| $12.48
back in stock as of
june 12th, 2009
first in stock on
october 24th, 2007
threads:
doom
minimalism-drones
free-improvisation
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| | | southern lord (usa) #sunn 084 cd orthodox “amanecer en puerto oscura” compact disc - con sangre de quien te ofenda (8:46)
- mesto, rigido e ceremoniale (9:02)
- solemne triduo (4:11)
- amanecer en puerta oscura (1:46)
- puerta osario (2:09)
- templos (15:01)
- parte ii. apogeum (7:54)
| | southern lord press release... |
| orthodox - "amanecer en puerta oscura" cd
in december 2006, orthodox recorded this, their second album "amanecer en puerta oscura". the album helps give a new perspective into the soul of the music they create as well as its movement into several different directions.
"amanecer en puerta oscura" comes off like a trip crossing through different genres, where jazz influences, collide with progressive sounds and ultra-heavy, crushing metallic-punk experiments. at the same time the band has not forgotten their true metal roots and andalusian cultural origins. the use of new instrumentation (clarinet, trumpet, contrabass), fits naturally with the band's original sound yet opens a new window in order to see the light within their dark musical concept.
orthodox are continually searchinng for new and diverse forms of music expressions, "amanecer en puerta oscura" is a logical manifestation of their current "discoveries" during this quest. released exclusively in north americal by southern lord.
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“orthodox is a power trio whose sonic larder is filled to the brim with such cold storage 90s basics as the melvins, sleep, trouble, earth, sunn0))), thrones, plus they’ve added to the mix an inevitable ur-trudge of early sabbath, dance of the lemmings-period amon duul 2 and yankee sabbalikes bang (future shock), with unconscious nods to early japrock deadbeats speed glue & shinki (red doll), joey smiths philipino walking dead juan de la cruz (wanna take you home) and flower travellin bands evenmorestrungoutthantheoriginal versh of black sabbath or (again) flowers own hiroshima." - julian cope. |
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