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previous artist:
 so so many white tigers 
there are 6 titles featuring thembi soddell in stock.
they are listed below.
next artist:
 soft shoulder 
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$14.02

new to stock as of
january 11th, 2007


cajid (australia) #cajid 007 cd

anthea caddy / thembi soddelliland” compact disc

  • iland
click the play button to hear an excerpt of "iland (1)"
cajid press release...
anthea caddy & thembi soddell iland

conjuring the audio ghosts of early penderecki or late period jani christou, whilst tackling the microscopic sonic explorations of rolf julius or the lush field recordings of hildegard westerkamp, this unique

combination of cello and sampler is an intense, exhilarating and unforgettable sonic experience. an uncompromising collision of extended technique, microsonics, studio production and investigative recording, iland is a supremely confident release with scant regards to much occurring in music today.

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$14.02

new to stock as of
january 11th, 2007


threads:
electro-acoustic-composition

cajid (australia) #cajid 005 cd

thembi soddellinstance” compact disc

  • instance
click the play button to hear an excerpt of "instance (7)"
cajid press release...
thembi soddell - instance

thembi soddell's second solo release continues her exploration of dynamics, abstracting various sound sources, from field recordings to instrument textures, into sonic interpretations of her dreams.

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$14.02

new to stock as of
january 11th, 2007


threads:
electro-acoustic-composition

cajid (australia) #cajid 001 cd

thembi soddellintimacy” compact disc

  • intimacy
  • repulsion
click the play button to hear an excerpt of "intimacy / repulsion"
cajid press release...
thembi soddell - intimacy

from sound on the threshold of perception to rupturing bursts of noise, these manipulated and sculpted environmental recordings hint at an evocative and emotional narrative. a continuous track in 6 movements: violation, withdrawal, mistrust, discomfort, repulsion, expectation.

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$12.81

back in stock as of
april 23rd, 2008

first in stock on
november 18th, 2003


threads:
electro-acoustic-composition
electro-acoustic-improvisation
guitar-themed
musique-concrète
digital-musics

23five incorporated (usa) #23five 902 cd
san francisco museum of modern art (united states) #sfm 902 cd

variable resistance • ten hours of sound from australia” compact disc

  • oren ambarchi - stactedit (2000)
  • robbie avenaim - impulse control disorder (2002)
  • philip samartzis - soft and loud (2001)
  • david brown - were holes mended? (2002)
  • jim knox (xonk) - never mind the ruddocks (2002)
  • jim knox (xonk) - fuck to mandatory detention (2002)
  • jim knox (xonk) - prophylactic liquidation of our pig government (2002)
  • thembi soddell - violation (2002)
  • darrin verhagen - p2 (2002)
  • pimmon - steps gaps (flicker) (2002)
  • délire - fxcr_2_r2 (2002)
click the play button to hear an excerpt of "were holes mended?"
this disc, along with “motion - a movement in australian sound”, will provide an air-tight compendium on contemporary out-sound workings in the outback. nice to see my man jim knox on a tangible artifact...
23five incorporated press release...

variable resistance: 10 hours of sound from australia
23f/sfm 902, compact disc

over the past three or four years, the australian experimental musical community has flourished, thanks in part to the tireless globetrotting from artists like oren ambarchi, pimmon, and philip samartzis. variable resistance — a co-presentation between 23five incorporated and the san francisco museum of modern art — originally celebrated this australian renaissance with a 10 hour ‘listening event’ in september of 2002. from those ten hours, curator philip samartzis distilled the best tracks to be featured on this cd compendium. variable resistance is a title that encapsulates the tone and extent of the work on hand, referencing not only the electronic gizmo (the variable resistor) as key to many of the featured homespun constructions filtered through state of the art dsp filters, but also as an applicable non-definition of those artists who “offer variable resistance in how they are defined and the positions they occupy in a broader cultural context, fragmented, and dispersed among remote cities and divided by enormous physical and psychological space.”

within this disc, the australian aesthetic finds itself reflecting a number of ideas previously mined throughout the history of electronic music from mego’s fascination with the streaming micro-textures of digital fragmentation to metamkine’s conceptual riddles within their cinema pour l’oreille series to the brazen noise-junk collages from merzbow and otomo yoshihide. yet, variable resistance resolves its uniqueness by smashing these references with brutish noise and demonstrative force applied to the stereotypically delicate sensibilities of electro-acoustic composition. for instance, samartzis’ collages of environmental, plundered, and digitized sound meld into psychologically abrasive narrative scalded by toxic agents; pimmon transforms agitated chunks of granular synthesis into cybersonic lullabies; and david brown’s jarringly angular duet between a prepared guitar and a squeaking door stands as a steroid injected homage to pierre henry’s musique concrete classic variations pour une porte et un soupir. along with samartzis, brown, and pimmon, variable resistance also features exclusive compositions from oren ambarchi, robbie avenaim, philip samartzis, xonk, thembi soddell, darrin verhagen, and delire.

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$10.01

back in stock as of
december 3rd, 2008

first in stock on
may 27th, 2006


threads:
field-recordings
electro-acoustic-composition
site-specific

room40 (australia) #edrm405 cd

incidental amplifications” compact disc

  • chris watson - runway o2e
  • domenico sciajno - twc
  • le grand jeu - middle class guilt
  • camilla hannan - part 3 (edit)
  • terre thaemlitz - millennial muzak
  • joe musgrove - broken in search
  • brandon labelle - off site
  • aaron ximm - sales_pitch_phase
  • dzo - untitled
  • m.rösner - may0105
  • daniel blinkhorn - resource14
  • mathieu ruhlmann - rest
  • blake stickland - brecker (for curd duca)
  • thembi soddell - watching
click the play button to hear an excerpt of "thembi soddell - watching"
compilation of variations on themes of preserving/capturing/processing “subliminal” environmental sound... we’re not talking about yr average acoustic ecology exercise here but more the hidden nature sounds in city-locations otherwise rife with the sounds of commerce, transportation, etc... the clarion call of watson’s opening piece (a bird squawks away in defiance as a boeing fades from the background to the fore in the right channel, takes off, then disappears in the left, seemingly having no affect on our fine feathered friend whatsoever...)

includes contributions from heavies chris watson and brandon labelle alongside excellent work from m.rösner, domenico sciajno, aaron ximm and others. a veritable phonographer’s delight...
room40 press release...
for most of us, our every waking moment (and even those where we are unconscious) is surrounded by sound. from the obnoxiously pitched alarm tone that raises us from slumber to the muted sounds of night-time traffic that merge with natural nocturnal transmissions; there is always sound.

as a society we have increasingly sought to augment and indeed control the environments around us. all manner of tools have been utilised in this ongoing war against the unfamiliar, the unexpected and the "undesirable". as well as a variety of visuals cues, sound is progressively used to colour our surroundings with a variety of aural hues.

the twentieth century brought with it an unparalleled use of artificial sound in the form of george squier's muzak - a creation designed to enhance (and perhaps determine) amongst other things our "urban/social/shopping" experience. for decades, no mall or place of substantial commerce was complete without the dulcet tones of muzak. to many it would seem that there is a world of difference between the bleating high frequency sounds of an indian marketplace and multiple channels of mid-tempo instrumental music filling our shopping malls; however the ability for sound to draw and focus our attention is universal and well documented.

but what of the remaining sounds? the incidental sounds that muzak tries (and often fails) to mask. it's within these sound fields that curators lawrence english + lloyd barrett sought to collect artists who were working with and celebrating these incidental aspects of our sound world.

previous artist:
 so so many white tigers 
...and that's everything in stock featuring thembi soddell.
(why not take a look at the previous and next artists?)
next artist:
 soft shoulder 
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