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previous artist:
 keiichi sugimoto 
there are 8 titles featuring taku sugimoto in stock.
they are listed below.
next artist:
 suishou no fune 
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$15.78

back in stock as of
april 12th, 2011

first in stock on
january 28th, 2008


threads:
modern-composition
minimalism-drones

b-boim (austria) #b-boim 014 cd

radu malfatti / antoine beuger / taku sugimoto / taku unami / manfred werderkid ailack 5” compact disc-recordable

  • kid ailack 5 (50:15)
b-boim press release...

b-boim 014
kid ailack 5 [2007]
for baroqueflute, trombone, mouth-organ, guitar and laptop

antoine beuger – baroqueflute
radu malfatti – trombone
taku sugimoto – guitar
taku unami – laptop
manfred werder – chinese mouthorgan

recorded live in tokyo by taku unami 24 11 2007

to taku

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$11.76

new to stock as of
january 19th, 2010


threads:
guitar-themed
free-improvisation
electro-acoustic-improvisation

corpus hermeticum (new zealand) #hermes 036 cd

tetuzi akiyama / taku sugimoto / bo wigetperiodic drift” compact disc

  • untitled (1) (6:52)
  • untitled (2) (2:44)
  • untitled (3) (3:21)
  • untitled (4) (4:30)
  • untitled (5) (2:29)
  • untitled (6) (5:23)
  • untitled (7) (3:19)
  • untitled (8) (6:30)
  • untitled (9) (5:59)
  • untitled (10) (1:37)
2001 release ; studio recordings (done in tokyo in april, 1999) from the guitar / guitar / cello trio of tetuzi akiyama, taku sugimoto, and bo wiget (respectively) ...

one of akiyama’s earliest recorded appearances, released concurrently with his “relator” set ; alternating between acoustic & electric (in accord with sugimoto’s electric throughout) he’s never sounded better ...
corpus hermeticum press release...

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$13.44

back in stock as of
november 15th, 2011

first in stock on
november 20th, 2010


threads:
modern-composition
guitar-themed
electro-acoustic-composition

erstwhile (usa) #erstwhile 061 cd

michael pisaro / taku sugimoto2 seconds • b minor • wave” compact disc

  • 2 seconds (20:00)
  • b minor (20:00)
  • wave (20:00)
november 2010 release ; interesting, challenging disc of discretehappy accidentrealizations of compositions from wandelweiser’s michael pisaro & improviser taku sugimoto (discrete as in pisaro takes one of the stereo channels, sugimoto the other) recorded on different continents then combined w/o each players’ knowledge of the othersperformance ...
erstwhile press release...

michael pisaro/taku sugimoto - 2 seconds / b minor / wave

erstwhile 061
total time: 60:04

michael pisaro and taku sugimoto are not generally closely associated, but have quite a bit in common. both are composers whose primary instrument is the guitar, both have close ties to the wandelweiser collective (pisaro is a longtime member), and both have pursued their unique paths without much concern as to how the rest of the world will perceive them. 2 seconds/b minor/wave marks their first collaboration, but these aesthetic overlaps allow their independently conceived recorded parts to fit together remarkably naturally.

michael pisaro has been associated with the wandelweiser collective since just after their formation in the early nineties. the departure points for his music were john cage's ideas of the durational frame, ben johnston's work with alternate tunings, christian wolff's opening of the relationship between composition and performance, and alvin lucier and james tenney's use of scientific hypotheses to explore sound phenomena. pisaro has spent much of the last decade making field recordings, and occasionally using them in his work. much of his recent composition, and especially the work with his primary collaborator, percussionist greg stuart, has concerned the massing and then the spatialization of sound to create 'homemade' environments. pisaro lives in southern california, teaching at the california institute of the arts, running the experimental music workshop, and curating his own recently launched recording imprint, gravity wave. this is his first recording for erstwhile.

currently sugimoto's interest focuses on composition and its performance, rather than improvisation. with taku unami and masahiko okura, sugimoto organizes the almost-monthly chamber music concert at loop-line and the irregular taku sugimoto composition series at kid ailack art hall, both in tokyo. he runs the label slub music, which in addition to sugimoto's own recordings has released cds by other japanese musicians as well as wandelweiser mainstays radu malfatti and antoine beuger. he has just issued the first four discs compiling the abovementioned composition series, a strong statement on two double cds documenting his work over the past few years. this is his second recording for erstwhile after 2000's seminal the world turned upside down, and he also took part in the amplify 2002 festival in tokyo and is featured on the box set of that event.

2 seconds/b minor/wave is a long distance collaboration, with each musician composing and recording their own parts, before hearing what the other had done. pulse, pitch and wave were the three areas they wanted to explore on the three pieces, and  loose rules/guidelines were agreed on beforehand, as follows: '2 seconds' was a unit of pulse, either as a basic unit or a point of departure; 'b minor' was a key, with sugimoto playing harmony and pisaro playing melody: and 'wave', with no further details, simply whatever that word brought to mind. this was the extent of the specific discussion between the two, and thus the entirely fluid melding of the results is a testament to their deep understanding of the other's aesthetic/s. yuko zama's intuitively empathetic design is a perfect symbiotic fit for the music contained within. 

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$13.44

back in stock as of
november 15th, 2011

first in stock on
december 18th, 2003


threads:
electro-acoustic-improvisation
guitar-themed

erstwhile (usa) #erstwhile 005 cd

keith rowe / günter müller / taku sugimotothe world upside down” compact disc

  • phase two   (34:44)
  • phase one   (22:11)
erstwhile press release...
keith rowe: tabletop guitar, electronics
günter müller: electronics, selected drums
taku sugimoto: guitar


keith rowe and günter müller are both prominent members of the european improv circuit. rowe, who is best known for his groundbreaking work with amm (the seminal improvising collective he co-founded in 1965 with eddie prévost and lou gare), also currently leads the music in movement electronic orchestra, an all-star group featuring many of europe's premier electronic musicians. müller has released numerous records on his for 4 ears label, including recent collaborations with voice crack, otomo yoshihide, jim o'rourke and erik m. taku sugimoto is best known for his gorgeous solo cd, opposite (hat noir), for his projects with kevin drumm (on meme and boxmedia), and as a prominent figure in the japanese improvising underground.

the world turned upside down documents their first meeting as a trio (and the first meeting ever between rowe and sugimoto), captured in vivid detail in concert at les instants chavirés in october of '99. the performance builds upon sugimoto's guitar reflections, with rowe and müller slowly tracing jagged spirals around his ever-evolving line. much like an amm performance, this is a journey with no discernible beginning or end, striking a precarious balance between tranquility and turbulence. the front cover was painted by rowe, and the gorgeous drawings and calligraphy which adorn the rest of the package come from a tour diary kept by masae tanabe.

"the trio evolves into an electroacoustic ecosystem of insect chirps, bog-creature glissandi and sugimoto's lone guitar qua guitar, whose ghostly presence soaks the proceedings with a sober grace. no strangers to the art of palpable restraint, the participants create a masterpiece of understatement in an idiom as unforced as it is entrancing." - robert lim

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$13.42

back in stock as of
january 26th, 2010

first in stock on
april 26th, 2007


threads:
modern-psych

vhf (usa) #vhf 084 cd

lholy letters” compact disc

  • cold was the ground (4:43)
  • blues trip #1 (5:00)
  • blues trip #2 (2:15)
  • blues trip #3 (6:39)
  • utusimi (3:31)
  • holy letter (9:27)
  • benares blue (3:15)
  • blues trip #4 (1:05)
  • troll (7:46)
  • blues trip #5 (4:02)
  • kiev (5:50)
  • azrini (2:28)
  • harvest (5:14)
  • troll (alternate) (7:39)
vhf press release...
vhf#84 l holy letters cd

all selections composed and arranged by l except "cold was the ground" composed by blind willie johnson, arranged by l

all selections performed by l: 6 string guitar (2, 5, 6, 8, 10), 12 string guitar (4, 7, 9, 11), bottleneck guitar (1), prepared guitar (3), bass guitar (2, 4, 5, 7, 9, 10), vibes (1, 2, 6, 7), drums (2, 5, 6, 7, 9, 10), assorted percussion (3, 9, 10, 11), tam-tam (3, 4), organ (5, 7, 10), harmonium (6), didjeridu (4, 5)

electric guitar on "troll" by taku sugimoto,
cello on "holy letter" by masaaki motoyama

holy letters is a barely-circulated masterpiece of deeply felt self-expression. recorded in 1989/1990 by hiroyuki usui, holy letters beautifully captures the spirit and substance of a half-dozen of the key sub-underground pillars of sound. working with guitar, vocals, vibes, harmonium, bass, drums, cello, field recordings, digeridoo, and more, usui-san blends delicate folk, psychedelia, and experimental sounds into a mostly subdued but undeniably glowing suite.

the layered but careful instrumentation on tracks like the epic "holy letters" and "troll" backs the alternately plain-spoken and crooning vocals perfectly. odd touches like snatches of throat singing and bowed vibraphone leap out of the mix at just the right time.

there are overt references to the blues (the first track is an oblique cover of "cold was the ground") - but other than the occassional slide guitar touch, the connection is overwhelmingly in the timeless feeling and atmosphere. i can hardly think of anything else like "holy letters," but suffice to say if you like richard youngs, popol vuh, six organs of admittance, tim buckley, acid-folk, japanese underground - anything like that - this is an essential purchase. really, i'm not doing it justice.

holy letters was self-released by hiro in 1994, primarily to be given away to friends. a handful of copies were sold via tokyo's modern music/psf operation in japan and by forced exposure in the us, but other than that, it disappeared completely. hiroyuki usui's name pops up in several intriguing places in the apparently still underdocumented japanese underground lexicon. while he now concentrates mostly on digieridoo (and his profession of garden design), he once played drums in fushitsusha (late 70's/early 80's), a-musik (with the legendary vocalist phew), marble sheep, and several other true-underground outfits.

the cd includes the entire cd and 7" from the original package, plus an alternate version of "troll" from the original sessions. the reissue is in a gatefold folio with a 20 page booklet including previously unpublished photos and new liner notes by hiroyuki usui and ben chasny (included in both japanese and english).

14 tracks, 69 minutes

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$12.01

new to stock as of
february 16th, 2008


threads:
concert-recordings
electro-acoustic-improvisation
experimental-instruments
minimalism-drones

w.m.o/r (germany) #w.m.o/r 09 cd

taku sugimoto / yasuo totsuka / mattintraining thoughts” compact disc

  • training thoughts (65:48)
another set of borderline-audible improvisation ; this time from the trio of taku sugimoto (guitar), yasuo totsuka (a relatively unknown performer; i love what he’s doing here with the faint environmental sounds from what must be an extremely noisy tokyo neighborhood), and mattin (amplifying bits of the laptop itself) ...
w.m.o/r press release...
taku sugimoto, yasuo totsuka & mattin
training thoughts
w.m.o/r 09 cd

a trio performance by mattin, sugimoto (guitar), and totsuka (electronics) was recorded at the record shop enban, near koenji station, tokyo, during mattin's japan tour. the first several minutes were filled with noises from trains and the audience. then were high-frequency noises with complex overtone structures, namely the rotation noise of the laptop fan; and an electronic sound like the noises made by crawling insects. the electronic sound, which went outside the audible range, mondulated the fan noises. this kind of performance of performance is specific to totsuka, who used to modulate environmental sounds in live performances. these effects were combined with electronic sounds within the audible range, which corresponds to a high-frequency variant of the continuous transformation between low-frequency oscillating tones and pulses presented by stockhausen in "kontakte." whne the fan noises were about to fade away, the sounded quite lyrical. then train noises came back in, and sugimoto subtly responded with single dry notes. in summary this recording opened a new chapter in quiet improvisation by introducing environmental sounds as essential elements.

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$16.81

back in stock as of
december 6th, 2011

first in stock on
february 27th, 2008


threads:
guitar-themed
free-improvisation

 best of 2008 !!! 
weird forest (usa) #weird 042 lp

taku sugimotomienai tenshi” long playing record

  • mienai tenshi (1)

  • mienai tenshi (2)
... to-the-letter reissue of taku sugimoto’s debut self-released lp, dating back to 1988, long before his “side guitar” conceptions entered the fray ... and this is about as dis-similar from his delicate, latter-day work as you could possibly imagine ; instead a pair of room-recordings of masayuki takayanagi-lineage electric guitar/amp histrionics, echoing the work of high rise’s munehiro narita ...

sugimoto’s cippolina-esque vibrato is something of a surprise, although in an earlier incarnation of his signature move, the lp does in fact start with the setup of the piece; amp buzz, guitar being plugged in, then the resulting melée ...

very glad to have this window into sugimoto’s soul open once again ...
weird forest press release...

taku sugimoto mienai tenshi lp

this is taku sugimoto's very first solo release originally released in 1988 by the artist himself in a small edition of 100 copies. its a far cry from his current style. back then taku was very much influenced by mc5 and the velvet underground. this is a firey live in-the-red solo electric guitar improv blowout! fans of masayuki takayanagi and high rise take heed! mastered from the original reel-to-reel tapes. faithful reproduction of the original insert and the debossed handmade covers.

limited to 500 copies.

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$21.09

new to stock as of
march 2nd, 2009


threads:
modern-psych
sound-art
minimalism-drones
guitar-themed
field-recordings
electro-acoustic-composition
musique-concrète

 best of 2009 !!! 
xing-wu (malaysia) #xw 5001 cd

insight • xing-wu compilation” double compact disc set

  • climax golden twins - relinquish (4:47)
  • reynols - rasoyo jisos repuliom alfrazado (6:06)
  • toshimaru nakamura - preset #4 (nimb#28) (7:18)
  • zai de - ni-be (6:38)
  • volcano the bear - clayslaps (6:01)
  • yandsen - jargon (6:00)
  • tetuzi akiyama - sword (5:52)
  • thuja - untitled (4:39)
  • carl stone - swad (4:07)
  • tham kar mun - copula (6:12)
  • oren ambarchi - freeze out (8:30)
  • eric la casa - s'ombre part 3 (3:13)

  • jeph jerman - grackles (5:43)
  • loren chasse - script lichen (4:02)
  • eric la casa & jean-luc guionnet & dan warburton - music station (5:36)
  • taku sugimoto - bells 2 (6:07)
  • yin pin - psalm 3:4 (6:42)
  • axel dörner - marchlai (7:56)
  • anthony pateras & david brown - duet (as yet untitled) (4:10)
  • janek schaefer - maison a bordeaux (9:15)
  • andrea neumann - innenklavier (3:15)
  • yannick dauby - formless walking (5:41)
  • matt shoemaker - pantai ayu (5:56)
  • mnortham - epidermal filigree (5:40)
  • lee kwang - stormy weather (4:33)
2004 release ; first global transmission from the kuala lumpur-based “experimental musicians and artists co-operative malaysia” , whose various members contribute 5 of the 25 tracks herein ...

the other 20 are from a who’s who of the int’l sound-research circuit and are of phenomenally high quality (the exoticity of the label’s point of origin must have been a contributing factor in getting all involved to contribute vital examples of their work instead of 2nd-tier comp-track dreck) ...

what i’m finding the most enjoyable about this set is the curatorial aspect ... the wide variety of approaches and fidelities on display somehow all blur boundaries in a highly listenable fashion (i.e. instead of segueing the work of like-minded auteurs into dovetail-like situations, the digital pieces morph into the analog into the lo-fi into the composed into the improvised ... many labels could learn volumes from the sequencing of this record alone), making this amongst the first comps to have a “soul”, so to speak...

completely essential listening, one of my favorite comps from recent times ...
xing-wu press release...


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next artist:
 suishou no fune 
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... this page was last updated on saturday, february 11th, 2012 @ 6:08 pm