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there are 10 titles on ash international in stock.
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back in stock as of
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first in stock on
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threads:
electro-acoustic-composition
minimalism-drones

ash international (uk) #ash m31 cd

s.e.t.i.above black” compact disc

  • revelation (17:59)
  • intuition (5:57)
  • outpost receiving (6:59)
  • vla (4:12)
  • visions through other minds (4:51)
  • ghosts of m31 (11:38)
  • three mode (5:27)
ash international press release...
above black
ash # ash m31
cd - 57:06.65
7 tracks

the second in the s.e.t.i. trilogy after knowledge and before pod.

concept: the search for extra terrestrial intelligence should be secondary to the search for those outlanders already present on our planet. the national security agency and world defence departments, particularly in america, not only know of their existence but are aiding them with the supply of monitored abduction subjects and e.s.p. - capable intuitive communicators. these grey projects are hidden behind "above top secret" black projects, where not even those orchestrating the black projects are aware of what is going on under their command. with the earth's population increasing almost exponentially, a catastrophe is being prepared for, or is being prepared for us.

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threads:
concert-recordings
analogue-synth
digital-musics

ash international (uk) #ash 8.8 cd

thomas ankersmitlive in utrecht” compact disc

  • live in utrecht (38:50)
july 2010 release ; nice to finally have a proper, full-length recording from composer thomas ankersmit, heard here in concert in 2007 on serge modular, computer, and alto sax ...

one long block of sound, quite deep & resonant, consisting of digitally processed / accumulated reeds & sparkling, analogue filigree ... excellent stuff !!!
ash international press release...

ash 8.8 - thomas ankersmit - live in utrecht

released: 2010
cd in jewel case
1 track, 39:18

photography by alexandra leykauf

recorded on november 17th 2007 at rumor, utrecht, netherlands.

thomas ankersmit: serge analogue modular synthesizer, computer, alto saxophone.
pre-recorded saxophone and reel-to-reel parts composed by valerio tricoli, with source material by ankersmit.

mastered by denis blackham at skye.

thomas ankersmit is a 30+ year old saxophonist, electronic musician and installation artist born and raised in the netherlands and now primarily based in berlin who combines abstract, intensely focused saxophone playing with hyper-kinetic analogue synth and computer improvisation. he also creates installation pieces that use sound, infrasound and "modifications to the acoustic characters of spaces" that disrupt the viewer/listener's perception of the exhibition space and their presence within it. he frequently works together with new york minimalist phill niblock and sicilian electroacoustic improviser valerio tricoli, and other collaborators, mostly for live performances, have included tony conrad, maryanne amacher, jim o'rourke, kevin drumm and borbetomagus.

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first in stock on
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threads:
modern-composition
folk

ash international (uk) #ash 7.4 ep

kabukabu / klezmer childeschthe elgaland-vargaland national anthem nos: 3 & 4” seven inch single record

  • kabukabu - the kingdoms of elgaland-vargaland national anthem #3 (5:12)

  • klezmer chidesch - the kingdoms of elgaland-vargaland national anthem #4 (6:27)
ash international press release...
kabukabu & klezmer chidesch performs
the elgaland-vargaland national anthem nos: 3 & 4
ash # 7.4
7" vinyl
numbered limited edition of 500

these recordings were regally made on 21 october 2006, haus der kulturen der welt, berlin at the opening of the elgaland-vargaland embassy for germany in the presence of the kings, michael i and leif i, consul hans ulrich obrist (who made the inauguration speech) and the krev ambassador bernd m. scherer.

this 7” is the second in a series of vinyl acoustic versions of the national anthems of elgaland-vargaland. see also the mariachi version on ash 7.2 ~ ash international, 2007.

genuflections to: dorothea von hantelmann and vera dorsch.

...

kabukabu

berlin afrobeat dynamite...

vocals and percussion: akinola famson
drums and vocals: ekow alabi-savage
bass and vocals: patrick frankowski
trumpet: daniel allen
keyboards: matti klein
tenor/baritone saxophone: michael holder
percussion and vocals: john famodimu

2005, after the dissolvement of the then only afrobeat band in berlin “rhythmtaxi”, the city witnessed the birth of a new offspring of afrobeat family christened “kabukabu (a slogan used in lagos / nigeria for buses used in transporting the masses. the bus not only transports people from one point to another, but also serves as a medium of desseminating news and messages to the people). a band formed by akinola famson, ekow brown and patrick frankowski (pillars of afro and reggae scene in berlin) alongside with other international outstanding musicians, who have dedicated their artistic life to improving on the legacy laid by fela kutigod father of afrobeat” , an explosive combination of westafrica rhythms with funk and jazz americas. irresistable groove travelling round the globe.

kabukabu stands out as the only unbeatable “afrobeatdynamite”. through its new style of playing and the introduction of diverse musical acts as well as other indigenous percussive instruments, the band had added a new dimension into the way afrobeat is being played, taking afrobeat to another level which conforms with the present musical demands of all music lovers without neglecting the original intention of “anikulapo” the initiator . the band had created a musical delicacy termed “explosive-afrobeat” through its mix of hiphop, reggae, dancehall, soul, funk with african traditional elements. this new dimension enables the band to cooperate and work with other solo artist as well as dj’s and mc’s e.g. the collaboration work with exotical musicians like jimi tenor, tm stevens, mfa kera…etc. with just one year of refining the left overs of rhythmtaxi, kabukabu’s just finished ep with “3 delicious tracks” will be release soon. so stay tuned and watch out when next the rhythm bus is passing through your area.

...

klezmer chidesch

accordion: jossif gofenberg
clarinet: igor sverdlov
drums: mark szmelkin
double bass: alexander franz

berlin klezmer: (the miracle called klezmer) brings the most cheerful and heart-moving mood in the music halls with its rapid tempo. the four musical souls bring nostalgia, melancholy, love and amusement together in a feeling of life: the klezmer. their klezmer music is particularly facet-rich, since all four musicians have professional music training and an experience of many years. the lovely band from berlin, that consists of trained musicians, who originally come from ukraine and white russia, plays the original jewish instruments and the folks music of eastern europe with a lot of soul and energy.

"we play very gladly at your weddings, birthdays and also all other occasions and guarantee for the fact that, our jewish folks music that comes from the heart will inspire you will draw you along."

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threads:
sound-art

ash international (uk) #ash 7.2 ep

mariachi azteca principalperforms the kingdoms of elgaland-vargaland national anthem #2” seven inch single record

  • a (2:01)
  • b (1:11)

  • c (1:11)
  • d (2:48)
a mariachi bandcoveringcm von hausswolff & leif elggren’s “national anthem” to the kingdoms of elgaland-vargaland.
ash international press release...
mariachi azteca principal performs
the elgaland-vargaland national anthem no: 2
ash # 7.2
7" vinyl 45 rpm
numbered limited edition of 500

these recordings were made during the inauguration of the embassy of the kingdoms of elgaland-vargaland in mexico city on august 30, 2002 in the presence of the krev ambassador magalí arriola and invited guests at colima 244, colonia roma, mexico city.

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threads:
field-recordings
musique-concrète
electro-acoustic-composition

ash international (uk) #ash 7.1 cd

geir jenssencho oyu 8201m • field recordings from tibet” compact disc

  • zhangmu – crossing a landslide area (4:25)
  • tingri – the last truck (5:23)
  • jobo rabzang (2:55)
  • chinese basecamp – near a stone shelter (4:28)
  • palung – a yak caravan is coming (4:56)
  • cho oyu basecamp – morning (8:34)
  • nangpa la – birds feeding on biscuits (5:09)
  • camp 1 – himalayan nightflight (2:38)
  • camp 1.5 – mountain upon mountain (1:35)
  • camp 2 – world music on the radio (3:25)
  • camp 3 – neighbours on oxygen (2:16)
  • summit (2:31)
magnificent set of electro-acoustic pieces by geir jenssen (aka biosphere) much in the luc ferrari spirit (i.e. most pieces consist of raw field recordings with only the slightest amount of filtering/processing.)
ash international press release...
the journey

the approaching journey, with six climbers and one sherpa, was made from katmandu into tibet, taking two weeks to reach base camp. this period also included acclimatisation, which involves stopping at regular intervals for training for height climbing: "climb high, sleep low", they say. once at base camp, climbing commences at once involving the same process. equipment would be left at camp 1, then the climbers would return to base camp to sleep. this reduces the likelihood of altitude sickness, which is caused by too speedy an ascent.

the weather at base camp was mostly good - it was below the snowline at 5700m. cold at night, of course, dry but with changeable wind conditions. there is no vegetation at this point and no human habitation. but some bold tibetans established a 'tea shop' in a green military tent to sell chinese beers, cigarettes, soft drinks and so on to the mountaineers. they preferred dollars to yuan.

aside from the usual mountaineering equipment, the group had a satellite telephone and could email through the link. geir sent an email to mike from base camp using this method. an oxygen cylinder, costing $250, was taken with the party in the event of an emergency. it remained unused. a pac [portable altitude chamber, used in the event of altitude sickness], powered with a foot pump, was also unused on the journey. but tragedy struck at base camp, when a south korean died of pulmonary edema as a result of altitude sickness. he was the expedition leader for a separate group, but he refused to go down the mountain when he became sick and died after a week's illness. geir also took a shortwave radio with him and could clearly hear the bbc world service news broadcasts. every group also had walkie-talkies with them, which worked over most distances, but could sometimes be a problem if batteries ran down or got too cold.

the first track, 'zhangmu: crossing a landslide area', was made just after you crossed the border into tibet, over 'friendship bridge' from nepal. using a minidisc recorder and a sony mic, geir recorded his walk over an area devastated by a landslide, which had taken place on september 10th 2001. on his shortwave radio he heard details of the attack on the world trade center in new york city. there was music everywhere, blasting out of cars and portable cd players.

'tingri: the last truck' was recorded on the road from tingri to beijing. tingri was the last inhabited area before the mountain. trucks zoomed past livestock; horses and carts, pigs, yaks were overtaken by vehicles blasting their horns to clear the road. tingri to the chinese control base by car took a few hours. there, tibetan refugees were observed by the chinese military. the group was processed by the liaison officer; minimum paperwork, friendly officials, and a bowl of soup. from there to base camp took three days walk; the road ended at this point, so yaks carried all their tents, food, climbing gear and so on. 'jobo rabzang' is a mountain, under 7000m, and gives the title to a piece sampled and processed from a cassette of tibetan music.

wind, yak bells and ambient sound provide the material for 'chinese base camp: near a stone shelter'. it was very windy and the first experience of the elements at their most raw. it was also cold, so there was a high wind-chill factor. at night his breath froze. 'palung: a yak caravan is coming' was recorded in open territory: a beautiful, still morning but quite cold. geir developed a serious headache because the day before the group had got lost and had to retrace their steps to find palung. they had to walk very fast to arrive before dark and so they got headaches from burning up too much energy too quickly.

it took two days to arrive at base camp. they were exhausted on their arrival, still plagued by headaches. the morning, geir felt much better after a good night's sleep, and before breakfast he recorded track 6, 'cho oyu base camp: morning'. the mic was positioned outside his tent while geir was in the tent listening to what was being recorded on headphones. some sherpa were making breakfast. ravens, crows and pigeons circled the area looking for food. base camp was a collection of tents placed in gaps in the moraine; at 5700m, it was surprisingly warm in the sun, and a tiny stream provided fresh water. if the weather turned bad, wind, cold and snow drove them back into their tents where they could only sit and wait for conditions to improve.

the view from base camp was extraordinary: in the distance you could make out yak caravans and tibetan traders on the main pass ('nangpa la') to nepal. a huge glacier dominated the foreground, with the himalayas forming the backdrop. at night geir could hear refugees creeping past in their attempts to evade the chinese military, who were on the constant lookout.

base camp to camp 1 took over six hours on the first day, and most of the equipment was carried to camp 1 on the first trip. the climbers then returned to base camp to sleep. the rule of "climb high, sleep low" was followed, although not strictly adhered to, all the way up the mountain.

geir wanted to get some clean recordings of the birds, so he asked the sherpa how he could do this. the sherpa suggested he take some biscuits and rice and walk to one of the moraines in the area. he placed the food on a rock and the microphone five centimeters away. he pushed the record button and left. 'nangpa la: birds feeding on biscuits' is a clean, unprocessed extract from that recording.

each night at around 1am geir could hear, on a certain shortwave frequency the pilots' chatter from planes over the himalayas. one of the pilots mentions 'bombay', or 'mumbai'. 'camp 1: himalayan nightflight' is the untreated result. his first attempt, however, went unrecorded as the cable from the radio to the minidisc slipped out in his sleeping bag. however, at exactly the same time the following night he was able to make a similar recording.

camp 1, 6100m, to camp 1.5, 6600m, took 4 or 5 hours of hard walking, including an ascent up an icefall. geir made the journey alone, because the other climbers were sick or deterred by bad weather. 'camp 1.5: mountain upon mountain', or 'blåne etterr blåne' in the original norwegian, is by eivind groven, who composed radio norway international's theme tune. this tune, found on xxxhz, is no longer transmitted, but geir found it nostalgic to hear this familiar melody. now it is only to be found on nrk internet radio. geir slept alone for the first time on the mountain and he could hear bad weather roaring on the summit. exhilarated by this experience, perfect weather greeted him the next morning. geir pushed on straight to camp 2, which took 5 or 6 hours. a gas stove provided hot food and water from melted snow. climbers are advised to drink 5 litres per day and many hours were taken up melting the snow. slept at camp 2, then retraced his steps all the way back to base camp for 3 days rest. returning to camp 2, geir recorded 'camp 2: world music on the radio', randomly tuning his set. this extract features music from south central asia. he liked the atmosphere the music created at night, sitting alone in his tent.

geir waited for two others to arrive at camp 2, and together they climbed to camp 3, 7400m, a shorter journey. 'camp 3: neighbours on oxygen' was made when the wind picked up and ferocious hail hit the tents. a group chose to wear oxygen masks and could easily be heard from geir's tent, where he made this recording. it is quite normal to 'sleep on oxygen' at these altitudes.

the next day, starting at 3am, they proceeded to the summit. geir, a sherpa and an englishman climbed together. the englishman turned back by the 'rock bands', suffering from frostbite. geir and krishna bahadur tamang continued to the summit. -30ºc, bright, still, probably the best day of the season. as they approached the summit, geir was hallucinating from lack of oxygen; the colours seemed to change and the snow appeared to float and change into welcoming and very comfortable sofas...

'summit'. low on batteries, feeling good. this recording is delicately processed.

the journey down was fantastic, but hard. happy to have reached the summit. the weather turned nasty from camp 3. geir luckily decided to continue to camp 2 immediately, and that night he could see the tents on camp 3 ripped apart by the wind. the journey back to base camp took 2 days, but the wind never relented. he rested there for 2 more days, eating as much as he could do restore his bodyweight. at night he woke up regularly, gasping for air under the impression he was suffocating.

back to katmandu, italian restaurants, pizzas and pasta, cappuccino and ice cream. the whole trip took 45 days. he is uncertain whether he would undertake a similar journey; once was enough.

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ash international (uk) #ash 6.9 cd

alvars orkesterinterference” compact disc

  • johannishus (10:05)
  • cobra mist (6:50)
  • reality distortion field (19:28)
  • field grey (8:41)
superb set of cold swedish sea-mist electronics, conceived in the late 80s and reaching it’s troubled teens right about now. features joachim nordwall (whose ideal label has been releasing just scads of really great records) and jan svensson...
ash international press release...
ash international # ash 6.9
barcode: 5027803046924

recorded in studio styrka, karlskrona, sweden april 2005
controllers: joachim nordwall & jan svensson

analogue sound experiments from old sweden 1987-2006+

this album is the first release in what will be the 13th anniversary since the foundation of ash international.

'interference' by alvars orkester was edited by mike harding and philip marshall, who here also designs his first cd for the label. 'interference' consists of analogue drones, interspersed with hardcore electronics, hair-raising voices and spine-chilling ambience.

alvars orkester, was formed in 1987 in johannishus, a small village in the south-east of sweden by a group of young boys interested in the mysteries of psychic sickness, mental institutions, the industrial music culture and the power of sound. for the first very creative years, alvars was very active within the independent cassette culture scene releasing their stuff (that quite soon drifted from the industrialism inspired by test dept, tg, spk and z’ev to an atmospheric, psychedelic and quite ambient version of noise) on small labels in italy, portugal, usa etc.

ao was always very closely connected to the börft records label, run by the two core members jan svensson and joachim nordwall. börft was a label for weird electronic experiments, noise and industrial. in 1994, nordwall left the label and sweden (to return to the country forming the ideal organisation but never to börft and the south-east) and svensson continued by focusing on bent acid house and dance stuff.

the psychedelic aspect of the music came in though an early interest in natural drugs and the need to investigate different ways of messing with the mind.

for years, ao remained silent with a few short exceptions, but in april 2005, nordwall and svensson recorded the 'interference' album for ash international. coloured by svensson's increasing paranoia sickness and the tension between the two that have been there since their youth, they put down the aspects of the mysteries of psychic broadcasting and manipulation on tape.

long sessions during the years in the mainly analogue studio styrka in johannishus built up a huge archive of recordings, most unreleased to date but slowly being brought to light by labels like kning disk, rrr and white tapes.

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threads:
electro-acoustic-composition
digital-musics

ash international (uk) #ash 6.1 cd
crónica electrónica (portugal) #cronica 16 cd

autodigesta compressed history of everything ever recorded, vol. 2: ubiquitous eternal live” compact disc

  • ubiquitous eternal live (60:09)
ash international press release...
autodigest
a compressed history of everything ever recorded, vol.2: ubiquitous eternal live

"ubiquitous eternal live" is the second chapter of autodigest's "a compressed history of everything ever recorded" series.

volume 1, from 2003, proposed an aural illustration of current syndromes in digital compression which abandon fidelity, subtlety and complexity in favour of speed, efficiency and endless storage capabilities.

volume 2, now released, approaches the history of recorded sound under a considerably different perspective: it brings together all the audiences ever recorded and has them share one hour of hysterical, progressively apocalyptic applause. this is presented as less of an archive and more of a critical eye loaded with a few conceptual cards as foundations, from debord to baudrillard, from harvey to adorno.

the aim of autodigest's statements is to illustrate the collapse of music as we know it - codified, copied, digitised, burned, compressed, freely and readily available, all of this at a time when we can download music much faster than we can listen to it, all of this at a time when a soda drink offers one hundred million songs for free.

ultimately the song remains the same, but our relationship with it has changed beyond recognition and redemption. just try to imagine what a concert would mean to an audience before sound could be recorded... yes, we've come a long way, baby - and maybe, just maybe, deserve to end up with those one hundred million songs in our pocket. the choice, it seems, is pretty much down to the cute colour, pattern or ringtone of the week.

"ubiquitous eternal live" is a joint release by ash international (uk) and crónica electrónica (portugal). the audio track was assembled and composed in portugal in early 2004, and was mastered by denis blackham in april 2004. the design work is by jon wozencroft, over photography work by heitor alvelos.

...

biography

autodigest was conceived [as in 'concept'] in a hotel lobby on may 26, 2001, at approximately 9 a.m., after a night of excess and euphoria. hotel muzak acted as the trigger for a quick rêverie on the state of music at the beginning of the 21st century.

through a series of unplanned events and actions, coincidences and convergences, autodigest became the focus for an 'apocalyptic' perception of contemporary culture, dedicated to developing and sharing a critical eye within a culture that is quickly becoming synonymous with 'pure entertainment'.

autodigest has made live appearances since 2002, establishing the world record by performing the shortest concert ever (one-second-long concert in stockholm, may 24, 2002), and beating its own record in june 2004 (half-a-second-long gig in porto, portugal). a considerably longer live appearance will take place at the spitz café in london, on the 4th of november, as autodigest will perform accompanied by three saxophone players.

though not secretive, autodigest remains anonymous. it means to walk the tightrope between the complexity of the issues addressed and a hyperconformist approach to cultural resistance, placing itself right in the middle of the syndromes it analyses and critiques. for all we know, one of these days it might surface as a reality show... in the meantime, keep on cheering!

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ash international (uk) #ash 5.2 cd

hiss” compact disc

  • aer - projector (1:15)
  • evan parker vs. disinformation - london's overthrow (extract) (5:32)
  • raymond cass - alien voices (1:09)
  • hazard - pylons (4:27)
  • leif elggren - mother!!? (4:25)
  • unknown artist - airprox (0:35)
  • s.e.t.i. - l.m. (3:12)
  • paul williams - jet car (extract) (2:05)
  • unknown artist - runaway train (extract) (0:58)
  • daren seymour & mark van hoen - supermind's light becomes part of the earth (2:49)
  • lem tuggle - breakout (extract) (6:15)
  • bernd friedmann - leisure zones (extract) (4:50)
  • unknown artist - float like a butterfly (0:26)
  • i saw it all happen from beginning to end and i still can't believe what i saw - untitled (3:38)
ash international press release...
ash # ash 5.2
cd - 41:44
14 tracks

an ash ampler released to coincide with the hiss installaton in the elevator in the lydmar hotel, stockholm, sweden. all the ash regulars are here...disinformation [vs. evan parker], s.e.t.i., bernd friedmann, runaway train, lem tuggle, mark van hoen & daren seymour, aer, hazard and others.

extracts from previous ash releases provide a superb cross-section of the label from 1995-2000.

photography by johan zetterquist
design by minitron

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threads:
field-recordings

ash international (uk) #ash 4.9 cd

santa pod” compact disc

  • jet car (3:54)
  • 8:53 (0:28)
  • burn (0:34)
  • top fuel (1:55)
  • 001 second (0:49)
  • burn out (1:37)
  • wow! hey! (0:32)
  • the purple paint job (0:37)
  • pit stop (0:53)
  • 5,500 bhp (1:26)
  • lost child (0:37)
  • walkabout (3:38)
  • the gaffa tape rear end (1:06)
  • venting the nitrous oxide system (0:39)
  • awful no man's land (1:20)
  • the man from norway (2:01)
  • the zodiac man (1:05)
  • it's all concentration now (3:04)
  • the barn (1:56)
  • the pits (2:33)
  • hung over (5:11)
  • the fairground (1:08)
  • repairs (1:34)
  • burn outs (4:34)
  • grassy knoll (12:16)
ash international press release...
santa pod
ash # ash 4.9
cd + 12pp full colour booklet
55:39.35
25 tracks

play loud. do not mistake this compact disc for a musical product

"alot is good, but too much is just enough" (old hot-rodders saying)

1999 marks the 50th year of drag racing, after the first official meeting was held in 1949 on the streets of goleta in california. then, the quarter of a mile course took 11 seconds with the vehicles travelling at over 150 mph. now, they race at over 300 mph, taking just 4.5 seconds. the vehicles are completely purpose-built and represent the extreme fringe of non-commercially motivated technological research. santa pod raceway was started in 1966 on the site of an old american airbase. it is the home of european drag racing and host to the fia european drag racing championships. drag racing is the fastest and loudest motorsport on earth with sensational race action from dragsters and door-slammers to beetles and bikes. see 0-100mph in under 1 second and make your ribs rattle, your brain shake and your ears roar! this cd captures all the thrills and spills of drag car racing - an activity at the cutting edge of technology. for fans and audio buffs alike, use this cd to recreate the awesome power in your own living room, or frighten the daylights out of the dancefloor by using this as a dj tool. monster! monster!

all recordings by paul williams @ santa pod, podington, england on may 29, 31 & july 3 1999 all photographs by jeremy larkin. mastered by denis blackham @ country masters, frimley, england on july 26th 1999 scans by orange communications ltd., with thanks to mark blacklock, katie lundy and esther owen; keith bartlett and caroline day at santa pod raceway, and the commentators, graham beckwith and paul - they are men of our times!

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ash international (uk) #ash 4.1 cd

antitrade” compact disc

  • hhh - would you (0:09)
  • hhh - would you (0:59)
  • hhh - would you (0:14)
  • leif elggren - mother!!? (4:26)
  • hhh - have known me (0:04)
  • hhh - have known me (0:09)
  • hhh - have known me (0:10)
  • hhh - have known me (0:08)
  • hazard - peenemunde (8:54)
  • unknown artist - white (0:07)
  • s.e.t.i. - aurora (7:26)
  • unknown artist - i don't know (0:31)
  • disinformation - 9v dc supply with homemade copper solenoid (unindentified vlf radio noise) (3:57)
  • aer - recorded at the inner garden, the meiji shrine, shibuya-ku, tokyo, october 1990 (3:25)
  • hhh - in the street? (0:10)
  • hhh - in the street? (0:30)
  • hhh - in the street? (0:10)
  • unknown artist - in a constant state of rebellion (0:57)
  • bruce gilbert - the book (2:14)
  • unknown artist - a happy belgrade (7:31)
ash international press release...
ash # ash 4.1
cd - 42:21
20 tracks

hhh
leif elggren
hazard
s.e.t.i
disinformation
aer
bruce gilbert

previous record label:
 art-errorist 
...and that's everything on ash international in stock.
(why not take a look at the previous and next labels?)
next record label:
 asphodel 
.home..artists..labels..new..restocks..best..faq.
.soon.
... this page was last updated on saturday, february 11th, 2012 @ 5:08 pm