|the songs are constructed from the practice tapes of two bands i was playing in at the time, gateway evening colours (with alex farrill on drums and brian house on bass) and innocent delights (with miles huston on drums and vocals and sam mehran on keyboard and guitar).|
in both bands i was playing guitar through a no-input mixer setup. gateway evening colours was working on a kind of deep blues / country-rock noise-wall sound, very minimal and 'jammy'. innocent delights was less rock-ish, more free, more psychedelic. the majority of the songs consist of loops cut from gec and id practice tapes, cut-and-pasted with a computer wave editor, and also eq'd and tweaked on a computer. while the source tapes were collective efforts, the editing process was my own solipsistic endeavor.
what i wanted to do was isolate moments of group-improvisational clarity, and cut and paste them into a larger composition. it was this combination of the non-control of group improvisation with the hyper-control of cutting and pasting alone on a wave editor that intrigued me. instead of developing compositions through the act of improvising, here the improvisations themselves become the compositions ...
includes bonus tracks from the 2006 cdr anlehnung
originally released on the paha porvari label.