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previous record label:
 1000fuessler 
there are 3 titles on 12k in stock.
they are listed below.
next record label:
 20city 
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$10.08

back in stock as of
october 19th, 2007

first in stock on
february 8th, 2007


threads:
digital-musics
electro-acoustic-composition

12k (usa) #12k 2004 cd

taylor deupree1am” compact disc

  • 1am (21:21)
12k press release...
in the summertime, in the woods of new york state, the midnight insects can be at once serene and deafeningly loud. a field recording of this din of nighttime creatures was the inspiration and base for 1am.

dense, and often aggressive, 1am is a powerful work that fuses many layers of both noise and melodic tracks over the field recording. the result, best played at high volumes, is like a high-volume equivalent of standing on the rocks outside of deupree's home late in the summer night.

despite 1am's opaque and rich sound it is not unlike the 23-minute epic "stil." from deupree's stil. cd (12k1020). it is unwavering and highly repetitious but with enormous amounts of textural and timbral shifting.

1am is a very experimental and reactionary piece for deupree, created in a week's time, and emotionally charged.

it is limited to only 500 copies.

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$13.44

back in stock as of
february 14th, 2008

first in stock on
february 8th, 2007


threads:
digital-musics
electro-acoustic-composition
guitar-themed
modern-psych

12k (usa) #12k 1040 cd

seaworthymap in hand” compact disc

  • dusk, 30th september 2005 (0:38)
  • map in hand pt. 1 (prologue) (2:01)
  • map in hand pt. 1 (3:35)
  • map in hand pt. 2 (3:34)
  • map in hand pt. 3 (4:42)
  • map in hand pt. 4 (4:33)
  • map in hand pt. 5 (2:25)
  • map in hand pt. 1 (reprise) (2:03)
  • map in hand pt. 4 (epilogue) (4:49)
  • map in hand pt. 6 (6:33)
  • map in hand pt. 7 (2:22)
  • dawn, 2nd october 2005 (0:41)
12k press release...
seaworthy, a three piece collective based in sydney, australia that revolves around core member cameron webb as well as sam shinazzi and greg bird, was formed in early 2000 to explore melodic and experimental approaches to the construction of minimalist sound scapes from looped guitar, warm drones, piano, electronics and field recordings.

map in hand often blurs the lines of conventional categorisation with elements traditionally considered part of “indie” or “post” rock blended with processed musical and field recordings usually associated with electronic music. instruments and samples are often looped through amps and effects pedals, giving the sound an organic feel. avoiding the muscular approach of loud/soft dynamics, seaworthy concentrate on subtle shifts in melody, tone and texture to convey a sense of time and place.

the core sessions for map in hand took place over a few days in early spring, 2006 and were book ended by recordings of birds from outside the home studio. there was little rehersal or preparation with many pieces featuring a strong element of improvisation. recorded initially to cassette and reel-to-reel tape, the guitar loops and drones were then transferred to computer and assembled with minimal processing, preserving the initial feel of the music’s performance, complete with the happy accidents of errors, tape hiss and microphone overload that became intrinsically part of the compositions as much as any sounds produced by the instruments themselves.

there is a reflective quality to map in hand. a reminder that things don’t always need to be changing, to be attention grabbing or distracting and that there is beauty, not only in the object itself but in the process of appreciating that beauty.

webb has a phd in environmental science and specialises in field based ecological research where much of his time is spent in isolated wetland environments. many field recordings undertaken in these locations form the basis for textural drones and rhythms from which guitar loops and percussion can be blended. similarly, these environmental experiences form much of the inspiration for seaworthy’s compositions and extend beyond the music into the aesthetic presentation of live visual projections and cd/vinyl packaging of their limited edition releases.

as well as many releasing limited edition material (cdrs & lathe-cut 7”s) themselves, seaworthy have worked with many local and overseas labels including feral media (australia), black lodge audio (australia), celebrate psi phenomenon (new zealand), misplaced music (uk), 555 (uk), marino (us) and fat cat (uk). map in hand was originally released as a limited edition of 128 copies on feral media. also, seaworthy was featured on the recent 12k compilation, blueprints (12k1039)

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$13.32

back in stock as of
february 14th, 2008

first in stock on
october 19th, 2007


threads:
digital-musics
guitar-themed
electro-acoustic-composition
minimalism-drones

12k (usa) #12k 1038 cd

fourcolorletter of sounds” compact disc

  • 02 (6:34)
  • rowboat (4:57)
  • season (4:04)
  • fountain (4:47)
  • flyaway (6:36)
  • vignette (6:23)
  • leaves (14:19)
  • frame (4:20)
12k press release...
fourcolor
letter of sounds

cat.no: 12k1038
release: september 2006

following the release of his work as part of the electro-acoustic quartet minamo on 12k (12k1031, 2005) and the proto-pop outing under his new moniker filfla (plop, 2005), fourcolor (keiichi sugimoto) is back with his second release on 12k, letter of sounds. his previous work, air curtain (12k1029) was a critical success selling out the first pressing in little over one month.

on air curtain, fourcolor explored new directions, building upon delicate, implied rhythmic structures moving away from the strictly drone based material on his debut cd water mirror (apestaartje, 2004). with letter of sounds sugimoto pushes his sound even further by bringing the rhythms more to the foreground and taking influences from his previous, more pop-based work, as filfla. the album uses many dominant rhythmic structures such as on the opener "02" which couples catchy guitar harmonic hooks with sliced melodic beats or the beautiful "rowboat" in which sugimoto collaborates with long-time friend naoko sasaki/piana (happy) using a variety of instrumentation and vocals. similarly, a majority of the work on letter of sounds finds itself working around tight, syncopated micro-rhythms.

of course letter of sounds is not without its delicate undercurrents and warm, stretched-out, whispy tones that have become signature to sugimoto's sound (the gorgeous finale "frame"), but his desire for a more up-front and structured approach continues the evolution from a style he has mastered into new, more challenging territory, and expands his palette as an artist.

* packaging note: as fourcolor's cd air curtain (12k1029, 2004) was the commercial introduction of the revised 12k logo, letter of sounds launches a new, more streamlined digipack design in celebration of 12k's upcoming 10-year anniversary. in addition to the changes in layout the new digipacks feature a matte varnish which allows for richer colors and sharper lines than the previous digipacks.

previous record label:
 1000fuessler 
...and that's everything on 12k in stock.
(why not take a look at the previous and next labels?)
next record label:
 20city 
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... this page was last updated on friday, february 3rd, 2012 @ 4:36 pm