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previous artist:
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there are 4 titles featuring werner dafeldecker in stock.
they are listed below.
next artist:
 roland dahinden 
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$13.25

back in stock as of
october 24th, 2007

first in stock on
december 18th, 2003


threads:
electro-acoustic-improvisation
digital-musics
guitar-themed

erstwhile (usa) #erstwhile 023 cd

polwechsel / fenneszwrapped islands” compact disc

  • framing 1   (12:22)
  • framing 2   (4:59)
  • framing 3   (7:51)
  • framing 4   (4:46)
  • framing 5   (8:94)
  • framing 6   (4:41)
  • framing 7   (7:22)
  • framing 8   (2:30)
erstwhile press release...
john butcher: tenor & soprano saxophone, feedback tenor on #2 and #6
werner dafeldecker: double bass, computer, acoustic guitar
christian fennesz:computer, acoustic guitar, synthesizer
michael moser: cello, computer
burkhard stangl: acoustic & electric guitar, electronics


the predominantly viennese quartet polwechsel have exhaustively explored the grey areas between composition and improvisation, electronic and acoustic, jazz and classical for much of the past decade. austrian christian fennesz, while initially a guitarist, is primarily known for his abrasive yet melodic laptop explorations on labels such as mego and touch. wrapped islands documents the much-anticipated first meeting of these two driving forces of contemporary music.

bassist werner dafeldecker and cellist michael moser co-founded polwechsel in 1993, joined by guitarist burkhard stangl and trombonist radu malfatti. the microscopic textures they explored were quite unusual at the time, and proved to be very influential on later waves of 'lower-case' and 'microsound' musicians. they released their self-titled debut disc on georg gräwe's influential random acoustics label in 1995 (later reissued on hat art). radu malfatti left the band in 1997 to concentrate exclusively on his own musical ideas, and was replaced by saxophonist john butcher, who has been a crucial part of the band ever since, on polwechsel 2 (hat art), polwechsel 3 (durian), and wrapped islands.

christian fennesz is possibly the most prominent of the current onslaught of laptop musicians. he burst onto the scene in 1995, with instrument, a record of deconstructed guitar compositions, and has since explored various combinations of guitar and laptop, melody and distortion, improvisation and postproduction on projects such as hotel parai.lel, plays, and endless summer (all on mego). he’s also an integral member of the all-star electronic orchestra mimeo and the laptop trio fennoberg.

in january of 2002, the five musicians gathered in christof amann's viennese studios for three days of recordings, from which wrapped islands was assembled. while the first three polwechsel releases almost exclusively contain compositions, wrapped islands is fully improvised. the warmth and depth of the music induces an illusory simplicity, with different details and passages emerging to the surface with each listen, all of which is superbly paralleled by friederike paetzold's eye-catching design.

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$13.25

back in stock as of
april 18th, 2008

first in stock on
december 18th, 2003


threads:
electro-acoustic-improvisation
guitar-themed

erstwhile (usa) #erstwhile 009 cd

dean roberts / werner dafeldeckeraluminium” compact disc

  • rock and roll part 4   (10:34)
  • rock and roll part 5   (30:03)
erstwhile press release...
dean roberts: guitar, electronics and percussion
werner dafeldecker: guitar, electronics and percussion


dean roberts and werner dafeldecker seem unlikely collaborators at first glance.

roberts, who originally hails from new zealand, began his career delving into guitar drones and feedback, both in the trio thela and on his own, under the name white winged moth. he founded the label formacentric disk in order to document a wider range of his work, and released four projects in two years. in 1998, he began working with the influential german label mille plateaux, who put out his much acclaimed all cracked medias, and earlier this year, and the black moths play the grand cinema, on their more experimental sublabel ritornell.

dafeldecker, a lifelong resident of vienna, is probably best known for being an integral member of the improv supergroup polwechsel, as well as for founding and running the influential label durian. he's composed numerous pieces for various classical ensembles, and also appears on two recent notable cds, printer (durian), and martin siewert's komfort 2000 (charhizma). originally primarily a bassist, dafeldecker has been working more with guitar and electronics recently, both of which he plays to great effect on aluminium.

aluminium was recorded during a marathon studio session in vienna in april, and was brilliantly mastered by tim barnes. both musicians play guitar and electronics, along with occasional percussion on a hi-hat placed between them. on the first track, dafeldecker's sine wave electronics intersect with roberts' rough guitar textures, priming the listener's aural palette for the marathon track which follows. this half hour long piece is a atmospheric exploration fusing the legacy of amm with the spirit of rock and roll.

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$13.31

back in stock as of
august 23rd, 2008

first in stock on
august 9th, 2007


threads:
electro-acoustic-improvisation

formed.records (usa) #formed 102 cd

kyle bruckmann / werner dafeldecker / boris haufwane” compact disc

  • going (8:15)
  • going (13:54)
  • going (10:06)
  • gone (7:55)
formed.records press release...
formed 02: bruckmann / dafeldecker / hauf - wane

a trio consisting of members of ekg, polwechsel, and efzeg. each of the tracks coheres around the examination of minute particles of sound, assembling wholes from the component parts.

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$15.12

back in stock as of
january 25th, 2008

first in stock on
august 9th, 2006


threads:
electro-acoustic-improvisation
digital-musics

file under:
free-improv
grob (germany) #grob 319 cd

werner dafeldecker / boris d. hegenbarteis9” compact disc

  • ei (8:08)
  • is (4:42)
  • si (9:18)
  • es (6:34)
  • ie (2:15)
  • se (7:54)
  • 9 (5:54)
grob press release...
werner dafeldecker / boris d hegenbart - eis 9 (06.2001)

two years ago, the german pop music magazine spex (a bit like option in german) called the viennese werner dafeldecker "a jim o'rourke from the alps." the comparison strikes one as quite distorted but is based on a few things in common. both represent an extended idea of improvisation that does not rest upon parameters like "interaction," "dynamics," or "energy," but rather that appears airy, looser, more comprehensive: (sound in) space becomes more important, the occasion plays a bigger (more existential) role in the foreground. indeed this occasion is not only another situation to improvise together, but rather an expression of a state that one should adjust his/her sensors completely anew. the influence of new music (the new york school and beyond) never seems apparent, but as it were, subcutaneously. just like the improvisations of o'rourke in the 90's, dafeldecker's music is characterized by the logical but constantly surprising intervention that breaks the peaceful current of the music and continues it at the same time.

eis-9 [ice cream 9] is a summer record, no hermetic structures, no gloomy sounds, no wallowing in stagnation and hardening (= cold). ice cream melts.

dafeldecker demonstrates here once more how he dissociates his strict instrumentalism (dealing with the instrument as essential sound material) from his original instrument, the contra bass, and transfers it to others: guitar, percussion, found objects, powerbook. just as gropingly as definite.

eis-9 is above all the product of an intensive cooperation with the berlin/viennese electronic musician boris d. hegenbart. coming out of nowhere, he published the cd hikuito in 1998, music developed in hand made paper that came to fragile melodies once peeling away its (apparent) influences (carl stone, oval).

the groping and the definite flowed into the eis-9 cooperation. improvised music as symbiosis, as something that does not only come into being in the instant, but rather that grows. eis-9 also means "ice cream" is not an unambiguous fixed construction, but one that dissolves in various forms, structures, and, well, states.

werner dafeldecker
boris d hegenbart

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