john mcguire “works for instruments” double compact disc set

• cadence music (27:58) 1982-1985
  
• exchanges (16:33) 1998-2002
  
  
• decay (21:04) 1967-1970
  
• frieze (24:31) 1969-1974
  
• music for horns, pianos and cymbals (13:09) 1981

edition rz press release...

ed. rz 20003/4 2-cd john mcguire: works for instruments instrumental compositions by "post-minimalist" john mcguire who took classes with karlheinz stockhausen and gottfried michael koenig, among others. cover design: ott + stein, berlin; scan: christine berkenhoff each of the compositions of american composer john mcguire describes, in its own way, a multi-dimensional sonic space which the listener can take in from various vantage points and, in so doing, experience the very same sound in different guises. cd1 44:33 · cd2 58:46 · total time: 103:20

michael reudenbach “szenen, standbilder • werke 1991-2009” double compact disc set

• trio. studie for piano, violin and violoncello (10:49)
  
• choral for voice and for instruments (7:49)
  
• und aber. musik for string quartet (16:24)
  
• kommen - berschreibungen for 5 voices (11:36)
  
• trio 3 for bassetthorn, bass clarinet and piano (10:08)
  
• mirlitonnades pour petite flute (2:45)
  
  
• zhlergesang for ensemble (10:47)
  
• schnitt & fortsetzung for flute, harp, guitar, piano and pauke (10:26)
  
• duo pianism for two pianos (8:12)
  
• ahto. music for 8 instruments (12:30)
  
• stratton for ensemble (11:34)
  
• szenen, standbilder for 4 instruments (9:24)

edition rz press release...

ed. rz 10021-22 2cd michael reudenbach: szenen, standbilder. works 1991-2009 “it has become taken for granted that nothing concerned with art is self-evident any more, neither in it nor in its relationship with the whole - not even its right to exist." it is with these words that adorno begins his "aesthetic theory”. gesamtspielzeit: 2:02:38

giuliano d’angiolini “simmetrie di ritorno” compact disc

• simmetrie di ritorno (8:27) 2000
  
• ita vita zita rita (12:55) 1997
  
• orizzonte fisso
  
• bordoni mobili (18:03) 2007
  
• und'ho d'andà (8:50) 1995
  
• ho visto un incidente (5:42) 1991-1992
  
• notturno in progressione (10:13) 2004

edition rz press release...

ed. rz 10020 cd giuliano d’angiolini: simmetrie di ritorno six compositions for chamber ensembles. giuliano d'angiolini is a positively unique figure in contemporary music. his profound, well-conceived and stubborn take on music has led him to what he calls "impersonal" music — music that has fully abandoned the idea of development or form. through successive states of presentation, which aim to elucidate, d'angiolini wanted to "leave place in sound so that music could become less voluntary". this led him to favour the surface and present, an approach that was by no means superficial: the surface as the immediacy in the propositional content of sound and the present as the very surface of the criterion of time. in his work, musical process and material are but one and are completely laid bare. what we are to hear is non-discursive, deliberately lacking formal organization. we are even free to turn away and come back of our own will — as if the composer wanted to make positive use of the negative metamorphosis of today's urban listeners, listeners who are constantly assailed with stimuli. - gérard pesson cover design: ott + stein, berlin; scan: christine berkenhoff total time: 64' 11'' performers: ensemble 2e2m, franck ollu, pierre roullier, monique bouvet, barbara morihien, quatuor parisii: arnaud vallin, jean-michel berrette, dominique lobet, jean-philippe martignoni studios: auditorium du conservatoire de gennevilliers, auditorium antonin artaud in ivry-sur-seine

clara maïda “in corpore vili” compact disc

• mutatis mutandis for twelve strings (12:59) 2008
  
• psyché-cité/tranversales : 1. fluctuat o (in)animi (13:47) 2005-2006
  
• psyché-cité/tranversales : 2. ipso facto (9:39) 2005-2006
  
• psyché-cité/tranversales : 3. via rupta (9:06) 2005-2006
  
• ... who holds the strings ... (8:17) 2003
  
• doppelklänger (13:39) 2008

edition rz press release...

ed. rz 10017 cd clara maïda: in corpore vili a co-produktion of berliner künstler programm of daad, edition-rz, and deutschlandradio kultur during the first years of my compositional research, my goal was to mark out, in my music, the flux of the psychic energy at work in the unconscious and its underlying structure. at the time, i was going through an analytical process favouring access to this unconscious activity, and my readings in the field of psychoanalysis were helping me in the effort to elaborate a musical thinking likely to account for this psychic complexity, which only appears through unintentional acts and words, or in fantasies and dreams. a whole structural and formal model for a potential music was emerging then, since only the plasticity of the world of sound seemed to be able to suggest this mobility and instability, which endlessly alter the configurations of the components of the unconscious. ensemble resonanz, kammerensemble neue musik berlin, ensemble orchestral contemporain, arditti string quartet, heather o'donnel elektronisches studio der technischen universität berlin studio für elektroakustische musik der akademie der künste, berlin format: audio cd, digisleeve, booklet german/english total time: 67:28

“20 jahre inventionen vi” compact disc

• edgar barroso - odd (10:36) 2006
  
• mario verandi - comme un jeu des images (13:03) 2006
  
• paul wilson - through the rain (11:59) 2006
  
• ricardo climent - wallwoodpeckers (9:07) 2005
  
• vladimir djambazov - the secret life of a snare drum (10:59) 2005
  
• ludger brümmer - glasharfe (19:02) 2006

edition rz press release...

ed. rz 10016 cd inventionen vi: electroacoustical music inventionen festivals 2005 and 2006 featured compositions by edgar barroso, mario verandi, paul wilson, ricardo climent, vladimir djambazov and ludger brümmer [ berliner künstlerprogramm des daad ] [ daad artists-i8n-berlin programm ] gesamtspielzeit: 74:48

agostino di scipio “hörbare ökosysteme • live elektronic compositions 1993-2005” compact disc

• texture/multiple (12:36) 1993
  
• craquelure 2 pezze silenziosi, a guiliano i (5:00) 2002
  
• craquelure 2 pezze silenziosi, a guiliano ii (5:12) 2002
  
• interazioni cicliche alle differenze sensibili i (1:38) 1997-1998
  
• interazioni cicliche alle differenze sensibili ii (2:21) 1997-1998
  
• interazioni cicliche alle differenze sensibili iii (2:13) 1997-1998
  
• interazioni cicliche alle differenze sensibili iv (2:18) 1997-1998
  
• interazioni cicliche alle differenze sensibili v (3:11) 1997-1998
  
• hörbare ökosysteme nr. 1 (8:19) 2002-2005
  
• hörbare ökosysteme nr. 2a (5:50) 2002-2005
  
• hörbare ökosysteme nr. 2b (4:42) 2002-2005
  
• hörbare ökosysteme nr. 3a (6:55) 2002-2005
  
• hörbare ökosysteme nr. 3b (8:42) 2002-2005

edition rz press release...

ed. rz 10015 cd agostino di scipio: hörbare ökosysteme live elektronic compositions 1993-2005 agostino di scipio teaches his sounds to listen to themselves. the digital sound processing algorithms associated with the pieces listen to their own results, and then modify themselves accordingly, during the course of the piece. through complicated cybernetic procedures inside the black box the software adjusts to the heard in order to create the unheard. (frank gertich) performers: ensemble mosaik, prometeo string quartet, natalia pschenitschnikova. booklet german/english total time:68:58

“inventionen ‘98 • 50 jahre musique concrète” double compact disc set

• unsuk chin - allegro ma non troppo (13:32)
  
• patrick kosk - icebice (11:10)
  
• werner cee - berlin indoors (slow motion) (10:17)
  
• françois donanto - sept jours (10:38)
  
• robin minard - 4 räume (14:58)
  
• wolfgang mitterer - ululu 1 (14:05)
  
  
• francis dhomont - phonurgie (cycle du son, 4) (12:32)
  
• erik mikael karlsson - intensities and interludes (12:26)
  
• trevor wishart - two women - four voiceprints: siren (3:23)
  
• trevor wishart - two women - four voiceprints: facets (2:34)
  
• trevor wishart - two women - four voiceprints: stentor (2:22)
  
• trevor wishart - two women - four voiceprints: angelus (5:55)

edition rz press release...

ed. rz 10009/10 2cd (parallele 9/10) inventionen '98: 50 jahre musique concrete compositions by chin, kosk, cee, donato, minard, mitterer, dhomont, karlsson, wishart

john cage / terry fox “high fidelity • artists' records in the marzona collection” double long playing record set

• john cage - mureau part 1 (14:07)
  
• john cage - mureau part 2 (16:54)
  
  
• john cage - mureau part 3 (19:10)
  
• john cage - mureau part 4 (17:24)
  
  
• terry fox - culvert part 1 (20:04)
  
• terry fox - culvert part 2 (8:12)
  
  
• terry fox - culvert part 3 (27:08)

edition rz press release...

ed. rz 9006/9007 2lp highfidelityartists' records in the marzona collection: "john cage speaks mureau" terry fox, culvert performance (24 hours) lp 1: john cage speaks mureau by john cage edition s press, hattingen 1972 (s press tape no. 14) duration: 68:07 lp 2: terry fox, culvert performance (24 hours) with bootz hubbard and bill gilbert (1st two hours) clark fork river, missoula, montana, usa, 1977 duration: 55:39

ferdinand kriwet “hörtexte • radiotexts” triple picture disc long playing record boxed set

• apollo amerika • hörtext vi (1969)
  
  
• campaign • hörtext ix (1973)
  
  
• radioball • hörtext xi (1975)
  
  
• ball • hörtext x (1974)
  
  
• voice of america • hörtext vii (1970)
  
  
• radio • hörtext xvi (1983)

edition rz press release...

ed. rz 9003-5 3lp picture discs ferdinand kriwet: hörtexte / radiotexts six radio texts by ferdinand kriwet (*1942) in a beautifully designed 3 lp picture discs luxury box. ferdinand kriwet (*1942) ferdinand kriwet (born in duesseldorf in 1942) is a multimedia artist and poet who has produced many seminal films and sound works for radio and television, in particular throughout the 1960's and 1970's. his works 'apollo amerika' 1969 and 'campaign' 1973, rank today as outstanding artistic documents of these spectacular events in the history of mankind. kriwet created the work 'apollo amerika' whilst in america at the time of the moon launch, his aim being to compose a work of perception derived from all information he gathered on radio and television about the apollo 11 launch. he describes these as "hörtexts, radio texts" - radio pieces composed of noise and sound bite and samples. kriwet's works are an attempt at communicating an idea of listening to something that constantly surrounds us on short, medium and long wave frequencies. his politically engaged and avant-garde approach was influenced by aesthetic and conceptual currents in constructivism, new music, beat generation and pop. six of kriwets legendary 'sehtexts' (visual texts) reproduced on six picture disc lps combined with six of his legendary hörspiel works / sound collages originally broadcast on german radio and previously unreleased: 'apollo america' (1969), 'voice of america' (1970), 'campaign' (1973), snapshots of american media at the beginning of the 1970s; 'radioball' (1975) and 'ball' (1974), reflecting soccer sports in germany in the 1970s; and 'radio' (1983).

emmett williams “poems • 1950-2003” picture disc long playing record

• the end of the world (0:17)
  
• once upon a time (0:24)
  
• good evening, herr goethe… (0:16)
  
• good evening, dear friedrich… (0:16)
  
• for marilyn monroe (0:23)
  
• ach bun was (0:24)
  
• the moon is green / der mond ist grün (0:44)
  
• oracle (1:34)
  
• the last french-fried potato (0:17)
  
• i think therefore i am (1:42)
  
• a book about eggs (0:47)
  
• litany and response for alison knowles i (1:41)
  
• litany and response for alison knowles ii (0:48)
  
• a selection from 5,000 new ways (2:16)
  
• duet (1:32)
  
• do you remember? (2:20)
  
• triadic landscapes (1:31)
  
  
• rotapoems, six variations on a poem by dieter roth from his lyrical collection "scheisse" (3:29)
  
• for diter rot (0:34)
  
• a fragment (3:23)
  
• souvenir portraits from the passing parade in dreamland (1:16)
  
• portraits of the artist with holes in his head (0:47)
  
• portraits of the artist as primitive man (0:30)
  
• portraits of the artist as dowager empresses (0:34)
  
• portrait-studies of wholesale meat distributors (1:10)
  
• a portrait gallery of snoopers and snuffers (0:50)
  
• performance art (0:36)
  
• in vino veritats (0:15)
  
• vergissmeinnichte (0:28)
  
• aphrodisiacal applesauce (3:46)
  
• a broken alphabet (1:33)

edition rz press release...

ed. rz 9002 / n+s emmett williams: poems 1950 - 2003 vinyl picture disc lp, spoken by emmett williams. recorded from 2000-2003. mastering: schalloran tonstudio christian feldgen

harley gaber “the winds rise in the north” double compact disc set

• the winds rise in the north (part 1) (27:19)
  
• the winds rise in the north (part 2) (25:19)
  
  
• the winds rise in the north (part 3) (26:33)
  
• the winds rise in the north (part 4) (24:19)

edition rz press release...

edition rz reissues the winds rise in the north by american composer harley gaber, originally released on titanic records in 1976. interpreters: linda cummiskey (violin) malcolm goldstein (violin) kathy seplow (violin) stephen reynolds (viola) david gibson (violoncello) questions: how endlessly the heavens turn. and yet the earth remains at rest. do the sun and the moon quarrel as to their positions? who rules over and orders all these things? by whom are they in harmony? who effortlessly causes and maintains them? is there, perhaps, some hidden tension that prevents them from being other than as they are? must the heavenly bodies move as they do, powerless to do otherwise? look how the clouds drop the rain! and how the rain rises again to form the clouds! who moves them to this abundance? who effortlessly produces the primary orb and stimulates it? the winds rise in the north and blow to the east and west. others move upward uncertainly. whose breath moves them? who effortlessly causes them to blow? what is the cause? -- chuang tzu

klaus lang “einfalt.stille.” compact disc

• einfalt.stille. (50:09) 2007

edition rz press release...

ed. rz 4007 cd klaus lang: einfalt.stille chamber music by the austrian composer klaus lang flow. state. through concentration on listening or concentration on what we are listening to we can enter a state of simplicity of mind which is a state of the highest inner clarity or inner silence. in other words: when concentrating on the flow of music we can reach an inner state: the inner silence which is the simultaneity of stasis and flow. this paradoxical situation poses the question: is the flow of music passing us, is music flowing through us thus evoking this inner stasis or is it not a state at all what we experience: should we not most seriously take into consideration the possibility that it is us who are flowing through the sound? total time: 50:00 min

luigi nono “20 jahre inventionen v” compact disc

• quando stanno morendo (diario polacco n. 2) (37:46) 1982
  
• canciones a guiomar (10:00) 1962-1963
  
• omaggio a emilio vedova (4:54) 1960

edition rz press release...

ed. rz 4006 cd 20 jahre inventionen v: luigi nono audio cd with three compositions by luigi nono, recorded at the berlin festival "inventionen". the live electronics that nono worked with for the first time in the early 1980’s at the freiburg experimental studio also serves the musical displacement: the music moves away from clear spatial and timbral assignations. due to electronic processing, the sonic characteristics of both instruments, bass flute and cello, can hardly be recognized. tones and gestures are lengthened into seeming infinity and move in space. musicians: ingrid ade monika bair-ivenz bernadette manca di nissa halina nieckarz roberto fabbriciani frances-marie uitti arturo tamayo experimentalstudio der heinrich-strobel-stiftung des swf ars nova ensemble berlin edelgard neubert-imm peter schwarz

klaus lang “20 jahre inventionen iii • sei-jaku für streichquartett” compact disc

• sei-jaku für streichquartett (39:55)

edition rz press release...

ed. rz 4005 klaus lang: sei-jaku string quartet cover design: ott + stein, berlin; scan: christine berkenhoff documentation "20 years inventionen", cd iii the string quartet sei-jaku by german composer klaus lang, documented on this cd, was performed on 6/30/2002 in the großer sendesaal of the sfb berlin by the arditti string quartet during the festival inventionen 2002. gesamtzeit 39:57

“20 jahre inventionen ii” compact disc

• hildegard westerkamp - whisper study for two-channel tape (10:44) 1975-79
  
• salvatore sciarrino - codex purpureus for string trio (5:53) 1968-83
  
• john cage - music for piano 55-63 (6:32) 1956
  
• sainkho namtchylak - roots and vibrations (8:06) 1994
  
• joe jones - solar orchestra (7:33) 1982/90
  
• john cage - music for piano 78-84 (5:37) 1956
  
• giacinto scelsi - from 20 canti del capricorno (no. 1, no. 4) for voice (and additional instruments) (5:00) 1962-72
  
• masanori fujita - from jü-jü-shin for 15 buddhist monks (23:05) 1986
  
• john driscoll - a hall is all (5:29) 1985

edition rz press release...

ed. rz 4004 20 years inventionen vol.2 volume 2 of the cd documentation of the berlin festival "inventionen" (volume 1 containing horatiu radulescu's string quartet no. 4) a various artists retrospective sampler including recordings of works by the following composers: hildegard westerkamp, salvatore sciarrino, john cage, sainkho namtchylak, joe jones, giacinto scelsi, masanori fujita, john driscoll. hildegard westerkamp: whisper study (1975-79, tape work, inventionen 1986) salvatore sciarrino: codex purpureus, trio per archi (1968-1983, members of the arditti string quartet, inventionen 1994, a wdr production) john cage: music for piano #78-84 (1952-56, herbert henck (klavier), inventionen 1992, a kunstkopf concert recording) sainkho namtchylak: roots and vibrations (1994, sainkho namtchylak (voice), heinz lieb und john preininger (percussion), inventionen 1994, a kunstkopf concert recording) joe jones: solar orchestra (inventionen 1990, a kunstkopf concert recording) john cage: music for piano #55-63 (1952-56, herbert henck (klavier), inventionen 1992, a kunstkopf concert recording) giacinto scelsi: 2 parts of 20 canti del capricorni (1962-72, michiko hirayama (voice), inventionen 1992, a kunstkopf concert recording) masanori fujita: ju-ju-shin (1986, karyobinga sho-myo-group (tokyo, shingon sekte, buzan school, buddhist monks choir), leiter: maki ishii, inventionen 1986, a kunstkopf concert recording) john driscoll: a hall is all (1985, installation, inventionen 1986, a kunstkopf concert recording)

klaus lang “trauermusiken” compact disc

• der wind das meer, trauermusic für bratsche solo (4:53) 1995
  
• the sea of despair, trauermusik für streichquartett (69:10) 1995

edition rz press release...

ed. rz 4003 klaus lang (*1971), trauermusiken two compositions by the young austrian composer / organist who currently lives in berlin / germany der wind und das meer for viola (barbara konrad, viola) the sea of despair for string quartet (amras streichquartett)

horatiu radulescu “20 jahre inventionen i • streichquartett nr. 4 opus 33” compact disc

• string quartet no. 4 opus 33 (49:06) 1976-1987

edition rz press release...

ed. rz 4002 cd horatiu radulescu (1942-2008): string quartet 4 string quartet no 4, opus 33 (1976-87) arditti string quartet: irvine arditti graeme jennings garth knox rohan de saram "infinite to be cannot be infinite, infinite anti-be could be infinite" for nine string quartets or one string quartet surrounded by an imaginary viola da gamba with 128 strings 49:00 min

rolf julius “(halb) schwarz ” compact disc

• für die erde (6:36) 1998
  
• fast schwarz (9:03) 1992
  
• vier schwarze rechtecke pt. 1 (10:29) 1989-1994
  
• vier schwarze rechtecke pt. 2 (11:45) 1989-1994
  
• seestück (6:23) 1994
  
• musik für den blick nach oben (14:39) 1997
  
• tanz auf takashima island 1 (9:42) 1998

edition rz press release...

ed. rz 4001 cd / x-tract rolf julius (*1939), (halb) schwarz six electronic compositions

“30 jahre inventionen vii” digital versatile disc and double compact disc set

• jonty harrison - beastory 2010 (8:09)
  
• daniel teruggi - sounding landscapes 2007 (18:06)
  
• hans tutschku - firmament - schlaflos 2010 (20:23)
  
• hans tutschku - zwei räume 2008 (21:04)
  
• francis dhomont - le travail du rêve 2008/09, 2010, 2011 (17:12)
  
• gilles gobeil - castalie 2008 (10:41)
  
• gilles gobeil - les lointains noirs et rouges 2009 (10:46)
  
• scott wilson - böse 2010 (9:06)
  
• kotoka suzuk - i automata - mechanical garden 2010 (8:34)
  
• hanna hartman - measures of control 2008 (8:01)
  
• richard barrett - simorgh 2010 (11:05)
  
• pei-yu shi - movements 2010 (3:55)
  
• kees tazelaar - zeitraum-ort-zeichen-sterne 2007 (19:41)
  
• trevor wishart - encounters in the republic of heaven, akt 1-4 2011 (75:00)
  
• iannis xenakis - bohor 1962 (21:31)
  
• sukhi kang - inventio - musicae clavichordii et sonorum artificiosorum 1984 (23:34)
  
• rolf enström - fractal (videofassung) 1984 (24:02)
  
  
• bogus aw schaeffer - berlin 80 ii (tonbandfassung) 1980 (13:18)
  
• ricardo mandolini - fabulas ii 1980 (10:25)
  
• takehito shimazu - zytoplasma 1980 (10:46)
  
• bogus aw schaeffer - maa'ts 1981 (9:49)
  
• rolf enström - fractal (tonbandfassung) 1984 (22:54)
  
  
• ricardo mandolini - estallido breve (tonbandfassung) 1980 (8:37)
  
• ricardo mandolini - juego de marionetas 1979/1980 (9:43)
  
• ricardo mandolini - el cuaderno del alquimista 1979 (9:27)
  
• ricardo mandolini - canción de madera y agua 1981 (8:27)
  
• ricardo mandolini - poema reiterado 1983 (10:51)
  
• ricardo mandolini - elogio de lo efímero 2004 (12:06)
  
• ricardo mandolini - el silencio de un trueno (ausschnitt) 2010 (11:49)

edition rz press release...

ed. rz 3006-8 2cd + dvd inventionen vii: 30 jahre inventionen 1982 - 2012 five hours of electroacoustical compositions, recorded during the first thirty years of the berlin festival "inventionen". box set with two audio cds and a dvd. total running time approx. 310 minutes

patrick kosk “mondweiß” compact disc

• mondweiß (13:36) 2007-2008
  
• das kästchen und tripitaka (9:56) 2005
  
• angklung & ice (12:41) 2004-2005
  
• distrak - sillalla (11:37) 1992
  
• la boîte (9:06) 2005
  
• transmissions in a (system of coordinates) (18:23) 1981

edition rz press release...

this is an assemblage of works by finnish electroacoustic composer patrick kosk. recordings from the elektronic studio at the tu berlin, the studio of the institut international de musique electroacoustique de bourges, and the artist's studio. from 1976-1981, kosk studied composition at the electronic music studio at helsinki university. from 1981-1991, he was mainly active as a freelance composer and a sound designer at the experimental studio of the finnish radio. since 1978, kosk has composed electroacoustic music in various forms for theater, performance, dance, radio broadcasting, films and visual arts. the sounds that open a work do not prescribe a determined form for the composer. every sound is conceivable in different contexts. indeed, the "logic" of the sound material comes up repeatedly in kosk's notes on his works, of the "coherence" and "stringency" of musical forms. but this suggests neither the teleological form of redemptive classical provenance, nor is he concerned with the aesthetics of consistency and integrity of the early avant-garde. instead, kosk looks for relationships of tension that do not resolve; he creates antitheses that refuse a synthesis. kosk's logic is one of fragmentation and unpredictability.

takehito shimazu / boguslaw schaeffer / rolf enström “inventionen ii” long playing record

• takehito shimazu - zytoplasma (10:43) 1980
  
• boguslaw schaeffer - maa'ts (9:45) 1981
  
  
• rolf enström - fractal (23;00) 1984

boguslaw schaeffer / ricardo mandolini / sukhi kang “inventionen i” long playing record

• boguslaw schaeffer: berlin 80 ii (13:25) 1980
  
• ricardo mandolini: fabulas ii (11:20) 1980
  
  
• sukhi kang: inventio (23:30) 1984

jakob ullmann “voice, books and fire 3” compact disc

• voice, books and fire 3 (70:20) 2004-2005

edition rz press release...

ed. rz 2005 cd jakob ullmann: voice, books and fire 3 cover design: ott + stein, berlin; scan: christine berkenhoff voice, books and fire is the result of my reflections about the relationships between music and language: language as sound and language as text, the numerous relationships between texts of different cultural and religious traditions, between the work of the human spirit in the present and in the past and the questions arising from the problem of understanding these different traditions, languages and texts and representing them in a present, which has lost knowledge about substantial parts, even of its own tradition and history. ensemble für experimentelle musik 2006 stimmen: susanne friedrich, judith geier-leisch, daniela hornung, ida maria kastner, anja kienborn, annegret kornmann, christina reis, corinna schmid instrumente: leif bergerhoff (saxophon), isabelle fontius (querflöte), tobias keck (viola), philipp thimm (violoncello) einstudierung: hans-peter schulz aufnahme, mischung und schnitt: hans lorenzen mastering: timour klouche aufnahme vom 1. juli 2006 in der abteikirche neresheim gesamtzeit: 70:21

gottfried michael koenig “gottfried michael koenig (*1926)” double compact disc set

• zwei klavierstücke • i. klavierstück 1 (8:18) 1957
  
• zwei klavierstücke • ii. klavierstück 2 (5:55) 1957
  
• suite »materialien zu einem ballett« (20:48) 1961
  
• streichquartett (10:04) 1959
  
• »terminus x« (11:46) 1967
  
• »funktion grün« (8:25) 1967
  
• »funktion gelb« (12:42) 1968
  
  
• blatt 1 (0:42)
  
• blatt 2 (0:42)
  
• blatt 3 (0:21)
  
• blatt 4 (0:45)
  
• blatt 5 (0:36)
  
• blatt 6 (0:36)
  
• blatt 7 (0:37)
  
• blatt 8 (0:32)
  
• blatt 9 (0:36)
  
• blatt 10 (0:21)
  
• blatt 11 (0:38)
  
• blatt 12 (0:31)
  
• blatt 13 (0:35)
  
• blatt 14 (0:31)
  
• blatt 15 (0:44)
  
• blatt 16 (0:34)
  
• blatt 17 (0:36)
  
• blatt 18 (0:37)
  
• blatt 19 (0:44)
  
• blatt 20 (0:46)
  
• blatt 21 (0:35)
  
• blatt 22 (0:34)
  
• blatt 23 (0:40)
  
• blatt 24 (0:39)
  
• blatt 25 (0:29)
  
• blatt 26 (0:38)
  
• blatt 27 (0:30)
  
• blatt 28 (0:27)
  
• blatt 29 (0:41)
  
• blatt 30 (0:47)
  
• blatt 31 (0:26)
  
• blatt 32 (0:44)
  
• blatt 33 (0:41)
  
• blatt 34 (0:49)
  
• blatt 35 (0:43)
  
• blatt 36 (0:36)
  
• blatt 37 (0:33)
  
• blatt 38 (1:00)
  
• blatt 39 (0:37)
  
• blatt 40 (0:56)
  
• blatt 41 (0:46)
  
• blatt 42 (0:48)
  
• blatt 43 (0:19)
  
• blatt 44 (0:43)
  
• blatt 45 (0:46)
  
• blatt 46 (0:39)
  
• blatt 47 (0:52)
  
• blatt 48 (0:24)
  
• blatt 49 (0:26)
  
• blatt 50 (0:38)
  
• blatt 51 (0:40)
  
• blatt 52 (0:45)
  
• blatt 53 (0:52)
  
• blatt 54 (0:34)
  
• blatt 55 (0:27)
  
• blatt 56 (0:49)
  
• blatt 57 (0:46)
  
• blatt 58 (0:38)
  
• blatt 59 (0:53)
  
• blatt 60 (0:51)

edition rz press release...

ed. rz 2003/4 double cd gottfried michael koenig 2cd set with electronical and software-generated compositions by pioneer g.m. koenig cover design: ott + stein, berlin; scan: christine berkenhoff performers: jan marc reichow, lasalle quartet, trio recherche two piano pieces 1957 (wdr 1995) 14:13 [ jan marc reichow, piano ] suite "materialien zu einem ballett" 1961 (wdr 1961) 20:48 streichquartett 1959 (wdr 1961) 10:04 [ lasalle quartet: walter levin, 1. violin; henry meyer, 2. violin; peter kamnitzer, viola; jack kirstein, violoncello ] terminus x 1967 (institut for sonology in utrecht 1967) 11:46 funktion grün 1967 (institute for sonology in utrecht 1967) 8:25 funktion gelb 1968 (institute for sonology in utrecht 1968) 12:43 60 blätter for string trio 1992 (wdr 1996) [ trio recherche: melise mellinger, violin; barbara maurer, viola; lucas fels, violoncello ]

michael von biel “michael von biel” compact disc

• quartett nr.1 (6:27) 1962
  
• quartett nr.2 (urfassung) (9:53) 1963
  
• fassung (elektronische tonbandmusik) (13:55) 1964
  
• quartett mit begleitung (quartett nr.3) (12:25) 1965
  
• jagdsütck (28:13) 1966

edition rz press release...

ed. rz 2002 cd michael von biel five compositions cover design: ott + stein, berlin; scan: christine berkenhoff 1. streichquartett nr. 1 (1962; wdr 2003) [pellegrini-quartett: antonio pellegrini, 1. violine; thomas hofer, 2. violine; fabio maarano, viola; helmut menzler, violoncello] 2. streichquartett nr. 2 (urfassung, 1963; wdr 2003) [pellegrini-quartett] 3. quartett mit begleitung (quartett nr. 3, 1965; wdr 1967) 12:05 [egon mayer, violine; dagmar apel, violine; johannes fritsch, viola; magdalene bröckel, violoncello; michael von biel, violoncello] 4. jagdstück für bläserinstrumentalisten und live-elektronik (1966; wdr 1968) 28:05 [franz-willy neugebauer, trompete; kurt schmidt, trompete; gerhard burdack, horn und tenortuba; konrad alfing, horn und tenortuba; willy walther, posaune; josef feck, posaune; emil morneweg, kontrabaß; wilhelm bruck und michael von biel, begleitung; ltg. bernhard kontarsky] 5. fassung (elektronische tonbandmusik, 1964; wdr 1964) 13:34 [studio für elektronische musik des wdr]

jakob ullmann “fremde zeit addendum 4 • solo iii für orgel” compact disc

• solo iii for organ 1992/1993; 2012

edition rz press release...

ed. rz 1029 jakob ullmann: fremde zeit addendum 4 · solo iii für orgel solo iii for organ, 1992/1993; 2012 cover design: ott + stein, berlin scan: christine berkenhoff hans-peter schulz at the big organ in abteikirche neresheim, assisted by alexandra stashenko, barbara wieland and katrin kanzler. aufnahme, mischung and schnitt: hans lorenzen 1 audio-cd in cardboard sleeve with flap with friedrich nietzsche; text in german (as addition to fremde zeit addendum box - cds 1-3 - with booklet german/english)

volker heyn “sirènes” compact disc

• k'ten (4:46) 2005
  
• sirènes (14:54) 1983
  
• préludes zu ferro canto #1 (3:23) 1989
  
• blues in b-flat (8:49) 1981
  
• blah 2 (4:49) 1985
  
• préludes zu ferro canto #2 (3:39) 1989
  
• resurrection #1 (6:33) 2000
  
• préludes zu ferro canto #3 (2:02) 1989
  
• les visages des enfants (21:47) 2002-2004
  
• graffiti risse (7:47) 1998-1999

edition rz press release...

ed. rz 1025 cdvolker heyn: sirènesnew release of september 2011 cover design: ott + stein, berlin; scan: christine berkenhoff born in 1938, volker heyn is an "outsider", or perhaps an "unloved insider", an avant-gardist when it comes to experimental music, reaching beyond the trends of his generation of new simplicity, neo-romanticism, new complexity and so forth. in 1960 he left europe to spend more than ten years in australia where he joined a travelling theatre company, made ends meet by singing in nightclubs and working the night shift in a metal works. heyn's music is the mise en scène of an acoustic condition, whose manifold reflections perpetually interlock and shatter, like a box of mirrors. it investigates a process, which in itself is inaccessible and cannot be reproduced on paper. volker heyn is not interested in sound per se - in the positive acoustic gesture - but, and especially, in the negative form, in the responding tone gesture, in the duplicating of friction and in discontinuous movements. his composition patterns follow the resonance - the overhang - that we are able to perceive only by restricting our sensors almost to zero, in order not to succumb to its violence. and this must be enough, more would be too much. then these remnants of sound will be drained and exhausted right up to the merest subversive unit. this is the soundscape that we are given: an intricate, though ultimately innocent structure of endless macro and micro sounding reactions. - martha agostini ausführende: kammerensemble neue musik berlin · steffen tast pellegrini-quartett: antonio pellegrini, thomas hofer, fabio marani, helmut menzler koproduktionen: hans rosbaud studio des südwestrundfunks baden-baden und mit dem rundfunk brandenburg-berlin konzertaufnahme vom westdeutschen rundfunk, klaus-von-bismarck-saal, köln

christian wolff “kompositionen • 1950-1972” double compact disc set

• duo for violinist and pianist (15:54) 1961
  
• for prepared piano (6:01) 1951
  
• for pianist (10:43) 1959
  
• edges (13:05) 1968
  
• duo for violins (6:25) 1950
  
• for piano i (7:57) 1952
  
• stones (5:45) 1968
  
• lines (7:04) 1972
  
• for pianist (5:24) 1959 version 2
  
  
• suite (i) (7:00) 1954
  
• for 1, 2, or 3 people (14:15) 1964
  
• for pianist i (10:11) 1959
  
• for 1, 2, or 3 people (9:43) 1964
  
• for piano i (5:53) 1952
  
• suite (i) (7:27) 1954
  
• edges (9:20) 1968
  
• drinks (7:46) 1969

edition rz press release...

ed. rz 1023-24 2cdchristian wolff: kompositionen 1950 - 1972 fresh release in september 2011: 2cd-set of compositions by christian wolff. most of the pieces collected for this portrait of christian wolff document the composer’s early activity and were mainly recorded around the time of their composition. each recording exemplifies the sound gestures from their time. cover design: ott + stein, berlin scan: christine berkenhoff finally i realized that the kind of sound made in an indeterminate situation includes what could result in no other way; for example, the sound of a player making up his mind, or having to change it. in fact, the indeterminate notation i've used is, as far as i know, the only possible one for the kind of sound i should like. and don't forget, we also like to be surprised. ... and the rhythm produced by that situation is like no other rhythm.

harley gaber “indra’s net” compact disc

• sovereign of the center (23:53)
  
• the realm of indra's net (27:26)

edition rz press release...

edition rz releases works circa 1972-1974 from american composer harley gaber. performed by linda cummiskey (violin) steve reynolds (viola) barbara riccardi (violin) john dexter (violin). both works on this cd form, in a manner of speaking, bookends for another piece of mine, the winds rise in the north. the first of the two, 'sovereign of the center,' was my initial attempt at putting a new musical way of thinking into an ensemble rather than solo form. the second, 'the realm of indra's net,' builds on musical 'discoveries' i made in the course of revising the winds rise in the north. it is a hybrid work in as much as it is an 'acoustic-tape piece' (not musique concrète). there are four tracks of solo violin mixed down in different track combinations (the one heard on this cd is a full-track mono version of the work). both of these pieces reflect a general shift in my musical thinking, which occurred in 1968 with 'chimyaku' (japanese for 'barely moving') scored for solo alto flute. it was with that work that i began to compose 'slowed-down' music, like slow-motion images in film, not merely slow music such as that of feldman. -- harley gaber, july 2009

josef anton riedl “klangregionen • 1951-2007” double compact disc set

• paper music i (1961/70) (4:38)
  
• studie 59 i (1959) (2:48)
  
• zeichnen - klatschen/zeichnen - zeichnen (1979/81) (4:13)
  
• landschaftsbeschreibung i (1973) (5:09)
  
• mix fontana mix (1974/76/79) (5:05)
  
• silphium (1969/70) (4:16)
  
• lautgedichtfolge g) (1977/79/98) (5:00)
  
• ausfluss, niederschlag, spur, nachhall i (2000/02/07) (4:28)
  
• douce-amère (1972/74/81) (3:13)
  
• komposition nr. 2 (1963/65) (10:30)
  
• polygonum (1968/70) (1:35)
  
• leonce und lena (1963/64) (1:51)
  
• vielleicht - duo (1963/68/70) (3:27)
  
• musique concrète - studie ii (1951/59) (2:34)
  
• musique concrète - studie i (1951/59) (3:05)
  
• leonce und lena b) (1963) (3:46)
  
• studie 62 i (1962) (2:17)
  
• studie 62 ii (1962) (5:46)
  
  
• klangsynchronie i studie 59 (1981) (6:28)
  
• studie 61 i (1961) (2:17)
  
• komposition nr. 3 (1965/67) (7:01)
  
• ideir notna fesoj (1993) (51:02)
  
• elektronische musik - studie ii (1959) (5:04)
  
• elektronische musik - studie i (1958) (2:17)

edition rz press release...

ed. rz 1020-21 2cd josef anton riedl: klangregionen 1951 - 2007 siemens-studio für elektronische musik, studio für konkrete musik (j. a. riedl) cover design: ott + stein, berlin; scan: christine berkenhoff bild: josef anton riedl, bonn 1983. stadtarchiv und stadthistorische bibliothek bonn, bestand camillo fischer edition rz presents a 2cd collection of work from german electronic and multimedia composer josef anton riedl. spanning the diverse breadth of his musical output from 1951-2007, riedl has left an indelible mark on music history in the federal republic of germany with his many works and cultural activities. a pioneer in early concrète and electronics, riedl joined pierre shaeffer's groupe de recherches musicales from 1953-1955. he worked at various music studios including the nwdr (northwest german broadcasting) studio in cologne, and was the artistic director of the siemens studio for electronic music from 1959-1966. during the same period he founded the neue musik münchen/klang-aktionen concert series, and established the musik/film/dia/licht-galerie, which has presented multimedia compositions ("sound/light/scent-games"), audiovisual environments, events, exhibitions ("paper music i," "optische," "akustische lautgedichte") and installations at important national and international festivals. this collection samples some of riedl's most compelling work, including his "paper music" and musique concrète experiments.

david tudor “music for piano” double compact disc set

• john cage - music for piano 27 (7:50)
  
• john cage - music for piano 22, 21, 32, 36 (8:47)
  
• john cage - music for piano 27, 21, 32, 36 (10:18)
  
• john cage - variations i (2:21)
  
• christian wolff - duo for pianists i (4:13)
  
• christian wolff - duo for pianists i, version 1957 ii (4:35)
  
• sylvano bussotti - piano piece for david tudor iii (7:25)
  
• john cage - winter music (5:10)
  
• morton feldman - piece for four pianos (7:31)
  
  
• john cage - variations ii 1961 (26:53)
  
• john cage - music for piano 27, 21, 32, 35, 36  1955 (hr 1959) (12:27)
  
• john cage - music for piano 21, 22, 26, 29, 34, 36  1955 (wdr 1959) (13:19)
  
• christian wolff - duo for pianists i  1957, version 2 (dr 1963) (10:26)
  
• david tudor - o-ton (dr 1963) (1:50)

edition rz press release...

ed. rz 1018-19 2cd david tudor: music for piano 2-cd set with recordings by the legendary 20th century avantgarde pianist. with compositions by sylvano bussotti, john cage, morton feldman, christian wolff. david tudor, pianist - a profession, a vocation, a life. from 1950 until around 1965, david tudor was the epitome of the pianist who could simply play anything. in fact, david tudor was no longer a name, but an indication for instrumentation as dozens of pieces were written "for david tudor". as early as 1960, after having conquered all of the challenges posed by serial piano music, tudor began to differentiate between composers who filled him with life and those who left him cold - the focus of his repertory became crystallized. the main criterion for his choices were shaped by the part he would play as interpreter in the composition. he distinguished carefully between having a free choice among prefabricated parts - generally called aleatoric, as for example, stockhausen's klavierstück xi (dedicated, as his klavierstücke v-viii, to tudor) - and indeterminate actions. in the first case, they have a tendency to "put me to sleep", whereby pieces that are less limiting led him to say, "i feel that i'm alive in every part of my consciousness". the program of these cds portrays these distinctions. [ frank hilberg ] john cage: music for piano 27...  1955 (dr 1958) [ john cage / david tudor · pianos, 7'49'' ] john cage: music for piano 22, 21, 26, 36  1955 (ndr 1956) [ david tudor · piano, 8'46'' ] john cage: music for piano 27, 21, 32, 36  1955 (rb 1959) [ david tudor · piano, 10'17'' ] john cage: variations i  1958 (dr 1958) [ john cage / david tudor · pianos, 2'20'' ] christian wolff: duo for pianists i  1957, version 1 (rb 1960) [ john cage, david tudor · klaviere, 4'12'' ] christian wolff: duo for pianists i  1957, version 2 (rb 1960) [ john cage, david tudor · klaviere, 4'35'' ] sylvano bussotti: piano piece for david tudor iii 1959 (rb 1959) [ david tudor · klavier, 7'25'' ] john cage: winter music  1957 (wdr 1957) [ john cage / david tudor · klaviere, 5'10''] morton feldman: piece for four pianos  1957 (columbia 1959) [ david tudor, russell sherman, edwin hymovitz, morton feldman · klaviere, 7'36'' ] john cage: varitations ii  1961 (sony music 1967) [ david tudor · klavier, 26'52'' ] john cage: music for piano 27, 21, 32, 35, 36  1955 (hr 1959) [ david tudor · klavier, 12'26'' ] john cage: music for piano 21, 22, 26, 29, 34, 36  1955 (wdr 1959) [ david tudor · klavier, 13'18'' ] christian wolff: duo for pianists i  1957, version 2 (dr 1963) [ john cage, david tudor · klaviere, 10'26'' ] david tudor o-ton  (dr 1963, 1'50'')

jakob ullmann “a catalogue of sounds (1995-1997)” compact disc

• a catalogue of sounds (73:13)

edition rz press release...

ed. rz 1017 cd jakob ullmann: a catalogue of sounds 1995-1997 ensemble oriol berlin, m.m. kasper, s. renshaw, f. ritts-kirby coverdesign: ott+stein, berlin; christine berkenhoff total time: 73:13 ullmann's music realises an infinite variety of gradations in all areas of musical formation. that the music of the "catalogue" is nearly always played very softly leads to the ear noticing the smallest differentiations; the listener is put into a state of constant, acute attentiveness.

iannis xenakis “iannis xenakis (1922-2001)” double compact disc set

• st/48 (st/48-1,240162) (8:43) 1959-1962
  
• polytope de montréal (6:37) 1967
  
• nomos gamma (15:40) 1967-1968
  
• terretektorh (15:08) 1965-1966
  
• syrmos (11:58) 1959
  
• achorripsis (5:20) 1956-1957
  
  
• persépolis (50:57) 1971
  
• polytope de cluny (24:26) 1972

edition rz press release...

ed. rz 1015/16 2cd iannis xenakis (1922 - 2001)syrmos, le polytope de montreal, terretektorh, nomos gamma, st/48-1,240162, achorripsis, persepolis, polytope de cluny iannis xenakis collection of historical recordings of essential works st/48-1,240162 for 48 instruments, 1959-62 (8:22, wdr sinfonieorchester köln; ltg. michel tabachnik) le polytope de montreal for four orchestras, 1967 (6:18, ensemble ars nova de l'o.r.t.f., ltg. marius constant) nomos gamma for large orchestra scattered among the audience 98 instruments, 1967-68 (15:17, orchestre philharmonique de l'o.r.t.f., ltg. charles bruck) terretektorh for large orchestra scattered among the audience 88 instruments, 1965-66 (14:48, orchestre philharmonique de l'o.r.t.f., ltg. charles bruck) syrmos for 18 strings, 1959 (11:38, ensemble ars nova de l'o.r.t.f., ltg. marius constant) achorripsis for 21 instruments, 1956-57 (5:19, ensemble instrumental de musique contemporaine de paris, ltg. konstantin simonovic) persepolis version "avec mouvement", 1971 (ca. 50:49) [sound design: daniel teige] polytope de cluny, 1972 (ca. 24:25)

giacinto scelsi “giacinto scelsi (1905-1988)” compact disc

• pranam 1 en souvenir de la perte tragique de jani et sia christou (7:14)
  
• anagamin celui qui choisit de revenir ou pas (7:35)
  
• quattro pezzi (su una nota sola) • part i (2:44)
  
• quattro pezzi (su una nota sola) • part i part ii (4:33)
  
• quattro pezzi (su una nota sola) • part i part iii (3:56)
  
• quattro pezzi (su una nota sola) • part i part iv (4:22)
  
• quartetto n. 4 (11:35)
  
• okanagon doit être considéré comme un rite et, si l'on veut
  
• comme le battement de cœur de la terre (9:48)
  
• quartetto n. 2 • part i (3:30)
  
• quartetto n. 2 • part ii (4:39)
  
• quartetto n. 2 • part iii (3:18)
  
• quartetto n. 2 • part iv (3:40)
  
• quartetto n. 2 • part v (5:25)

edition rz press release...

ed. rz 1014 cd giacinto scelsi (1905 - 1988) anagamin celui qui choisit de revenir ou pas, pranam i en souvenir de la perte tragique de jani et sia christou, string quartet nr. 4, quattro pezzi su una nota sola, okanagon doit être considéré comme un rite et, si l'on veut, comme le battement de coeur de la terre, string quartet nr. 2 anagamin celui qui choisit de revenir ou pas for 12 strings (1965 (sfb 1990), ensemble oriol berlin, ltg. sebastian gottschick) pranam i en souvenir de la perte tragique de jani et sia christou for voice, 12 instrumentalists and tape, 1972 fondazione isabella scelsi, rom 1972) michiko hirayama, stimme, ad hoc ensemble, ltg. vieri tosatti string quartet nr. 4 1964 (rb 1994) pellegrini-quartett: antonio pellegrini, 1. violine; thomas hofer, 2. violine; charlotte geselbracht, viola; helmut menzler, violoncello quattro pezzi su una nota sola for chamber orchestra, 1959 (les disques solstice 1982) ensemble 2e2m, ltg. luca pfaff okanagon doit être considéré comme un rite et, si l'on veut, comme le battement de coeur de la terre for harp, tam tam and bass (1968 (les disques solstice 1982) ensemble 2e2m, ltg. luca pfaff) string quartet nr. 2 1961 (wdr 1979) berner streichquartett: alexander van wijnkoop, 1. violine; eva zurbrügg, 2. violine; henrik crafoord, viola; walter grimmer, violoncello

jani christou “jani christou (1926-70)” compact disc

• enantiodromia für orchester (12:11) 1965-1968
  
• praxis für streichorchester und klavier (9:42) 1966-1969
  
• epicycle (tape version) (9:41) 1968
  
• anaparastasis iii "the pianist" for ensemble, tapes and one actor (11:17) 1969
  
• mysterion (prolog und sprechertext, zuspielbänder) (5:10) 1965-1968
  
• anaparastasis i "the baritone" für bariton, kammerensemble und kleinen chor (10:55) 1968
  
• praxis for 12 für 11 streichinstrumente und 1 pianisten (9:03) 1966

edition rz press release...

ed. rz 1013 cd jani christou (1926 - 70) enantiodromia, praxis, epicycle, anaparastasis iii "the pianist", mysterion, anaparastasis i "the baritone", praxis for 12 enantiodromia for orchestra (oakland s.o.; ltg. gerhard samuel) praxis for string orchestra and piano (rundfunkorchester hannover, ndr; piano: georges pludermacher; ltg. michel tabachnik) epicycle (tape version, jani christou) anaparastasis iii "the pianist" for ensemble, tapes and one actor (actor: grigoris semitekolo; ensemble "musik unserer zeit", ltg. theodore antoniou) mysterion (prolog und sprechertext, zuspielbänder) anaparastasis i "the baritone" for baritone and chamber ensemble and small choir (baritone: spyros sakkas; ensemble "musik unserer zeit", sinnhofer quartett, chor des bayerischen rundfunks, ltg. jaroslav opela) praxis for 12 for 11 string instruments and 1 pianist (orchestra da camera dell'academia, klavier und ltg. piero guarino) the christou release was also available on lp (ed. rz 1006) which did not contain the last two recordings (praxis for 12 and anaparastasis i). the lp is out of print, only the cd (ed. rz 1013) is currently available.

franco evangelisti “franco evangelisti (1926-80)” double compact disc set

• proieziono sonore, strutte per pioano solo (3:40) 1955-56
  
• inconti di fasce sonore, composizione elettronica (3:27) 1956-57
  
• aleatorio, per quartetto per flauto solo, 1958 (2:50) 1959
  
• spazio a 5, per quattro di percussioni, voci e accorgimenti elettronici (13:07) 1959-61
  
• random or not random, per orchestra (8:18) 1957-62
  
• cinque strutture, per piccola orchestra e nastro magnetico dalla >>die schachtel<< (16:59) 1962-63
  
• proporzioni, strutture per flauto solo (4:35) 1958
  
  
• proiezioni sonore, strutture per piano solo (4:46) 1954-55
  
• proporzioni, strutture per flauto solo (5:51) 1958
  
• aleatorio, per quartetto d'archi (3:50) 1959
  
• quattro fattoriale (4!), piccoli pezzi per pianoforte e violino (3:53) 1954
  
• ordini, strutture variate per sedici strumenti (6:59) 1959
  
• campi integrati n.2, giuoco per nove strumenti (6:41) 1959-79
  
• die schachtel, azione mimoscenica per mimi, proiezioni, orchestera da camera su soggetto di franco nonnis (31:39) 1962-63

edition rz press release...

ed. rz 1011/12 2cd franco evangelisti (1926-80) proiezioni sonore, incontri di fasce sonore, aleatorio, spazio a 5, random or not random, cinque strutture, proiezioni sonore, proporzioni, aleatorio, 4!, ordini, campi integrati n. 2, die schachtel proiezioni sonore, strutture per piano solo (aloys kontarsky) incontri di fasce sonore, composizione elettronica aleatorio per quartetto d'archi (società cameristica italiana) spazio a 5 per quattro gruppi di percussioni, voci e accorgimenti elettronici (unknown artists) random or not random per orchestra (orchestra sinfonica siciliana) cinque strutture per piccola orchestra e nastro magnetico dalla "die schachtel" (orchestra della vi settimana di palermo, ltg. giampiero taverna) proiezioni sonore, strutture per piano solo (david tudor) proporzioni, strutture per flauto solo (eberhard blum) aleatorio per quartetto d'archi (lasalle quartet) 4!, poccoli pezzi per pianoforte e violino (aloys kontarsky, wolfgang marschner) ordini, strutture variate per sedici strumenti (ensemble strumentale da camera) campi integrati n. 2, giuoco per nove strumenti (gruppo spettro sonoro, ltg. luca pfaff) die schachtel, azione mimoscenica per mimi, proiezioni, orchestra da camera su soggetto di franco nonnis (anonymous speakers, ensemble of the orchestra of the münchener kammeroper, ltg. eberhard schoener)

morton feldman “morton feldman (1926-87)” compact disc

• piano three hands (8:03) 1957
  
• intermission 5 (3:52) 1952
  
• vertical thoughts 2 (6:49) 1963
  
• extensions (8:05) 1952
  
• four instruments (8:12) 1975
  
• intermission 5 (2:11) 1952
  
• piano piece 1956 a (2:23) 1956
  
• piano piece 1956 b (3:07) 1956
  
• intersection 3 (3:08) 1953
  
• instruments 1 (24:16) 1974