| $18.48
new to stock as of january 23rd, 2012
threads: analogue-synth modern-psych minimalism-drones machine-music
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| | | shelter press (france) #sp 001 lp rene hell / pete swanson “waiting for the ladies” long playing record - pete swanson - self help (15:10)
- rene hell - glass & voice, in motion (16:04)
walking in tune bending (voice) glass (coke)
| january 2012 release ; ... no, you’re not seeing double, this is an exact (and i do mean exact, right down to the pressing plant !!!) reissue of the august 2010 “tour split” lp from jeff “rene hell” witscher & pete swanson, offering a side of new music by each, never available in any other way ...
pete storms the beaches first with a clattery, rising wall of rectified pulse-wave fizz & distant banshee vocals, dropping out for several pregnant pauses of almost bbc radiophonic workshop-esque clatter shapes ... the flip offers a trilogy of pieces from jeff ; the first recorded evidence of his recent stint in austria, subtexted “with a glass full of coke and the plastic sniper moon, bend the street taught and walk along in tune” ... each is concerned with a correlated aggregate of chiming, interlocking synth patterns, with a gnarly filtered square-wave “framing” the various arpeggiations into endlessly morphing emotive shapes ...
a great record, largely unavailable in its original iteration (we definitely left a few of you hanging back then ; now’s your chance) ... highly recommended !!! |
| | shelter press press release... |
| shelter press #001 / pete swanson & rene hell – waiting for the ladies
4 tracks / 31:04 min / 12 inches / 33 rpm / 160grm
520 copies / 2012 / art by rene hell
jeff witscher's followup to the acclaimed "porcelain opera" lp on type finds him taking things even further out from the kosmiche tag he's had pushed on him. the rh side is way more cyberpunk meandering no logic digital music. hi-fi goaning landscapes. the pete swanson side is more synth and tape exploration that's his most clean work to date. layers of primitive wave forms and gunked processing congeal into some sort of open 60s classical synth and shoegaze influenced song-like form. less oppression, more confusion.
released for the swanson/hell august 2010 tour. |
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