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mode (usa) #mode 189-92 cd

roland auzetseries inactuelles • percussion(s) • gesture and spirit” triple compact disc and digital versatile disc set

  • iannis xenakis (1922-2001) - psappha (12:33) 1976
  • iannis xenakis (1922-2001) - omega (4:04) 1997
  • iannis xenakis (1922-2001) - kassandra (21:43) 1987
  • iannis xenakis (1922-2001) - rebonds (a) (6:10) 1988
  • iannis xenakis (1922-2001) - rebonds (b) (5:01) 1988
  • gerard pape (b.1955) - funeral sentences (1) (2:59) 1988
  • gerard pape (b.1955) - funeral sentences (2) (2:51) 1988
  • gerard pape (b.1955) - funeral sentences (3) (2:38) 1988
  • gerard pape (b.1955) - funeral sentences (4) (5:12) 1988
  • gerard pape (b.1955) - funeral sentences (5) (3:33) 1988

  • edmund campion (b.1957) - losing touch (11:15) 1994
  • darius milhaud (1892-1974) - concerto de chambre pour marimba et 9 instruments  - animé   (4:46) 1952
  • darius milhaud (1892-1974) - concerto de chambre pour marimba et 9 instruments  - lent   (7:52) 1952
  • darius milhaud (1892-1974) - concerto de chambre pour marimba et 9 instruments  - vif   (4:40) 1952
  • carlos roque alsina (b.1940) - themen (14:41) 1974
  • yoshihisa taïra (1937-2005) - convergence (11:28) 1971
  • pierre jodlowski (b.1971) - mecano 1 percussion - machine (toms) (6:37) 2004
  • pierre jodlowski (b.1971) - mecano 2 percussion - machine (métal) (3:35)2004

  • roland auzet (b. 1964) - oroc.pat (9:35) 1997
  • karen tanaka (b. 1961) - metallic cristal (9:26) 1995
  • alain bancquart (b. 1934) - "amour grand terrible champ crtique" (1) (1:56) 2003-4
  • alain bancquart (b. 1934) - "amour grand terrible champ crtique" (2) (6:00) 2003-4
  • alain bancquart (b. 1934) - "amour grand terrible champ crtique" (3) (8:10) 2003-4
  • alain bancquart (b. 1934) - "amour grand terrible champ crtique" (4) (34:27) 2003-4

  • dvd - iannis xenakis (1922-2001) - psappha and rebonds a & b
mode press release...

series inactuelles
mode 189 - 192
(3-cds, dvd plus 500 page book)

percussion(s) a new concept of a musical textbook with 3 cds and a video dvd in a deluxe slipcase edition.

inactuelles is a unique collaboration between mode and the parisian art-book store tschann, to combine cds and/or video dvds of musical performances with an informative musical textbook. this is a true franco-american collaboration, the slipcase and book printed in france with the cds and dvds printed and manufactured in america.

inactuelles is a concept that is neither a cd nor a book, but rather a way to present a particular musical topic or composer in a thorough way. without being constrained to cd sized packaging, inactuelles is presented with a large and authoritative book, musically illustrated by the accompanying cds and/or dvds.

"inactuelles" translates as "untimely": a collection of cds/dvd/book that represents the most original in recent new music without concessions to style. that which is truly original - a unique approach to composing musical sound - transcends fashion, technical and aesthetic concerns and becomes "timeless"... inactuelles.

"roland auzet : percussion(s)" is the first volume of inactuelles: an incredible survey of music for solo percussion (with or without ensemble) in the 20th and 21st century - performed by the great french percussionist roland auzet.

the music ::

recordings of 13 works, including 7 world premieres - 3cds and a dvd of studio recordings by virtuoso french percussionist/composer roland auzet - a dvd of auzet's performance of xenakis' psappha and rebonds by filmmaker jacques goldstein.

performers include vocalists nicholas isherwood, janet pape and armelle orieux, ensemble fa, ensemble musique aujord'hui, conductors jean-marie adrien, alain bancquart and domnique my.

and the 500+ page book - a book (in english and french) by french musicologist pierre-albert castanet, percussion(s): gesture and spirit, which discusses the history of percussion music including interviews with auzet about interpretation and performance of percussion music, especially the works and the composers recorded in this set - preface by pierre boulez - postface by master american percussionist steven schick.

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mode (usa) #mode 179 dvd

earle browntracer” digital versatile disc audio

  • tracer for ensemble and 4-channel tape (1985) (13:24)
  • october (1952) (0:51)
  • november (1952) (2:08)
  • december (1952) (3:36)
  • march mm = 87 (0:48)
  • march mm = 135 (0:27)
  • march (1953) (1:53)
  • special events (1999) (18:34)
  • octet 1 (1953) (3:29)
  • music for violin
  • cello & piano (1952) (3:04)
  • four systems (1954) (4:00)
  • string quartet (1965) (11:38)
  • new piece (1971) (6:24)
  • for neil (1975) (1:59)
mode press release...
earle brown (1926-2002)
tracer
mode 179

earle brown first encountered the work of alexander calder in 1948, whose mobile sculptures brown saw as a visual embodiment of the variable (impermanent) aesthetic that he was striving to create. this "calder aesthetic" stayed with brown throughout his several stylistic shifts. whether he was writing twelve-tone serial music (music for violin, cello, and piano), conceptual graphic scores (folio and four systems), composed material/open form scores (string quartet, new piece and tracer), or "spontaneously composed" music (special events), all of his music shares calder's sense of integral but "floating" variations, which brown described as, "the construction of units and their placement in a flexible situation that subjects the original relationships to constant and virtually unpredictable, but inherent, change (the movement of the units as well as the movement of the viewer)."

brown belonged to a group of composers that today is referred to as the "the new york school" (the group active in new york in the 1950s that included brown, john cage, morton feldman, and christian wolff.)

the works recorded on this disc represent several of brown's compositional styles. at least one piece was selected from every decade of his career, from the 1950s to the 1990s. the ensemble size varies from one player to fourteen.

performers include christian wolff and vocalist joan la barbara, both of whom knew and worked with brown for many years.

several works call for spatialized ensembles spread throughout the hall, perfect for the surround-sound medium.

the classic tape piece octet is presented in new high-resolution transfers from analogue tapes provided by the earle brown foundation in its 4-channel mix by the composer.

the release of this dvd marks ne(x)tworks' recorded debut. ne(x)tworks is a collaborative ensemble of musicians creating and interpreting work that features a dynamic relationship between composition and improvisation. in performance and recordings, the group locates pathways into various types of notation systems and interfaces, striving for a meaningful dialogue with the past, present, and future of creative music.

additional features on the dvd:

  • this is the first dvd of earle brown's music.
  • all performances captured with full video.
  • 36-minute video interview with susan sollins (brown's wife and an expert on his music), cornelius dufallo (founder of the ne(x)tworks ensemble and brown's godson), and micah silver (former director of the earle brown foundation) on earle brown's life and work. the interview, filmed in hd (high-definition) is presented in 16:9 widescreen aspect ratio.
  • hi-resolution 24-bit 5.1 surround recording in dts and dolby digital.

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mode (usa) #mode 171-3 cd

iannis xenakispercussion works” triple compact disc set

  • persephassa (28:37) 1969
  • psappha (13:59) 1975
  • dmaathen (10:57) 1977

  • pléïades: mélanges (8:52) 1978
  • pléïades: claviers (10:36) 1978
  • pléïades: métaux (13:31) 1978
  • pléïades: peaux (11:55) 1978
  • komboï (20:02) 1981

  • kassandra (20:48) 1987
  • okho (13:14) 1989
  • oophaa (11:49) 1989
  • rebonds: b (5:24) 1989
  • rebonds: a (6:09) 1989
mode press release...
iannis xenakis (1922-2001)
xenakis percussion works
mode 171-173

the first complete set of xenakis' percussion ensemble, percussion duos, and solo percussion works. as steven schick states in his comprehensive essay accompanying this set, xenakis was the "progenitor of modern percussion music." of course iannis xenakis did not create percussion music, his first major contribution to the percussion repertory came more than three decades after the american percussion revolution of edgard varèse, john cage and henry cowell. but as jorge luis borges said of kafka, he was so important that he influenced even those who came before him. indeed, our early 21st century ear for percussion music has been so tuned by the music of xenakis that we cannot fail to understand the first cacophonous noise constructions of varèse's ionisation (1931) and cage's first construction (1939) through the retro-lens of the raw and terrifying noises in xenakis' percussion works.

24-bit audiophile recordings.

red fish blue fish is the resident percussion ensemble of the university of california, san diego. the group functions as a laboratory for the development of new percussion techniques and music, and has toured widely. its concerts have included lincoln center, as a part of two bang on a can marathon concerts, the agora festival (paris), the los angeles philharmonic's green umbrella series, the centro des bellas artes in mexico city, and the percussive arts society international convention. in addition the group offers a regular series at the university of california, san diego.

for the past 30 years, steven schick has championed contemporary percussion music as a performer and teacher. he studied at the university of iowa and received the soloists diploma from the staatliche hochschule für musik in freiburg, germany. schick has commissioned and premiered more than 100 new works for percussion and has performed these pieces on major concert series such as lincoln center's great performers and the los angeles philharmonic's green umbrella concerts as well as in international festivals including warsaw autumn, bbc proms, jerusalem festival, holland festival, stockholm international percussion event and the budapest spring festival among many others. schick is the founder and artistic director of the percussion group, red fish blue fish.

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back in stock as of
november 7th, 2008

first in stock on
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threads:
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mode (usa) #mode 161-3 cd

luciano beriothe complete sequenzas and works for solo instruments” quadruple compact disc set

  • sequenza i for flute (1958) performed by paula robison (7:56)
  • sequenza ii for harp (1963) performed by susan jolles (10:14)
  • sequenza iii for woman's voice (1965) performed by isabelle ganz (8:46)
  • sequenza iv for piano (1966) performed by aki takahashi (12:05)
  • sequenza v for trombone (1965) performed by stuart dempster (5:02)
  • sequenza vi for viola (1967) performed by garth knox (13:16)
  • sequenza vii for oboe (1969/2000) performed by jacqueline leclair (7:36)

  • sequenza viii for violin (1976) performed by irvine arditti (13:10)
  • sequenza ixa for clarinet (1980) performed by carol robinson (16:04)
  • sequenza ixb for alto saxophone (1981) performed by kelland thomas (13:50)
  • sequenza x for trumpet in c and piano resonance (1984) performed by william forman (15:16)
  • sequenza xi for guitar (1987-88) performed by seth josel (18:42)

  • sequenza xii for bassoon (1995) performed by noriko shimada (17:07)
  • sequenza xiii for accordion "chanson" (1995) performed by stefan hussong (10:10)
  • sequenza xiva for cello (2002) performed by rohan de saram (11:38)
  • sequenza vib for cello (1981) performed by rohan de saram (15:34)
  • sequenza viib for soprano saxophone (1995) performed by ulrich krieger (7:39)
  • sequenza ixc for bass clarinet (1980) performed by alain billard (13:37)

  • sequenza xivb for contrabass (2004) performed by stefano scodanibbio (12:56)
  • rounds for harpsichord (1964-65) performed by jane chapman (2:08)
  • gesti for recorder (1966) performed by lucia mense (5:20)
  • fa-si for organ (1975) performed by gary verkade (9:47)
  • les mots sont allés... for cello (1978) performed by rohan de saram (4:03)
  • lied for clarinet (1983) (5:04)
  • comma for e-flat clarinet (1987) performed by carol robinson (1:34)
  • psy for contrabass (1989) performed by michael cameron (1:57)
  • chanson pour pierre boulez for cello (2000) performed by rohan de saram (2:46)
  • gute nacht for trumpet (1986) performed by brian mcwhorter (1:04)
mode press release...
luciano berio
the complete sequenzas and works for solo instruments
mode 161-163 (4-cd set)

all sequenzas are preceeded by verses of edoardo sanguineti performed by enzo salomone

luciano berio greatly enriched the repertoire for solo instruments and voice with his series of sixteen sequenzas and works such as psy, gesti, rounds and fa-si. written between 1958 and 2002 and spanning almost five decades of berio's creative career, these solo compositions reflect some of his most crucial aesthetic ideas and compositional techniques.

the first complete recording of the sequenazs: this set includes the world premiere recording of sequenza xiv for solo cello, written for ex-arditti quartet cellist rohan de saram, who performs the sequenza here.

the first complete recording of the alternate sequenzas: at the request of many soloists, berio arranged several of the sequenzas for alternate instrumentation. this set compiles all of berio's alternate sequenzas for the first time, also with some first recordings.

plus all of berio's works for solo instruments: also collected together for the first time, berio's solo works and personal arrangements (with the exception of those for solo piano, which would be a full cd in itself) are included.

berio was good friends with the italian author edoardo sanguineti, who began writing the verses for individual sequenzas in 1994. in performance, each verse can be recited before its respective sequenza. all of the sanguineti verses are presented here before each sequenza, as performed by the distinguished italian actor enzo salomone.

an international all-star cast of performers: mode had the good fortune to begin this set with the help of mr. berio, who suggested some of the performers here. they include members of the arditti quartet and ensemble modern along with other distinguished soloists.

104-page book of extensive notes and biographical information packaged with 4-cds in deluxe slipcase.

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mode (usa) #mode 152 cd

iannis xenakismusic for strings” compact disc

  • syrmos (11:08) 1959
  • aroura (10:57) 1971
  • voile (4:58) 1995
  • theraps (13:37) 1975-76
  • analogique a+b (6:38) 1959
  • ittidra (8:42) 1996
mode press release...
iannis xenakis (1922-2001)
music for strings
mode 152

ensemble resonanz
johannes kalitzke, conductor

this cd brings together all of xenakis' chamber music for strings for the first time (with the exception of the string quartets). the music spans almost 30 years. these visceral, sonically bold works explore the many possibilities of writing for strings, including howling glissandi, clustered pizzicatos and tremelos, the clatter of bouncing bows, and a rich palette of dynamics and color. the anarchic character of syrmos alienated xenakis from the traditional as well as the darmstadt avant-garde of the 1950s, where it was felt that this music paid no heed to conventional harmony, counterpoint and musical theories -- and even required players to "do violence" to their instruments! performances are by ensemble resonanz, one of germany's leading string ensembles. they are devoted to works of the 20th and 21st centuries, as well as juxtaposing these with a specialty to early music.

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threads:
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electro-acoustic-composition
minimalism-drones

mode (usa) #mode 148 cd

iannis xenakiselectronic music 1: la legende d’eer” compact disc

  • la légende d'eer (1977-78) (47:04)
mode press release...
iannis xenakis (1922-2001)
volume 5 - la légende d'eer
mode 148

la légende d'eer (1977-78) (47:04)
electroacoustic work for 7-channel tape
new stereo mix from the original master tape
master tapes by gerard pape

la légende d'eer is a powerful 7-channel electro-acoustic composition which xenakis created in 1977-78 to be played in "le diatope", a curvaceous architectural construction designed by the composer, together with a visual component including laser lights. this "multi-media" work was composed for the opening of the centre georges pompidou in paris, where it was performed for three months and seen by thousands of people.

the sound materials of a la légende d'eer stem from three sources: instrumental sounds, noises, and electronically generated sounds. the work suggests an initial departure, a journey, and a final return. xenakis surrounds the work with a compilation of five texts, reflecting or reacting upon each other across the distances in time, space, and culture which separate them.

this new stereo mix was created by gerard pape - director of xenakis' ccmix studio in paris - from the original analog master tape.

the analog master was transferred at high-resolution 96khz/24-bit sound for the optimum quality, revealing details not heard in the previous stereo cd release (now deleted).

use of the original master tape restored almost 2 minutes and 30 seconds to the piece, released here for the first time.

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mode (usa) #mode 132 cd

morton subotnickvolume 2: electronic works” compact disc

  • sidewinder (1976) for 4-channel tape, side one (14:36)
  • sidewinder (1976) for 4-channel tape, side two (14:17)

  • until spring (197?) for 4-channel tape, side one (15:01)
  • until spring (197?) for 4-channel tape, side two (14:24)
mode press release...
morton subotnick (b.1933)
volume 2: the electronic works 2
mode 132 (cd)

morton subotnick was a phenomenon in the late '60s, the first composer to write substantial works for synthesizer that had a wide audience. he has been mentor to generations of composers, and his influence is so pervasive that it would be impossible to trace completely - the electronica movement, for one, reveres him.

this release brings together two of his classic analog electronic works which were previously only available on lp.

special features:

  • 24-bit remastering from the original analog master tapes.
  • newly remixed for surround sound by the composer.
  • cd version contains the two electronic pieces in new dedicated stereo mixes by the composer.
  • liner notes by renowned electronic composer curtis roads.

please note: the cd version contains only the two electronic works.

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mode (usa) #mode 056 cd

iannis xenakisensemble music 2” compact disc

  • échange (1989) for bass-clarinet & ensemble.
  • okho (1989) for 3 djembes.
  • xas (1987) for saxophone quartet.
  • akrata (1964-65) for 8 winds & 8 brass.
  • a la mémoire de witold lutoslawski (1994) for 2 trumpets & 2 horns.
mode press release...
iannis xenakis (1922-2001)
ensemble music 2
mode 56

st-x ensemble / charles zachary bornstein

recorded after performances at new york's prestigious 92nd street y in 1996 with the participation of the composer, ensemble music 2 is the follow up to the initial, critically acclaimed and best selling volume of xenakis' ensemble works on mode.

this disc contains the first recording of xenakis' memorial work a la mémoire de witold lutoslawski, to the great polish composer. a literal monument in sound, comprised of massive blocks of brass arranged as a dirge-like fanfare. composed in 1994, it is the most recent work of xenakis to be recorded.

receiving its first cd recording here, akrata is "classic" and seminal xenakis. the work's skittering, repeated notes and extreme changes of dynamic yield a sense of vast, isolated space.

echange, a terrifying and mysterious "concerto" for bass-clarinet and ensemble, is one of the darkest pieces in all music. the virtuoso solo part at times leans towards jazz, and the use of extended techniques make the bass-clarinet sound as you've never heard it before.

a unique work in xenakis' oeuvre, xas ("sax" backwards) joins to growing repertoire for sax quartet. though highly structured, the work has a improvisatory feel which pays tribute to the sax's prominent jazz heritage.

okho, is a very rhythmic and appealing work for percussion trio playing djembes (a type of african conga drum with extreme bass resonance). okho and xas appear for the first time on an all-xenakis cd.

conductor charles zachary bornstein is a xenakis specialist who created the st-x ensemble to promote more performances of xenakis' music in the u.s.

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mode (usa) #mode 053 cd

iannis xenakisensemble music 1” compact disc

  • plektó (1993) for ensemble
  • eonta (1962-64) for piano solo
  • akanthos (1977) for soprano and ensemble
  • rebonds (1987-89) for percussion solo
  • n'shima (1975) for 2 amplified peasant voices, 2 amplified horns, 2 trombones and amplified cello
mode press release...
iannis xenakis (1922-2001)
ensemble music 1
mode 53

st-x ensemble / charles zachary bornstein

xenakis' oeuvre is unique in modern music--it is music of great visceral power, energy and sheer sound. music from another world. music that grabs the listener, riveting his attention. conductor charles zachary bornstein is a xenakis specialist. bornstein learned that of the 700 to 800 performances of xenakis' music worldwide each year, only a handful were in america. he formed new york's st-x ensemble (named after xenakis' series of st- compositions from the 1960s) in 1994 to fill the void. mode records also fills a void with the first release in a new series with bornstein and the st-x ensemble of xenakis' ensemble works.

this program includes all of xenakis' works for ensemble and voice -- a varied recital spanning many periods of xenakis' compositional style. the revolutionary eonta is like no music before or since: cascading notes like falling stars together with waves of sound from the brass. akanthos is full of primeval mystery. rebons an incredible crowd-pleaser for virtuoso solo percussion. n'shima a ritual of chanting voices (singing hebrew syllables) against a backdrop of roaring brass and solo cello. finally, the most recent work of xenakis to be recorded, plekto, also receives its first recording.

recorded in concert, capturing the virtuosity of the ensemble and its conductor, this recording transmits the tremendous raw energy and excitement of xenakis's music performed live.

previous record label:
 mnémosyne musique media 
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