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there are 2 titles featuring seth cluett in stock.
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$13.44

back in stock as of
september 9th, 2010

first in stock on
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threads:
electro-acoustic-composition
free-improvisation
electro-acoustic-improvisation
minimalism-drones
field-recordings
digital-musics
experimental-instruments

sedimental (usa) #sed 056 cd

linda aubry bullockray of dark” compact disc

  • ray of dark (11:12)
  • stage evil (8:39)
  • line's dead (9:41)
  • navigational madness (10:42)
  • the story of mike (3:23)
  • a specific gravity (4:52)
may 2010 release ; debut release from linda aubry bullock, a long-time fixture on the boston-area experimental music scene through her various groups (including, not mentioned below, the please, a trio with hubby mike bullock & brendan murray) ...

this set’s a neat mix of throbbing industrial electronics & sound-art-lineage mood pieces (such as the vibrating-plate mechanics of the segment in the sound-sample) all played by a revolving quartet including linda, mike, ericrambutanhardiman (proprietor of the excellent tape drift imprint) & ray hare (part of the ongoing burnt hills group, along with eric) all recorded in a mix of close-mic’ed and distant room-tone fidelities that recall this heat’s “cold storage” era experiments ...
sedimental press release...

linda aubry bullock: ray of dark
sedcd056 | released in 2010 | ltd edition 500 copies

 fifty-minute compact disc housed in our unique plastic-free four color panel card stock sleeve with spine. 

 linda aubry bullock’s subtle emergence on to the boston experimental music scene in 2002 was a smile inducing surprise for those of us who knew her solely as a visual artist. it was quickly apparent however, that this was no novelty as she excelled in a range of projects with her unyielding analog electronic contributions. after seeing bullock perform many times over the years and then hearing the menacing piece “ray of dark” on the rare frequency radio program in august of 2008, we were inspired to commission her to submit a full length’s disc of material for a long overdue debut release. while lab does fly solo, she truly thrives in collaborative settings, several with her partner the composer mike bullock, and he appears here with twilight of the century. what we love about her work is its directness and purity. her electronics recall certain bleak atmospheres and sensibilities of many mid-80s post industrial artists: menacing, pulsating, and droning. her work is not overt or obvious though, instead inserting its way into your system like a deadly parasite or virus. the order of material on the disc was skillfully assembled to work as a whole in this way and we recommend listening to it rather loudly with the shades drawn.

artist statement:

twilight of the century is a collaboration between century plants (eric hardiman and ray hare) and rise set twilight (linda aubry bullock and michael t. bullock). the first 4 tracks are our reaction pieces to this performance - material taken from twilight of the century's performance on july 31, 2008 in albany, ny.  the other two pieces on this album, while not directly involving totc are related to the time that the group was forming. i feel that a specific gravity is the shadow self of totc. it was recorded by michael t.bullock during a residency at steim in amsterdam, nl in june 2009.

if i drew a venn diagram, the center would contain the story of mike, the sets being friendship, family, and places. it was inspired by a recording of seth cluett and jennifer eberhart as they were conjecturing on the origins of mtb.

artist bio:

linda aubry bullock's earliest memories include being fascinated with the sound of humming transformers, birds, and the drone of the distant television. after music composition studies at berklee college of music (ma) and bennington college (mfa), she developed a career primarily in the visual arts: porcelain, and painting. she currently creates stop motion videos under the name orangecookie image and sound. linda also performs and composes electronic music via field recordings, harp, and other sources, and has played in many settings domestically and internationally. in addition to twilight of the century, linda is part of the multimedia duo rise set twilight with michael t. bullock. layering analog and digital feedback, phonography, and projections, rise set twilight creates immersive performance installations. rise set twilight has performed at cable# festival in nantes, france; empac in troy, ny; and free103point9's radio festival nyc.  she is also a member of the new england phonographers union, a group that performs using unprocessed field recordings.

...

fossils from the sun is ray hare
rambutan is eric hardiman
all tracks mastered by bhob rainey

photos by lab paris, 2008

thanks to susanna bolle of the radio program rare frequency (wzbc newton 90.3 fm) where the piece, ray of dark premiered on 08/07/08.

and thanks my totc bandmates, mike, ray, and eric .

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$12.61

back in stock as of
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first in stock on
may 17th, 2005


threads:
minimalism-drones
electro-acoustic-composition

sedimental (usa) #sed 038 cd

seth cluettmy own thousand shatterings” compact disc

  • there is the fact of its bursting (21:42)
  • there is the fact of its pluging headlong (37:14)
  • there is the fact of its being torrential (15:10)
seth’s is a name that’s come up often, especially locally, in description of envelope-curving sound-artists, but until now i’d not heard a drop nor a lick of his work. accompanied, perhaps framed by henri michaux’s text (the package is devoid of information otherwise), “my own thousand shatterings” sets out on a voyage of gradually vaccilating organ-lineage tones, recounting (and here’s an obscure reference for you) zoltán pongrácz’s 1975 piece “egy cisz-dúr akkord tört´nete” (or “the story of a chord in c sharp major”.)

the second piece (at 37:14 the bulk of the album) flirts with audibility for quite a while before unsheathing some low-end psycho-acoustic phenomena in greater and greater number. by contrast, in the third segment rain-drenched environment comes to the fore, stays there until the album’s close.

again (much like brendad murray and a whole host of younger, contemporary sound research-assistants), eliane radigue seems to be a stepping-off point for cluett’s work (especially given the sound-set), although his approach seems to be more concerned with telling the story moment-to-moment as opposed to laying out the big picture in the liners, then having that be on your mind as you wade through the audio.

an evocative audio work that demands patience while offering a unique take on the drone-modus. fans of jim o’rourke’s early electro-acoustic music (i.e. “young person’s guide to drowning”, etc...) may find nirvana within.
sedimental press release...
sedimental is both honored and pleased to release this stunning work from new york based installation and sound artist seth cluett. we have been following seth's activity in live and in installation settings for many years now and though he is still of relatively tender age it is difficult to dismiss his vision and commitment. while it was never clear what material seth would present us despite two years of pestering on our part for the goods, one listen to this sublime cd confirmed our complete confidence. the material is in company with the finest electronic works on our label and will engage the devotees both olivia block and michael j. schumacher. this 75 minute cd is issued in a limited number of 500 copies with 8 page insert.

about the material:

my own thousand shatterings is a one hour and fifteen minute composition consisting of three sections. it is a document of my obsession with rain, though it may not be immediately apparent as to how. i love how rain varies infinitely, how the totality of it is a drone, how (much like white-noise) when it reverberates in our architecture, it pulls pitches out of the air.i love how thunder dwarfs the sound of everything for a moment, and how its sustained echo rolls spatially around us."

"the third piece is a stereo field recording, the second is a stereo documentation of a performance, the first was recorded in a studio to a mono reel-to-reel. the pitches for the first and second pieces came mostly from the rain of the third piece being played back in the resonance of my home, the speed of change in the first two pieces comes from my obsession with geological data about the kutiah glacial surge that happened in pakistan where a glacier decided to move twelve kilometers in two months. that is a very fast slow. the second piece is paced in performance by my memory of the data, the first piece is paced by my memory of the pace of the performance of the second piece. the combined pitches that came about by improvising with the frequencies originating in the field recording were then used to gently filter the field recording itself in the third piece.
"

seth cluett is an installation artist and educator living and working in troy, ny. his work has dealt primarily with the relationship between the body and sound or light as well as architecture as an extension of the body.his research focuses on the effect of sound and light wave propagation on space perception and cognition, but its not that fancy.

his work has been shown/performed at the icmc in habana, cuba and the acoustical society of america; the ica, mobius artist space, massart/nonpod in boston; the kitchen, diapason and engine 27 galleries, the knitting factory, and abcnorio in new york; the deep listening space in kingston, ny; and betty rymer gallery at the art institute of chicago, heaven, artemisia galleries and deadtech in chicago amongst others. seth's work is documented on errant bodies press, boxmedia, crank satori, and wavelet and an upcoming release on kissy records.

previous artist:
 cloudland canyon 
...and that's everything in stock featuring seth cluett.
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next artist:
 cluster 
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... this page was last updated on thursday, may 24th, 2012 @ 5:20 pm