| $17.01
back in stock as of march 27th, 2012
first in stock on august 31st, 2010
threads: modern-psych electro-acoustic-composition guitar-themed live-electronic plunder-phonic machine-music
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| | | fonal (finland) #fr-69 cd kemialliset ystävät “ullakkopalo” compact disc - kajastusmuseo (4:15)
- kivikasan rauhassa (3:55)
- kohde haihtuu ilmaan (1:13)
- nitty veden alla (2:09)
- surullinen kohta seinässä (1:04)
- maksaruhoja (3:31)
- suosikkiorjalleni (0:49)
- ystävälliset miekat (2:58)
- älä koske lintuja (3:32)
- mestari ei väsy (3:52)
- muutujat / saattajat (4:34)
- palava puolokka (3:47)
- suohuuruja (0:50)
- lyön häntäni vetoa
- täällä oli äsken joku (5:42)
| august 2010 release ; ... can’t think of many acts that have produced the kind(s) of singular, quality work over a 12+ year existence as ky here, all the while sticking close to their guns & actually going deeper & deeper down into their chosen experimental-music rabbit-holes (i.e. never distilling their approach, despite global distribution & acclaim, into something approaching ... “palatable music”) ...
case-in-point ; this glorious train-wreck of an album, set forth from the mind of jan anderzén (... & countless contributors, collaborators, & hangers-on) ; constantly twisting & turning through a veritable maze of electronic excess, stepping foot for seconds at a time into their various border-camps (i.e. electro-acoustic improv, idm, “freak folk”, hypnotic gaggery, commune-psych, etc ...) but only existing fully as “kemialliset ystävät music” ...
incredible music from one of my favorite acts ; long may they reign ... |
| | kemialliset ystävät ullakkopalo format: cd total length: 44 minutes catalogue number: fr-69 released: 30.8.2010
jan anderzén is one of the few finnish musicians to achieve renown on the international experimental circuit. in the case of anderzén (who also plies a trade as a visual artist), this is not a matter of juxtaposition between the experimental and the mainstream, or a calculated career choice. using music and images, he is busy creating a world that is a law unto itself, a world of exceptional freedom and beauty.
ky albums have been peppered with contributions from individuals such as islaja, the members of avarus, and sami sänpäkkilä. it’s not easy to tell who plays what on kemialliset ystävät recordings. rather than being a project consisting of solo parts, the band is an eco-system within anderzén’s reality.
one of the essential techniques applied by anderzén is collage, in sound as well as image. he is no conventional instrumental virtuoso; his music is created with a fluctuating array of instruments and equipment. the focus is less on instrumental prowess and more on the overall sound and impression, as well as the tension between the various materials. as a manipulator of these elements, anderzén is in a league of his own. his sampler based solo performances as tomutonttu have left no doubt about that.
a close listening of anderzén’s music reveals its near architectonic precision. he is known for an exceptionally painstaking approach to creating his music. all this hard work is readily evident in the finished product, not as an over-emphasised complexity but as a clearly independent fully realised vision.
kemialliset ystävät is like a natural phenomenon. it is difficult to imagine anyone having consciously constructed it, such is the ease with which it presents itself to us. to be in the presence of anderzen’s work is captivating in the same way it is to stare into the fire – simple, yet inexplicable. it truly takes a master to create such an experience, but listening to the new kemialliset ystävät album evokes just that: a feeling of lightness.
- kimmo modig |
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