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... happy spring everyone !!! to commemorate our favorite season (and to help get this place back to some sort of workable condition) we're having a "spring cleaning" sale !!! please visit the spring (2013) cleaning page to view a list of (recent, mostly 2012) releases that we're now offering at reduced prices (while supplies last, no rainchecks, etc) ...
previous record label:
 entr’acte 
there are 3 titles on entschuldigen in stock.
they are listed below.
next record label:
 epicene sound systems 
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 $10.08

back in stock as of
may 24th, 2005

first in stock on
february 21st, 2005


file under:
reckank-related
break-core
contemporary-electronic
site-specific
lap-top
lo-fi
sound-research
 best of 2005 !!! 
entschuldigen (usa) #ent mich cd

hrvatskiirrevocably overdriven break freakout megamix” compact disc

  • irrevocably overdriven break freakout megamix (40:39) (91 tracks) including: concert reel intro • ink • une drole de journee • rhetoric (revamped) • epoxy (demo) • heavy.mallow (vocal version) • uncivilibertarian (reworked) • our turn (revised) • routine exercise (recontexualized) • marbles/hekla’s steeze (rewoven) • eintrag raum • kochen raum (dub version) • glamp • pale.overture • 2nd zero fidelity mandible investigation • une drole de journee (reprise) • whalesplosion
the second pressing of this all-time mms best seller arrived just this afternoon. while i’m still in the process of cutting up all the new custom paper and putting them all together i wanted to let you know a few things about the repress:

1). the pressing plant fixed the error which resulted in the new hrvatski logo being printed in halftone black over the white flood/base coat, instead of “knocking-out” of the white flood/base coat to the silver cd face, and as such, the new hrvatski logo now “knocks-out” of the white flood/base coat to the silver cd face. so... yes, the 2nd-press copies look much nicer and i don’t cringe when i see the disc art

2). as the acquisition of the first batch of custom/handmade papers was something of an experiment, and as i learned much from said experiment, the 2nd pressing features an evenmoresodareisay amazing selection of weird nepalese blockprints and very cool metallic textured/embossed patterns (see the updated cover-scan to your left.)

3). i wasn’t really going to repress this thing until a few of my distributors sent in restock orders, mentioning that they really enjoyed the disc! this was a real boost and as i want to turn the label into something a bit more regular, i ordered the repress to meet demand. with every copy sold that’s one step closer to the next entschuldigen edition (of which there are currently three planned.)

4). i hate finite-editions of anything that people will want down the road... but then again i don’t want to have another 1100 discs sitting in my room waiting to bought (there’s already enough in here!) so i’ll be assembling these in small batches throughout the summer, possibly into the fall. after that it’ll be time to move on to the next hrvatski-project and all latent copies of this will be sold off...

<--- original description --->

here it is... after a short wait... the mysterious “hrvatski bootleg” i’ve been prattling on about. a very nice looking thing featuring a two-color metallic sticker and a booklet cut from one of twenty different kinds of custom metallic cardstock on my kitchen table with a rodahle guillotine, then stuffed into a cool variopac “trigger-action” booklet box in the reckankomplex living room over the last few weeks by myself (with help from andy solomon and petra-pixm).
entschuldigen press release...
entschuldigen is pleased to release irrevocably overdriven break freakout megamix, a disc which has the honor of being both the first ever live release from hrvatski as well as the debut release on the entschuldigen label.

hrvatski is widely known throughout sentient populations for his ruthlessly eclectic music, as released over the past six years on scores of tastemaking labels. he has collaborated with and/or remixed a who’s who of contemporary music and sound production. his last two simultaneously released albums were voted to the top of many year-end lists, including those published in the wire and pitchfork.

recorded live at san francisco’s rx gallery (as part of the jiffy scuttler series curated by blevin blectum, j. lesser, lance grabmiller, and sean rooney), irrevocably contains a wide selection of material from hrvatski’s vast repertoire, including a majority of otherwise unreleased tracks and reworkings of some of his classic anthems.

rather than neatly beat-match each piece into a dancefloor-ready whole, hrvatski herein opts to tear his oeuvre apart in a truly depraved manner, eviscerating familiar themes and passages into a distorted uptempo mess which is then coated with layers of previously recorded instrumental passages, found sounds, realtime digital bleeps, and loads of added beats and breaks (hence the title).

one could say that irrevocably is hrvatski’s tribute to such amped-up, overdriven live albums as high rise live and the ventures live in japan ‘65. one wouldn’t be too far off...



there’s never been a hrvatski live disc (or any weird hrvatski special projects other than 7” singles) as those tend to get relegated to the kfw-aegis) which is odd for myriad reasons (but we’ll only outline a few here):

(1) of all of the “laptop r0x0rz” out there essentially pushing play on a pre-recorded/pre-looped/pre-defined mix of recent 2-track stereo masters, keith-hrvatski has always yielded some strange (and frankly unreliable) computer music performance-solutions, most variants on his “h-mod” modular digital-audio max-msp patch, itself a behemoth of mammoth proportions (incorporating the guts of an analogue modular synth simulator, several pitch-tracking and attack-sensing random-event distributors, many tempo-synced filtering algorithms, 10 kinds of realtime granular grunkage, etc...)

(2) keith-hrvatski’s never played the same set twice. never. he’s fond of busting out unreleased tracks and/or weird alternate versions of his many classic break-damage anthems.

(3) the hrvatski live experience (depending on factors of mood and/or enebriation) is often a full-on sensory assault of high-volume anti-dancefloor aktion, often intentionally pushing his signal WAY beyond comprehension (just ask anyone who lives in ghent). the hrvatski oeuvre would benefit from a live disc in the same way the high rise oeuvre did from “high rise live” or the ventures from “live in japan ‘65”.

so, bearing all that in mind, here’s what will most likely be hrvatski’s swan song (barring that the cd reissue program a few folks have offered to help out with never gets off the ground), a gloriously frazzled transcription of his set at the jiffy.scuttler event at the rx gallery in san francisco’s tenderloin from july of 2004. more merzbow than mezz mezzrow, “irrevocably” sees a stove-boat of hrvatski-klassiks run through the gain-blender, butted up against some seriously zonked bleep, sound-system fx, death metal guitar growl, etc... all so far into the red that it’s hard to even hear the beat at times. keith-hrvatski wouldn’t have it any other way.

one-time pressing of 32,701 copies (actually, closer to 700), sure to go the way of the eagle shortly after release...

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 $12.61

back in stock as of
april 17th, 2009

first in stock on
may 16th, 2006


threads:
minimalism-drones
modern-psych
electro-acoustic-improvisation
folk
free-improvisation
guitar-themed

 best of 2006 !!! 
entschuldigen (usa) #ent geoff cd

geoff mullenthrysxtrllnmnfstns” compact disc

  • untitled (1) (11:01)
  • untitled (2) (2:01)
  • untitled (3) (4:26)
  • untitled (4) (5:08)
  • untitled (5) (3:45)
  • untitled (6) (12:08)
april 2009 ; after a thorough spring-cleaning sweep of the mms offices, geoff and i discovered a small stash of the individual components that made up this long o/p 2005 cd edition - geoff’s debut album & the swan song of my entschuldigen imprint (r.i.p.) ... glad to offer the last copies of this great disc again, at the original price-point ...

after a long wait (some would say too long) i’m extremely glad to present geoff mullen’s debut mass-market album, released on my own entschuldigen label. geoff and i have spent the greater part of the last 2 weeks meticulously assembling these bad-boys, making sure the drawstrings for the cloth bags were just so ; hand-gluing the artwork to the digipack front/back(s), cutting and cropping the photos, and finally inserting everything into resealable mylar bags and placing the stickers on front. a labor of love? most certainly. as this is geoff’s first “proper” release, we both wanted to make it special. and i do feel like we’ve succeeded!

here’s the original description i wrote regarding geoff’s private-issue version of this same record, and the “label copy” down in the “label description” section ::

one day the phone rang and it was geoff ... “hello... are you a record store?” “no, but i do have some records for sale... you’re welcome to come over... where are you right now” “two blocks away ...” and so i met geoff and his friend danny, sent them off back to allston with a few mementos after a nice nervous chat.

a few weeks later (although it could have been days) i heard a thump on my porch @ 3am, grabbed the broom handle and lept with a great huzzah at... nothing. the next morning when i left to go to rustica there was a cd-r taped to the door (this is not a rare occurence around here, something about the thought of my tuff beard must scare off certain creative elements just as they’re about to ring the doorbell) in an exquisite fold-out hand-screened cover with faulty-typography. being a callous bastard i promptly filed it and didn’t think much of it until a few months later when it lept, literally (as an artifact of the nature of geoff’s carefully handcrafted packaging it had attached itself to a copy of walter de maria’s “drums and nature” disc, which i was gently trying to pry from the grasp of said storage medium) from the overstuffed demo pile / music shelf / inbox ...

recognizing this as a sentient act by an otherwise lifeless object i opted to listen... and i’m very glad i did. geoff’s may very well be the best demo i’ve ever received (if the boxes of cdrs above my record shelves can be judged by volume alone i have received around 800 of them) for myriad reasons... it’s not idm, and in fact geoff does not use computers in the recording process (which, in this day & age is unheard of). i wouldn’t even classify geoff’s music as dance music, or even as any sort of post-dance-music hybrid (ambient electronica, mego-lineage abstraction, etc...) plus despite (and probably because of) his meager tools of trade (guitar, bias-altered amplifiiers, and various looping and delay boxes) it doesn’t sound wholly like anything one thing i’ve ever heard ... although there are certainly elements of things i hold dear (and this could be the pseudo-ephedrine talking but i imagine geoff listens to a great deal of sandy bull, loren mazzacane connors, jim o’rourke, and nick zammuto’s music) ...

so ... this here is a small-run edition of that first, fateful demo, which geoff graciously duplicated for the fine folks that shop here @ mms to check out. mr. mullen will soon be on to great things (the entschuldigen label, home of the forthcoming/recent hrvatski bootleg disc, at my behest, have signed geoff on for a single or two) and this is your chance to get than one fateful, truly handmade artifact before the hammer drops. i strongly urge you to do so...
entschuldigen press release...

geoff mullen :: guitar • banjo • electronics • amplification

“thrtysxtrllnmnfstns” is the debut release from guitarist-composer geoff mullen, containing a series of delicate thunderstorms scored for string instruments, bias-altered amplification and analog circuitry that at once recall both the slow-arc americana of the vanguard and takoma labels and the contemporary guitar-based minimalism and drone-work of fine folks such as rafael toral and fennesz ...

at times consisting of a lonesome, banshee-wail of carefully-plotted electric guitar feedback with what sound like vinyl run-out grooves; others a poly-rhythmic tapestry of improvised, repetitive acoustic lines and circuit-bent electronic skree, “thrtysxtrllnmnfstns” will find favor amongst advocates of drone-rock, free-folk, etc ...

1080 copies of “thrtysxtrllnmnfstns” were professionally replicated, then meticulously assembled over a gruelling two week period; each copy features two high quality giclee prints featuring detail of artwork by sarah powers glued to the front and back of a hand-stamped white paperboard/plastic digipak case, with a 3” x 4” cloth “parts bag” (with a bright orange drawstring and red threading) containing a selection of geoff’s own photographs and a printed info-sheet inserted into the literature pocket. this is all housed inside a crystal-clear re-sealable mylar sleeve affixed to which a miraculously-detailed sticker reads:

"geoff's first demo (now his first “real” release) may very well be the best demo i've ever received (if the boxes of cdrs above my record shelves can be judged by volume alone i have received approximately 800 of them) for myriad reasons; for one it doesn't sound wholly like any one other thing i've ever heard... although it certainly contains elements of various music(s) i hold dear (...and this could be the pseudo-ephedrine talking but i imagine geoff listens to a great deal of sandy bull, loren mazzacane connors, jim o'rourke, and nick zammuto's music)

mr. mullen will soon be on to great things (he has already performed at an amazing run of gigs in the providence and boston areas supporting acts such as black forest / black sea, tim hecker, nmperign, and others; plus he has contributed to the invisible pyramid / elegy box on last visible dog) so this is your chance to get that one last fateful handmade formative artifact before the hammer drops. i strongly urge you to do so" ...-keith fullerton whitman

this entschuldigen edition comes complete with • 38 minute 31 second two pantone-color printed professionally replicated audio compact disc • white paperboard / plastic digipak with two high-quality giclee prints featuring detail of artwork by sarah powers glued to the front and back • 3” x 4” cloth “parts bag” with a bright orange drawstring and red threading containing a selection of geoff’s own photographs and a printed info-sheet • miraculously-detailed sticker • re-sealable mylar sleeve


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 $15.01

new to stock as of
december 20th, 2004


file under:
reckank-related
entschuldigen (usa) #ent extra shirt

hrvatskiextra large” shirt

  • extra large shirt
  • brown fabric
  • yellow lettering
  • new hrvatski logo
brand-new for 2005 extra large sized hrvatski t-shirt, as manufactured by the entschuldigen corporation. available only from keith-hrvatski directly (at concerts) or via mimaroglu music sales here. high quality gildan chestnut shirts with high-definition screenprinting of the new hrvatski logo in athletic gold. sure to wow ‘em at the next meeting of the max-msp users group...
entschuldigen press release...
das amtliche hrvatski t-shirt, das mit der gelben gotischen beschriftung komplett ist mit zwei bohrungen, zum ihrer arme durch qualitätsaufbau zu setzen braun ist, errichtete zum letzten.

previous record label:
 entr’acte 
...and that's everything on entschuldigen in stock.
(why not take a look at the previous and next labels?)
next record label:
 epicene sound systems 
.home..artists..labels..new..restocks..best..faq.
.soon.
... this page was last updated on sunday, may 19th, 2013 @ 7:11 pm