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 toy bizarre 
there are 3 titles featuring sabu toyozumi in stock.
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$50.69

back in stock as of
september 19th, 2008

first in stock on
march 13th, 2008


threads:
free-jazz
free-improvisation

alm (japan) #alm urcd-2w cd

kaoru abe / sabu toyozumioverhang party” double compact disc set

  • improvisation 4 - august 5 (32:53)
  • improvisation 2 - august 5 (12:11)
  • improvisation 3 - august 5 (11:35)

  • improvisation 1 - august 5 (28:10)
  • improvisation 1 - august 13 (24:31)
click the play button to hear an excerpt of "improvisation 2 - august 5"
august 1978 recordings by the duo of kaoru abe (here on sax, harmonica, clarinet, piano, ... even guitar & marimba) & sabu toyozumi (drum-kit) ... very deluxe mini-lp gatefold packaging, including a poster ... it helps to think of this issue as a 5/12th scale version of the original lp release (at approx. 5/12th the price of said ...)
alm press release...

kaoru abe / sabu toyozumi duo overhang party 2cd [kojima]

disappointing to think that abe inevitably followed the pattern of dwindling passion which has since the beginning of time characterised the progress of and kind of human effort or endeavour, creative or otherwise. those looking for the burning early intensity here will find that the flame has all but gone out. while overhang party's two alto & alto clarinet tracks are worthwhile listening by any reasonable standard and comparable to abe's playing ca. late 1975, they lack the freshness and singlemindedness he then displayed, and are the work of a man seemingly struggling with his muse. fortunately his partner keeps things always moving forwards with a constant banter, and the two maintain an irregular, stuttering dialogue throughout the album's 90-minute duration.

taken from two dates on august 5 and 13, 1978, overhang party (i have no clues of the significance of the odd title, or how it may relate, if at all, to the contemporary japanese psych band of the same name) pairs abe with drummer and longstanding improv stalwart sabu toyozumi, a longtime presence on the japanese free scene, who played in the yoshizawa trio and probably many others settings beside; he can more recently be heard in a trio with haino and barre phillips on the two strings will do it cd on psf. abe died on september 9 (though his very last recordings can be found on the last date cd on diw), and when overhang party came out - after his death, obviously - it bore the subtitle "a memorial to kaoru abe". aside from the two tracks mentioned above, there are three more duos showcasing abe on a range of instruments - guitar, piano and marimba, with toyozumi on drums throughout - which it's certainly interesting to hear him play, but which give the album as a whole a bitsy and incoherent feel. on guitar (acoustic), abe sounds like an almost flamenco-influenced bailey, but with regular lapses into dead-end blunder that certainly won't have given derek the shakes. he's not a lot better on piano, and the marimba track is not easy listening. compounding all this is abe's apparent unwillingnes to musically acknowledge his partner's presence for lengthy periods, by either trailing off altogether for up to a minute at a time, or exclusively concerning himself with some popularly undetectable internal improv agenda. toyozumi does his best and admirably well to keep the conversation alive, but is not helped by abe's recalcitrance. 80% of the way through, right when you think it's all crashing down to shit, abe switches back to alto for a blazing finale that's well worth hanging around for.

a typically perverse finale to an existence marked by loose ends, frayings and inconsistencies. something of a sour note to end on, but whatever its taste, it comes not even close to detracting from what must be one of the more incredible lives in the history of free jazz. one can only hope that the psf, tokuma and kojima titles will prompt a broader reinvestigation of the life and music of kaoru abe, and the context in which his music was played and his life lived, a context which is one of the most enthrallingly creative music 'scenes' of the post-war world, easily one a par with comparable and infinitely more revered scenes in new york, chicago, berlin, and london, but in comparison completely submerged and largely undocumented by an oblivious media. i rank abe with jimmy lyons, ornette coleman, and any other worshipped alto master you can name, and these discs rescue and preserve the lost and bewildering heritage of abe, one of the most singular, brilliant and unconstrained spitits of that or any other decade. take a good listen and try to tell me you disagree.

- nick cain

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$12.01

back in stock as of
june 27th, 2007

first in stock on
march 20th, 2007


threads:
free-improvisation
modern-composition
electro-acoustic-improvisation

siwa (usa) #siwa 0002 cd

exias-j / sabu toyozumison’s scapegoat” compact disc

  • broadening distribution: concerto
  • shifting
  • seven
  • on bishopsgate
  • improvisations 050403
siwa press release...
scd002
sabu toyozumi / exias-j
"son's scapegoat" cd

son's scapegoat

april 2005 meeting of exias-j (experimental improvisers association of japan) and drummer sabu toyozumi.

since the late 90's exias-j have been conjoining the worlds of free music and modern composition by employing free improvisation in variously structured approaches ranging from jazz and rock rooted forms to avant-classical and performance art settings.

sabu toyozumi is a true giant of japanese free music with a history running from his involvement with masayuki takayanagi's new direction unit in the late 60's through his work with kaoru abe, peter brötzmann, takashi mizutani (rallizes denudes), keiji haino and a veritable who's who of internationally known improvisers.

there is a sonic clarity to this new studio recording that might help elucidate the underlying musical structure on the two previous live electric conception recordings (availabe on psf). that said, with one stated goal of the electric conception being the disruption of the hierarchies of instrumentation through the application of electro-acoustics this frequently creates a dense, shifting sonic mass that should make even ardent noise fans feel quite at home.

"sabu" toyozumi : drums
kondo hideaki : electric guitar
tanikawa takuo : electric guitar / pc
kanda shin-ichiro : piano
miyazaki tetsuya : electronics / pc
kawasaki jun : contrabass

with guests:
irumagawa masami : cello
karamata michio : flute / soprano saxophone
asai yuichi : trombone

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$27.37

back in stock as of
october 3rd, 2008

first in stock on
march 23rd, 2007


threads:
free-jazz
guitar-themed

tiliqua (japan) #tilar 5008 cd

masayuki takayanagiindependence - tread on sure ground” compact disc

  • the galactic system
  • sick ... sick ... sickness ... my aunt
  • study no.3 up and down
  • herdsman’s pipe of spain
  • deepnight ........ swamp
  • pirahna
  • bonus track (from “guitar workshop” february 1970)
march 2007 reissue of masayuki takayanagi’s debut studio album, recorded in 1969 with sabu toyozumi and motoharu yoshizawa.
tiliqua press release...
takayanagi masayuki: “independence - tread on sure ground

(tiliqua records - tilar-5008)new release in tiliqua records' ongoing archival series is this quintessential album by takayanagi masayuki. it was his debut recording as a leader with his newly erected unit the new directions, a trio consisting out of bassist yoshizawa and drummer toyozumi ‘sabu' yoshisaburô.

recorded at the teichiku kaikan studios on 18 september 1969 (released in 1970), independence – tread on sure ground, is largely regarded as the first true classic of japanese free jazz.

the group thrashes out an entirely new japanese methodology for improvisation based on takayanagi's theories about progressive art. as alan cummings explains in his liner notes, the group's sonic outburst is pregnant with an urgent intensity similar to a violent rotating windstorm.

an electric guitar string is pinged with a sour and markedly unlovely resonance. it is left to fade away naturally, its dying whisper replaced with a wavering feedback tone that grows steadily in volume and thickness. against the slow feedback wave, a sudden loud percussive crash, urgent staccato rolls across the toms, and the dry rasp of a rattle. a choppy, non-sequential series of chords from the guitar, still mouth-puckeringly bitter is set against the warmer resonance of an alternately bowed and plucked double bass. each instrument sounds self-contained, like lunar bodies spinning on their own axes at different tempos, but locked together by unfathomably complex rules of motion. additional percussive rattles and scrapes have been overdubbed to fill in the blank space. tendrils of feedback snake in and out, like cosmic dust from some cataclysmic celestial event. the playing is exploratory and deliberate, technically adept and keenly judged, easily sustaining interest and motion across the track's eleven minutes. its sense of focused concentration is more akin to the european free improvisation of amm or the spontaneous music ensemble than the violent ecstasies of american fire music.” (ac – from the liner notes).

the cd reissue includes also the bonus track “mass projection” which was originally issued on the compilation album guitar workshop (teichiku, 1970).

this cd is housed in a high quality mini-lp styled gatefold sleeve, completed with obi and extensive 4-paged illuminating liner notes by alan cummings. original artwork is faithfully reproduced. one time only limited pressing.

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 toy bizarre 
...and that's everything in stock featuring sabu toyozumi.
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next artist:
 transindustrial toy orchestra 
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