| $12.61
back in stock as of
january 6th, 2011
first in stock on
april 3rd, 2007
threads:
1960s-electronic
electro-acoustic-composition
musique-concrète
1970s-electronic
1980s-electronic
sound-poetry
analogue-synth
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| | | pogus (usa) #p 21014 cd rune lindblad “objekt 2 • electronic & concrète music (1962-1988)” compact disc - objekt 2 (op. 25) (9:28) 1962
- plasibenpius (op. 30) (8:15) 1968-69
- hälften av någonting (op. 38) (6:39) 1970
- frage (op. 59) (6:25) 1972
- tora (op. 67) (5:43) 1972-73
- maskinlandskap (op. 122) (7:30) 1975
- innan konsert (op. 190) (11:49) 1985
- lagun i uppror (op. 197) (9:02) 1987
- dimstråk (op. 203) (3:23) 1987-88
| | second disc of rune lindblad’s early electronic music, composed from the early 1960s through the late 1980s & released for the first time in 1988 on c.m. von hausswolff’s radium 226.05 label ... essential early bleep, processed string-scrape, & voice cut-ups of little compare ... |
| | 21014-2 cd
rune linblad - objekt 2
volume 2 of the music of rune lindblad (1923-1991). this cd consists of the remainder of the long out of print radium double lp. these works cover the years 1962-1988. lindblad, a swede began composing music in 1953. ignored by the musical establishment in stockholm, rune went his own merry way, composing over 200 works of electronic music. limited in the early years to often primitive equipment, he carved out his own musical niche. the sounds were often raw, occasionally scary.
“musique concrete was scratched, scraped, howled and pounded last night in the community building. the audience consisted of about forty people, amongst which a few visitors voluntarily payed their admission… the ”works of art” then underwent a structural analysis by mr epstein. he addressed interesting phenomenon in the noise, according to different ways of acting woodpecker on sheet iron.”
”two youngsters were officially pronunced composers. a few whistles and scrapings were percieved as interferences in the tapemachine, but it actually was the first composition, with the literary title ”essay”… of course it is embarrasing to recommend a visit to gotaverken (a ship-yard in gothenburg), but such a visit would greatly simplify the preparatory work of the noise process”.
those were citations from two reviews; the first by ake engfeldt in goteborgs-tidningen, and the second by bjorn johansson in goteborgs handels- och sjofartstidning (main newspapers in southwestern sweden). they were published on 15 february 1957, as a reaction to the first concert in sweden with concrete and electronic music, which took place the night before in gothenburg. the composers presented were bruno epstein and rune lindblad (1923 – 1991). |
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