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to celebrate the release of the new failing lights "s/t" disc on intransitive, we are running a "4 for the price of 3" incentive on all in-stock intransitive cd releases !!! simply place an order for any 3 intransitive discs, making sure to mention in the comments field which title you want as your 4th and voila, we'll include it free of charge !!! act fast, as the incentive is limited to the inventory on hand ...

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 arc series 		there are 4 titles on archeomb in stock.
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$34.22

new to stock as of
august 22nd, 2008

threads:
electro-acoustic-composition

ees’t (italy) #mb 017 cd
archeomb (italy) #archeomb 017 cd

m.b. “mind us trial • ihc naib oizir uam” double compact disc recordable set

  • sableux (10:03)
  • yoake osoi (8:47)
  • hibernation (9:40)
  • taiki yawarakai (9:48)
  • impalpable (9:23)
  • sabaku omoi (9:02)
  • lumineux (9:50)
  • katai nitibotu (7:06)

  • ihc (19:14)
  • naib (19:17)
  • oizir (19:51)
  • uam (18:38)
2005 release ; reading the dedication ( “with respectful thanks to the electroacoustic influence of the decadent and palpitating past” ) as something of a modus for the music herein ; it’s easy to find this sprawling set as one of his more enjoyable contemporary outings ...
ees’t press release...
ees't presents two new works by maurizio bianchi: mind us trial. phonological de-composition in eight dissections for tapes, noises and neurologic piano.

this paleogenetic work wants to be an epitaph, and at the same time a commemoration, of those corrosive instants when m.b. was an equalized disciple of the industrial delirium. the technological obsession is omnipresent in every fibre of these tenebrous and stainless sounds. smooth lumps sliding along the limits of the rudimental anguish. not a barren repetition of the past but a wrinkled celebration of the present.

the electrolytic mind is not developing the signal of a more radical experimentation and the vibration course has reached its partial reinstatement! with respectful thanks to the electroacoustic influence of the decadent and palpitating past.

'ihc naib oizir uam.' cyclic improvisation for chaotic piano, apocalyptic guitar and final frequencies. if we go back, the memories strike us; if we project ourselves into the future, we're overwhelmed with fears; and if we remain at the present, we must face the anxieties. this comatose opera is in remembrance of m.b. atavistic past, m.b. fugitive present and m.b. atemporal future.

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$17.47

new to stock as of
august 22nd, 2008

threads:
electro-acoustic-composition

ees’t (italy) #mb 015 cd
archeomb (italy) #archeomb 015 cd

m.b. “antarctic mosaic” compact disc recordable

  • antarctic (38:11)
  • mosaic (36:00)
2003 release ...
ees’t press release...
following the path opened by frammenti, this new work represents the radicalization of the fragmentary approach in maurizio bianchi's music. a musical composition resulting from the combination of various elements: hetzian-waves, classical and electronic music.

mb eagerly explores the immaculate spaces of the so-called 'frozen continent', the only one not contaminated by the human presence. the hostile surroundings and the prohibitive temperatures made the frozen paradise so stimulating and pure. antarctica was an immense park frozen after the post-flood events when unexpectedly and suddenly the temperatures felt of many centigrade degrees. this process is well emphasized in the 'antartic' track.

on the other hand, in 'mosaic' the listener mind is projected into the future when, after the decontamination process of human presence on earth, the frozen continent will become again a paradise.

again a strictly formal and structured work, two long and exhausting sound-collages made of little fragments, even more radical than his approach when mb was active under the name of sacher-pelz.

also included is an excerpt from 'the technological nonsense', a text presenting the forthcoming book on maurizio bianchi activities soon to be issued by ees't. as mb stated: 'antarctic: sonorous infiltration in a deteriorated glacier' and 'mosaic: liquid resonances for asymmetric decodings'. are the glacial 1980s so far away?

available now in a cdr edition limited to 300 copies.

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new to stock as of
august 22nd, 2008

threads:
electro-acoustic-composition

ees’t (italy) #mb 014 cd
archeomb (italy) #archeomb 014 cd

m.b. “frammenti” compact disc

  • fragment lw 268 (36:40)
  • fragment mw 585 (38:17)
  • psalmos 151 (4:41)
2002 release ...
ees’t press release...
frammenti, i.e. fragments, is the new direction in maurizio bianchi's music. an acoustic-bionic composition for electromagnetic waves and cyclic sonorities. left now are all the indeterminate atmospheres gently fluctuating, in order to reach a more formal and structured work. still dealing with the fragments of our memories made of joy and tribulations, sensations and awareness, aspirations and disappointments, with the carnal and the spiritual assistance.

this new composition, quite as literally as the title suggests, consists of two long sound-collages reminding some of the techniques that mb was using in the late seventies under the name of sacher-pelz. the music is not that brutal diy intensity of analogic treatments, but more a digital version of nowadays oscillating clinic sonorities.

as the author stated: 'those who will have the courage to listen to and investigate it, will remain mentally upright when confronted with the opposition of today's music -- which is so mechanical, hybrid, aseptic, narcotic, obsessive -- while in their heart nothing will be left but the principal fragment, which originated the sonorous universe: the sacredness of infinity!'.

available now in an edition limited to 500 copies.

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new to stock as of
august 22nd, 2008

threads:
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ees’t (italy) #mb 013 cd
archeomb (italy) #archeomb 013 cd

m.b. “dates” compact disc

  • 4026 b.c.e. (8:25)
  • 2370 b.c.e. (8:14)
  • 1919 b.c.e. (8:31)
  • 5980-84 a.m. (4:16)
  • 5985-89 a.m. (4:15)
  • 5990-94 a.m. (4:18)
  • 5995-99 a.m. (4:52)
  • 6000-04 a.m. (4:46)
  • 6005-09 a.m. (4:53)
  • 6010-14 a.m. (4:11)
  • 6015-19 a.m. (4:54)
  • 6020-24 a.m. (4:19)
  • 60... a.m. (9:21)
2001 release ; the second in the trilogy inaugurated with “colori” ...
ees’t press release...
ees't records is happy to announce a further step into the maurizio bianchi new production, a new compact disc which completes the trilogy starting with the previous colori and first day-last day.

this time the author concentrates on time, or the inevitable. a sound counterpointistic journey beginning with the creation of the first human being, in autumn 4026 b.c.e. and passing through the two big planetary cataclysms. then the individual experience of mb himself is investigated, a sort of electro-biography.

the climax of this work is represented by the dramatic collapse describing the imminent destruction of today's society. mb explains that this is not an utopical perspective but those feelings rise from the 'revelator' of all the secrets, the one who knows the future in advance and all the connected events. the creator of the majestic universe and the one to whom all of us will give account when the final war of har-maghedon will break up on 60.. a.m.

will there be any survivor then? hopefully there will be among the listeners of this work who will delight their ears and fill their hearts with the compelling and intense emotional sounds of dates.

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 arc series 		...and that's everything on archeomb in stock.
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... this page was last updated on thursday, september 2nd, 2010 @ 5:07 pm