| $12.01
new to stock as of
may 14th, 2007
threads:
modern-psych
minimalism-drones
digital-musics
|
| | | music fellowship (usa) #mf 14 cd 1 mile north / colophon / the wind-up bird “conduction. convection. radiation.” compact disc - 1 mile north - east coast harbor
- 1 mile north - ashes & dust
- 1 mile north - silence the deaf
- colophon - watching josi die
- colophon - texas heat
- colophon - vicodin dream / josi's last stand
- wind-up bird - violin & trumpet
- wind-up bird - voice & sine wave
- wind-up bird - voice & bells
- wind-up bird - guitar & bass
| | click the play button to hear an excerpt of "wind-up bird - voice & sine wave" |
| | really nice comp. of music by three artists; 1 mile north (the synth duo of jon hills and mark bajuk), colophone (tarentel’s prolific jeffre cantu-ledesma), and greg davis’ recent tour-partner & sun circle bandmate the wind-up bird (aka joe grimm) |
| | music fellowship press release... |
| 1 mile north / colophon / the wind-up bird
conduction. convection. radiation. cd [mf14]
named for the scientific terms that define the three methods of heat transfer, conduction. convection. radiation. is the third edition in the music fellowship’s triptych series, which combines ep-length recordings from three like-minded bands on a single cd. electronic, minimalist, and post-rock music is much maligned for being ‘cold,’ implying the style of composition is more rooted in technique and complexity than the heart. conduction. convection. radiation. combines three artists who destroy that stereotype.
1 mile north is jon hills on guitar and mark bajuk on synthesizers. hills' ability to shape subtle melodies out of abstract structures blends beautifully with bajukís masterful playing of a diverse collection of analogue synthesizers.
colophon is the solo project of tarentel’s jefre cantu. colophon’s music builds off cantuís droning guitar work in tarentel, but deconstructs it, leaving only the bare essence.
the wind-up bird is joe grimm sometimes accompanied by jeff smith. on their 2nd album, whips, on the music fellowship, grimm used his powerbook, guitar, vocals, violin, and horns to musically interpret a post-breakup voicemail message, creating a luxuriant dark dream and a revelatory song suite. |
|
|