| $25.51
back in stock as of
april 3rd, 2012
first in stock on
october 20th, 2010
threads:
1970s-electronic
electro-acoustic-composition
musique-concrète
electro-acoustic-improvisation
modern-composition
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| | | pan (germany) #pan 12 lp trevor wishart “fanfare & contrapunctus (1976) / imago (2002)” long playing record - fanfare (6:49) 1976
- contrapunctus (3:40) 1976
- imago (25:40) 2002
| september 2010 release ; ... after a series of lps documenting various contemporary music personalities’ dalliances with the “classic” electronic music sound-palette, it’s nice to see an actual historic issue ... in this case the premiere of trevor wishart’s 1976 duology “fanfare & contrapunctus”, consisting of a coterie of sound-sources (i.e. “soft trumpets”, pop-guns, french horn and the hilariously evocative virtuoso eating noises) run through a battery of the era’s analogue processes (mostly time-based ; heavy on the tape-speed manipulations) yielding a gloriously fun, sloppy mix of cut-up voices & slown-down whale-song horn playing that ranks as one of my favorite pieces of his (along with “journey into space”, “beach singularity” and the semi-contemporaneous “red bird”) ...
... by contrast, the cdp-heavy “imago” is a precise, finely hewned suite of digital transformations (mostly spectral processes) & re-sequencings of a single sound-source (a “glass clink” from a jonty harrison piece) that shows his prowess in such manners, contrasting the more free-form musings of his younger self for a expert-level excercise in timbral economy ...
comes in a deluxe package, with the “interweaving geometric design” -laden outer pvc sleeve of prior pan’s here supplanted with a classier, center-spiral look with the appropriate credits visible from the outside, a red & black-inked jacket with some historical photos of trevor, a one-sided photo insert, and the immaculate record itself all trapped inside ...highly recommended !!! |
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trevor wishart 'fanfare & contrapunctus (1976) / imago (2002)' (pan 12)
vinyl issue of two very important works by this early british sound art composer, compiling one of trevor wishart's first ever pieces 'fanfare & contrapunctus' (from 1976) and one of his latest, 'imago' (from 2002), documenting a modern approach in composition and an extremely unique progress in sound manipulation and music technology.
'fanfare & contrapunctus' (1976) :
| these two short pieces were made at the newly opened electronic studio at the sydney conservatorium, before the advent of music computer technology. the source material derives from free improvisations by trevor wishart and martin mayes using “soft trumpets”, pop-guns, french horn and virtuoso eating noises, plus recordings of birdsong and other environmental sources. |
'imago' (2002) '…the universe in a grain of sand…' :
| imago is a piece of magical sound metamorphosis in which the single ‘clink’ of two whisky glasses gradually metamorphoses into a multitude of other sounds, eventually alluding to the sounds of birdsong, a junkyard gamelan, the ocean and the human voice, but never entirely abandoning its links to this minimal source. the piece was made using sound transformation software written by the composer, available through the composers desktop project, and the original source sound was taken from jonty harrison’s ‘et ainsi de suite’. |
trevor wishart is an english composer, based in york. he is widely acknowledged for his contributions to composing with digital audio media, both fixed and interactive. he has been very active since the early 1970s in the area of electro-acoustic music (first with tape manipulation, later with computer pieces) and musical theatre pieces. not only has he composed many significant pieces, but he has also written extensively on the topic of what he terms “sonic art,” and contributed to the design and implementation of many software tools used in the creation of digital music. his compositional interests deal mainly with the human voice. he has also written two major books, 'on sonic art' and 'audible design'.
the lp is mastered and cut by rashad becker at d&m, in a limited edition of 500 copies, pressed on 140g vinyl and comes in a poly- lined inner sleeve. it is packaged in a pro-press color jacket which itself is housed in a silk screened pvc sleeve with artwork by kathryn politis & bill kouligas.
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