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there are 5 titles featuring pierre henry in stock.
they are listed below.
next artist:
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$10.33

new to stock as of
september 2nd, 2011


threads:
1970s-electronic
experimental-instruments
analogue-synth
electro-acoustic-composition
electro-acoustic-improvisation
live-electronic
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creel pone (brazil) #cp 133 cd

pierre henryprismes” compact disc-recordable

  • ouverture / sirène (4:58)
  • continuum (4:04)
  • crépidance (5:14)
  • facettes (5:10)
  • manèges (3:04)

  • crescendo (3:22)
  • perpetuum (4:22)
  • prisme (15:15)
... previously, mr. p.c. c.p. had the wise idea to replicate the twocorticalartpierre henry titles, considered by many as the most wild & woolly amongst the french master’s vast discography ...

... personally, i’ve long been puzzled by the “corticalart iiititle ; was there a “corticalart ii” that we somehow missed ? lo and behold, here it is, in the form of a “second” concert utilizing the system, again done in collaboration with bernard bonnier, assembled at the studio apsome then presented as part of a “spectacle of cybernetic, spatio-lumina-dynamics” staged by nicolas schöffer & alwin nikolas at the hamburg opera in february 1973 under the bannerkyldex i” ...

... i’ve seen the single prismesexcerpt show up on a few compilations of henry’s era work, but the complete performance remains one of henry & bonnier’s most sought-after sides ... recorded a full two years aftermise en musique(but only 7 months prior to “corticalart iii”) this takes a comparably nuanced approach to working with the system ... while yes, the opening pulsewidth grind of “ouverture” is straight out of “mise en musique’splaybook, the stereo-heavy electronic twang of “sirène” is a rising swarm of tightly-controlled high-end synthesizer fury that drops out into a distant prepared-piano block ... the extremely minimal pointillism of “continuum” wraps rattled percussion & sly oscillator pings into an inter-channel riddle (listen to the sound-sample for a chunk of those last two) ... “crépidance” clearly shows bonnier’s involvement (the constant kick-pulse & tape-echo chime are straight out of “casse-tête”) & the two-part “facettes” drops an incredibly dense musique concrète miniature before continuing in the mould of rising, hysteresis-heavy brainwave-induction before the zappy, aberrant pan laws of “manèges” close out the side ...

... bothcrescendo” & “perpetuum(ditto ; raw brain-wave inductions sustained in a thick morass of discordant overtones, then further ultra-minimal iterations) build up to the main-event of the title-track :: 15 minutes of sublime rise / fall tactics, impeccably assembled waves of over-lapping automations & low, growling figures cut with almost imperceptible slices of taped-sound, erupting into a honey of a tape-speed munge-out ...

... of the threecorticalarts,” this one definitely shows the most range & prowess (don’t get me wrong ; i do love the brutal bludgeoning of “mise” & the washed-out room-whirr of “iii”) ; amazing it’s taken mr. p.c. c.p. so long to sort out the missing installment of this incredible trilogy ...
creel pone press release...

this creel pone edition includes:
1 x crystal-clear re-sealable polypropylene cd sleeve with a green / gold foil stamp affixed to the exterior
1 x double-sided professionally printed full-color semi-gloss photo-stock booklet
1 x six-color inkjet-printed compact disc-recordable in a high-density round-bottom anti-static cd sleeve

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$9.02

new to stock as of
may 13th, 2005


threads:
1970s-electronic
electro-acoustic-composition
electro-acoustic-improvisation
experimental-instruments
concert-recordings
live-electronic
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site-specific

 best of 2005 !!! 
creel pone (france) #cp 002 cd

pierre henrymise en musique du corticalart de roger lafosse” compact disc-recordable

  • lévitation (7:25)
  • pénetration (4:55)
  • cortisouk (5:41)
  • electro-genèse (7:34)

  • voyage (6:12)
  • sauts (3:49)
  • hellzapop (6:25)
  • limonaire (3:31)
  • fantasia (5:11)
... a bit more information re: the creel pone puzzle ...

these are and will continue to be small-batch cdr editions reproducing highly covetable (and otherwise un-available) early-electronic and synth-freakout lps from the private collection of one mr. p.c. c.p. (some of you reckankomplex followers might remember he was our prior webmaster and in-house dj) ...

each creel pone comes complete in a 5 crystal clear resealable polypropylene jacket containing a high-quality full-color photo-stock print of the original lp sleeve and a cool inkjet printed white top / black bottom disc housed in its own high density round bottom cd sleeve ... the audio in each case has been expertly restored from the original vinyl source at 24-bit resolution, removing all non-essential surface noise and ground-hum (although, and certainly in the case of this title given the original lps’s scarcity, there will be a click / pop or two from time to time.) ; so ... not your average cheap cdr reissues but in fact something much, much nicer (the love certainly does shine through) ...

... and the hits keep on coming ... long my favorite pierre henry record, baffling that it was never included in one of those umpteen multi-disc box-sets on philips from the late 90s ... in the twilight days of the 1970’s henry, with the assistance of the mysterious roger lafosse, built a brainwave-conduction system which he placed on the head(s) of various individuals, feeding the resultant voltages into a giant synthesizer ... the concept being that the “composer” of the music was the one to whom the transducers were affixed ... hearing the music (inarguably henry’s fiercest and most unrelenting bit of pure analog skree) it’s understandable that this process never sparked an auto-electroacoustic-composition movement ...

... originally issued in a beautiful silver / black foil-stamped sleeve (reproduced wonderfully here) as part of the illustrious prospective 21e siècle series on philips ; mind-slaying and so incredibly aggressive for a record from 1970 ... fans of the current wave of free-electronic noise-blat (wolf eyes, peter b., nautical almanac, et.al) will find much herein to convulse over ...
creel pone press release...

this creel pone edition includes ::

1 x crystal-clear resealable polypropylene cd sleeve with a custom foil stamp affixed to the exterior
1 x double-sided six-color inkjet-printed hand-cut card-stock booklet
2 x single-sided one-color laser-printed hand-cut vellum translations sheets
1 x six-color inkjet-printed compact disc recordable in a high-density round-bottom cd sleeve

prospective 21st century

pierre henry
music made with roger lafosse's corticalart

variations and sonic improvisations on the electric waves of the brain, recorded live at concerts at the museum of modern art in the city of paris in february 1971

technical production of corticalart
groupe artec (bordeaux)

electroacoustic production
apsome and j. heuze

improvisations and sonic direction
pierre henry

right, illustration: christian morin
left, photo: david henry

universal engraving
stereo / mono : 6521.022

thanks to a new technique, this stereophonic recording can be played on any modern record player with a light head. however, the stereo effect will only be reproduced on stereophonic equipment.

pierre henry, a man who has lived in a den of microphones and loudspeakers for more than 20 years, doesn't take the power of technology lightly. he uses technology as a tool to further his investigation of sounds yet unheard. pierre henry's electroacoustic catalog is the largest, most pure and determinant of it's kind. throughout his work he displays a delicate symbiosis between a craftsman and his tool and his electronic-art equipment as he acts as a precise and deliberate sculptor of sound.

in corticalart (literally: the art of the cortex), the relationship between the artist and his instrument is a thousand times closer; much faster and more direct. the mental acts of creation, capturing and amplification all happen in an instant using direct psychological mechanisms. to a composer seeking new experiences, one who is always impassioned by new inventions, organic micro-sounds and electroacoustic techniques that go beyond the fixed world of magnetic tape, the device created by roger lafosse, avant-garde cultural pioneer, founder and director of sigma arts and contemporary trends of bordeaux, researcher and musician, promises a thrilling adventure.

a system of electrodes similar to those used in electroencephalography affixed to the musician's head, can detect three kinds of electrical signals emanating from the cerebral cortex: alpha waves (relaxation, inattention, rest), beta waves (arousal, attention, activity, response) and artifact signals that are linked to eye movement. seven distinct sound sources, that is to say, seven electronic sound generators, are modulated by these infinitesimal waves. they offer the composer, who is both his own material and it's master, a musical substance that may be manipulated, combined and amplified at will in a direct and spontaneous improvisation hitherto unheard of in the electroacoustic field.

maurice fleuret


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$20.93

new to stock as of
june 22nd, 2009


threads:
electro-acoustic-composition
musique-concrète
concert-recordings
electro-acoustic-improvisation

ina-grm (france) #ina c 2022 cd

pierre henrylabyrinthe ! • expédition sonore en dix séquences” compact disc

  •  labyrinthe ! • expédition sonore en dix séquences (56:41)

    enfoncement (7:44)
    gouffre circulaire (6:22)
    noyau secret (4:51)
    apesanteur (4:49)
    entrailles (5:34)
    four solaire (2:16)
    fissures (5:11)
    mer intérieure (9:01)
    eruption (4:27)
    remontée (6:24)
2003 release ; concert-recording of a 75-year-old (!!!) pierre henry, celebrating his birthday in fine style by blasting attendees with a 56 minute spatialisation freakout comprised of individual sound components from philippe dao, françois donato, evelyne gayou, yann geslin, diego losa, daniel teruggi and christian zanesi ...

many, many great moments, harkening back to earlier activity such as “apocalypse de jean” & “la reine verte” ; henry fans / completists wanting an entry-point into his latter-day work could do far worse ...
ina-grm press release...

labyrinthe !

first performance commissioned by radio france

labyrinthe !
an expedition in sound in 10 sequences:
enfoncement, gouffre circulaire, noyau secret,
apesanteur, entrailles, four solaire, fissures,
mer interieure, eruption, remonree.


labyrinthe! the light of darkness. the perfect reversal. the intertwining of difference and repetition. crossed sounds. crossed lines. oblique lines. coinciding lines. lines which open. blocked lines. lines which close. the parallelism between writing and the ways of reality. a language which constanly raises sounds and things. mental gold. perpetual births. a wonderful toolbox of noises where certain grm sounds hit the windows of a ghost train. a spiral in an imaginary crucible made of bone. clamours, and breathing on an immense scale. a secret ceremony of the great circle in the depths of the earth. a magnetic lift in a way.

for the first time during my journey and ventures into the world of creation, i dreamt of a breath of fresh air deriving from the electronic realm. labyrinthe emerged as the result. all in all, a collaborative work achieved, overcoming the distance between its sources. the sound cuts from grm reached me as set of reflections, like "cadavre exquis". fragments in any order, all on cd, sent by post, 7 composers, 7 colleagues sent me 58 tracks of varying lengths in various keys.

this continuity inspired me to create a maze-like musical form, in concentric volumes, all thoroughly intertwining with each other. above all, my contribution is intended to be harmonic. i take great care in attending to any drifting effects occurring with other sounds. a smooth descent for all, in their order of entry into the subterranean: donato, geslin, gayou, losa, zanesi, terruggi, dao.

pierre henry

pierre henry would like to thank the composers philippe dao, françois donato, evelyne gayou, yann geslin, diego losa, daniel teruggi and christian zanesi for having given him, in tribute, the sounds and musical objects of the current grm, specially produced for his birthday.

pierre henry has included these sounds in his labyrinthe!

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$10.92

back in stock as of
january 6th, 2011

first in stock on
october 20th, 2009


threads:
musique-concrète
plunder-phonic
electro-acoustic-composition
field-recordings
film-video

pogus (usa) #p 21052 cd

lionel marchetti / olivier capparoseqqus • grand véhicule” compact disc

  • eqqus (1) (6:56)
  • eqqus (2) (16:41)
  • eqqus (3) (9:28)
september 2009 release ; once again, the inimitable lionel marchetti (working with recent partner-in-crime olivier capparos) unleashes an impeccable 3333 suite of musique concrète (composed at the ina-grm during 2001-2002) drawn from “presences sonores et voix” by john oswald, pierre henry, pierre schaeffer, jean-luc godard, henri chopin, hans bellmer, charley patton (?), ingram marshall, charlton heston (?!?), alfred hitchcock (!?), and “divers hasards radiophoniques” ...

while the sliding, sub-low-end figures remind me a little of the recent/excellent g*parkreuters” lp, i don’t even have a framework for the austere, plunderphonic organizations the two get up to herein, with snatches of familiar foley & dialogue interwoven into the running narrative ... highly recommended !!!
pogus press release...
21052-2,  33 min. cd

lionel marchetti & olivier capparos
equus

equus is a collaborative work of musique concrète recorded in 2001-02 on a commission from the ina grm it is truly a delight for pogus to add this title to our catalog. as capparos notes:

equus guides us through human memory and history. it may sound a bit strange that sound & music would appear as a "vehicle", or as we had cast a lead into a labyrinth. this brings us to the question of whether we are alive or not; travelling the path throughout these soundings would drive us down and up our consciousness and our listening, not to mention that we are dead or alive.

olivier capparos is an instrumental and electro-acoustic composer whose work encompasses philosophy and literature as well as music. many of his compositions are focused on voice and its interpretation through loudspeakers. capparos was composer in residence at the ina-grm in paris (2001), the studio national des arts contemporains du fresnoy (2002 3), and at the argos center in bruxelles (2004). he has composed and conducted works for chamber orchestra, voice (soprano), violin, and piano, and has co-produced many other recordings and radio broadcasts with lionel marchetti throughout their long association.

lionel marchetti was born in france in 1967. his interest in music resides in the qualities of sound. he started to experiment by himself and later discovered the rich french corpus of musique concrète through xavier garcia. he is one of a handful of artists who in the mid- to-late 1990s took electro-acoustic music out of academic studios and into the free improvisation ring. a scholar who worked at the cfmi (lyon) and ina-grm studios and published a book on acousmatic composer michel chion, marchetti developed a set-up of microphones and loudspeakers he uses on stage along with tape recorders, prepared cds, motors and radios. he often refers to his instruments as an “electro-acoustic contraption”. his musique concrète studio work incorporates sound collage and academic electro-acoustic composition, though the level of poetry and refusal of genre boundaries in his music puts him closer to kristoff k. roll and luc ferrari than pierre henry or bernard parmegiani. following his encounter with metamkine label owner and fellow sound experimentalist jérôme noetinger in the early 1990s, a series of live and improvisation-based projects would run parallel to his more academic career. the marchetti-noetinger duo was the first of such projects and remains the longest lasting one. they are also involved in the audio- visual project le cube. in addition, marchetti performs with the influential improv collective archipel (with emmanuel petit, sophie agnel, fabrice charles, pascal bathus, and werchowski).

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back in stock as of
july 28th, 2008

first in stock on
january 7th, 2003


threads:
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film-video

new england electric music company (usa) #neemc 03 cd

archival series. musique concrète soundtracks to experimental short films 1962-1964. volume three.” three inch compact disc recordable

  • les amours de la pieuvre (dir: painleve 1964)
    music: pierry henry

  • labyrinthe (dir: lenica 1962)
    music: wlodzimierz kotonski
third volume, the last in the initial set, centered around pierre henry's score to jean painleve's amazing documentary on the cephalopod, "love-life of the octopus". also included is wlodzimierz kotonski's score to jan lenica's seminal short film "labyrinthe" ...
new england electric music company press release...
archival series.
musique concrète soundtracks
to experimental short films 1962-1964.

volume three.

previous artist:
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... this page was last updated on saturday, february 11th, 2012 @ 5:38 pm