| $20.08
new to stock as of
june 4th, 2008
threads:
concert-recordings
minimalism-drones
modern-composition
digital-musics
electro-acoustic-improvisation
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| | autofact (usa) #fact 012 lp
touch (uk) #tone 28 lp“spire live • fundamentalis” double long playing record set - philip jeck - live in st. michel & st. gudula cathedral, brussels (as part of les nuits botaniques) (16:36)
- charles matthews - live in st. michel & st. gudula cathedral, brussels (as part of les nuits botaniques) - plays giacinto scelsi: in nomine lucis (11:29)
- marcus davidson - live in masthuggs church, göteborg (as part of the gas festival) - standing wave (9:11)
- bjnilsen - live in masthuggs church, göteborg (as part of the gas festival) (19:36)
- fennesz - live in st. michel & st. gudula cathedral, brussels (as part of les nuits botaniques) (16:36)
| | click the play button to hear an excerpt of "live in st. michel & st. gudula cathedral ..." |
| | double-lp version of material(s) found on the “spire” discs on touch ; specifically the fennesz, bjnilsen, philip jeck, charles matthews (playing scelsi), and marcus davidson numbers ... extremely well-done domestic gatefold edition, laden with copious jon wozencroft imagery ... |
| | autofact press release... |
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spire live - fundamentalis | autofact 12/touch tone 28
double lp vinyl only
art direction & design by jon wozencroft
spire live - fundamentalis is a collection of live tracks recorded at various spire events held throughout 2005 and 2006. released in association with us label, autofact, touch presents a selection of tracks performed by the main performers of spire: fennesz | philip jeck | bjnilsen | charles matthews | marcus davidson. improvised pieces from fennesz, bjnilsen and philip jeck contrast with a performance by charles matthews of a scored composition by italian composer giacinto scelsi, 'in nomine lucis', and marcus davidson's self-penned 'standing wave', which ends side two with a locked groove. cut to preserve and enhance the bottom end frequencies, fundamentalis is not merely a document; the tension between and within the individual pieces is palpable. fennesz's set "...evokes the rolling centuries in all their pain and beauty, leaving us at once becalmed and energised, but never oppressed under the weight of time." electronics breathe new life not only into the organ, but also into the setting. but successor does not mean replacement. ultimately, it's the majestic sound of the organ, so steeped in centuries of tradition, that one remembers above all else.
spire is one of the most innovative projects around, drawing on the full canon of organ works, from the very first annotation in the robertsbridge codex from the 14th century, to max msp patches and software sampling... with two cd releases and 9 performances in cathedrals and churches throughout europe, spire remains a potent live force in harnessing the sounds of the ages. |
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