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previous artist:
 the necks 
there are 5 titles featuring seth nehil in stock.
they are listed below.
next artist:
 paul neidhardt 
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$9.24

new to stock as of
november 15th, 2005


file under:
minimal-drones
sound-research
electro-acoustic
20city (new zealand) #20city 20-9 cd

seth nehiluva” three inch compact disc

  • uva
recent release from mr. nehil, consisting of a field-recording based sound work...
20city press release...
seth nehil : uva - composed may-july 2001. objects and images, “basic materials” 1999.

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$13.34

new to stock as of
november 21st, 2006


threads:
electro-acoustic-composition
field-recordings

erewhon (belgium) #whon 008 cd

j grzinich / seth nehilstria” compact disc

  • tome gather (20:00)
  • arboreal (8:30)
  • the mirrored corner (16:15)
erewhon press release...
seth nehil & jgrzinich
stria

cdwhon008, released in may 2002, 3 tracks, 44'49".

seth nehil and john grzinich have been sound collaborators since 1994 when they began the electroacoustic ensemble alial straa. in 1998 they initiated a process of recording and experimentation that would result in a pair of full-length cds. the seed of the project originated in austin, texas with location specific recordings of found objects played by groups of people.. in the end, it had expanded into a three-year, transcontinental exchange of intensive interaction, questioning and dialogue.

the exploratory focus of stria/confluence is the idea of resonance; the phenomenon of natural vibrations that give rise to intensified or stable structures within sound bodies and fields. in the production of these works, the composers' approached resonance in both the acoustic sound behavior and the social phenomenon in group interaction and/or participation within the context of sound generating activities. it was again applied to the studio in the use of massive multiplications and layerings, resulting in deeply transforming, evolutionary sound fields.

these records extend the perspective elaborated by both artists through their previous solo and collaborative work (as can be heard on seth's releases on kaon, alluvial and 20 city, or john's duet with mnortham on staalplaat and orogenetics). these works further an interest in physical materials and natural acoustics which are consequently composed into imbedded, altered and engaging structures. taking form with the integrity of a living organism, these pieces invite the listener to find his way through the reticulated and stratified development of a subtly unfolding, organic sound-body.

stria and confluence are being released concurrently on erewhon (belgium) and intransitive recordings (us).

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$12.61

back in stock as of
september 9th, 2010

first in stock on
may 18th, 2003


threads:
electro-acoustic-composition
musique-concrète

file under:
sound-research
sedimental (usa) #sed 026 cd

olivia blockpure gaze” compact disc

  • pure gaze (27:23)
sedimental press release...
pure gaze was composed, recorded and mixed by olivia block july 1997-may 1998.

additional musicians - j

eb bishop: trombone
kyle bruckman: oboe, english horn
mike flake: clarinet
mark fry: trombone
christie vohs: bass clarinet, clarinet

recorded at splinter group studio in chicago by rob drinkwater. field material recorded at black lake and in echo canyon amphitheatre, nm with seth nehil and in the upper peninsula, mi.

the debut release from the talented chicago-based composer olivia block. in the few short years of her re-location from austin, texas to chicago she has become a noted figure within its underground and experimental circles performing at the women's avant fest (lounge ax) in '97, the eye of the ear sound festival (links hall) in '98, and women mixing in sound festival(artemesia gallery) in '98, as well as playing trumpet for a palace bros. project and collaborating in live performance with pauline oliveros.

block is an electro-acoustic and modern instrumental composer whose recorded compositions combine layered, processed wind and string instruments with processed sounds from sections of field recordings she has collected from various natural landscapes. her performances include minimalistic scored musical sections played live by a quintet accompanied by taped material , often sounds of field recordings, or the same quintet previously recorded and electronically manipulated. block herself "plays" found objects and instruments (trumpet). the resulting surrealistic sonic landscape and the contrast between these elements create a paradoxical element to the work. in all of her recent works she emphasizes comparisons between organic or "real" sounds and electronic ones, and she demonstrates how electronic technology imitates natural evolution using similar sounds from both worlds. she also explores the difference between "sound" and "music" and the creation of experience through emotional, subjective or intellectual, objective means.

olivia block is self-taught, and began her process in the art-pop band the marble index, where she sang, played guitar, and created abstract tapes for parts of the songs. she left the band in 1995 and began concentrating on electro-acoustic compositions. soon after she joined alial straa, an improv-and experimental group with john grznich and seth nehil. the trio held site specific performances around austin using sounds that existed at the site and homemade instruments. among her influence she cites feldman, ligeti, conrad, g. toniutti, gagaku, baca, eric b & rakim, n. roeg, a. goldsworthy and non-academic intuitively minded artists and composers.

pure gaze is olivia block's first release and sedimental feels this work will clearly place her in the realm of composers to pay very close attention to heading into the next century.

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$15.69

new to stock as of
august 18th, 2006


threads:
minimalism-drones
guitar-themed
electro-acoustic-composition

ee tapes (belgium) #ee 17 cd

the walls are whispering... volume iii” compact disc

  • shifts - vertonen 19 (7:06)
  • mnortham - moth tongue (7:23)
  • oren ambarchi - bank account blues (4:25)
  • azymbol - dementia (6:16)
  • seth nehil - knotknit (9:58)
  • eric lanzillotta - furtive skulking (5:41)
  • fear falls burning - his own in grim (8:20)
  • af ursin - kydsak (4:52)
  • yannick dauby - sanguine (5:20)
  • felix kubin - achter de schermen (4:12)
  • acid_soma - fully working (5:03)
  • contagious orgasm - let's go actively this week (4:46)
neat compilation on the belgian ee tapes label, featuring a host of exclusive material from a few mms perennials (oren ambarchi, seth nehil, felix kubin, etc...), sealed inside a fold-out 7” sleeve...
ee tapes press release...
"final part of this compilation trilogy, and maybe the most adventurous one of the series, digging further into the experimental worlds of minimal | weird | field-recordings | drones | noise | whatever… did anyone say “dark ambient” ? again we managed to gather a superb international-artistic crew :

af ursin (be)
oren ambarchi (aus – published by touch music)
contagious orgasm (jp)
yannick dauby (fr)
fear falls burning (be – aka vidnaobmana)
felix kubin (de – aka felix knoth)
eric lanzillotta (usa – ex-anomalous records)
mnortham (usa)
seth nehil (usa)
shifts (nl – aka frans de waard)
absolute newcomers acid_soma (gr)
azymbol (be)

worth a very special mention is yannick daubys track “sanguine” that won the second price on an international festival for unpublished music in taipei (taiwan)! the full metallised cd comes housed in a heavy cardboard 7” cover(colour : shiste) with gold and black offset-print." -ee tapes.

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$6.04

new to stock as of
april 2nd, 2008


threads:
printed-matter

fo a rm (usa) #foarm 1 mag

fo(a)rm • no. 1 (utility) • spring / summer 2003” magazine

  • 52 pp.
fo a rm press release...

fo(a)rm no. 1 (utility)
52 pp., 8 1/2 x 9 1/2”, saddle-stitched, textured paper cover

our inaugural issue addresses the queries and quivers of function, skittering to establish a form that can become as it moves.

offerings include robert kelly’s “the use of use” and “hymn to use”, a discussion of musical art and artifact by italian researcher/composer giancarlo toniutti, instructional poems by mark owens, diagrammatic drawings by 9-year old inventor raymond kennedy, ecstatic interventions of “inexpressible utility” by holley blackwell, a poetic investigation of typewriting drills and models by ashley edwards, a collection of essays by shanghai high school students as compiled by their teacher, jacob mitas, historical research on the gypsy moth by morgan currie, theodore holdt’s spastic, many-tounged “overthrow of cultural ferment”, noisician gx jupitter- larsen’s hybrid mission-statement and an undaunted songly pollen-poem by alicia cohen.

also included are selections from each of the editors - two essays on music, voice and containment by composer/theorist matthew marble, considerations of listening and recorded culture by sound-artist seth nehil, and bold new poems by joseph bradshaw and bethany wright.

previous artist:
 the necks 
...and that's everything in stock featuring seth nehil.
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next artist:
 paul neidhardt 
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... this page was last updated on saturday, february 11th, 2012 @ 5:53 pm