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... happy spring everyone !!! to commemorate our favorite season (and to help get this place back to some sort of workable condition) we're having a "spring cleaning" sale !!! please visit the spring (2013) cleaning page to view a list of (recent, mostly 2012) releases that we're now offering at reduced prices (while supplies last, no rainchecks, etc) ...
previous record label:
 ecstasy 
there are 47 titles on ecstatic peace! in stock.
they are listed below.
next record label:
 edel 
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 $15.12

back in stock as of
march 5th, 2013

first in stock on
september 2nd, 2010


threads:
modern-composition
modern-psych

 best of 2010 !!! 
open mouth (usa) #om #27 lp
ecstatic peace! (usa) #e# 212e lp

fat worm of errorbroods” long playing record

  • re: jh-168
  • return of the thin white dook
  • --------------------
  • shunt creek
  • mashed potentate
  • lichen like me

  • upsmanschmuck
  • feted corps
  • broods
  • fleagod
  • ratzong
september 2010 release ; .. god, has it really been four years since “pregnant babies pregnant with pregnant babies??? it has, hasn’t it ... damn ...

well, in those four years i’ve seen fwoe play about 8 times, always incredible, never redundant, always resplendent, neverpiled up” ; always dealing in a peculiar sort of economy wherein each member of the band strikes individually, at preordained moments, all hashed out via some collectivehive mind” system that, despite having witnessed it in action so many times, i don’t think i’ll ever fully understand ...

four years is a long time, and from the sound of things here they’ve spent it well, playing these 11 pieces over & over again, “trout mask” style, hammering down the bent nails until each stray element has landed in it’s own temporal / spectral space ... it’s truly a beautiful thing to behold ; no one else out there is working in anywhere near this level of organized aleatoricism & doing it with such panache (singer jess godard’s costume-changes have been known to get up to double-digits ; drummer neeeeel young has found a new poly-rhythm between 5/17 & 3/15 ; guitarist chris cooper’s moustache is long & finely hewn) ...

lp comes coated in mark beyer artwork (extremely apropos choice guys !!!) with a lyric-sheet allowing you to follow along at home ( “crush the placid tubers! potato dentata vagina errata tomato stigmata on flaccid pubescent blah blah blah” ) ; entirely incredible & well worth the wait ...
open mouth press release...

fat worm of error
broods lp
cat: om #27 / e#212e

maybe its something in the raw cows milk one can so fortuitously procure here in western massachusetts, or maybe it’s that lysergic haze of berkshire foothill emanation, but whatever it may be, it is most definitely in manifestation as the five-headed rock n’ noise n’ bleet n’ zzrrp n’ roll n’ weirdcore phenomenon known only as fat worm of error.

after more than six years of live gig decimation and confusion and a smattering of cassettes, cdrs, “legit” lp releases (on labels as swank as load and ultra eczema), fwoe has become, along with noise nomads and dinosaur jr, as one of the most astounding musical whatsis factors in the pioneer valley.

it was after being stunned into melted delight one evening at our local hang (the flywheel ‘natch) by the dead battery guitar, silent psycho-killer bass, drums punked beyond the free thump joy of john stevens n’ drumbo, and the supremely swinging costume-cuhraziness of the freekwency singer…well, we wanted to do a, ahem, “proper” lp.

put this genius fringe into the studio with justin pizzoferrato (that’s right, the guy who helps engineer j mascis and t moore sides) and capture the delirious magic of fwoe in their inimitable prime. and we did! and mark beyer did the cover art! and the drummers name is neel young! and this lp rules hard, and if you happened to be in the same room as the live fwoe this last summer than you know: fat worm of error has got the coolest moustache in town. case closed.

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first in stock on
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threads:
modern-psych

ecstatic peace! (usa) #e# 109b cd

mv/ee / the golden roadgettin’ gone” compact disc

  • susquehanna (sole art trample) (5:06)
  • the burden (4:39)
  • hammer (the pacifist) (7:43)
  • i got caves in there (3:50)
  • mama my (5:19)
  • day & night (5:33)
  • easy livin' (4:38)
  • colaed out (2:04)
  • speed queen (6:48)
  • motorin' (1:53)
  • country fried (8:43)
  • home comfort (4:52)
  • sweet people (4:46)
october 2007 release; the 2nd mv/ee album on ecstatic peace!, featuring input from members of sunburned hand of the man, dinosaur jr., etc...
ecstatic peace! press release...
mv/ee with the golden road
gettin' gone cd
cat: e#109b

mv: acoustic and electric guitars, harmonica, bantar (modified banjo>sitar), swarsangam, bass, octave divider bass, mellotron, vox
ee: cocola firebird, lap steel, bowed dulcimer, mandolin, vox

willie lane: guitar
j mascis: drums
ron schneiderman: bass
samara lubelski: bass
john moloney: drums
doc dunn: pedal steel, resonator, bass, drums, vox
luisa reichenheim: harmonium zuma: bells

tunes: matt valentine & erika elder
recorded, engineered & mixed by justin pizzoferrato at bank row (greenfield, ma) & bisquiteen (amherst, ma)
produced by matt valentine

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first in stock on
february 16th, 2007


threads:
modern-psych

ecstatic peace! (usa) #e# 109 cd

mv/ee / the bummer roadgreen blues” compact disc

  • east mountain joint (5:31)
  • drive is that i love you (6:56)
  • canned happiness (6:09)
  • mine all troubled blues (6:41)
  • big deal (7:49)
  • grassthighs (11:39)
  • solar hill (18:05)
ecstatic peace! press release...
mv/ee with the bummer road
green blues cd
cat: e#109

"green blues may be the ultimate and most genuine artifact of what the media has proffered as "freak folk" as it not only makes manifest all that is desirous of said scene but in true nature, goes well beyond any known parameters as such. an already classic and legendary move." -thurston moore

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back in stock as of
november 8th, 2011

first in stock on
may 27th, 2008


threads:
modern-psych
concert-recordings

ecstatic peace! (usa) #e# 106 cd

islajablaze mountain recordings” compact disc

  • kämmen, kynsi, kieli (3:58)
  • sateen tullessa (4:18)
  • uni pöllönä olemisesta (3:50)
  • emoa ikävä (4:08)
  • palaa aurinkoon (5:12)
  • pete p (3:11)
  • silmä-ämlis (2:12)
  • kristallipallosilmät (3:44)
ecstatic peace! press release...
islaja
blaze mountain recordings cd
cat: e#106

islaja is merja kokkonen, a visual artist and musician from helsinki, finland. she’s been releasing records on finnish label fonal since 2004. the first one, meritie, introduced her lovely sense of musical wonder to the world and garnered excited praise from the more astute ears at the wire (uk) and dusted magazine (usa). the 2nd release palaa aurinkoon was equally boss and brought islaja to north america with compatriot finnish folk experimentalists lau nau and kuupuu where she mesmerized audiences with a captivating minimalism of sweet singing and small toy and hand-made instruments played by herself and companion jukka raisanen. in 2007 she released her third album ulual yyy which expanded her sound into further psychedelic paths. since then islaja has played numerous large festivals including eurosonic, sonar and the 2006 all tomorrows parties/nightmare before christmas curated by thurston moore. animal collective invited islaja to play a two week support tour with them in europe.

blaze mountain recordings is a live document, all music and words by merja and played by merja and jukka. it’s the perfect portal to enter the living world of islaja’s music/art spirit with a unity of traditional finnish forest mystery and a radical song universe.

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november 8th, 2011

first in stock on
february 8th, 2008


threads:
lo-fi
concert-recordings
electro-acoustic-improvisation
analogue-synth
minimalism-drones

 best of 2008 !!! 
ecstatic peace! (usa) #e# 105o cs

oscillatorhollywood groupies rule” c24 cassette

  • (no tracklisting)
ecstatic peace! press release...
oscillator
hollywood groupies rule cs
cat: e#1050

ben wolcott, original member and pioneer oscillator noise actionist from to live and shave in l.a. along with brian miller, l.a. noise musician/collaborationist and overseer of the deathbomb arc label have come together as oscillator. ben playing “light driven oscillator” and brianmechanically driven electronics”.

recorded at the smell in downtown hell a to a blasted audience of noise star loving mamas. incredible duo splurge of shared shard exploration. pretty in pink c24 cassette shells, full color gloss jcard featuring four of hollywood’s most notorious phase 2 groupies of the early 70s (including the awesome lori lightning who, alongside pamela des barres, was jimmy page’s direct conduit of west coast comfort.) silver ink #d edition of 100.

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first in stock on
february 15th, 2008


threads:
guitar-themed
modern-psych

 best of 2008 !!! 
ecstatic peace! (usa) #e# 105n cs

bark hazebasement psychosis” c26 cassette

  • (no tracklisting)
february 2008 release ; twin-guitar shrapnel from thurston moore & andrew “gown” mcgregor’s short-lived bark haze ... always felt this to be one of the stronger thurston-related guitar-blow-out units, due largely to mcgregor’s echoplex grappling ; this tape does a bang-up job in explaining why ...
ecstatic peace! press release...
bark haze
basement psychosis cs
cat: e#105n

andrew “gown” mcgregor and t moore’s gtr/noise/howl duo as recorded in the folk + cinema basement, northampton, ma. edited by gown, snippets of soniferous duel bleat and drive. from ripping rage to relaxed rubbing (mmmm…) - it’s yours. clear world c26 cassette shells, full color gloss dennis tyfus art, silver ink #d

edition of 200.

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november 8th, 2011

first in stock on
february 15th, 2008


threads:
electro-acoustic-improvisation
modern-psych
harsh-noise
analogue-synth

 best of 2008 !!! 
ecstatic peace! (usa) #e# 105m cs

dreamcatchera team come true” c100 cassette

  • (no tracklisting)
ecstatic peace! press release...
dreamcatcher
a team come true cs
cat: e#105m

katherine kline and blake hargreaves deliver a full session of otherworldly noise/rhythm damage/improv intuition sizzling outta montreal. as dreamcatcher these two north of the border experimentalists have a sweet history of cracked beat tabletop throwdowns w/ releases on american tapes, alien8 and notnotfun. this is a magick machine. black as night c100 cassette shells, full color gloss weirdo art jcard, silver ink #d

edition of 100.

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 $13.44

back in stock as of
november 8th, 2011

first in stock on
february 23rd, 2008


threads:
modern-psych
free-improvisation

ecstatic peace! (usa) #e# 105j lp

poor schoolthe holy master” long playing record

  • the holy master (1)
  • the holy master (2)
february 2008 release ; the ecstatic peace! debut from this trio with ties to the whole wolf eyes thing(guitarist bryan ramirez was in universal indians w/coorz - now he’s also in ex-cocaine) - an odd duck, stylistically ... your basement lo-fi guitar/drum riff/bash laced with errant saxophone squeal/squeak, recalling that steve mackay / sun city girls tour of rhodesia that never quite happened ...

two unexpurgated side-long jams that get from points a to b by simply folding the map ...
ecstatic peace! press release...
poor school
the holy master lp
cat: e#105j
500 copies

poor school started in april 2005 with bryan ramirez (gtr), john niekrasz (drms) and nathan hoyme (sax). we first caught wind of this sick noise/jazz/postpunk rock trio when john olson, he of american tapes, wolf eyes, dead machines etc brought ramirez’ other combo ex-cocaine (who have a sick new lp on siltbreeze out now) to the no fun basement a few years back and ramirez laid some poor school cdr action on us. needless to say we were buh-lown away by the manic improv hepness and immediately emailed the dude to see if we could slam some poor school magic onto black plastik. and unto ecstatic peace was delivered the holy master. ramirez and olson go waay back when the two of them jammed together in the nascent michigan underground psychedelic troupe universal indians. ramirez took off to missoula, montana to investigate micro-brews and mountain air and help put together the awesome ex-cocaine. he’s still there. niekrasz went to get high on life in india but is expected back sooner than later. upon his return we can hopefully expect poor school to shed new love and light and chaos for the future. keep yr eyes peeled.

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first in stock on
february 21st, 2007


threads:
minimalism-drones
modern-psych

 best of 2007 !!! 
ecstatic peace! (usa) #e# 105d lp

x.0.4cataracts” long playing record

  • (no tracklisting)
white-hot blackness from vampire belt’s bill nace & co ... one of the better destructuralized / non-idiomatic improv units currently working out in wema ; or anywhere at this point really ... their set here in town back in april (2008) was prob. one of my yearly highlights ... highly recommended !!!
ecstatic peace! press release...
x.0.4
cataracts lp
(ecstatic peace e#105d)
500 copies

debut vinyl release by the western massachusetts drone/scrape trio of bill nace, john truscinski and jake meginsky.

these guys have developed into one of the most soul-glowing sound/improv units out there today. and we mean out there. sparkling shards of guitar/amp/file machinations dance and intercede with rolling thundercloud dreamdrum dramatics.

nace you know from his killer duo throwdowns with chris corsano as vampire belt as well as the more recent weirdness with dylan nyoukis and karen lollypop as ceylon mange and in duo with thurston moore as northampton wools.

truscinski and meginsky are the fine gentleman who’ve recorded as slaughterhouse percussion, meginsky a student of, and fellow professor with milford graves at bennington college.

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first in stock on
february 21st, 2007


threads:
modern-psych
harsh-noise
free-jazz

 best of 2007 !!! 
ecstatic peace! (usa) #e# 105c lp

lambsbreadstereo mars” long playing record

  • (no tracklisting)
caught these guys the other night here in boston’s chinatown & let me say they certainly delivered the over-amped deconstructo-rock goods ... hyperbole aside “an act to look out for” - fans of the dead c/skullflower spec will want to investigate ...
ecstatic peace! press release...
lambsbread
stereo mars lp
cat: e#105c

the stunningly stoned lambsbread have succeeded, in relatively short time, to be the most mesmerizing wastoid action/improv trio of the new century.

direct from the nethervoid of ohio these blasting concept dub-zone visionaries (zac davis and kathy o’dell – guitars, shane mackenzie – drums) have toured relentlessly across the usa with likeminded conspirators magik markers, graveyards and leslie keffer and dropped jaws with a dripping smokeout at the 2006 atp/nightmare before christmas.

herewith is their debut 12” wax recorded and mixed one lost day in their notorious basement in full audio-reefer fidelity. 500 copies.

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first in stock on
august 10th, 2007


threads:
harsh-noise
electro-acoustic-composition
electro-acoustic-improvisation

ecstatic peace! (usa) #e# 105b lp

leslie kefferfeels like frenching” long playing record

  • flannel leaf

  • torches
  • velvet dock
ecstatic peace! press release...
leslie keffer
feels like frenching lp
cat: e#105b

when leslie keffer lived in athens, ohio she was asked about the noise scene there. “you’re looking at it”, she responded. indeed. leslie is one of the more fascinating proponents of homegrown middle america noise music. a single girl drawn to the more ravaged and magical aspects of noise as source music, art and lifestyle. she has since moved to nashville where she has been developing and progressing her personal take on what is basically a highly marginal genre of music.

her inputs are radio transmission wave-noise, the living aura of lindsay lohan, punk, pop, madonna, her amazing girlfriends and defiltering the terror of male-centric power electronic depravity and goon-ism. her last two no fun festival performances, in duo with thurston moore in 2006, and the noise into dance beat into ‘where’s the party’ slumber party freak out where all the noise girls fem-exorcised an already somewhat de-clawed noise misogynist is already legendary.

leslie’s sound has been heard on various cassette labels (rampart, gameboy, i just live here, epicene, cherried-out merch) and most recently her own imprint action claw. she has issued a number of hand-made cdrs with her own touch of knitted fabric pouches. she has two tracks on the 2xcd tarantula hill benefit (ecstatic peace e#107), one with baltimore’s nautical almanac who have been championing leslie’s work for years now. we are only too happy to release this premier full-length lp of leslie’s demonstrating where she’s been and where she’s going. more releases are coming: an ecstatic peace cassette limited edition with leslie performing live one side with thurston moore in columbus, ohio and the other with kim gordon in easthampton, massachusetts. and then the 12” dance noise jammer. that’s when the party fucking hits! beware.

cover painting by adriane schramm.
comes with double-sided laser printout insert.
500 copies.

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threads:
modern-psych
electro-acoustic-composition

ecstatic peace! (usa) #e# 105 lp

16 bitch pile-up / mike shifletmake like a fetus and abort / extract, behold” long playing record

  • 16 bitch pile-up - make like a fetus and abort

  • mike shiflet - extract, behold
ecstatic peace! press release...
16 bitch pile-up / mike shiflet
make like a fetus and abort / extract, behold
cat: e#105

ohio has been rampant on the ecstatic peace play lists lately with the release of a long player earlier this year by leslie keffer and a forthcoming split lp by emeralds and tusco terror. like keffer, who’s moved to nashville (to be closer to be your own pet), 16 bitch pile-up and mike shiflet are both ex-pats of ohio. 16 bitch to california and shiflet to some weird small town in japan.

mike shiflet we’ve known for years as he has produced some of the more interesting tapes and whatnot of midwestern out-ness from his gameboy label and from his legendary duo tour with burning star core / c. spencer yeh of a few years back. like the amazing beard he has sported since childhood his music is a free-fall of acoustic wonder.

he is also the cat responsible for turning on most of the world to the radical charms of three girls from ohio wickedly named 16 bitch pile-up. with a name like that you may have expected something just kinda funny but what made itself imminently obvious was that 16 bitch was really and extremely into producing a wholly personal thrombosis of noise improvisation. crystallized to the trio of sarah bernat, sarah cathers and shannon walter this trio has become one of the most consistently exciting live experiences of the last five years. these recordings by both artists were done when both were still residents of ohio and reflect that time and space right before each other’s exodus. they are raw and righteous and ready for you to take a bite.

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first in stock on
january 16th, 2009


threads:
modern-psych
minimalism-drones
analogue-synth

 best of 2009 !!! 
ecstatic peace! (uk) #e# 100i cd

religious knivesthe door” compact disc

  • downstairs
  • basement watch
  • on a drive
  • the storm
  • major score
  • decisions are made
november 2008 release ; first album for thurston moore & co’s ecstatic peace! from this roadhouse-psych quartet, borne of the ashes of double leopards ...

full, proper-studio album (produced by thurston, no less) ; the band is notably more focused & fuller-sounding here than on the myriad singles & tapes released over the past few years (& reissued via carlos giffoni’s no fun productions as “remains” & “resin”) despite the material overall being much more minimal, arrangement-wise (for example, listen to the sound-sample for the long, wistful drum / organ intro to “the storm”) ...

maya seems to have accepted the role of “lead singer” for this session (aside from a few mike / maya call & response numbers) and largely missing is mike’s bed of modular synth drones ... but the songs themselves are much stronger, their monolithic progressions are getting more & more transfixing, recalling late-night open-road journeys set out on snail-back ...

a few years into their timeline, these guys are still one of my favorite bands going (and i don’t even like the doors ; so there) ...
ecstatic peace! press release...

religious knives
the door cd
cat: e#100i

all songs written by religious knives,
all lyrics by michael bernstein.
produced by thurston moore and religious knives.
recorded at bank row recording, greenfield, ma by justin pizzoferrato.
mixed at bisquiteen, amherst, ma by justin pizzoferrato

maya miller and michael bernstein met in new york a decade ago, and began making music together as half of sturm und drone quartet double leopards a few years after that. religious knives came later still, away from the road and the rehearsal space, borne and nurtured in cramped apartments throughout kings county. beginning in 2005, the pair released a string of cd-rs and cassettes, both on their own heavy tapes imprint and through the labels of kindred spirits. steadily moving away from the psychedelic tone baths and modern industrial scrape for which the leopards had become known, religious knives coursed through minimal synth oscillations and spare kraut repetition.

mouthus' nate nelson joined the pair in 2006, lending a powerful presence behind the drums that shaped religious knives' rudimentary jams into rough-hewn, long-form paeans to tar-blackened bummer psych. soon after that, old friend todd cavallo completed the quartet on bass, adding a sturdy low end and dubwise groove that lifted religious knives from cellar murk to black cloud puffs of bone deep alarm.

an active four-piece for a little more than a year now, religious knives have presided over a pair of twelve-inches, a couple of collections of out of print singles and long gone burns, and one full-length. all throughout, these four have traced a path away from the clamour they once knew, bathing slight guitars, interlocking vocals, and solemn basslines in reedy organs and recalcitrant modular synths. the seemingly tin eared would call it noise, but in these eight hands such a set plays as anything but, instead a (cough) syrupy stroll in search of the ghosts of rock's classicist past.

with the door, religious knives have not only found those bygone days, but broken them apart. there are bookmarks to be found here, pages creased in well-worn chapters. but make no mistake - theirs is a sound tied to the here and now, a summer record for those dread days when the heat holds low and skin sticks to cheap car seats and old patio furniture. these six songs are brighter, sharper than anything that has come before, locking in tight on jugular rhythms. it's the score for disappearing neighborhoods and crumbling buildings, a hope of holding onto the past as those around us move fast to forget it. it is scent as sound, the stench of smog and sickly smoke spiraling towards the sky. it is brooklyn, july of 2008. the sun has left us in the east, disappearing somewhere behind jersey, leaving our borough to find the pulse of another night deep with the city's streets.

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threads:
modern-psych
folk
guitar-themed

ecstatic peace! (uk) #e# 100h cd

hush arborshush arbors” compact disc

  • water (1:45)
  • follow closely (3:41)
  • rue hollow (3:12)
  • gone (4:10)
  • bless you (5:33)
  • sand (4:09)
  • the light (4:50)
  • water ii (4:19)
november 2008 release ; ecstatic peace! debut from part-time sunburned member keith wood’s solo hush arbors project ... part psych-rock guitar hero, part neil young-worship (even his voice, oftentimes, greatly resembles that of myrmekiaphila neilyoungi himself) singer-songwriter routine ...
ecstatic peace! press release...

hush arbors
hush arbors
cat: e#100h

all songs by keith wood
all instruments by keith wood & leon dufficy
guitar solo(s) on "follow closely" - ben chasny
track 3 & 6 recorded by greg hughes
all other tracks recorded by keith & leon
keith wood, along with constant foil leon dufficy, is hush arbors, and while his self-titled ecstatic peace! debut is not his first album by any means - he's been at this almost ten years - it does provide the perfect introductory point to hush arbor's distinctive take on psych folk. combining the pensive songwriting of john phillips circa wolfking, the plaintive honesty of neil young, and the fishtank-gazing cacophony of six organs of admittance (wood is a frequent collaborator), wood writes classic-sounding songs that sound readymade for am radio, circa 1968.

these songs would play as comfortably over a scene from the wonder years as they would piping from a noxious chillout tent at terrastock. there are songs here that resonate with the minor key melancholy of bert jansch or perhaps even mark kozelek, while others hint at a wire subscriber's siamese dream, all propulsive rhythms and lysergic electric guitar.

some albums are 'growers' - not this one. while repeated listens reveal more and more details, as good albums should, this is also an album that commands immediate attention. try to put it on in a crowded room - just try. you'll have a 'high-fidelity-beta-band' scene on your hands within two minutes.

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threads:
modern-psych

ecstatic peace! (usa) #e# 100g cd

wooden wandjames & the quiet” compact disc

  • the pushers (2:33)
  • in a bucket (3:39)
  • spitting at the cameras (2:09)
  • delia (2:48)
  • we must also love the thieves (4:58)
  • the invisible children (3:28)
  • blood (3:33)
  • blessed damnation (3:00)
  • future dream (4:11)
  • james & the quiet (4:35)
  • wired to the sky (2:54)
ecstatic peace! press release...
wooden wand
james & the quiet cd
cat: e#100g

james jackson toth - vocals + guitar + bass
jessica toth - vocals
dm seidel - piano + organ + bass + vocals
lee ranaldo – electric guitar + piano + vocals
jarvis taveniere – electric guitar + bass
jeremy earl - drums
steve shelley - drums + percussion

produced by lee ranaldo
arranged by lee ranaldo and jessica toth
recorded at sy studios, december '06
mixed by tj doherty and lee ranaldo, january '06

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threads:
modern-psych
free-improvisation

ecstatic peace! (usa) #e# 100f cd

magik markersboss” compact disc

  • axis mundi
  • body rot
  • last of the lemach line
  • empty bottles
  • taste
  • four / the ballad of harry angstrom
  • pat garrett
  • bad dream / hartford's beat suite
  • circle
ecstatic peace! press release...
magik markers
boss
cat: e#100f

elisa ambrogio: lead guitar, vocals
pete nolan: drums, guitar, piano, electronics, vocals

lee ranaldo: guitar on 1,2,6 and glokenspiel, 4

all music and lyrics by magik markers, except lee's glokenspiel part, that was totally his!

produced by lee ranaldo
recorded and mixed by lee ranaldo and aaron mullan at echo canyon west
hoboken, nj spring 2007
mastered by sarah register at the lodge

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threads:
art-punk

ecstatic peace! (usa) #e# 099c cd

j.d. king / the coachmenamerican mercury” compact disc

  • agony (for arshile gorky) (3:28)
  • bees caught in the wrong hive (3:08)
  • blues for elizabeth bentley (4:51)
  • composition #11 (4:49)
  • from across the sea (3:27)
  • hot rod cars and electric guitars (3:56)
  • in memory of john morrison birch (4:32)
  • our lady of fatima (mary appears to the children) (4:21)
  • shivaree! shivaree! (2:53)
  • sugar shakin’ (4:30)
  • suicide of the west (for james burnham) (3:30)
  • the big wig (1:51)
  • the magic hour glasse shoppe (3:52)
  • the port of albany (2:21)
  • untitled #17 (3:35)
  • visions of jack (4:22)
  • whittington strange (2:33)
ecstatic peace! press release...
jd king & the coachmen
american mercury
e#99c cd

the coachmen are a significant factor in sonic youth’s history. in 1976 an 18 year old thurston moore was shopping for records at new haven, conecticut’s very hip, very well stocked cutler’s record store. as he bee-lined to the velvet underground section, always an oasis of disinterest from the plethora of hippie-squares milling about, he caught sight of a tall, geeky short haired artist-type fingering through the not-very-many vu lps available. “not a lotta velvets records here, huh?thurston broached, curious as to see if this fellow indeed was “hip” or just an accidental tourist as such. an amazing conversation took place where all kinds of arcane points were hit from the flamin’ groovies to punk magazine and back again. the next few months had thurston pen-palling with this cat who turned out be j.d. king, a graduating artist from the rhode island school of design, the same art school the talking heads came from.

following david byrne and company’s lead, j.d. and some other like-minded aesthetes moved to nyc to do art and create punk bands. j.d. invited thurston to move there as well and play and he did and they started the coachmen, played some art loft gigs as well as a cbgb and max’s kansas city show or two. some great t heads/television/modern lovers style songs were written. the first few were recorded and subsequently in the mid 80s released by thurston through ecstatic peace via new alliance, the minutemen’s imprint at sst.

that record, “failure to thrive”, is what j mascis tells thurston is “the best record you ever made”. ha! j.d. king, thurston and bass player bob pullen were each 6’6” tall, in fact bob was actually 6’10”! (the drummer dan walworth was “normal” sized). the coachmen rumbled/rambled through the no-wave scene of downtown nyc and broke up in late 1979. j.d. went on to become a celebrated illustrator/cartoonist and thurston went on to form sonic youth.

the coachmen as an entity was reborn through the creative whatsis of j.d. in the 90s and through thurston’s sporadic and wildly dynamic ecstatic peace imprint released the oddly bent "ten compositions: new frontiers in free rock" which came with a staple poetry journal sprung form the same question-marked mind which made the music.

some more years pass and on the ecstatic peace doorstep lands a second installment of post 70s coachmen action. and here it is, even more left-field and even more uncategorizable then it ‘s predecessor. a completely bizarre out-of-all-known-voids sound/music/junk/chance/noise/don’t-ask-us compendium of coachmen goodness. ecstatic peace is only too happy to be there with thurston’s first band, long may “they” never break up.

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threads:
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art-punk

ecstatic peace! (usa) #e# 099 lp

the coachmenten compositions: new frontiers in free rock” long playing record

  • stratus seekers of th phun key (for george russell) (6:02)
  • th ultimate’s pinch (for toni eden) (3:39)
  • travelin is the best way t think (for archie shepp) (2:01)
  • general zachary thackery marches on (and on and on) (3:34)
  • timothy (whirled) is a clover today (7:28)

  • city of brass (for bob graettinger and stan kenton) (4:02)
  • a psychedelic oswirly (modal variations on a i, iv, v progression for garage quartet) (5:21)
  • mr avid adam (3:37)
  • there were milkmen every mornin (4:09)
  • room tone (4:33)
ecstatic peace! press release...
the coachmen
ten compostions: new frontiers in free rock lp
cat: lp#99

guitarist jd king, the sole remaining original member of the coachmen (1978-80), is joined by valerie boyd (farfisa organ), dave wain (bass guitar) and simon quick (drums) for a deft and transcendental blending of cageian principles, free jazz and psychedelia. it's music that's truly liberating, a sunny avenue of escape from the muck and mire of the illness commonly referred to as 'the music industry'. the lp comes wrapped in neo-japanese sleeves w/a book of poetry by the beat/avant legend arthur childs.

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threads:
free-improvisation
analogue-synth
live-electronic
free-jazz

ecstatic peace! (usa) #e# 096b cd

white out / jim o’rourkedrunken little mass” compact disc

  • fury breath flying at half mast (16:43)
  • revenging agent (3:52)
  • least shred of (3:04)
  • maelstrom and tear (20:40)
  • longings of underdevelopment (4:50)
  • cloaking (7:53)
ecstatic peace! press release...
white out with jim o'rourkedruken little mass
cat: cd#96b

"white out is a sound terrorist collective of two, arising from the freedom-charged excitement of the nyc improv community. drunken little mass marks the summit meeting between the combustible duo of multi-instrumentalist lin culbertson (analog synthesizers, autoharp, flute, and treated voice) and tom surgal (drums, gongs and infinite percussion), and free agent/renaissance maestro jim o'rourke (powerbook and guitar).

the contents of this album are totally improvised, recorded in one take, with no overdubs or studio effects. the end result is impressive, the range of sound expansive, the interplay precise. every note put forth was the combined effort of three performers working as one."

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ecstatic peace! (usa) #e# 095b lp

kristen mccordall i want is a little more than i’ll ever get” one-sided long playing record

  • mother turpentine
  • walkabout
  • loose pants take shape
  • swain in the shadow of maurice
  • stan laurel death rictus
ecstatic peace! press release...
kristen mccord
kristen mccord lp
cat: lp#95b

kirsten mccord first passed before our eyes and ears as a guest cellist, in performance with azalia snail. soothing, strange and classically alien, her playing was a lovely addition to the evening’s music.

we next heard from her regarding a combo of some sort that she had assembled with various characters from the sound @ one universe. the catfish was involved, as was keith connolly, and even david nuss’s name was bandied about. there were rumors that we’d be hearing a tape of this material, but that has thus far proved to be false.

when this new york-based multi-instrumentalist actually sent a tape, it was of the music you now hold in yr hands. a very difficult to peg mix of vocal-less sounds, textures and gestures, with equal debts to the original philip glass ensemble, early omd, and the glass harmonica compositions of benjamin franklin. we couldn’t have been more surprised if you stuck some turkey bones up our collective ass!

anyway, when you get a tape like this, there’s really only one thing to do: put it the fuck out. so that’s what happened. and whatever else comes down the pike, here are five examples of ms. mccord standing alone in the free grass, shaking a miniature world loose from her hair, bit by bloody bit.

1)mother turpentine” the original cabaret voltaire’s take on kraut rock, taken from a little can and simmered on a summertime stove.
2)walkabout” roll over stockhausen and tell peter weir the news. rolling away from the quiet pock of bullets into fields of gentle strings.
3)loose pants take shape” echoes of karma arrayed in the wake of jacques tati, whose moves have never bee fully explicable outside of real café society.
4)swain in the shadow of maurice” coco’s nanny pedals a bicycle past all the other nannies, trailing cheeb smoke and hints of sperm toxins. what wind resistance!
5)stan laurel death rictus” after the robots have gone home and all that’s left to do is clean up their mess, the ghosts of insects float on the breeze. loving.

with the visions of a better (stricter) tomorrow, kirsten mccord herewith allows us the opportunity to advance our own causes into the softness of the future’s folds. where a rumble was, it is no longer. not that kind of rumble anyway. enjoy yrself. be patient. life is short. art is long.

-- byron coley
deerfield ma 2003

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ecstatic peace! (usa) #e# 095 ep

lovely midgetlovely midget” ten inch single record

  • (no tracklisting)
ecstatic peace! press release...
lovely midget
lovely midget
cat: 10"#95

debut 5-song ep by new zealand's rachel shearer. utilizing post-xpressway murk-burrowing techniques, this features a dense sound of vocals, guitar, organ, synthesizer & drums.

"rachel shearer’s recording & performing history begins in port chalmer/otago, new zealand, where in a huge old house the group angelhead (w/ dead c’s michael morley, stella corkery & deborah hindin) live and played. angelhead released a cassette on xpressway. moving north to auckland meant participation with girl rock band queen meanie puss (w/ stella corkery, deborah hindin & dieneke jansen), releasing singles w/ flying nun & siltbreeze. relocation in 1992 to cologne, germany where at the club 'underground', trained as a live sound technician & performed solo as fischmunt -- using tape loops, sampler & guitar, fischmunt appeared on a compilation of local acts on cologne label finlayson tontrager. south seas return in dec. 95 was the beginning of lovely midget."

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lo-fi
guitar-themed

ecstatic peace! (usa) #e# 091b lp

george mooreplastic flowers” long playing record

  • (no tracklisting)
ecstatic peace! press release...
george moore
plastic flowers lp
cat: lp#91b

george moore lives in connecticut. he was, in 2001, the 20 year old son of ecstatic peace recording artist gene moore (we released his far-out twisting wires cd in the summer of 2001 - gene moore is the older brother of thurston moore who runs ecstatic peace.)

regardless of these obvious bloodline connections george moore's musical world should, would and could easily creep into the living underground on its own mystic merits. he recorded these instrumental pieces at some point in early 2001 and issued them privately in miniscule editions. the music therein is an amalgamation of spurious signals wholly independent though readings and mis-readings of john fahey, whitehouse and jackie-o motherfucker are in probable detection. the basement aura of this session will appeal to anyone even slightly aroused by the aforementioned troika.

ltd. edition: 400 copies

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threads:
guitar-themed
harsh-noise

ecstatic peace! (usa) #e# 091 cd

gene mooretwisting wires” compact disc

  • pollocks brother
  • the sikes of burma
  • flowers
  • twisting wires
  • old friends
  • darkness
ecstatic peace! press release...
gene moore
twisting wires cd
cat: cd#91

gene moore is thurston moore's older brother. he lives in the suburban wilds of western connecticut and for the past couple of decades has been wood-shedding his basement, working in a void parallel to developments of noise-guitar classicism.

twisted wires is the culmination of hours of sifted through tapes, resulting in six tracks of howling machine saw-like sounds, banged strings, squeaks, beautiful finger picking, chord progressions, and background echoes. pleasant, creepy, and delightful.

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threads:
experimental-instruments
free-improvisation

ecstatic peace! (usa) #e# 089b cd

david watsonthroats” compact disc

  • stomion (10:54)
  • pneumothorax (2:10)
  • glossal (3:52)
  • queen jealousy (3:56)
  • seventh stomach (2:21)
  • trachea (1:43)
  • cutting (3:04)
  • pool (1:55)
  • billow (6:05)
  • acute (2:10)
  • pleural (1:41)
  • echo (2:00)
  • pythia (6:12)
  • vacuole (8:20)
bagpipe, jaw harp, and vocal improvisations/compositions by david watson (whose avant-label disc was an unheralded highlight of said catalogue...), makigami koichi, and shelley hirsch.
ecstatic peace! press release...
david watson
throats cd
cat: e#89b

from 1981 to 1986, david watson was active in the new zealand music and art scene, as a member of primitive arts group, appearing in the first nz international arts fest, and he co-founded braille records to record the local improv music scene (which released twelve albums in the 80s). david watson released three lps on braille, and did much to create an improv / noise-music scene where previously there was none. in 1987 he moved to new york and has performed in clubs, new music and concert venues throughout new york, europe, australia, nz and japan.

from 1988 to 1995, david watson played primarily guitar performances in new york with ushio torikai, ikue mori, mark ribot, zeena parkins, kato hideki, cecil taylor, william hooker, shelley hirsch, andrea parkins plus many others, at venues like cbgb’s, knitting factory, and the cooler. he was also curator for music series like roulette, experimental intermedia, st. marks church, greenwich house, bang-on-a-can, ps 1, and ps 122. he did a japan tour with john zorn and members of the boredoms, merzbow, ground zero, makigami koichi and others.

throats’ features david watson on bagpipe, shelley hirsch on vocals, and makigami koichi on vocals and jaw harp.

cd cover design by barbara bloom.

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threads:
new-zealand
modern-psych
guitar-themed
minimalism-drones
harsh-noise

ecstatic peace! (usa) #e# 089 cd

rst:r136a” compact disc

  • the start of an unfinished chain reaction
  • coils opposite
  • red sky
  • broken submarine
  • they saw tomorrow
  • tin sun

  • 10
  • speeding up the beam
  • giant molecule
  • rstore
  • event horizon
ecstatic peace! press release...
rst:
r136a cd
cat: cd#89

rst is the solo project of new zealand guitarist andrew moon (previous documentation via the corpus hermeticum le jazz non compilation & his own ultra limited lathe cut releases on his own imperial recordings label.).

"whereas all his previous musical activity had been on drums, moon determined that rst should be an avenue for his experiments with guitar. though he had little prior experience with this instrument, from the very beginnings of rst, he showed a 'brut' aptitude and ear for sound that alone makes rst worthy of investigation.

the first fruits of his recordings were the event horizon lp, released on geraldine vinyl on his own imperial recordings imprint in february 1995. an early and almost completely unrecognized classic of the new new zealand scene, eventhorizon was a crucial document and one of the most important nz recordings of that year. a stunning combination of heavy noise-drone overlay and jagged, harsh string manipulation, in the literal sense (with the guitar's strings literally poked and hit with a range of objects), it instantly announced a totally new voice, in a year in which a number of bands and individuals in this country began to stake their claims for acknowledgement.

it was followed a few months later by the the acceleration stations 10", on which rst's sonic repertoire was expanded further to encompass a strange brand of quiet banging and whacking of the chosen guitar. he continued to record at home throughout the rest of 1995 and all of 1996, and it's from these recordings (along with a selection of tracks from the rst lp and 10") that the material for r136a is drawn. these recordings highlight another side to rst. always searching for new avenues of musical expression through the limited means available to him, moon experimented with actually playing the guitar - plucking and twisting the strings, to produce a mutated and peculiar form of chord-based music - and further manipulating the amplification, resulting in a low-frequency, distantly audible hum. the results are highly intriguing, and while only tenuously linked to previous rst output, still manage to complement it and throw it into a new and unseen light.
" -- nick cain.

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threads:
modern-composition
plunder-phonic
1980s-electronic
electro-acoustic-composition
concert-recordings
digital-musics

ecstatic peace! (usa) #e# 087b lp

chris brownbranches” long playing record

  • invention #7 "branches" (25:16) 2000-01

  • alternating currents (14:52) 1983-84
ecstatic peace! press release...
chris brown
branches
cat: lp#87b

based in the san francisco bay area, chris brown (1953) combines ancient instruments and modern electronics in his compositions. a pianist educated at the western classical music, and a student of gordon mumma and david rosenboom, he performs pieces which mix home-made electronic instruments and ethnic (indonesian, indian, african, cuban) instruments, and employs the kind of improvisation typical of free-jazz.

brown was a member of room (with percussionist william winant, saxophonist larry ochs, electronic sound sculptor scott gresham-lancaster), that released room (sound aspects, 1989) and hall of mirrors (music and arts, 1992), and of the glenn spearman double trio, that released mystery project (black saint, 1993), smokehouse (black saint, 1994) and blues for falasha (tzadik, 1999)

branches (2002) contains two pieces for live electroacoustic instruments and improvisors: branches (2001) for piano, percussion, dj and computer generated grooves ; and alternating currents (1983), a triple concerto for home-made electronic percussion instruments, trombone and percussion.

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threads:
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sound-art
electro-acoustic-composition
plunder-phonic

ecstatic peace! (usa) #e# 086d cd

peggy ahwesh / barbara essradio guitar” compact disc

  • untitled (4:09)
  • untitled (4:14)
  • untitled (3:15)
  • untitled (6:59)
  • untitled (4:04)
  • untitled (4:14)
  • untitled (5:00)
  • untitled (3:22)
  • untitled (7:48)
ecstatic peace! press release...
pegy ahwesh & barbara ess
radio guitar lp
cat: cd #86d

radio guitar is nine tracks of fantastic music and noise utilizing radio sound and electric guitar as realized by artists peggy ahwesh and barbara ess respectively.

filmmaker peggy ahwesh came of age in the 1970's with feminist politics and the experimental film underground. she started working with super-8 film in her teens and went on to make feature films, including splice this (1999) and girls beware (1997). her work has recently been shown at rotterdam, osnabrook, and the new york film festival. she is a recipient of the guggenheim foundation fellowship, the nysca film production grant, jerome foundation grant and a grant from art matters, inc. she is presently teaching at bard college.

barbara ess has been performing music in nyc since the 1970s w/ such famed no-wave groups as the static and daily life as well as the glenn branca ensemble and y pants, a trio of women playing music on toy instruments. most recently she has been a member of ultra vulva. she has also worked as a publisher of just another asshole -- a series of anthologies of artists works in various formats. she concurrently works as a visual artist making and showing large scale photographs. a book of her photo work, i am not this body, has been published by aperture in fall, 2001

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threads:
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ecstatic peace! (usa) #e# 086c cd

margaret de wysoh!” compact disc

  • oh!
ecstatic peace! press release...
margaret de wys
oh!
cat: cd#86c

margaret de wys is a composer living and teaching in the hudson valley region of new york. her music has been premiered and performed in arts festivals and concert halls around the world. she has collaborated with artists joan jonas, charlie ahearn, glenn branca, maryanne amacher, rudolf grey, and kiki smith.

with branca she was a founding member of the legendary nyc no-wave group theoretical girls. her collaboration with smith, "daughter," is the first sound piece purchased by the metropolitan museum of art. the cover art is by artist/photographer/musician barbara ess (a member of late '70s no-wave girl/toy trio y pants) and liner notes by reknowned language poet george quasha.

...

i oh

i have a magnetic shadow bleeding on tape as an echo

i oh developed as a music-centered response to my personal work with “liminal states of consciousness” that arose in a non-art context generally characterized as healing. based on casual recordings of my own voice that i had made during actual sessions, my soundtrack focuses on sequences of highly stimulated vocalization (”excited,” “ecstatic,” etc.), particularly those that seem to embody a unique and intense experience of knowing, something like a direct encounter with vitality. the experienced effects: sound, vision and emotion in the rawest possible state. truth shot through me like a whistle.

margaret de wys

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threads:
sound-art
field-recordings
electro-acoustic-composition

ecstatic peace! (usa) #e# 086b cd

jess holzworth / jutta koetherthe outer sound project” compact disc

  • the outer sound project (40:00)
ecstatic peace! press release...
jess holzworth and jutta koether
the outer sound project
cat: cd#86b

40 minutes of found, encountered, and created music by nyc-based artists jess holzworth & jutta koether, drifting with handheld tape recorders through the streets of the big apple from may to november 1999. the sounds they collected were later processed and edited, becoming sensual, variable tools towards a personal and thoughtful art/action and transcending themselves into the miasma of the beauty of daily life.

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threads:
harsh-noise
lo-fi

ecstatic peace! (usa) #e# 085g lp

mutant apeerotic yorkshire” long playing record

  • introduction by jamie gillis
  • after the fire
  • countryside pleasures
  • petite’s the word
  • children of violent rome

  • sister mary joseph’s lover
  • night’s nurses
  • brigitta (d.k. version)
  • playing wound
  • closing words by jamie gillis
march 2009 release ; your basic christian family-value oriented outing from george proctor, taking in themes ranging from the korean re-unification to the construction of the roman aqueduct(s) ... features immortal words from east-anglican pastor jamie gillis, recasting the tale of job to contemporary waters ...

inspiring, in the biblical sense ...
ecstatic peace! press release...
mutant ape
erotic yorkshire lp
cat: e#85g

mutant ape is the insane noise project by yorkshire, uk resident george proctor. george runs the turgid animal label, which since 2005 has been the go-to place for harsh noise, power electronics and other demented spuzz releasing over 500 cds, cdrs, cassettes, lps, 10”s, 7”s etc.  he has been releasing mutant ape sounds wherever and whenever establishing his classic yet contemporary noise/horror vision of lust and spectacle as one of the premier scum artists of the last decade

erotic yorkshire is mutant ape at its most corrosive delivering from track to track occult ambience to skin shredding power drug electronics. all bookended by the demented and misogynist rants of jamie gillis. artwork by the fractured mind of tisbor.

disgust, depression, defilement and demotion are all here for those of you who demand only the best in carnal crud.

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threads:
free-jazz

ecstatic peace! (usa) #e# 077 cd

paul hession / alan wilkinson / simon h. fellst. johns” compact disc

  • inn (5:50)
  • quidi vidi (12:38)
  • logy bay (19:52)
  • m.u.n. (9:50)
  • signal hill (12:15)
ecstatic peace! press release...
hession/wilkinson/fell
st. johns cd
cat: cd#77

"paul hession (drums), simon fell (bass) and alan wilkinson (reeds) have been playing and recording some of britain's most challenging and intriguing improvised new music for the last 20 years on. a continuing run of releases on their own bruce's fingers label has been one of the great basement joys for free music cognoscenti. this cd is not so much the raw and angular thought-drive that these men seem to be regarded for (though those merits are certainly contained here) but a sublime and complex traveller's digest into sophisticated and radical form and flow. this is beautiful music for lovers and fighters both." -- t.moore

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ecstatic peace! (usa) #e# 070d lp

daradara” one-sided long playing record

  • moon
  • duckie
  • quavers
  • die alone
  • news
  • buzzed
ecstatic peace! press release...
dara
dara lp
cat: lp#70d

detroit/nyc guitarist, singer, songwriter, photographer, filmmaker, artist dara was a member of his name is alive for a few years. she was part of upstate ny based multi media 'performance art' group brown cuts neighbors doing films, playing drums, guitar, bass, vocals, keyboards, and guerilla street performance. she collaborated through the mail with warren defever on a project called nu grape. they have a cd available though time stereo. she had a group with ron asheton called creature79. she worked w/ artist steve cerio on a project called lettuce little featuring members of the residents. she now performs with husband nick in a duo they call laudanum.

her influences/interests range from japanese 'noise' bands/performers such as masonna and melt bananna, jazz of albert ayler, cecil taylor, sun ra, coltrane. the stooges, neil young, 80's hardcore bands, new wave, harry partch, artwork of jackson pollack. hammer horror flicks. film noir. spooky stuff. william blake, william s burroughs, bukowski, nietzche, kathy acker, nick cave, lydia lunch, slayer.

the ecstatic peace record: all of it is dara playing vintage farfisa keyboards, casio keyboards, guitar, radio. recorded in dara's kitchen in 1997 on 4 trk. all artwork/photography by dara. album was heavily influenced by love of 80's synth pop and heartbreak. like omd, depeche mode and john hughes films which she loved as an 80's teenager.

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threads:
modern-psych

ecstatic peace! (usa) #e# 058c cd

sunburnedz” compact disc

  • ? (7:22)
  • ?? (5:59)
  • ??? (4:19)
  • ???? (11:34)
  • ????? (8:24)
ecstatic peace! press release...
sunburned
z cd
cat: e#58c

z is about infinity and the double dimension we all live in yet don't fully understand. z is the sound of that feeling you get when you think you're being watched or followed by the omnipotent one. z is for believers and followers of the "ecstatic truth" that fuels this mysterious universe. z has always existed and here is is as remembered and transfered solid by the people under the sun, the sunburned..” – john moloney, sunburned

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threads:
modern-psych
art-punk

ecstatic peace! (usa) #e# 049 cd

polar goldie catspolar goldie cats” compact disc

  • my new nails
  • moist nibblets
  • song song
  • rincy's yarn
  • go ringette star
  • whale song
  • monster draggy dynamo
  • fairy sparkle bottom
  • 3 against 4
  • granjo banjma
  • squish
  • step ladder
ecstatic peace! press release...
polar goldie cats
polar goldie cats cd
cat: cd#49

los angeles instrumental group, with their debut album (following a couple of 7" appearances). produced by nels cline and tom grimley. the band have been referred to as a "shaggsian magic band," and there is a stellar 'n crudely rendered beefheartian flavor to the way they construct new sound waves out of mere guitars, bass and drums. and although they've been influenced by some grade school listening to the likes of dna, the contortions and other no-wave seminal classics, they've updated that lineage with a hypnotic power rock splurge, added other outsider interests (gamelan, scottish piping music, cosmic wavelength theory) and created a weird 'n wonderful detuned accessibility.

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ecstatic peace! (usa) #e# 043/044 ep

midget stooges / bindicrazy bitch b/w shithouse” seven inch single record

  • midget stooges - crazy bitch

  • bindi - shithouse
ecstatic peace! press release...
midget stooges and bindi
crazy bitch / shithouse 7"
cat: 7"#43/44

split single of two young all-female bands from australia, originating from collingwood's unique rock n roll highschool (a non-profit center to teach young women about music, based outside of melbourne).

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threads:
modern-psych
lo-fi
electro-acoustic-improvisation

ecstatic peace! (usa) #e# 034c lp

mouthusdivisionals” long playing record

  • the duration myth
  • rotary seeds

  • in the erase
  • telescoped histories
march 2009 release ; further lo-fi guitar / drum grank from brian sullivan & nate nelson ...
ecstatic peace! press release...
mouthus
divisionals lp
cat: e#34c

after releasing the first mouthus lp years back ecstatic peace returns to unleash another beast by this always amazing duo. brian sullivan (gtr/vox) and nate nelson (perc) connect here with a focused, thematic hayride through long tone static and fried mind amp terror. anyone following the arc and molten flow of mouthus’ last few lps and cds (on our mouth, troubleman unlimited, olde english spelling bee, music fellowship, important, three lobed, weird forest and the exemplary saw a halo on load) will be surely intrigued by divisionals as it is mouthus at their sweetest. almost. just when you’re drifting through the electric skies you find the earth reaching into your soul pulling you back to a primordial foreverness. a charming action.

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ecstatic peace! (usa) #e# 022c cd

free kitteninherit” compact disc

  • erected girl (6:45)
  • surf's up (3:39)
  • seasick (3:24)
  • free kitten on the mountain (7:51)
  • roughshod (1:28)
  • help me (1:45)
  • the poet (3:41)
  • billboard (2:37)
  • bananas (2:49)
  • monster eye (11:32)
  • sway (3:51)
may 2008 release ; first album inna decade from yoshimi, kim gordon, and julie cafritz ...
ecstatic peace! press release...
free kitten
inherit cd
cat: e#22c

julie cafritz: guitar,vocals
kim gordon: guitar,vocals
yoshimi: drums, guitar on "sway"

what difference does a decade and a year make? we all live between then and now. generally, most of us treat then as a movie we demand final cut over, a series of scenes we arrange and re-arrange according to the narrative we prefer to present to the world: i was happy. cut to: my family was whole and happy. fade to black.

the status quo presumes a number of things, too, chief among them being the power of facade. the family home looks perfect, so--perforce--the family is perfect, and that separates us from "them." take a picture. better yet, make a movie of us in our pique perfection. cut to the wife. cut to the wife and the family dog. fade to black.

a decade and one year ago, free kitten released their third album, sentimental education. on it, one heard kim gordon's vocals and guitar. one also heard pussy galore's julie cafritz's vocals and guitar. drums were played by the boredom's yoshimi; bass: mark ibold, formerly of pavement. there were guest stars, too, but for the post-punk, indie, noise uninitiated, the draw of this album,--and 1994's "unboxed," and "nice ass" after it--was less its pedigree than the music's ability to challenge or even stop the movie lies that generally play in all our heads, such as: i am happy. cut to: my family is whole and happy. fade to black.

free kitten's music suggested otherwise. free kitten liked fading to black--and, in the process, drawing a curtain over the status quo. free kitten told stories about the family dog as well, less in their lyrics than in their sound, which brought mom to mind, too, but mom wielding a knife near the neck of the family dog that refuses to run away--or shut up.

but that was then. as to now: free kitten is releasing its fourth studio album. titled "inherit," it reacquaints us with gordon, cafritz and yoshimi. on the disc, then and now are collapsed into the present. and it is our present that is most effected by songs like "erected girl," which reminds one of bossa nova rhythms run through a kosher meat grinder. and then there's "free kitten on the mountain," which amounts to a travelogue of sorts--but through a lord buckley-like subconscious mind.

in short, the thematic eclecticism evinced in free kitten's present work is a movie that doesn't lie, because truth is its standard.


hilton als, march 2008

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threads:
guitar-themed
free-improvisation
free-jazz

 best of 2009 !!! 
ecstatic peace! (usa) #e# 021e cd

paul flaherty / bill nace / thurston moore.......................” compact disc

  • sex (3:39)
  • drugs (24:23)
  • lavender (40:46)
november 2008 release ; inspired blowout jointly channeled from the south hadley electric grid by paul flaherty, bill nace, and thurston moore ...

while i’ve waxed endlessly on my appreciation of flaherty’s particular lung/breath attributes (he’s in fine form here) - i have to hand it to bill nace’s endlessly inventive prepared guitar-scrape throughout the session ; even when they hit the pre-determined noise-improv brick wall / black hole, bill always seems to gather up what oxygen is left in the room & pull another trick out of his mind-tank ...
ecstatic peace! press release...

flaherty / nace / moore
paul flaherty - bill nace - thurston moore
cat: e#21e

paul flaherty has been a direct lifeline to the radical  free-reed lineage of albert ayler, john gilmore, peter brotzmann and arthur doyle since first coming into our vision sometime in the 80s.  at some point in the 90s he began woodshedding hard with northampton, massachusetts resident spirit-drummer chris corsano. as the contemporary free-noise-space-weird underground gathered around minds were liberated to godhead heights.

also in the 90s a young and beautiful boy-man named bill nace was drawn to the region by the living art and music here and also began inter-sonic-guitar/linguistics with corsano (as vampire belt). after corsano relocated to the uk, nace began a long-running duo with flaherty.

sonic youth-ian thurston moore had been tracking flaherty’s comet whilst perusing dog-eared copies of cadence mag in the early 90s. he eventually booked the infamous flaherty-colbourne group for their first  ever nyc gig at the legendary now-defunct cooler club on way west 14th street.

in 98 moore and his family escaped to free-zone northampton and immediately fell in with corsano and flaherty as a trio. (this group recorded, with the extended lineup of saxophonist wally shoup, for  a japanese only cd produced by jim o’rourke – which ecstatic peace will re-issue to the western world soon ‘nuff).

subsequently moore and nace begat northampton wools, a basement-ritual guitar-noise duo (ecstatic peace cd forthcoming). from time to time nace, moore and flaherty would collect their energies and throw down live trio sessions which still resonate through the valley’s ear(s).

this trio cd is a session flaherty set up in the late winter of early 2008. there are 3 tracks (“sex”’ “drugs” and “lavender”), one short, two looong.  it is a primo example of this threesome’s focus and sonic storytelling, ferocious yet pensive.

cover art by noise nomads.

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threads:
modern-composition
free-improvisation

ecstatic peace! (usa) #e# 020 cd

charles k. noyesfull stop” compact disc

  • the call (1:44)
  • (from) mud into animals (9:09)
  • mystery = misery (7:44)
  • the urbanchich method (5:04)
  • john cage in heaven (8:48)
  • in memoriam kathy acker (6:05)
  • white noyes (3:44)
  • a separate reality (5:55)
  • hex code (5:03)
  • mizo no oto (6:07)
  • the system at war with itself (3:32)
  • murder/massage, u.s.a. (10:16)
ecstatic peace! press release...
charles k. noyes
full stop cd
cat: cd#20

known to many as a percussionist who has associated with henry kaiser, bill laswell, fred frith, bob ostertag, elliot sharp, bobby previte and numerous other icons from the downtown scene, nyc-based composer and multi-instrumentalist charles k. noyes has handed in a stunning slate of breathtaking new sounds (in a gorgeous full-color package) culled from the past decade's work. you probably recognize his name from memorable contributions to numerous compilation albums - state of the union (reissued by atavistic, 1996) and island of sanity: new music from new york city (no man's land, 1987).

in the artist's own words full stop 'reflects some of the areas i have been both actively and indirectly exploring for the past 10 years. i conceived each piece with both a particular acoustical concept as well as an emotional center associated with it: all are concerned with my ongoing struggle against time. as such they may be best approached as stills from a film as opposed to strict compositions.'

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ecstatic peace! (usa) #e# 018 ep

double dynamitedouble dynamite” seven inch single record

  • hero takes a fall

  • ramblin’ rose
ecstatic peace! press release...
double dynamite
double dynamite 7"
cat: 7"#18

(split release with smells like records)

great band that only played a few shows in it's weird lifetime. lead singer was phil morrison, now a famous film director (junebug), drummer was bob lawton (booking agent for sonic youth all thru 90s), skeggy (boston's most notorious bassplayer) and ira kaplan, guitar (on loan from yo la tengo and sleeping pill). overly excited and loving version of bangles tune. time for a reunion.

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threads:
guitar-themed
free-improvisation

ecstatic peace! (usa) #e# 017b cd

g.e. stinsonvapor” compact disc

  • napalm quartet - mechanical ghost (5:44)
  • splinter group - dream of water part 1 (11:51)
  • bone structure - wooden horse history (11:06)
  • stinkbug - the pump (9:12)
  • unique cheerful events - pocket (10:05)
  • g.e. stinson string ensemble - diagonal (7:37)
  • splinter group - dream of water part 2 (8:43)
ecstatic peace! press release...
g.e stinson
vapor cd
cat: cd#17b

initially released via smells like records in 2000.

g.e. stinson is a veritable legend in the history of radical guitar emanating rom l.a. "vapor" is a recorded compilation of several groups that were assembled to perform at new music monday, the improvised music series originated by nels cline and subsequently curated by stinson in los angeles from '96 thru '98.

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threads:
modern-psych
guitar-themed

ecstatic peace! (usa) #e# 015c lp

janisary musicjanisary music” long playing record

  • soul brother #1
  • mellotron
  • loops bowed
  • rubberband
  • victoria
  • strawberry
  • planetarium on ice
  • eitaskire
  • ritalin
  • gace

  • speed exp.
  • raygun
  • tintonics
  • pod search
  • drunk by the side of the highway
  • needle / boxing glove
  • monorail / brake
  • sunburn (gtr duo)
  • cave
  • futurist shuffle
ecstatic peace! press release...
janisary music
janisary music lp
cat: lp#15c

janisary music is a project which brings d methlie together with guitar maven sean maffucci to create a musical environment all their own. the project began with a task; create a score for the experimental film no exit by keith ehlich.

d methlie had been playing around the nyc experimental scene under the moniker rats live on after the implosion of the nyc pysch/experimental golden calves money band (which also spawned wooden wand & the vanishing voice).

sean maffucci had been filling his time blurring the line between rock & noise as part of nyc's am radio [now called icewater scandal].

a chance meeting brought the two together and they began working on the film's score. after a string of performances at various screenings of the film and a few performances at some nyc clubs, the two began working on a record. the resulting recordings are very much a species all their own; created from the spliced dna of many a musical genre & style. the sound is purely democratic; cellos meshing with found percussion, powerbook manipulations fed into a four track and then cut up beyond any recognition, a droning violin set against a thrashing prepared guitar.

the real accomplishment of these recordings extends well beyond their method; while created with a methodically abstract aesthetic, the pieces themselves almost exist in a ghastly image of pop music; slowly building elusive hooks out of sleepy drones to pull in the listener only to tear them down at their height leaving the listener to find only their remnants in the ether of their mind.

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february 16th, 2007


threads:
lo-fi
minimalism-drones

ecstatic peace! (usa) #e# 015b lp

kjetil d. brandsdaluntitled” long playing record

  • møkkahøl
  • (kjetil) den beste
  • maserau
  • ei melding fra hin sio
  • i'm ready for bed when you kick me in the head

  • naturens hevn
  • løgnen som drepte
  • risvegen
  • 7:28
  • intet kliss og føleri
ecstatic peace! press release...
kjetil d brandsdal
untitled
cat: lp#15b

kjetil came to our attention way early 90s after we bought some cool looking lathe cut lp at the rough trade store in neal's court, london. we learned he was from norway and was central to what would become an amazing scene of drone experimentalism from that country's nether burgs. solid and out there.

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threads:
black-metal
modern-psych
minimalism-drones
guitar-themed
lo-fi

ecstatic peace! (usa) #e# 013d lp

servile sectstratospheric passenger” long playing record

  • numb (2:46)
  • into the bloom (5:42)
  • stratospheric (3:29)
  • kingdom (5:02)

  • hypodermic like bailing wire (2:22)
  • rendering (2:31)
  • suicide from verona rupes (3:46)
  • trainwreck (2:48)
  • hudf (3:54)
march 2009 release ; awesome set of contemporary black metal (classifiable thusly only via the singer’s pained coffin-growl ; otherwise the music itself owes more to contemporary psychedelia, minimalism / drones, and the kinds of guitar-based lateral smear more commonly typified in the contemporary harsh-noise sector) ...
ecstatic peace! press release...

servile sect
stratospheric passenger lp
cat: e#13d

this is an lp issue of a limited cd servile sect issued in 2007 on the sounds of battle and souvenir collecting label. based in and around humboldt, ca servile sect are the true investigation of psychedelic dimensionality.

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 $8.41

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threads:
art-punk

ecstatic peace! (usa) #e# 008 ep

velvet monkeysdouble 2x7”” double seven inch single record set

  • we call it rock
  • she’s not a girl

  • 7 angels
  • little doll
ecstatic peace! press release...
demos from the early ‘80s presented in crude form.

one of the simpler pleasures of the noisy-post-new-wave thang, the velvet monkeys don't attach any highbrow pretensions to their love of cheesy pop clamor. whatever irony their work possesses is strictly an afterthought. in the band's earliest incarnation, leader don fleming (vocals/guitar) wrote songs with time-honored trash themes ("let's go to the drive-in tonight") and the washington dc group played them with the requisite amounts of enthusiasm and farfisa. subsequent alliances with half japanese brought out the avant-gardisms, but nothing serious enough to catch the attention of highbrow critics, and more power to the monkeys for that.

the 1989 rotting corpse compilation gathers the band's previous high points (1980-'84) into one convenient package. when the velvet monkeys broke up, fleming and drummer jay spiegel moved to new york and formed b.a.l.l.; when that group ended, they reformed the velvet monkeys, enlisting such new pals as j mascis (dinosaur jr.), thurston moore (sonic youth) and julia cafritz (ex-pussy galore) for the fake-'70s exploitation "soundtrack" rake. given fleming's new residence and acquaintances, the album is predictably more grungy and smartass than previous monkeys records, but an enjoyable kick nonetheless.

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threads:
guitar-themed
free-improvisation
minimalism-drones
modern-psych

ecstatic peace! (usa) #e# 004g cs

kim salmonwall/paper” c44 cassette

  • wall

  • paper
ecstatic peace! press release...
kim salmon
wall/paper cs
cat: e#4g

kim salmon is the guitarist singer/songwriter from the scientists, one of the all time greatest bands, not only from their homescape australia, but the entire fucking universe. he's also spent some kick ass time with beasts of bourbon and the equally sweet kim salmon & the surrealists. last time we saw this swamp core genius we asked him if he ever recorded any "experimental" guitar action. as a matter of fact yes he did and goddamnit if he didn't send us some righteous avant smoke.

"wall/paper" is a continuous piece of guitar music moving through dark drone noise threat into scabrous dr rhythm romp and settling into sweet slide improvisation. a sartorial affair from one of the bossest music minds down under.

c-44 same program both sides, blue shells w/ 5 panel cover designed by kim salmon, gold inked #d edition of 100.

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 $15.12

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threads:
art-punk

ecstatic peace! (usa) #e# 003b cd

notekillersnotekillers” compact disc

  • the zipper
  • clock wise
  • run don’t stop
  • juggernauts
  • ricochet
  • motorcycle song
  • braindance
  • spaceland chant
  • punk song
  • roll over stockhausen
  • happy endings
  • run don’t stop
  • ricochet (live)
  • juggernauts (live)
  • pilgrim tale (live)
ecstatic peace! press release...
notekillers
notekillers
cat: e#3b

i first picked up the notekiller’s 7” 'the zipper' b/w 'clock wise' in 1978 at 99 records on macdougal street. i bought it because they were the opening band for glen branca at some gig at hurrah’s (which i missed). plus the band name was pretty killer. the single blew my mind - total no wave speed psychosis with some outer region chops going on. all instrumental and wicked hot.

never got a chance to see them and sometime around 2000 i was asked to make a theoretical mixtape for mojo magazine and included this jammer in there. lo and behold david first, a member of the long lost troupe and now an accomplished practitioner amongst the downtown nyc experimental crew, emailed me somewhat stunned that anyone would remember even know about the notekillers at all, something he relegated to the past but which always held a strong note in his heart. so it was decided to compile a notekillers cd with the aforementioned 7”, an unreleased test-pressing only 7”, live tracks and demos.

an amazing cd of a band so on top of their game as far as ripping guitar and odd-school time signatures. so ahead of it’s time that notekillers have since reformed and killing it once more.

previous record label:
 ecstasy 
...and that's everything on ecstatic peace! in stock.
(why not take a look at the previous and next labels?)
next record label:
 edel 
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... this page was last updated on thursday, june 13th, 2013 @ 2:41 pm