| $13.44
new to stock as of april 2nd, 2009
threads: modern-psych lo-fi new-zealand
|
| | | soft abuse (usa) #sab 029 cd pumice “quo” compact disc - pumice quo
- world with wormsfort
- thermos in the studio
- pebbles
- whole hoof
- sick bay duvet
- dog water
- heavy punter
- battersby
- beak remedy
| finally in stock !!! the cd version of the recent tipped bowler tapes lp, about which i had to say ::
that gauzy “pumice effect” (caused by running the guitar signal [and possibly everything else] through a pair of baby monitors) is here in droves ; the songs are penultimately ramshackle in the now-familiar style (well, familiar to me ; i’ve spent the last year trying to track down everything i could by mr. neville) ...
there’s no denying that this music is 10 kinds of brilliant ; stefan’s just as likely to drop a ney-flute solo in the middle of a garage-rock stomper as ride a single chord into oblivion ... |
|
| | soft abuse press release... |
| pumice quo · sab 029
as the title self-effacingly implies, quo proffers a triumphant, primo slice of past pumiceisms: uncertain progressions, anomalous structure, inimitable guitar buzz, sublime melancholy, and distorted vocals (crooned, spoken & moaned). quo once more finds pumice cruising the convergence of pop, folk and noise strains with bona fide inner mystique. sputtering sub-underground skiffle aims for outer zones, diamond cuts of nervous guitar with pesky hooks that sting and tickle tread rough hewn punk turf, pop tangents charm with echoes of kilgour or knox, and woozy synth blurts & drones thread the patchwork patterns with hulk-like grace. with quo, neville's palette has shifted to include traces of useless hardcore, doo wop, and modern loner/lunar blues.
stefan neville, shamblin' on unhinged like a modern day hasil adkins, has been making music as pumice now for most of his life. through a steadily spewed stream of unique diy thud & ooze, mostly created on his insular own, neville has burrowed an incomparable place in the post-everything new zealand landscape, all the while making music that's his. |
|
|