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previous record label:
 dedali opera 
there are 7 titles on deep listening in stock.
they are listed below.
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 dekorder 
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$12.61

new to stock as of
october 20th, 2009


threads:
digital-musics
modern-composition
electro-acoustic-composition
beat-research

deep listening (usa) #dl 40 cd

stephan mooreto build a field” compact disc

  • transmission
  • bell, wind, fuse
  • wick
  • comae
  • escalation
  • dream tango (an exit)
june 2009 release ; nifty solo disc from evidence’s stephan moore ...
deep listening press release...
stephan moore
to build a field

stephan moore has spent the last five years touring with the merce cunningham dance company as a core member of their live band, alongside such notables as christian wolff, takehisa kosugi, david behrman, john king, and william winant. at the same time, he has been collaborating with a number of younger choreographers to create sound scores for their performance works. to build a field collects the best of these pieces, drawn from six of his commissions by four very different choreographers. the cd's title refers to moore's view of his role in these collaborations: designing and executing sonic structures that define the emotional and rhythmic topography of time. each track negotiates a balance between acoustic sound sources and electronics, live performance and studio composition, and human vs. algorithmic control of sound materials. time is continually bent into new shapes, challenging the listener, and his collaborators, to think beyond the easy comforts of a regular tempo, and confront rhythm as texture instead of a reliable grid.

brooklyn-based sound artist stephan moore's recent musical work centers around the collection and use of real-world sound, the creation and perception of sonic environments, and technological manifestations of improvisation and interactivity. he develops his own performance software and builds point-source loudspeakers for use in his performances and sound installation work. his current ongoing collaborations include the xenolinguistics performance project with visionary video artist diana reed slattery, projects with choreographers yanira castro and kimberly young and performance artist kyle decamp, sound design for the nerve tank theater collective, and the performing/recording duo evidence with sound artist scott smallwood. he curates a concert series at the merce cunningham dance studio called experiments in the studio, and co-curates an annual month-long floating points festival of performances and sound installations at the issue project room in brooklyn, pairing the permanent sixteen-channel installation of his hemisphere speakers there with diverse artists.

moore has been commissioned to create sound installations and performances for a number of dance companies and site-specific venues. he has been awarded residencies by hunter college, the experimental television center and wave farm for his work in music and new technology. his performance and exhibition credits include tonic (nyc), axiom gallery (boston), zeitgeist gallery (boston), deep listening space (kingston, ny), ffmup (princeton, nj), massachusetts college of art (boston), yale university, princeton university, the tank (nyc), roulette (nyc), the music and alternative and x-disciplinary approaches in sound festival (sheffield, uk), sound practice (dartington, uk), music without walls? (leister, uk), disjecta (portland, oregon), warehouse 23 (boston), issue project room (brooklyn), the chocolate factory (queens), acm/siggraph, international conference on musical perception and cognition, international computer music conference, society for electro-acoustic music in the united states, the acoustical society of america's semiannual meetings, american theater in higher education's annual conference, international society for electronic arts, world forum for acoustic ecology, and the burning man festival, among many others.

as an improviser and musician, he has appeared on stage with john paul jones, pauline oliveros, alex waterman, keith rowe, michael haleta, mv carbon, andrea parkins, zach layton, troy pohl, curtis bahn, david linton, mikel rouse, maria chavez, newton armstrong, seth cluett, ikue mori, kenta nagai, larry polansky, jesse stiles and joan la barbara, among others.

cd

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back in stock as of
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first in stock on
february 11th, 2009


threads:
electro-acoustic-improvisation
minimalism-drones
plunder-phonic

deep listening (usa) #dl 39 cd

carrier bandvoice coil” compact disc

  • voice coil (40:21)
  • frozen speaker (23:31)
  • video voice (8:04)
deep listening press release...
pauline oliveros (accordion with expanded instrument system)
peer bode (live text with bode vocoder)
andrew deutsch (live mixing, archival recordings, samples, loops and electronics)

voice coil was performed by the carrier band in the fall of 2003 at the deep listening space in kingston, new york. pauline oliveros performed on accordion and computer-based expanded instrument system, peer bode performed live text with his bode vocoder, and andrew deutsch performed live mixing, archival recordings from the bode archive, samples, loops and electronics.

voice coil is an example of an improvisation emphasizing the integration of analog systems and new digital tools between performers both living and deceased. in 2007, andrew deutsch added about 35 minutes of short overdubs to the recordings and has brought the recording closer to what the audience heard at the deep listening space. furthermore, the overdubs provide added depth to the work for repeated listening. 'frozen speaker' is an electronic composition by andrew deutsch and features sections from oliveros' music for expo 70. 'video voice' uses sounds from pauline oliveros' electronic works 'v of iv' and 'mewsak,' as well as elements of stephen vitiello's 'light meter' recordings. the carrier band was formed in 1998 when pauline oliveros, peer bode, and andrew deutsch performed 3 improvisations at alfred university that were later released as the carrier cd on the deep listening label.

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threads:
experimental-instruments
minimalism-drones
sound-art

deep listening (usa) #dl 38 cd

monique buzzarté / ellen fullmanfluctuations” compact disc

  • fluctuation 1 (5:19)
  • fluctuation 2 (10:44)
  • fluctuation 3 (7:45)
  • fluctuation 4 (15:44)
  • fluctuation 5 (6:35)
  • fluctuation 6 (14:10)
deep listening press release...
monique buzzarte & ellen fullman
fluctuations

monique buzzarté and ellen fullman began working together in june 2005. these collaborative compositions are rooted in tonalities that unfold with unexpected possibilities. buzzarté's trombone navigates and merges through an infinite array of distinct overtones from fullman's long string instrument. with slight timbral variations and pitch juxtapositions, sympathetic resonances articulate overtone colorations and threads of resultant melodic fragments emerge and intertwine.

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threads:
field-recordings
free-improvisation
site-specific

deep listening (usa) #dl 34 cd

jonas braaschglobal reflections” compact disc

  • berlin
  • room for room
  • rome
  • a night in battambang
  • hong kong
  • lost precision
  • tokyo
  • time to move on
  • montréal
  • circular pulsation
  • chicago
  • blues me
  • belgrave, australia
  • nachklang im theater
... a dovetailing of field recordings, solo saxophone improvs, and points between from german composer jonas braasch ...
deep listening press release...
jonas braasch
global reflections

the core of the project "global reflections" is a collection of binaural soundscapes which were recorded between the years of 1998 and 2006. they are presented on the odd tracks of this cd. what has fascinated me most about these pieces is nature's ability to align independent events to form interesting patterns. for this, i took the standpoint of the observer; my credits are merely due to choosing the time and place of the recording. consequently, the effect is often similar to aleatoric works of music. i hope you will share my enthusiasm about the variety of auditory icons in each soundscape, which makes a city identifiable. all even tracks contain pieces of my own work. the solo improvisations in tracks 2, 6, 10, and 14 can be seen as an abstract transformation of my perceived environment. only the beginning theme in track 2 was fixed before the recording. in track 10, you might be able to notice my affection for repetitive and machinery like sounds.

tracks 4, 8, and 12 consist of ensemble recordings with soprano saxophone, moog bass, and soundscape fragments. one goal was to preserve the original character of each instrument or environmental sound opposed to making their origin unidentifiable through extensive electronic processing. indeed in some cases, the lengthy soundscapes shape the character of the piece, and again i am surprised how often their aleatoric elements tend to fit perfectly into the music. "a night in battambang" was written in 1995 while visiting my parents in cambodia. the piece was performed using the classic rock trio formation of lead instrument, bass and drums when i arranged the song for this cd. "time to move on" is based on a turkish 9/8 rhythm, the karsilama. originally, the piece had a theme but in the end, i liked the track better without it. i decided to counterpoint the long, circular-breathed saxophone phrases with abrupt changes for the remaining instruments. the ballad, "blues me," started as an experiment while wondering why tenor saxophone ballads are usually slower than alto and soprano saxophone ballads. at 50 beats per minute, this ballad is at the lower end of most tenor ballads. long soundscape passages were chosen to reflect the lethargy.

jonas braasch is a soprano saxophonist, improviser/composer, acoustician and a dedicated collector of binaural soundscapes. he grew up in the ruhr area, germany's cultural melting pot, and pusan, south korea. his saxophone style expands the traditional repertoire [in both classical music and jazz idioms] by incorporating various non-western elements, as well as original extended techniques.

another aspect of his work is the integration of soundscapes and other concrete elements, a clear reflection of his personal relationship with the environment. this sensibility has inspired him to create complex synthetic sound fields which he then integrates into his compositions. to improve the control over the spatial parameters of these sound fields, he developed a virtual environment to simulate sound recording techniques based on virtual microphone control (vimic).

this recording has been optimized for sound reproduction with headphones.

cd

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threads:
electro-acoustic-improvisation
concert-recordings

deep listening (usa) #dl 21 cd

timeless pulselive at cnmat 2002” compact disc

  • live at cnmat 2002 (1) (28:52)
  • live at cnmat 2002 (2) (10:24)
  • live at cnmat 2002 (3) (13:18)
deep listening press release...
formed in 1993 in a residency at the pauline oliveros foundation, the musicians of timeless pulse make music together through listening and responding in the moment. artists include thomas buckner (baritone). george marsh (percussion), pauline oliveros (accordion) david wessel (computer realized sound), and jennifer wilsey (percussion). this cd is an unedited recording of a concert at cnmat on sunday, march 10, 2002.

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threads:
modern-composition

deep listening (usa) #dl 19 cd

deep listening band / joe mcpheeunquenchable fire” compact disc

  • intro (4:54)
  • 1st movement (26:14)
  • 2nd movement (9:49)
  • 3rd movement (11:28)
  • 4th movement (15:10)
deep listening press release...
joe mcphee's unquenchable fire, a work inspired by rachel pollack's award-winning novel of the same title, was commissioned by the pauline oliveros foundation for the deep listening band and premiered at lincoln center out-of-doors. the deep listening band explores the sensual combination of musical sound combined with natural sound, as well as the sounds of daily life and one's own thoughts.

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back in stock as of
october 20th, 2009

first in stock on
april 2nd, 2008


threads:
analogue-synth
experimental-instruments
electro-acoustic-improvisation
minimalism-drones

deep listening (usa) #dl 16 cd
institute for electronic arts (usa) #iea 03 cd

carrier bandautomatic inscription of speech melody” compact disc

  • automatic inscription of speech melody (17:10)
  • chaos and difference (13:31)
  • earth orbit (18:01)
  • flux ling (sound check) (17:42)
deep listening press release...
the carrier band was formed in 1998 when pauline oliveros, peer bode and andrew deutsch performed 3 improvisations at alfred university and later released the carrier cd on dl.

the title piece 'automatic inscription of speech melody' is a trio improvisation by carrier band based on quotes written in the technical notebooks (1934-1949) of pioneering electronic instrument developer harald bode. the piece weaves words and phrases excerpted from the notebooks spoken and vocoded by peer bode through the bode vocoder. the vocoder transfers speech onto pitched sounds and the voice releases the carrier sounds. these texts, along with pauline's electronic sounds created on her difference box were mixed with loops and excerpts of harald bode's demo tapes and synthesized sounds constructed by deutsch. the lfo drone heard at the beginning was pauline's entrance into the piece.

'earth orbit' is a quartet improvisation which dick described as being 'the most fun he's ever had performing' loops and text from harald bode's notebooks were once again used along with data sets generated by deutsch.

previous record label:
 dedali opera 
...and that's everything on deep listening in stock.
(why not take a look at the previous and next labels?)
next record label:
 dekorder 
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... this page was last updated on saturday, february 11th, 2012 @ 5:09 pm