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previous artist: ezra buchla		there are 3 titles featuring thomas buckner in stock. they are listed below.		next artist: buddyship

$12.61

back in stock as of
october 20th, 2009

first in stock on
february 11th, 2009

threads:
electro-acoustic-improvisation
concert-recordings

deep listening (usa) #dl 21 cd

timeless pulse “live at cnmat 2002” compact disc

live at cnmat 2002 (1) (28:52)
live at cnmat 2002 (2) (10:24)
live at cnmat 2002 (3) (13:18)

deep listening press release...

formed in 1993 in a residency at the pauline oliveros foundation, the musicians of timeless pulse make music together through listening and responding in the moment. artists include thomas buckner (baritone). george marsh (percussion), pauline oliveros (accordion) david wessel (computer realized sound), and jennifer wilsey (percussion). this cd is an unedited recording of a concert at cnmat on sunday, march 10, 2002.

$12.61

back in stock as of
october 20th, 2009

first in stock on
february 11th, 2009

threads:
electro-acoustic-improvisation

mutable (usa) #mutable 17527 cd

timeless pulse “quintet” compact disc

21
healing piece
just play
light
shapes

2008 release ; studio date from the quintet of pauline oliveros, george marsh, thomas buckner, david wessel, and jennifer wilsey ...

mutable press release...

timeless pulse - quintet

(mutable 17527-2)

timeless pulse:
thomas buckner, voice
george marsh, percussion
pauline oliveros, accordion
david wessel, live-electronics
jennifer wilsey, percussion

formed in 1993 in a residency at the deep listening institute, the musicians of timeless pulse - whose members come from jazz, classical and electronic - make music together through listening and responding in the moment. the five compositions on this recording from 2005 are warm, compassionate tapestries of soft, rolling sounds performed by accordion, cymbals, drums, gongs, bells, chimes, sampled sounds, and voice.

thomas buckner has been singing, presenting, recording and producing composed and improvised music since 1972. he is currently co-producer with the world music institute of the interpretations series of contemporary music in new york city and founder and artistic director of the mutablemusic label.

george marsh has been teaching and performing on drumset and percussion since 1954. he is currently touring with the david grisman quintet, and teaching at uc santa cruz and sonoma state university.

pauline oliveros is a composer, improviser, founder and president of the deep listening institute, ltd. and a distinguished professor of music at rensselaer polytechnic institute and mills college.

david wessel co-directs the center for new music and audio technologies (cnmat) at the university of california berkeley where he practices and teaches live-performance computer-based music.

composer/performer jennifer wilsey teaches percussion and percussion pedagogy at sonoma state university and maintains a private studio in piano and percussion in santa rosa, ca.

$12.61

back in stock as of
october 20th, 2009

first in stock on
february 11th, 2009

threads:
electro-acoustic-improvisation
analogue-synth
modern-composition
sound-poetry

mutable (usa) #mutable 17507 cd

thomas buckner / tom hamilton “jump the circle, jump the line” compact disc

segment a (6:22)
segment b (5:55)
segment c (3:16)
segment d (4:29)
segment e (10:37)
segment f (5:49)
segment g (3:49)
segment h (4:37)
segment i (5:08)
segment j (9:27)

nice set of contemporary synthesis / voice (more like sound-poetry) duets between tom hamilton (whose 1975 somnath-label lp “pieces for kohn” is something of a personal touchstone) and noted avant-vocalist thomas buckner ...

mutable press release...

jump the circle, jump the line
vocal music by thomas buckner
electronic music and voice processing by tom hamilton

thirty-five years ago when i began to explore solo and group improvisation the idea was to make improvisations that sounded like compositions. i’ve evolved away from this idea gradually to the point where i want my improvisations, both solo and group, to sound (and be) unpredictable—to take me, my fellow improvisers and the audience to places we haven’t been before.

for this piece tom hamilton and i decided to carry independence as far as we can. each part is developed independently, and the goal is not to modify our independent ideas in the act of putting them together. the "wild card" in this practice is the live electronic processing of the voice, for which tom has developed a system that guarantees unpredictability while integrating the voice into the electronic soundscape. the result is an organic whole with independent but integrally connected parts.

- thomas buckner

...

after a decade of wringing inspiration from observation, it is with great pleasure and some relief that i’ve returned (for awhile) to making pieces that address essentially formal procedures. this performance uses techniques of analog electronic synthesis to structure, phrase and pace the music, as well as to generate the actual sound material.

revisited here is my crackpot theory - that art after euclid has been in a constant state of decline. what can i imagine to be more perfect than the representation of circle, square and triangle? so while i try to reflect on the musical analogies, i strive to displace and subvert the inherent symmetry of that visualized ideal; music balanced by instability.

- tom hamilton

thomas buckner and tom hamilton have performed together in a myriad of circumstances since the early 1990s. their past recordings include act of finding and off-hour wait state. they also produce the cooler in the shade/warmer by the stove series of improvised music and intermedia at lotus music and dance in new york.

recorded live in concert, december 1, 2000; emf @ engine 27, new york, by jody elff
mixed and mastered by tom hamilton at the pickle factory, new york.
electronic instruments used in this recording include the nord modular keyboard, alesis q20 and quadraverb processors. our thanks to the electronic music foundation and engine 27, especially holland hopson, bernadette speach, jody elff and jack weisberg, who provided the perfect jumping-off point for this performance.

© thomas buckner, 2000; © tom hamilton, 2000
published by data day music (ascap)
cover design: matt schickele
photo credits: lia chang (buckner) ; michal shapiro (hamilton)

previous artist:
ezra buchla

...and that's everything in stock featuring thomas buckner.
(why not take a look at the previous and next artists?)

next artist:
buddyship