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there are 7 titles featuring philip samartzis in stock.
they are listed below.
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$15.12

back in stock as of
november 9th, 2009

first in stock on
january 24th, 2008


threads:
sound-poetry
electro-acoustic-composition

incunabulum (netherlands) #inc 005 cd

dan warburton / frederick farryl goodwincompendium maleficarium iii” compact disc

  • id (2:30)
  • mclean hospital (1:26)
  • hells angels in a bar (2:38)
  • woyzeck in limbo [in floating aquatic tutu] (1:35)
  • atheist (1:42)
  • woyzeck in the inferno [in burning saffron robe] (2:15)
  • cannibal rector (1:34)
  • the cardinal (3:51)
  • the cardinal (2:49)
  • virgil’s cow (1:06)
  • ophelia (2:12)
  • violence (5:48)
  • mcgowan’s bull (0:52)
  • loose strife (1:30)
  • the crows (4:14)
  • the porno booth (4:27)
  • the death camps (6:02)
  • dr. death (5:11)
  • a history primer (3:35)
january 2008 release ; a text-sound project featuring the words of “american poet and former hardcore singerfred goodwin w/music composed by dan warburton (w/a huge list of contributors... philip samartzis, aki onda, jac berrocal, jean-luc guionnet, etc... )
incunabulum press release...
incunabulum inc005
dan warburton / fred goodwin
compendium maleficiarum iii

twenty years in the making, compendium maleficarum iii is the extraordinary and totally unclassifiable encounter between the apocalyptic writing of american poet and former hardcore singer fred goodwin and the music of english composer / violinist dan warburton.

featuring appearances by pascal battus, alexandre bellenger, jac berrocal, frédéric blondy, françois fuchs, bertrand gauguet, jean-luc guionnet, bruno meillier, aki onda, philip samartzis and fabrizio spera.

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$15.01

new to stock as of
july 11th, 2006


threads:
electro-acoustic-composition
free-jazz
musique-concrète

file under:
sound-research
site-specific
kunst-ton
 best of 2006 !!! 
microphonics (australia) #microphonics 02 cd

philip samartzisunheard spaces” compact disc

  • the follow-up to “soft and loud” !!!
absense and presence (2006)
  • 1_ 3m38s
  • 2_ 6m34s
  • 3_ 4m16s
  • 4_ 6m51s
  • 5_ 4m09s
unheard spaces (2006)
  • 6_ 6m46s
  • 7_ 7m44s
  • 8_ 10m35s
  • 9_ 8m53s
  • 10_ 7m40s
brand new (summer 2006) release of electro-acoustic work from mr. philip samartzis - the long-awaited successor to the best-selling “soft & loud” (cd: microphonics - lp: plates of sound)
microphonics press release...
absence and presence (2006) 25:40

absence and presence was originally written for five musicians and four loudspeakers positioned throughout the site of performance in order to explore the traction between amplified and acoustic space. the performance was predicated on a set of directions that determined the combination of musicians at specific times and the duration of their performance. within these structural parameters the musicians chose what they played and how they responded to one another. the idea was to create a series of exchanges between two or three musicians at any one time but never have all musicians sounding simultaneously. therefore large tracts of action and inaction inform the composition as each musician waits their turn to shape the trajectory of the piece.

the recorded version of absence and presence uses a non-linear recording methodology that places each musician in a separate physical location so as to incorporate the specific acoustics generated by the diverse spaces in which the musicians found themselves. i then requested each musician recreate their performance from memory without hearing the other musicians play. the musical and spatial results were used to form the basic structure of the piece, whilst editing, layering and over dubs were utilized to forge a more cohesive result from the constituent components. finally i invited michael vorfeld to improvise to certain sections of the piece to add a further layer of complexity to the arrangement in order to blur the distinction between the constructed and the improvised.

unheard spaces (2006) 41:40

unheard spaces comprises field recordings of venice conducted over a three-week period in march 2000. the focus of the composition is on the way sound permeates venice to highlight the specific acoustics that characterize the aural dimension of this labyrinthine city. as one of the most recognizable cities in the world, and the subject of countless artistic works, i was interested to know whether it was possible to portray venice in new and innovative ways by focusing exclusively on its sonic character. inspired by luc ferraris presque rien (1995/france), as well as luchino viscontis death in venice (1971/italy/france), nicolas roegs dont look now (1973/uk/italy) and paul schraders the comfort of strangers (1991/italy/uk/usa), unheard spaces uses narrative to locate the listener within a set of complex sonic interactions resounding within the myriad of passageways, piazzas and canals that constitute the lugubrious city. the composition was originally arranged and mixed in eight-channel surround sound for the la costruzione del suono festival staged in mestre, italy in 2004. this cd contains a stereo mix down derived from the eight-channel surround mix.

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$19.91

back in stock as of
june 4th, 2010

first in stock on
february 17th, 2009


threads:
electro-acoustic-improvisation
field-recordings
concert-recordings

nonvisualobjects (austria) #nvo 017 cd

philip samartzis / michael vorfeldscheckenrock” compact disc

  • krause (18:10)
  • wams (19:41)
  • schaube (14:27)
january 2009 release ; documentation of a 2007 live-collaboration between noted australian electro-acoustic composer philip samartzis & improviser michael vorfeld ... while this isn’t as meticulously groomed as philip’s studio-constructs, the interplay between the two is heroic throughout ; vorfeld’s sturm-und-drang is matched only by philip’s birdsong-like high-freq keening ...
nonvisualobjects press release...
artist: philip samartzis / michael vorfeld
title: scheckenrock
cat#: nvo_o17
format: cd
release date: january 09

limited edition: 300
philip samartzis: electronics, field recordings
michael vorfeld: percussion, stringed instrument

recorded at the modezentrum berlin-mitte, march 22, 2007

mixed and mastered by philip samartzis

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$12.01

back in stock as of
december 3rd, 2008

first in stock on
august 23rd, 2006


threads:
electro-acoustic-improvisation
playback-music
plunder-phonic

room40 (australia) #edrm407 cd

philip samartzis / lawrence englishone plus one” three inch fan compact disc

  • faster than cold (5:37)
  • gut bucket blues (6:22)
  • goin’ back home (5:51)
  • phosphorescent clouds (3:08)
room40 press release...
philip samartzis & lawrence english
one plus one

the turntable has enjoyed a varied history in the realm of performance and experimental music. from the early phonographic works of john cage to the spliced cut-ups of christian marclay in the 1980s, the device has proven to be a versatile tool for the creation and transformation of sound.

following a joint billing at brisbane’s metro arts space in 2002, melbourne based composer philip samartzis and sound artist lawrence english shared a 30-minute performance that was to become the beginning of their on-going turntable duo. both samartzis (a member of the legendary australian turntable group gum) and english (a regular player with dj olive, janek schaefer and others) have long histories of live actions utilising turntables and together each of them brings a wealth of gestures and unique sonic qualities to the instrument.

recorded in early 2006, this edition captures the initial studio works from these two artists and seeks to reflect on the potential of the cyclical nature of vinyl and the surface noise that envelopes the very medium itself.

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$12.01

back in stock as of
december 3rd, 2008

first in stock on
august 23rd, 2006


threads:
musique-concrète
electro-acoustic-composition
digital-musics
field-recordings

 best of 2006 !!! 
room40 (australia) #edrm406 cd

philip samartzis / kozo inadah [ ]” three inch fan compact disc

  • h [ ] (20:33)
room40 press release...
australian electro-acoustic composer philip samartzis is an increasingly vital presence in the australian sound community. his work over the past decade and a half has offered a prophetic vision for each of his chosen formats and aesthetic approaches.

on h [ ] samartzis is joined by minimal japanese composer kozo inada, who brings with him an equally refined and austere sound sensibility. between them, these two composers collaborate to produce a highly detailed work that juxtaposes, obscures and ultimately unites pure electronics with environmental recordings. these elements are set to work against and within one another, the results causing the listener to reconsider which sounds are emanating from the interwoven tapestry of source materials.

celebrating the rich tradition of acousmatic sound and musique concréte, this composition provides a potent reminder of the potentials of sound as a transformative and (imagined) narrative medium.

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$13.44

back in stock as of
june 17th, 2009

first in stock on
november 18th, 2003


threads:
electro-acoustic-composition
electro-acoustic-improvisation
guitar-themed
musique-concrète
digital-musics

23five incorporated (usa) #23five 902 cd
san francisco museum of modern art (united states) #sfm 902 cd

variable resistance • ten hours of sound from australia” compact disc

  • oren ambarchi - stactedit (2000)
  • robbie avenaim - impulse control disorder (2002)
  • philip samartzis - soft and loud (2001)
  • david brown - were holes mended? (2002)
  • jim knox (xonk) - never mind the ruddocks (2002)
  • jim knox (xonk) - fuck to mandatory detention (2002)
  • jim knox (xonk) - prophylactic liquidation of our pig government (2002)
  • thembi soddell - violation (2002)
  • darrin verhagen - p2 (2002)
  • pimmon - steps gaps (flicker) (2002)
  • délire - fxcr_2_r2 (2002)
this disc, along with “motion - a movement in australian sound”, will provide an air-tight compendium on contemporary out-sound workings in the outback. nice to see my man jim knox on a tangible artifact...
23five incorporated press release...

variable resistance: 10 hours of sound from australia
23f/sfm 902, compact disc

over the past three or four years, the australian experimental musical community has flourished, thanks in part to the tireless globetrotting from artists like oren ambarchi, pimmon, and philip samartzis. variable resistance — a co-presentation between 23five incorporated and the san francisco museum of modern art — originally celebrated this australian renaissance with a 10 hour ‘listening event’ in september of 2002. from those ten hours, curator philip samartzis distilled the best tracks to be featured on this cd compendium. variable resistance is a title that encapsulates the tone and extent of the work on hand, referencing not only the electronic gizmo (the variable resistor) as key to many of the featured homespun constructions filtered through state of the art dsp filters, but also as an applicable non-definition of those artists who “offer variable resistance in how they are defined and the positions they occupy in a broader cultural context, fragmented, and dispersed among remote cities and divided by enormous physical and psychological space.”

within this disc, the australian aesthetic finds itself reflecting a number of ideas previously mined throughout the history of electronic music from mego’s fascination with the streaming micro-textures of digital fragmentation to metamkine’s conceptual riddles within their cinema pour l’oreille series to the brazen noise-junk collages from merzbow and otomo yoshihide. yet, variable resistance resolves its uniqueness by smashing these references with brutish noise and demonstrative force applied to the stereotypically delicate sensibilities of electro-acoustic composition. for instance, samartzis’ collages of environmental, plundered, and digitized sound meld into psychologically abrasive narrative scalded by toxic agents; pimmon transforms agitated chunks of granular synthesis into cybersonic lullabies; and david brown’s jarringly angular duet between a prepared guitar and a squeaking door stands as a steroid injected homage to pierre henry’s musique concrete classic variations pour une porte et un soupir. along with samartzis, brown, and pimmon, variable resistance also features exclusive compositions from oren ambarchi, robbie avenaim, philip samartzis, xonk, thembi soddell, darrin verhagen, and delire.

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$15.01

back in stock as of
june 17th, 2007

first in stock on
august 26th, 2006


threads:
field-recordings
musique-concrète
electro-acoustic-composition

gruenrekorder (germany) #gruen 002 cd

der michel und der dom” compact disc

  • philip samartzis - displacement
  • roland etzin - dunkelrote blumen
  • stefan funck - ohne klavier
  • asmus tietchens - dry and sex
  • suspicion breeds confidence - die unbemerkte revolution in waldmichelbach
  • gregory büttner - domichel
  • hans schüttler - obnoxius
  • martin moritz - jesusscooter
  • christoph korn - iii. 5/04
  • lasse-marc riek - heiliggeist
  • -21 costa gröhn - feldaufnahmen von michel und dom
gruenrekorder press release...
der michel und der dom | gruen 002 | audio cd
klangkunst aus feldaufnahmen von der kirche st. michaelis und dem jahrmarkt hamburger dom

klangkompositionen, soundscapes und remixe von: gregory büttner, roland etzin, stefan funck, costa gröhn, christoph korn, martin moritz, lasse-marc riek, philip samartzis, hans schüttler, suspicion breeds confidence, asmus tietchens

der michel und der dom ist ein (klang-)kunstprojekt, bei dem die hamburger hauptkirche st. michaelis ("michel") und der jahrmarkt "hamburger dom" klanglich miteinander verwoben werden. ausgangspunkt waren von costa gröhn an beiden orten gesammelte tonaufnahmen. diese wurden im frühjahr 2003 und 2004 erstellt und in jeweils unterschiedlicher auswahl an zehn klangkünstler zur weiterverarbeitung übergeben. ausschließlich auf basis des klangmaterials sollten bis zu siebenminütige kompositionen entstehen, unabhängig von und ohne kenntnis der anderen arbeiten - mindestens ein teilstück der michel- und eins der domaufnahmen sollte vorkommen. auf der cd spiegelt sich das spannungsverhältnis zwischen dokumentarischem purismus und kreativer eigenleistung wieder. den 10 remixen folgt eine auswahl der ursprünglichen feldaufnahmen.

...

the michel and the cathedral | green 002 | audio cd
sound art from field photographs of the church pc. michaelis and the fair hamburg cathedral

sound compositions, soundscapes and remixe of: gregory buettner, roland etzin, stefan funck, costa groehn, christoph grain, martin moritz, let leaving riek, philip samartzis, hans's shaker, suspicion breeds confidence, asmus tietchens

the michel and the cathedral are in (sound)kunstprojekt, with which those will verwoben klanglich with one another hamburg main church pc. michaelis ("michel") and the fair "hamburg cathedral". starting point were of costa groehn at both places collected clay/tone photographs. these were provided in the spring 2003 and 2004 and handed over in different in each case selection to ten sound artists for subsequent treatment. exclusively on basis of the sound material siebenminuetige compositions should develop, independently of and without knowledge of the other work up to - at least one section of the michel and one of the cathedral photographs should occur. on that cd is again reflected the stress ratio between documentary purism and creative own contribution. a selection of the original field photographs follows the 10 remixen.

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... this page was last updated on saturday, february 11th, 2012 @ 6:03 pm