| $13.85
new to stock as of
april 30th, 2007
threads:
harsh-noise
electro-acoustic-composition
digital-musics
sound-art
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| | | alku (spain) #alku 63 cd “less-lethal, vol. 1” compact disc - viral humanity - weasel walter (3:02)
- wright rong - dave phillips (6:11)
- enhanced interrogation technique - lasse marhaug (4:43)
- curdler - mark fell (5:49)
- 177 seattle 070405 - justice yeldham (5:24)
- gedesmælde - gæoudjiparl van den dobbelsteen (2:33)
- untitled # 194 - francisco lópez (5:14)
- la única arma que necesito es la ignorancia - carlos giffoni (4:16)
- repeating weapon - torturing nurse (6:02)
- otaku dork - powerbooks for peace (2:49)
- telescoping - zbigniew karkowski (4:57)
| | click the play button to hear an excerpt of "otaku dork - powerbooks for peace" |
| | spring 2007 release of annoying music, compiled by the folks @ alku as “a sarcastic approach to the use of commercially available music in the military context.” standout tracks from the goodiepal (under his gæoudjiparl van den dobbelsteen alias), powerbooks for peace (aka joe gilmore & friends), weasel walter (a ridiculous chunk of ems synthi & blast-beat drumming), torturing nurse, lasse, lópez, etc.. |
| | audio warfare and crowd control studies. edited by alku.
less-lethal, vol. 1
alku 63. various artists. 5" compact disc. 11 tracks. 16-page booklet. total program length 51:06
a compilation cd about sound-based nonlethal weaponry featuring tracks by carlos giffoni, dave phillips, francisco lópez, gæoudjiparl van den dobbelsteen, justice yeldham, lasse marhaug, mark fell, powerbooks for peace, torturing nurse, weasel walter and zbigniew karkowski.
keywords: less-lethal, nonlethal, torture, warfare, noise, crowd control, psychoacoustics.
less-lethal, vol. 1 is a sarcastic approach to the use of commercially available music in the military context (see waco, noriega, etc.) it includes a 16-page booklet with an essay by german researcher paul paulun about nonlethal force and its historical relationship with sound and music.
the foundations for this project were laid around 1999, with a long period of research into the equally blurry and fascinating fields of nonlethal weapons (also known as less-lethal weapons) and the behavioral sciences. over the course of this time, we found that one of the most interesting aspects of this phenomenon – full of mythology and speculation – was the use of commercially available music in the context of armed conflict, torture and crowd control. particularly the sheer lack of imagination on the part of military experts who resort to the use of pop music as a weapon, by playing it back for painfully long periods of time at very high volumes.
the direct relationship between sound and behavior has been documented outside the military over the centuries, from the musical treatment of mental patients in the ottoman empire to muzak's stimulus progression theory. with this in mind, it was the psyop’s complete lack of research which provided an excellent starting point for a challenging musical exercise. eleven artists were invited to contribute a sound piece that could be used as a weapon in an armed conflict.
the resulting tracks approach the subject matter in radically different ways. amplitude, duration and repetition may indeed constitute key elements of discomfort, but these tracks all go well beyond that. exploring dynamics and frequency range, structure, latent content, or various aspects from the realm of psychoacoustics, these pieces pose a stimulating (and less lethal) alternative to the average weaponized aor. |
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