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previous artist:
 fursaxa 
there are 2 titles featuring tetsuo furudate in stock.
they are listed below.
next artist:
 marco fusinato 
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 $13.44

back in stock as of
june 17th, 2009

first in stock on
november 18th, 2003


threads:
harsh-noise
electro-acoustic-composition
digital-musics
modern-composition

file under:
sound-research
23five incorporated (usa) #23five 003 cd

tetsuo furudate / zbigniew karkowskiworld as will ii” compact disc

  • part i (24:19)
  • part ii (29:00)
23five incorporated press release...

tetsuo furudate & zbigniew karkowski
world as will ii
23five003, compact disc

23five incorporated proudly presents the launch of the 23five series of recorded sound works. founded in 1993, 23five incorporated is a nonprofit organization dedicated to the development and increased awareness of sound works in the public arena, and to the support and education of artists working with and discussing the medium of sound. for the past 9 years, 23five incorporated has remained at the forefront in bringing the most adventurous elements of sound art to the san francisco bay area. 23five has served as an important benefactor to artists such as john duncan, francisco lopez, achim wollscheid, matt heckert, atau tanaka, and many more. the first in 23five’s series of recordings comes from tetsuo furudate and zbigniew karkowski, entitled world as will 2.

the world as will collaborations between composers tetsuo furudate and zbigniew karkowski reflect their mutual adherence to the principles of the 19th century thinker arthur schopenhauer, who had demonstrated a necessarily pessimistic philosophy within the comprehensive four volume set entitled die welt als wille und vorstellung (world as will). it is the opinion of furudate and karkowski that “will keeps creating the world and history, will creates human tragedies, causes chaos and is the primary source of creation.”

schopenhauer purported that scientific explanation can never do more than systematize and classify that which appears to be reality, and instead offered the theory that reality could be understood through the objectification of the individual will, as the capacity for consciousness to bring reality into being. it is a mistake, however, to assume that schopenhauer implied that will equates only as force. nevertheless, if each individual shapes their desires and understandings through the force of will, then social relationships are based upon a network of self-defining acts; thus, human suffering is not symptomatic but inherent to society as a whole. for schopenhauer, morality is the denial of the force of will, and should be eschewed in favor of the will as the primal creative force even at the inevitable price of existential pessimism.

almost 200 years later, furudate and karkowski have forged a collaborative sound that builds upon these principles, highlighting that their synchronized wills can unleash an infernal majesty through the cruel manifestation of electronic sound. drawing also from the acknowledgement of schopenhauser’s influence upon richard wagner’s vigorous operas, furudate and karkowski have centered world as will 2 almost exclusively upon samples of karkowski’s little heard orchestral work and wagner’s masterful götterdammerung. augmented through the crucible of digital processing, these electronic samples of vivid polyphony found in the masculine crescendos of orchestral sound take a violent turn towards the realms of militant noise. world as will 2 results in an unrelenting soundtrack of expressive power and will, shaped within arenas of sound.

tetsuo furudate is a japanese based composer who has dedicated himself to the dynamics of noise. zbigniew karkowski is a polish-swedish composer presently working in tokyo, japan, having worked extensively within the experimental noise scene during the past 11 years. along with furudate, karkowski has collaborated with francisco lopez, merzbow, pita, helmut schaefer, aube, john duncan, the hafler trio, cm von hausswolff, ulf bilting, and many others. he has performed at countless venues and festivals across the globe, including 23five’s most recent activating the media festival earlier this year.

founded in 1993, 23five incorporated is a nonprofit organization dedicated to the development and increased awareness of sound works in the public arena, and to the support and education of artists working with and discussing the medium of sound. for the past 14 years, 23five incorporated has remained at the forefront in bringing the most adventurous elements of sound art to the san francisco bay area. 23five has served as an important benefactor to artists such as john duncan, christina kubisch, francisco lopez, achim wollscheid, matt heckert, zbigniew karkowski, atau tanaka, and many more.

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add this item to your
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 $15.51

back in stock as of
april 26th, 2013

first in stock on
may 4th, 2009


threads:
modern-composition
digital-musics
electro-acoustic-composition
harsh-noise

sub rosa (belgium) #sr 282 cd

zbigniew karkowski / tetsuo furudate / zeitkratzerworld as will iii” compact disc

  • mergence
  • below the demarcation
  • mix white
sub rosa press release...
world as will iii
zbigniew karkowski & tetsuo furudate
performed by zbigniew karkowski, tetsuo furudate & zeitkratzer
sr282

ww3 : the listening experience

it can be hard for musicians to read the prose of people who think they are entitled to write about this very intimate experience : listening to music. in fact, writing about music is a wager you cannot really win. what can you base your writings on ? your personal impressions ? your understanding of the work? at least try to describe the music ? what is being revealed when our mind sticks to the materiality of sound ? obviously, conveying one's personal experience is the difficult aspect.

the only thing i ever wrote about karkowski's music is this: as many of karkowski's pieces, this is a highly delicate yet physical work, which can be seen as an ode to loudspeakers. this sentence applied to execution of intelligence (2004), a piece produced for volume 3 of the anthology of noise and electronic music. however, i won't get away with this sole formula this time around.

mergence, below the demarcation and mix white conclude the world as will project, started ten years ago, the result of a collaboration between zbigniew karkowski and tetsuo furudate. the first piece arises from an infrabass ocean to crudely develop through a series of distant explosions, percussive energy, and short open cuts. as a whole, the structure is reminiscent of a slow crawling process. tremors follow (with karkowski, something always ends up shaking). for me, the second piece is both the imprint and the development of the first one. furudate's contribution to this joint venture is also easier to grasp. a menace passes by, and we are glad to remain hidden in our hole, letting the beast move along in short bursts (it must be rusty, metallic, torn, scorched).

commissioned and performed by the berlin-based ensemble zeitkratzer, the third piece provides a cathartic and tragic conclusion, achieving what could be called a sketch of chaos.

previous artist:
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next artist:
 marco fusinato 
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... this page was last updated on friday, may 17th, 2013 @ 8:36 am