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there are 6 titles featuring oval in stock.
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$19.51

new to stock as of
february 6th, 2012


threads:
digital-musics
electro-acoustic-composition
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minimalism-drones

shitkatapult (germany) #strike0134 cd

ovalovaldna” compact disc and digital versatile disc set

  • quiro (oval post-ovalcommers) (2:37)
  • kasino (pre-o) (2:47)
  • tweakk (pre_commers) (3:32)
  • australasia (pre-o) (3:21)
  • credit line (post-o) (2:30)
  • mara fax (pre-o) (2:56)
  • heroic (post-o) (2:33)
  • octaeder 0.2 (oval post-ovalcommers) (4:19)
  • 70 kino (iso fabric jp bonus) (2:00)
  • alpen (pre-o) (3:29)
  • mersey (post-o) (1:22)
  • in + love (pre-o) (3:19)
  • stealth (pre_commers jp) (3:03)
  • gegenlesen (iso fabric jp bonus) (1:03)
  • savvy (pre_commers) (3:10)
  • eigentlichen 2.0 (iso fabric jp bonus) (2:00)
  • doku_drama (pre_commers jp) (3:18)
  • breemo (post-o) (1:23)
  • i (ovalcommers jp bonus) (2:39)
  • flageo (post-o) (1:35)
  • whypunkt (pre-o) (2:32)
  • instantan 1+2 (iso fabric jp bonus) (2:21)
  • pockyrocky (pre-o) (3:38)
  • iv (pre_commers jp) (2:58)
  • op (ovalprocess jp bonus) (4:04)

january 2012 release ; ... something of an “odds & endscompendium of markus popp’s recent work, largely issuing his aborted final “electronic” album (i.e. the “pre-o” & “post-o” clarifications in the tracklisting above) ...

... a great deal of this sounds like music to my ears (literally, figuratively, relatively) ; while i couldn’t deal with the instrumental onslaught of “o”, having a broader range of timbres on display makes for a better listening experience (imho) ... plus, arguably the most vanguard concept at play here is that popp has issued his data archive (videos, .pdf’s of interviews, mp3’s of the recent ep’s, “bonus tracks”) on a tangible optical format (that has to be some sort of commentary on the bass-ackward-ness of contemporary digital culture ; personally i think it’s fucking hilarious) ...
shitkatapult press release...

oval / ovaldna - strike0134

the dvd-rom contains 2000+ soundfiles by oval, ovaldna software, oval musicclips, oval documentation and bonustracks.

in many ways, “o”, released on thrill jockey after a nine-year break, was a second debut album for markus popp aka oval. a radical break with old concepts and methods, a new beginning. while popp’s artistic approach in the 1990s and early 2000s was more of a structural, theoretical nature, “o” was just about the music itself. themes such as the means of production, limitations, dogma and concept took back seat to a musical sensibility. instead of writing new software to synthesize and process sounds, for “o”, popp dove into the heart of our preset-culture. he acquired a standard pc and only used the pre-installed sounds and plug-ins. with this ready-to-play machine and conventional musical instruments like the guitar and drums, a new chapter in the story of oval was written. the musician markus popp takes center stage: the developer, theoretician and media artist remains in the background - special knowledge, which makes it easier to understand oval’s music. just have a listen.

 dna is a mountain of an album: an audio cd with 25 tracks, each about three minutes long. some are no longer than a minute. here you’ll find a collection of rare oval pieces and 12 previously unreleased tracks. dna is a mixture of music from markus popp’s various creative phases. it’s surprising how old and new meld seamlessly together, and how, for oval, formalism and musicality have produced similar results. markus popp has found an unmistakable musical language and declined it from a to z. dna, so to say, is the accompanying dictionary. originally, this album was supposed to appear beforeo” and conclude the “electronic” phase of oval. a farewell of sorts.

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$12.96

back in stock as of
may 23rd, 2008

first in stock on
september 7th, 2007


threads:
digital-musics

thrill jockey (usa) #thrill 103 cd

ovalovalcommers” compact disc

  • (11 untitled pieces)
thrill jockey press release...
ovalcommers
by oval
thrill jockey
thrill 103 • 2001

the 6th full length release from markus popp (aka oval) finds this world renowned digital mastermind extending the concept & musical platform of last year's acclaimed ovalprocess in every way. exploring a spectrum of sounds between the abrasive sandblast of neo desktop rock (tracks 1-3) and the alienating, timeless splendor of dsp chamber music. in between there are unique excursions in folk electronica (track 4) and pop inflected wall-of-sound tunes that could only come from the mind of oval.

popp describes ovalcommers as a 3d musical obstacle course, a friendly and accessible invitation to complexity. ovalcommers surprises with poetic and playful elements (organs and layers of guitar feedback), making room for understatement, sophistication and a new, almost absentmindedly casual atmosphere. haunting emulations of processed brass, string and woodwind sections are carefully added to the otherwise still angular desktop rock. listeners will leave ovalcommers with a new perspective on oval in general, as popp's strategy becomes clearly visible: a friendly, yet relentless fanaticism to experiment and innovate musically.

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back in stock as of
may 23rd, 2008

first in stock on
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threads:
digital-musics
electro-acoustic-improvisation
minimalism-drones

thrill jockey (usa) #thrill 092 cd

microstoriamodel 3, step 2” compact disc

  • me-too-modula (4:48)
  • glocky bit (4:25)
  • kontra (4:28)
  • fakeshift (5:13)
  • flexen (3:28)
  • mem.brand (4:01)
  • artic (2:41)
  • soso sound (4:57)
  • paro fadeout (3:45)
thrill jockey press release...
model 3, step 2
by microstoria
thrill jockey
thrill 092 • 2000

model 3, step 2 is a new studio album from digital specialists microstoria, markus popp (oval- innovator of augmented digital audio realities) and jan st werner (mouse on mars-the world's leading electronic structuralist pop group, and lithops-the silent power plant of hybrid music arts).

model 3, step 2 is their most accessible collaboration so far. still it is utterly impossible to trace their extremely manipulated sounds and compare them to anything else. did anyone hear the guitar?

considerable time has passed since their critically acclaimed initial releases init ding (1995), _snd (1996) and their collaborative cd reprovisers, in which tracks were rearranged and appropriated by a diverse group of musicians (stereolab, fx randomiz, jim o'rourke, c-schulz & hajsch and others). popp has been busy writing new oval music and working with oval process software and installations such as skotodesk and public beta. werner has toured extensively with mouse on mars and released several records on his sonig label. the time apart has allowed them to diversify the source material and compose tracks individually in a much more deliberate way than previously.

model 3, step 2 consists of nine excursions into the world of downtempo speedcore. on all tracks source material was selected and created by popp and werner together. the duo gives to these abstract but always physical bodies of sound by shaping them into a song structure. it is an entirely individual way of understanding and presenting music. even though their songs are precisely edited and arranged, microstoria finds empathy among musicians whom play free music or jazz because of the broad tonal range and the shared desire to explore and exploit possibilities.

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$13.68

back in stock as of
may 23rd, 2008

first in stock on
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threads:
digital-musics

thrill jockey (usa) #thrill 081 cd

ovalovalprocess” compact disc

  • untitled-01 (4:43)
  • untitled-02 (4:38)
  • untitled-03 (4:55)
  • untitled-04 (5:55)
  • untitled-05 (3:06)
  • untitled-06 (4:51)
  • untitled-07 (3:50)
  • untitled-08 (3:31)
  • untitled-09 (4:36)
  • untitled-10 (3:14)
  • untitled-11 (35:44)
thrill jockey press release...
ovalprocess
by oval
thrill jockey
thrill 081 • 2000

ovalprocess is a flowing, textured manuscript that utilizes sublime low end rhythm and directive pulsation in a manner that eases the listener into a soft and pillowy world dominated by electronic bleeps, glitches and moans.

ovalprocess equally represents an innovative music software application, designed by popp, as much as it serves as the core engine to an innovative oval sound installation. the installation is centered around one or several publicly accessible sound terminals running the ovalprocess application, rendering the exhibit a customizable, collaborative workspace.

making the installation accessible in a public space is the ideal aesthetic that popp craves-he feels it is far more effective than offering a cdrom or another option that would make the application available on a more individual basis. the ovalprocess installation allows the public to use sounds that are found on the album to produce their own oval-like music.

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$12.38

back in stock as of
may 23rd, 2008

first in stock on
september 7th, 2007


threads:
digital-musics
electro-acoustic-composition

thrill jockey (usa) #thrill 046 cd

oval / christophe charlesdok” compact disc

  • lens-flared capital (5:50)
  • polygon medpack 2.0 (4:02)
  • dekon-rekon anything (4:53)
  • bloc (4:31)
  • reversioning (2:27)
  • momentan vr (7:51)
  • standard audio frontend (6:07)
  • vitra desk (4:26)
  • class (5:00)
thrill jockey press release...
dok
by oval
thrill jockey
thrill 046 • 1998

this record is part one of a counter-remix-project embarked upon by berlin-based sound innovators oval and tokyo-based installation artist/sound designer christophe charles. the record is primarily an oval record accessing the soundfile archive of travel and field recordings by christophe charles. on previous records 94diskont and their debut systemisch, oval explored deconstruction and reconstruction, assault and aesthetics creating a unique semantic on top of the exploration of generic features and bugs of electronic music media. their music has always been a naturally occurring phenomenon that documents their adaptation process of digital (music) media as a whole.

on this new lp, dok, the preparation of the recording process itself was a challenge in its own right. the challenge centers around the widely static and very delicate environmental recordings of sound designer christophe charles and the difficulty in creating music out of sounds with no sustain, no rhythm, and in no linear structure or relationship to each other.

charles, who holds a phd from tsukuba university and a phd from institut national de langes et civilasations orientales in paris, has spent considerable time exploring the often forgotten aspect of music, its spatial dimension; in other words the effect and/or location of amplification, position of the origin and dimensions of space in which music is performed/played. these considerations have led him to work often with "found sounds" or actual environmental (urban or otherwise) recordings. charles provided oval with a selection of field recordings of bells from around the world. the bells' sounds and monolithic travel recordings were static with almost no rhythmic index. oval transformed the static character of the found sounds and made them fluid.

the resulting record documents a compelling merge of two vast, very distinctive soundfile archives, effortlessly two extreme, sometimes even contradicting approaches to both music and music technology - encouraging the listener to see sound shape and form in entirely new ways by adding an entirely new spatial and lively index to oval music. through the additional processing of the bell and other environmental sounds, the addition of bass tones and the use of as well as "as is" environmental recordings, oval have once again created a complex, yet accessible soundscape. dok is nonetheless still firmly grounded in what oval always was all about: intervention into simulation, and theory and above all a musical result that may be enjoyed without any knowledge of the technology or theory behind it.

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back in stock as of
may 23rd, 2008

first in stock on
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threads:
digital-musics

thrill jockey (usa) #thrill 031 cd

microstoriainit ding” compact disc

  • 16:9 (4:46)
  • slap top (4:03)
  • file care (4:43)
  • ecclectrig (4:42)
  • fund (3:00)
  • zuhause (4:29)
  • edu (4:27)
  • pokus (6:04)
  • communerism (5:31)
  • dokumint (3:51)
debut album by microstoria; aka mouse on mars’ jan werner and oval’s markus popp. theoretical musing (below) aside; one of the best “digital music” records from the 90s - essential.
thrill jockey press release...
init ding
by microstoria
thrill jockeythrill 031 • 1995

microstoria is a collaboration between markus popp (oval) and jan st. werner (mouse on mars). the resulting music is an electronic soundtrack, not without structure, not without melody. the "instruments " used are what could be seen as their successors - machines and digital technology. where oval excudes authorship of music, microstoria explores authorship, especially in relation to improvisation. the tones used in composition are mechanized,yet paradoxically rich. the resulting pieces are organic in feel, a striking result when viewed in context with their origins.

once instruments were physical entities connecting the creative individual through tuition and technical skill to the almost metaphysical world of music. the distinction between computing device and a "musical instrument" was increasingly blurred since the 1950's; however, it left the composer in charge of his/her machinery. more recently in the 1990's things have merged into one computer-based (formerly "programmable" or "computer controlled") authoring environment-still fully capable of hosting the residual "old" music media as well as its terminology. the transition from the 50's perspective to the 90's put an already well introduced component of music production newly into focus: software-rendering the composer the designer. atavistic concepts like an instrument end up as a tutorial vocabulary, or in other words a helpful software metaphor. microstoria has goals and tasks for the near future: music as organized acoustic and music as software.

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... this page was last updated on thursday, february 9th, 2012 @ 6:30 pm