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previous record label:
 audika 
there are 6 titles on audio dregs in stock.
they are listed below.
next record label:
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$5.97

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june 26th, 2008


threads:
modern-psych
minimalism-drones
electro-acoustic-composition
digital-musics
analogue-synth

audio dregs (usa) #adr 069 cd

ambient not ambient” compact disc

  • e*vax - awl (2:14)
  • white rainbow - see and the field feels (3:09)
  • mudboy - study for a sleep album - 2nd movement (5:27)
  • dania shapes - weird boombox (3:03)
  • bird show - less of everything (5:04)
  • yellow swans - to valleys of beautiful arson (3:08)
  • wzt hearts - discuss winter (6:06)
  • sawako - nst (1:46)
  • grouper - quiet eyes (6:27)
  • nudge - dayrise (2:34)
  • am/pm - even as we here (6:25)
  • smoke & mirrors - ocean (5:55)
  • e*rock - exexpat (3:48)
  • freeform - ante meridian (3:38)
  • chris herbert - whips & jingles (5:46)
  • lucky dragons - sayles street ok ok (3:22)
  • valet - tuesday partly sunny (7:48)
click the play button to hear an excerpt of "grouper - quiet eyes"
april 2008 release ; the perfect compilation really, bringing together a slew of artists whom i’ve had the sneaking suspicion were all related in one way or another ...

nice to see dan “astronaut / oneohtrix point never” lopatin on a proper, replicated disc (under his earlier dania shapes guise) - not to mention pieces by long-time/recent mms perennials such as white rainbow, wzt hearts, bird show, yellow swans, grouper, etc ...

entry-level price point means ; if you’re at all curious about any of these acts (or if you’re already a fan) it’s kind of a no-brainer ... highly recommended !!!
audio dregs press release...
v/a - ambient not not ambient cd (audio dregs recordings: adr069)

this collection was curated by paul dickow together with e*rock as a long term project showcasing some outsider ambient works and blissed-out pop from their hometown in portland as well as friends across the seas. emphasis was made to bring together artists from a variety of scenes and different underground bubbles of music producers that remain close to our hearts. though many of the artists may have never previously bumped shoulders it was important for us in keeping a common thread in the musicality and a conscious flow to the collection.

ambient not not ambient should act strongly on its own merit as a complete thematically unified album of exclusive tracks, not an ad-hoc collection of unrelated tracks. this is part of the reason it took us so long to organize from conception to completion and to paint a larger picture with the variety involved. we are now stoked though and proud to offer this maxed-out 75+ minute compilation of exclusive tracks at special "ep" price. what you'll find is the mellow side of sonic terrorists like yellow swans (load records) next to old school electronic mainstays like freeform (skam/warp) or am/pm (dreck) and full blown psychedelic wizards like white rainbow (kranky/marriage) and birdshow (kranky). tracks by lucky dragons unique "sound art" style next to pop craftsman e*vax (of ratatat fame) float together with sparse compositions by sawako (12k). there will be some fresh faces on the table for almost any listener (even the hard-core music nerds), for instance smoke & mirrors is the debut appearance by a new duo featuring strategy’s paul dickow. some of our favorite experimentalists and growling amorphous freedom rock and anti-rock have been cross-pollinated with some of best musical friends and ever expanding audio family.

liner notes:

e*vax "awl" (brooklyn, usa) at the point where the windpipe divides is situated the bird's sound producing organ, a "voice box" called the syrinx. humans have no syrinx but a larynx instead. the avian syrinx is called a lower larynx, being differently situated at the other end of the windpipe. e*vax is half of the band ratatat (xl records) and one of audio dregs recordings founding dudes.

white rainbow "see and the field feels" (portland, usa) white rainbow is adam forkner, a man who lives a life of relative happiness and contentment. he made this music mostly on his computer, with a lot of flanger on the main mix, i think.

mudboy "study for a sleep album (2nd movement)" (providence, usa) experimental excerpt from the doctor or organismal musicology. this piece is from a 40 minute long form composition yet to be released. excerpt by mudboy with erik carlson. produced and mixed by r lyon.

dania shapes "weird boombox" (cambridge, usa) dania shapes is daniel lopatin, who has been dispatching homemade ambient pastiche and noise projects since '04 when he began experimenting with a combination of analog synths, sequencers and and cut-n-paste digital assemblage techniques.

bird show "less of everything" (chicago, usa) bird show is ben vida. "less of everything" was recorded at home soon after finishing the first bird show cd entitled green inferno

yellow swans "to valleys of beautiful arson" (portland, usa) dys is pete swanson and gabriel mindel. this song representing the quieter side in their churning ocean of psychedelic sound and action freedom noise.

wzt hearts "discuss winter" (baltimore, usa) wzt hearts is shaun flynn, jason urick, jeff donaldson, and michael haleta. recorded at lord baltimore studios by rob girardi and mixed at floristree by jason urick.

sawako "nst" (nyc/nagoya) sawako is a sound sculptor, a timeline-based artist and a signal alchemist in the urban life environment who understands the value of dynamics and the power of silence.

grouper "quiet eyes" (portland, usa) grouper is liz harris, from portland and the bay area. she is made of flesh and electrical impulses. she has bones, and muscle tissue surrounding the bones. she also has a variety of internal organs.

nudge "dayrise" (los angeles /chicago/portland, usa) this short piece was quietly pulled from the air with help from brian foote, marc hellner, and rolan vega in a room above some irritable neighbors in chicago during the summer of 2007.

am/pm "even as we here" (london/uk) am/pm is radovan scasascia's second project on dreck records (also known as secondo), whereby he combines popular music and conceptual composing. earlier releases (drk-05/-07/-08) focused on the original concept of composing music entirely from the endings of existing/found music.

smoke & mirrors "ocean" (portland, cascadia) smoke & mirrors are the duo of rhenne molly miles (voice, electronics, guitar) and paul dickow (organ, synthesizer, electronics). they live in southeast portland.

e*rock "exexpat" (portland, or) this track is about returning older methods without repeating myself. this compilation for me is about creating new relationships with people and music while also strengthening some ties that were already there, but in a new way. sometimes you need a reminder that the end product is actually the journey, and that life is an experiment without a concrete prize at the end.

freeform "ante meridian" (brighton, uk) simon pyke's music project, freeform, begun in 1995 out of boredom in british suburbs, growing quickly and releasing a number of albums and toured the world and has has since evolved to house the complete spectrum of sound design and music as freefarm.

chris herbert "whips and jingles" (birmingham, uk) shards. future rock dipped in liquid nitrogen and struck with a toffee hammer. a conscious effort to escape the murk.

lucky dragons "sayles street ok ok" (la, usa) on the hottest day of the year we sat in the backyard of tom's mother's house in pawtucket with the beehives and the mint plants and played slow music. then i went to bamako and made this out of the recordings -- iterative repetitions and bad mpeg compression effects -- in a tiny room with lizards living behind the air conditioner. lucky dragons for this song is luke fischbeck, tom van buskirk, george langford, annelise grimm, and joe grimm.

valet "tuesday partly sunny" (portland, usa) honey owens has been giving us spontaneous, otherworldly, psychedelic sounds (in a variety of bands) for as long as most of us have been in portland. solo she records as valet.

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$13.47

new to stock as of
june 26th, 2008


threads:
minimalism-drones
beat-research
electro-acoustic-composition
digital-musics

audio dregs (usa) #adr 068 cd

strategymusic for lamping” compact disc

  • i can't stand the rain (14:12)
  • cathedral spark (7:33)
  • bike click (9:13)
  • all day... (5:45)
  • world service (5:42)
  • lower macleay (14:37)
click the play button to hear an excerpt of "world service"
april 2008 release ; a lovely set of pieces from paul “strategy” dickow leaning more towards the horizontal applications (read: textural / ambient / drone / whathaveyou) than his more known dancefloor antics ...
audio dregs press release...
strategy - music for lamping cd (audio dregs recordings: adr068: 708527506820)

strategy's paul dickow has been a longtime cornerstone player in portland, oregon's electronic and experimental music community. he was once a drummer in the punk group emergency, a keyboard player in jazz/post-rock's fontanelle, played drums and electronics in nudge, djs eclectic disco and techno sets, and also remixes and produces dancefloor bangers as well as ambient, abstract pop expressions under his solo moniker strategy. he has built up a name releasing acclaimed albums for kranky and 12"s for labels such as orac (seattle) and dreck (london) and also by founding the premier cascadian freedom music record label known as community library

for years paul and audio dregs have been comrades and collaborators and now we are proud to bring you his latest offering that collects strategy's rain-soaked chillout recordings and slow motion filtered dubscapes. these are the tracks rescued from the mornings after the dance parties and longer compositions collected from his studio in moss covered corners of green cascadian forest caverns.

"music for lamping contains six years' worth of music that can roughly be called ambient - perhaps "meditative" is a better word. all of this music combines my interest in blurring/expanding/clouding processes--such as granular synthesis, vocoding, and bucket-brigade delay -- with happenstance sound sources, such as field recordings or a favorite record sitting around the studio. the earliest music dates to a 2002 cd that was never released, entitled strategy at beacon rock, which was intended as a 'gentle' or 'atmospheric' treatment of plundered audio. the material from 2004 onwards dates to a period of soundwalks in my neighborhood of northwest portland (a perfect strolling zone). taken altogether, these pieces form a traceable thread through my work where i use my usual raw materials to reach a more liquid, spontaneous end result." -paul dickow

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$9.88

back in stock as of
june 26th, 2008

first in stock on
january 4th, 2005


threads:
bedroom
beat-research

audio dregs (usa) #adr 057 lp

global goonfamily glue” long playing record

  • electrostatic bonj de lonj
  • who goncha ya?
  • dead weird keks
  • you set my face on fire
  • glory b
  • keep yer face on
  • friendship never dies
  • my naem is “johnny hawk”
  • hawaii
  • pause
  • family glue
goon baby! vinyl version of this 2004 release of “optimistic sunshine synth jams” from johnny “not aphex twin” hawk ...
audio dregs press release...
lp limited to 500.
artwork by colin taylor.
hand screened by e*rock.
manufactured by darla.
licensed from j-hok.
© j-hok / global goon 2004

global goon’s johnny hawk is a former shepherd from liverpool who earned a recording contract after moving to london and rooming with richard d. james (aka aphex twin) for a time. hawk had worked in the capital for a multimedia company while making music on the side; after moving into a shared house with james, he released his first album goon on rephlex in 1996. rumors that goon actually was aphex twin persisted even after the release of cradle of history two years later

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$5.76

back in stock as of
june 26th, 2008

first in stock on
july 26th, 2005


threads:
bedroom
modern-psych
electro-acoustic-composition
digital-musics
minimalism-drones

audio dregs (usa) #adr 054 cd

fork ends” compact disc

  • f.s. blumm - bedvanilla further
  • lullatone - bushman's samba
  • greg davis - regional potato chips
  • nudge - your castle's vaporware
  • flim - donkey trains
  • nice nice - deep #8
  • guido möbius - goreng
  • honey & colleen - lala musica
  • kazumasa hashimoto - ending (variation)
  • e*rock - breaking things and fixing them (again)
  • baikonour - 60 to 0
  • lineland - meriwether
  • frz - teenage big ideas
  • un caddie renversé dans l'herbe - turu ru ru
  • strategy - super 80s future
  • e*vax & supersprite - 12 halfs
2005 budget compilation from audio dregs featuring a grand selection of music by roster artists and friends of the label both established and otherwise. audio dregs, as a label, is carving out a fine niche of melodic-tronic-a with one of the most interesting design personalites of any us label... most to some included tracks are exclusive. a great way to check out this label on the downlow ...
audio dregs press release...
v/a - fork ends  cd (audio dregs recordings: adr054: 708527505427)

audio dregs presents it's brand new compilation featuring exclusive songs by adr regulars as well as a host of artists from around globe. some artists may be new to many people in the states and some may already be favorites to some of us for their previous releases on labels like carpark, tomlab, kranky, tigerbeat 6, plop, and melodic. we’ve even included a couple exclusive collaborative pieces to take things a bit further into new realms.

fork ends is meant to be a follow up to last years for friends comp; specially priced for the people, and a salute to musical friendships and community. it’s not a sampler, and it’s more than a collection of songs, but a compilation in the best sense that is meant to listen like an album. filled with a variety of home listening experiments, bucolic melodicism, and acoustic-electric instrumental pop songs with the intent to take you into the microworlds of some of our favorite electronic composers of recent times.

includes music by f.s. blumm, lullatone, greg davis, nudge, flim, nice nice, guido mobius, honey & colleen, kazumasa hashimoto, e*rock, baikonour, lineland, frz, un caddie renversé dans l'herbe, strategy, e*vax & supersprite.

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$9.88

back in stock as of
june 26th, 2008

first in stock on
january 4th, 2005


threads:
bedroom
electro-acoustic-composition
digital-musics

audio dregs (usa) #adr 051 lp

frank schultge blummlichten” long playing record

  • tulpen (3:51)
  • ankern (2:55)
  • terrase (4:31)
  • blank (6:07)
  • ohne orte (4:44)
  • zehn tage (2:42)
  • esrste bohne (3:19)
  • lichten (4:18)
  • verlang (4:31)
  • zweite bohne (2:42)
vinyl version of this 2004 f.s. blumm album, a beautiful hand-screened wonder courtesy of mr. e*rock ...
audio dregs press release...
hand screened and hand numbered.
vinyl limited to 500.
© audio dregs 2004

the german word 'lichten' means not only 'lighten' but also to clear, to thin, to weigh, to lift... for this album i wanted to do less: to use less words and say more, to use less sounds and use only the voices which are really needed, the ones which have a meaning, which have soul. clarity and simplicity. compact and compressed, to be more direct and get to the point of having said everything earlier, that i wanted to say, without any distractions or decorations, without sound-design-babbling. still, i think, that my music can be at the same time 'musique d´ameublement' and 'attentive-listening'. 'lighten' (in the sense of 'to weigh' is also an answer to the title of my last album 'ankern' (to anchor'), which includes another private reference: last year i dropped an anchor in italy, i lived there for half a year,then things didn't work out and problems were faced ('lightened') and now i'm back in berlin, able to go anywhere again, in other words: i'm looking for simplicity, because clarity is simple and clarity is 'the best': all one! clarity is often sad, because it arises when you part with something. when you decide! when you part with a connection to which you committed your heart to: you quit because it became clear, that everything became knotted, became complicated. you cut off the knot and everything gets light and simple, because everything is clear, clear and beautiful, sad and beautiful. the songs are mainly written on the guitar while staying in the countryside during this long summer in italy not listening to music, not listening to noises. during my life as a musician/guitar-player i mainly used to do noise-rock i'm quiet shure that this is not audible anymore in f.s.blumm-music, but for me there is no sense of making music, if there isn't this pressure, urgency, hunger and need which i used to express by being loud, by screaming. i'm not screaming anymore but i hope that i always kept this tension, that this urgency is still audible. so, i think that quiet-careful-shy-sensitive-music must not be equal to low tension, must not be flabby.” longing to explain something you can't explain and go on trying to explain it forever” - f.s.blumm (august 2003)

frank schültge "blumm" was born in 1968 in bremen and lives in berlin now where he is working as a musician and a producer for radioplays. he has previously released albums with cologne's staubgold, tomlab, and berlin's morr music and with lichten presents his first stateside release. besides his contributions to the sack & blumm project (together with harald "sack" ziegler) he is involved in the production of radioplays with rininat rebresch ("rebresch & blumm") and with an instrumental chamber-postrock trio from berlin called kinn. though his music often finds a welcome ear with adventurous electronic listeners his songs are spun entirely with live instruments in real-time. the sound is naturalistic and free in a way that often leaves people hard pressed to find modern comparisons.

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back in stock as of
june 26th, 2008

first in stock on
january 4th, 2005


threads:
beat-research
electro-acoustic-composition

audio dregs (usa) #adr 048 lp

e*rockconscious” long playing record

  • living breathing etc
  • birds
  • them what do
  • lightest blue
  • shrink ray
  • pink ice blue lens
  • perfect one
  • people live there (now)
  • thursday morning
  • i was thinking of things to draw
  • before life & afterlife
2003 full-length from musician and illustrator / designer eric “e*rock” mast ; known both for his audio dregs label & for his involvement (along w/the yellow swans ) in the whole collective jyrk mythos ...
audio dregs press release...
vinyl limited to 300 with hand screened, hand signed covers.
mastered by todd simmons.
design and screen by e*rock.
© audio dregs 2003

e*rock is the founder of portland based audio dregs recordings, publisher of thumb zine and a widely published visual artist and illustrator. after several years in the making e*rock delivers his long awaited debut cd.

his sound is colorful and highly melodic electronic music formed from a variety of instruments and sound sources including: guitar, flute, synthesizers, live percussion, field recordings, and toy instruments. his production maintains an organic quality not unlike that of his brother e*vax. the music flows with a acoustic-electric methodology, at times very abstract, constantly deconstructing, but always with an underlying pop sensibility.

e*rock has previously released a collaborative ep with harald "sack" ziegler (staubgold, mouse on mars, tomlab) and an album with his other "group" carpet musics (audio dregs), as well having made at least half a dozen compilation appearances in the past year. in addition e*rock has produced soundtracks for dozens of projects by new york animator mumbleboy, including a piece displayed last december in grand central station.

previous record label:
 audika 
...and that's everything on audio dregs in stock.
(why not take a look at the previous and next labels?)
next record label:
 audiosphere 
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