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there are 2 titles featuring scott rosenberg in stock.
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$14.15

new to stock as of
march 17th, 2008


threads:
free-improvisation
electro-acoustic-improvisation
analogue-synth

musica genera (poland) #mg 001 cd

kyle bruckmannand” compact disc

  • and michael (4:27)
  • and jeb (4:52)
  • and jim (4:38)
  • and scott (3:22)
  • and michael (4:04)
  • and gene (2:55)
  • and jeb (8:14)
  • and michael (3:13)
  • and jim (2:52)
  • and fred (3:38)
  • and gene (4:44)
  • and weasel (7:10)
musica genera press release...
mg 001 : kyle bruckmann
and

kyle bruckmann - oboe, english horn, suona, raita
jim baker - synthesizer
jeb bishop - trombone
gene coleman - bass clarinet
fred lonberg-holm - cello
scott rosenberg - contrabass clarinet
weasel walter - percussion
michael zerang - multiple percussion

total time 54:11

mastered by: savage sound syndicate
produced by: robert piotrowicz

kyle bruckmann: as an oboist and electronic musician has become a fixture in chicago's thriving experimental music underground. with a history of conservatory training gone awry, bruckmann combines the discipline of a classical foundation with the raucous sensibilities of dada and punk in adizzying variety of artistic endeavors. he has lived in chicago since 1996, teaching and free-lancing as a classical musician while playing regularly with some of the city's most creative improvisers and sound artists, including jeb bishop, jim baker, bhob rainey, fred lonberg-holm, bob marsh, robbie hunsinger, michael zerang, guillermo gregorio, and olivia block. ongoing affiliations include ekg, an electroacoustic duo with ernst karel, the rosenberg skronktet ("anyone interested in how creative music develops will want to keep an ear on their progress," kevin whitehead, chicago sun-times), and the experimental punk powerhouse lozenge. as a member of composer gene coleman's ensemble noamnesia, he has collaborated with polwechsel and performed works by george crumb, john cage, charles ives, cornelius cardew, malcolm goldstein, and salvatore sciarrino, among others.his debut cd of solo improvisations, "entymology," available through barely auditable records, has been hailed as "an enchanting experience that expands thepossibilities (and the comprehension) of the double reed family" (françois couture, all-music guide). ekg's "shift or latch" was recently released by crank satori; lozenge's recordings are available through toyo and farrago records.

jim baker (synthesizer) has performed & recorded (as either a pianist or synthesist) in various situations which have included various people, some of whom are also on this record, and others who are not. more specifically, mr. baker has previously performed with mr. bruckmann in situations organized by guillermo gregorio, fred lonberg-holm, scott rosenberg, ernst karel, robbie hunsinger, and michael zerang.

jeb bishop plays trombone with, among others, the vandermark five, the peter brotzmann chicago tentet, the chicago-scandinavia quintet school days, and fred lonberg-holm's terminal four, as well as leading his own trio. he often plays ad hoc free-improvisation gigs in chicago and lsewhere. the chicago label okkadisk has released two cds by the jeb bishop trio, and bishop's cd 98 duets is available on the label wobbly rail.

cellist fred lonberg-holm has performed and recorded extensively throughout north america and europe. while based out of nyc, he performed in and led various ensembles including his quartet peep, anthonybraxton's creative orchestra, god is my co-pilot, and anthony coleman's selfhaters. in the late '90s,lonberg-holm relocated to chicago where he has since become heavily involved in the free music scene. his projects there include the improvisational light box orchestra, pillow, terminal 4, and the peter brotzmann tentet.

gene coleman is a composer, bass clarinetist and artistic director of ensemble noamnesia. his compositions are explorations of possible relationships between noise and what is normally called "music", as well as spatial and temporal perception. with ensemble noamnesia and the yearly festival "sound field" he has had collaborations in chicago with many important composers, including helmut lachenmann, vinko globokar, george crumb, gerhard staebler, kunsu shim, roscoe mitchell, salvatore sciarrino, malcolm goldstein, luc ferrari, karlheinz essl, mathias spahlinger, burkhard stangl, john wolf brennan, guillermo gregorio and others. in the area of improvised music, he has played in concert with evan parker, derek bailey, william parker, roscoe mitchell, jim o'rourke, mats gustafson, taku sugimoto, carl stone, werner dafeldecker, otomo yoshihide, radu malfatti and many others. his recordings include several projects with jim o'rourke and gastr del sol, as well as tony conrad, john wolf brennan and christian wolfarth, gulliermo gregorio, anthony braxton, mats gustafsonand others.

scott rosenberg is a multi-reed player and composer, and the founder of barely auditable records. over the past several years, rosenberg has performed all over the u.s. and in europe with the likes of: pauline oliveros, anthony braxton, christian wolff, helen thorington, eugene chadbourne, fred lonberg-holm, glenn spearman, dan plonsey, gino robair, chris brown, matt ingalls, brenda hutchinson, jeb bishop, luc hautkamp, ralph carney, marco eneidi, maggi payne, tim perkis, toshi makihara, and many others. he currently resides in paris.

weasel walter b. 1972 composer/multi-instrumentalist specializing in confrontation, chaos and asymmetry of form. founding member of chicago-based no wave/free jazz/death metal ensemble the flying luttenbachers (since 1991). has appeared on more than 50 recordings as a leader, band member or side person and performed more than 600 concerts throughout the u.s. and europe. has made and/or recorded improvised music with kevin drumm, fred lonberg-holm, jeb bishop, nandor nevai, jim o'rourke, michael zerang, jeff parker, ken vandermark, hal russell a.o.

percussionist, improvisor and composer michael zerang was born in 1958 in chicago, illinois. he has co-founded and performed with the musical groups liof munimula, the neutrino orchestra, trio troppo, the wonderfuls, the blue angels, sam pappas' tumbling strains, frozen lucy, the quirt quintet, musica menta, the vandermark quartet, dream cheese, the sputter ensemble, in zenith, and broken wire . in addition to these ensembles, zerang currently performs with many innovative musicians including aacm co-founder fred anderson, mats gustafsson, raymond strid, sten sandell, don meckley, jaap blonk, daniel scanlan, peter brötzmann, kent kessler, barre phillips, jim baker, hamid drake, ken vandermark, luc hautkamp, and fred lonberg-holm. he has recorded for okka disc, boxmedia, kontrans, southport, quinnah, eighth day music, garlic, and platypus, labels as well as many others.

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$14.62

back in stock as of
december 22nd, 2010

first in stock on
november 28th, 2007


threads:
modern-composition
free-improvisation

new world (usa) #nw 80572 cd

scott rosenbergcreative orchestra music, chicago 2001” compact disc

  • tehr (9:38) 2000
  • wash (9:02) 1995
  • 7x with sttm (13:36) 1997/2001
  • forgetting song (13:32) 1997
  • toys (18:34) 1996
new world press release...
"the orchestra’s main power lies in its ability to consume and transport the listener. the sheer tonnage of vibrations generated by a large ensemble cannot be replicated or approximated by mere volume or electronic reproduction. the raw acoustic phenomena of twenty-or-more instruments working together in a single space to form a single sound entity is a radical and unmatchable kinetic force.

to then add improvisation to the orchestral palette, and the implications that are posed by spontaneous music generation, is to knowingly step completely outside of the institutional orchestral tradition. it is, however, to enter into another tradition established by such pioneers as earle brown, morton feldman, anthony braxton, leo smith, muhal richard abrams, karlheinz stockhausen, john cage, and so on.
" — scott rosenberg

scott rosenberg (b. 1972) is a multi-reed player and composer focused on creating a body of work that blends experimental composition with free improvisation.

creative orchestra music, chicago 2001 is the second recording of his dark-hued, richly layered orchestral works. rosenberg conducts a 26-piece ensemble, largely comprised of leading lights of chicago’s new-music scene, in six compositions — tehr, wash, 7x with sttm, forgetting song, and toys — that incorporate elements of improvisation, including conducted improvisations in some sections.

albums like braxton’s classic creative orchestra music 1976, the large-band work of abrams, and the improv-dominated transmissions of the globe unity orchestra can all register as antecedents to rosenberg’s music in disparate ways, each using composition and improvisation in different measures. william parker’s and barry guy’s orchestras suggest that the creative orchestra is still alive and well, but unlike those composers rosenberg is more willing to let go of the jazz vocabulary while retaining its improvisational energy and edge, giving his rigorous writing an often-changing complexion. 

creative orchestra music, chicago 2001

lisa goethe-mcginn, flute
kyle bruckmann, oboe
matt bauder, jesse gilbert, paul hartsaw, laurie lee moses, todd munnik, aram shelton, reeds
todd margasak, nathaniel walcott, trumpets
jeb bishop, nick broste, trombones
megan tiedt, tuba
carol genetti, voice
nathaniel braddock, john shiurba, guitars
jen paulson, viola
chris hoffman, drew morgan, violoncellos
kyle hernandez, elizabeth kennedy, jason roebke, contrabasses
steve butters, jerome bryerton, tim daisy, percussion
jim baker, piano/synthesizer
scott rosenberg, conductor

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