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 stewart dempster 
there are 3 titles featuring stuart dempster in stock.
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$48.78

back in stock as of
november 7th, 2008

first in stock on
june 22nd, 2007


threads:
modern-composition

mode (usa) #mode 161-3 cd

luciano beriothe complete sequenzas and works for solo instruments” quadruple compact disc set

  • sequenza i for flute (1958) performed by paula robison (7:56)
  • sequenza ii for harp (1963) performed by susan jolles (10:14)
  • sequenza iii for woman's voice (1965) performed by isabelle ganz (8:46)
  • sequenza iv for piano (1966) performed by aki takahashi (12:05)
  • sequenza v for trombone (1965) performed by stuart dempster (5:02)
  • sequenza vi for viola (1967) performed by garth knox (13:16)
  • sequenza vii for oboe (1969/2000) performed by jacqueline leclair (7:36)

  • sequenza viii for violin (1976) performed by irvine arditti (13:10)
  • sequenza ixa for clarinet (1980) performed by carol robinson (16:04)
  • sequenza ixb for alto saxophone (1981) performed by kelland thomas (13:50)
  • sequenza x for trumpet in c and piano resonance (1984) performed by william forman (15:16)
  • sequenza xi for guitar (1987-88) performed by seth josel (18:42)

  • sequenza xii for bassoon (1995) performed by noriko shimada (17:07)
  • sequenza xiii for accordion "chanson" (1995) performed by stefan hussong (10:10)
  • sequenza xiva for cello (2002) performed by rohan de saram (11:38)
  • sequenza vib for cello (1981) performed by rohan de saram (15:34)
  • sequenza viib for soprano saxophone (1995) performed by ulrich krieger (7:39)
  • sequenza ixc for bass clarinet (1980) performed by alain billard (13:37)

  • sequenza xivb for contrabass (2004) performed by stefano scodanibbio (12:56)
  • rounds for harpsichord (1964-65) performed by jane chapman (2:08)
  • gesti for recorder (1966) performed by lucia mense (5:20)
  • fa-si for organ (1975) performed by gary verkade (9:47)
  • les mots sont allés... for cello (1978) performed by rohan de saram (4:03)
  • lied for clarinet (1983) (5:04)
  • comma for e-flat clarinet (1987) performed by carol robinson (1:34)
  • psy for contrabass (1989) performed by michael cameron (1:57)
  • chanson pour pierre boulez for cello (2000) performed by rohan de saram (2:46)
  • gute nacht for trumpet (1986) performed by brian mcwhorter (1:04)
mode press release...
luciano berio
the complete sequenzas and works for solo instruments
mode 161-163 (4-cd set)

all sequenzas are preceeded by verses of edoardo sanguineti performed by enzo salomone

luciano berio greatly enriched the repertoire for solo instruments and voice with his series of sixteen sequenzas and works such as psy, gesti, rounds and fa-si. written between 1958 and 2002 and spanning almost five decades of berio's creative career, these solo compositions reflect some of his most crucial aesthetic ideas and compositional techniques.

the first complete recording of the sequenazs: this set includes the world premiere recording of sequenza xiv for solo cello, written for ex-arditti quartet cellist rohan de saram, who performs the sequenza here.

the first complete recording of the alternate sequenzas: at the request of many soloists, berio arranged several of the sequenzas for alternate instrumentation. this set compiles all of berio's alternate sequenzas for the first time, also with some first recordings.

plus all of berio's works for solo instruments: also collected together for the first time, berio's solo works and personal arrangements (with the exception of those for solo piano, which would be a full cd in itself) are included.

berio was good friends with the italian author edoardo sanguineti, who began writing the verses for individual sequenzas in 1994. in performance, each verse can be recited before its respective sequenza. all of the sanguineti verses are presented here before each sequenza, as performed by the distinguished italian actor enzo salomone.

an international all-star cast of performers: mode had the good fortune to begin this set with the help of mr. berio, who suggested some of the performers here. they include members of the arditti quartet and ensemble modern along with other distinguished soloists.

104-page book of extensive notes and biographical information packaged with 4-cds in deluxe slipcase.

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$14.62

back in stock as of
december 22nd, 2010

first in stock on
november 28th, 2007


threads:
1970s-electronic
electro-acoustic-composition
modern-composition

new world (usa) #nw 80457 cd

donald erbdrawing on the moon” compact disc

  • ...and then toward the end... (8:29) 1971
  • cenotaph (for edgard varčse) (7:49) 1979
  • woody (11:05) 1988
  • symphony for winds (10:05) 1989
  • drawing down the moon (15:04) 1991
...mainly for “...and then toward the end...” for trombone and tape; more than capably performed by stuart dempster ...
new world press release...
donald erb’s mature style—encompassing elements of jazz, electronic music and serialism within traditional forms—is captured on this recording of five wind ensemble and chamber works dating from 1971 to 1991. when asked what he tries to achieve through his music, erb responds, “the clarity of classical music, the passion of romanticism, and the freedom of jazz.” that succinct response pretty much captures the essence of these angular pieces, scored for winds, brass and percussion, unmollified by strings. improvisation, or at least its quality of spontaneity and unlimited choice, is incorporated. the ensemble pieces develop massive walls of sonority and crushing climaxes while solo passages push instrumental boundaries and the limits of the players’ capabilities in terms of range and technique.

university circle wind ensemble
gary ciepluch; stuart dempster, trombone
ross powell, clarinet
jan gippo, piccolo
kirk brundage, percussion

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$13.44

new to stock as of
june 12th, 2009


threads:
doom
minimalism-drones
modern-composition
modern-psych

southern lord (usa) #sunn 100 cd

sunn o)))monoliths & dimensions” compact disc

  • aghartha (17:34)
  • big church [megszentségteleníthetetlenségeskedéseitekért] (09:43)
  • hunting & gathering (cydonia) (10:02)
  • alice (16:21)
may 2009 release ; impressive outing from an “orchestral” lineup of sunn o))), with regulars stephen o’malley, greg anderson, oren ambarchi, and attila csihar aided by a who’s who of contemporary sound, including deep listening band founder stuart dempster (!?), trombonist julian priester, steve moore, eyvind kang, dylan carlson, cuong vu, daniel menche, joe preston, rex ritter, and dozens more ...

the opener “aghartha” immediately places us in familiar territory as unison slo-mo riff-walls blast us for a good 5 minutes ... but then ensemble begins to rear it’s head ; at first all penderecki-like, then coalescing into a woozy conch-shell pattern under attila’s recitation(s) ... “big church” is a straight-up choral piece, with said buzzsaw guitars offering a rattling foundation under the angelic proceedings ... “hunting & gathering” reminds me of “grimmrobe” era sunn o))), albeit with a nice layering of analogue synths ... and finally “alice” ; were it not for the southern lord catalogue number, i could easily take the striated brass writing & penultimate drone-doom core for something out of the xi / pogus catalogue(s) ...

love that these guys, after a pretty lengthy break there, didn’t just drop “black 2” on us, but instead something much closer to the heart of the matter here @ mms ... beautifully captured long-form sound, taking cues from the 70s/80s west-coast minimalism & modern composition wave & site-specific explorations ... highly recommended !!!
southern lord press release...

sunn o)))
monoliths & dimensions

sunn o))) is proud to present their 7th studio album, after 10 years of existence, entitled monoliths & dimensions. the album showcases the core guitar duo - stephen o’malley and greg anderson - incorporating influences from a plethora of guest musicians, bringing the sunn o))) sound to epic new levels. the band also collaborated with composer eyvind kang (notable for his work with john zorn, marc ribot, bill frisell, etc.) on various acoustic ensembles, in addition to the helios fueled electric guitars and basses. key players on the album include australian guitar genius oren ambarchi, enigmatic hungarian vocalist attila csihar (mayhem, tormentor, etc.) and slow music godfather dylan carlson (earth), as well as julian priester (worked with sun ra in the 50s, john coltrane’s african brass band, and herbie hancock’s sextant band) and new-music horn player stuart dempster. there's also an upright bass trio, french & english horns, harp & flute duo, piano, brass, reed & strings ensembles, and a viennese woman's choir led by persian vocal savant jessika kenney.

the album is not "sunn o))) with strings" or "metal meets orchestra" material. the band took an approach concentrating on more of allusion toward the timbre of feedback and the instruments involved, so the piece is really illusory, beautiful and not entirely linear, stating that the end product is "the most musical piece we’ve done, and also the heaviest, powerful and most abstract set of chords we've laid to tape" the album was recorded and mixed by randall dunn & mell dettmer at various points over the last 2 years. as can be expected the packaging for this album is beautiful and appropriately compliments the audio content. jewel case is sheathed by a velum o-card. expansive 24 page booklet with velum cover and specially coated heavy-weight paper. truly a site to behold!

monoliths & dimensions is practice in density, gravity and momentum.

maximum volume yields maximum results.

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 dendoshi 
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... this page was last updated on thursday, may 24th, 2012 @ 5:23 pm