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 best of 2010 !!! 
alter (uk) #alter 2 ep

tomutonttu / oneohtrix point nevertour split” seven inch single record

  • tomutonttu - likaiset pilvet

  • oneohtrix point never - wayland lincoln border
may 2010 release ; issued as a “tour onlymerch-table banger for an island jaunt shared by jantomutonttuanderzen & danoneohtrix point neverlopatin, we did get a few (heaping) handfuls of this single, showing both jan (ridiculous, sparkling, mile-a-minute change-uppings, heavy on the tape-manipulation tip - something of a “young person’s guide” to his particular brand of mutant moogknucklery - listen to the sound-sample) & dan (effortlessly elegant mood-ring evocations, pregnant with lush pads & flowing emoticons) at their very-special as-it-ever-was best ...
alter press release...

to mark the occasion of their uk tour, alter is proud to present this vinyl pairing of finland's tomutonttu (kemialliset ystavat's jan anderzen), and new york's oneohtrix point never (daniel lopatin). both artists contribute two new tracks that, whilst being sonically different from each another, create a unique synthesis formed from a diy approach to electronic music, which makes this pairing both logical and inevitable.

tomutonttu's "likaiset pilvet" sees anderzen diving deep into his archives, and re-emerging with something new after a heavy editing session. the track kicks off with some fragmented electronics, bringing to mind an image of a dozen bernard parmegiani records all melting in unison. the second half sees a shift in pace and a more playful atmosphere, introducing elements such as rhythmic loops and other scattered sounds that, as a whole, bear similarities to eric copeland's recent output.

opn's "wayland lincoln border" is a continuation of lopatin's synth work, which is already well recognized in his young career. building deep layers of warm sound from trance-like synth melodies, lopatin's music is evocative of motion as it never feels stuck - always evolving, constructing and deconstructing new worlds from sound, and here he provides the perfect counterpoint to anderzen's chaos.

released in an edition of 500 copies with cover art by jan anderzen.

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$12.61

back in stock as of
february 17th, 2011

first in stock on
april 2nd, 2009


threads:
modern-psych
minimalism-drones
analogue-synth

arbor (usa) #arbor 096 lp

infinity windowartificial midnight” long playing record

  • sheets of face (7:56)
  • internal compass (7:36)

  • skull theft (11:10)
january 2009 release ; ... the mass-market debut of taylor richardson (sunburned member) & danoneohtrix point neverlopatin’s space-madrigal unit infinity window ...

whereas dan’s solo work has a more melancholy flair to it, these are straight atmosphere / lift-off burners, with layers upon layers of almost subliminally warbling synths cut with straight arpeggiations and gated patterns ... a few pages torn from the early tangerine dream / popol vuh cookbook(s), sure, but there’s enough in the way of modern synth-music sensibility (nary a phase-lock, fm, or pulse-width modulation to be found) at work here as to lift this out of the bin of pure pastiche and into the realm of pure mind-expansion ...

highly recommended !!!
arbor press release...
arbor96 infinity window - "artificial midnight" lp

new york synth duo infinity window have been crafting their game for well over a year without much documentation. comprised of dan lopatin (oneohtrix point never) and taylor richardson (prehistoric blackout), this lp shows them at the pinnacle of self-realization. equally influenced by john carpenter and the taj mahal travelers, they create traveling music; music that has the power to transport and overwhelm the listener with vibes outside of those presently available to them. the a side consists of two tracks, both clouded in a heavy haze of fog, dark and heavy though their clarity exists underneath the shroud. the b side’s lone track “skull theft” is the full circle realization of the first two tracks: a light is illuminated and the fog begins to clear. mastered by keith fullerton whitman.

in an edition of 500 lps with full color pro-printed cardboard sleeves and printed labels with art by robert beatty (hair police / burning star core).

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$10.01

back in stock as of
december 12th, 2011

first in stock on
september 2nd, 2010


threads:
analogue-synth
modern-psych
minimalism-drones
electro-acoustic-composition
beat-research
live-electronic
machine-music

editions mego (austria) #emego 104x ep

oneohtrix point never / antony / fenneszreturnal” seven inch single record

  • antony: returnal (3:57)

  • fennesz: returnal (4:56)
august 2010 release ; neat little single, offering a “cover” of “returnal” ‘s title track by antony (performed to accompaniment by dan himself on baby grand) f/w a remix of said (all muddled up w/ the original) by christian fennesz ...
editions mego press release...
emego 104x / oneohtrix point never
returnal (antony & fennesz versions)
7"

returnal
voice by antony
piano by daniel lopatin
recorded at lofish, new york, may 2010
engineered and mixed by alex nizich

returnal
remixed by christian fennesz, june 2010

artwork by stephen o'malley
cut at dubplates & mastering, berlin, june 2010

hot on the heels of the acclaimed oneohtrix point neverreturnal’ album come these fabulous versions of the title track. antony swings the mood and strips the track of its delayed harmonised vocals and creates poignant ballad with dan opn on piano. fennesz on the other hand sprinkles some his world famous majestic stardust over the proceedings. all packaged in dazzling artwork by stephen o’malley.

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back in stock as of
december 12th, 2011

first in stock on
may 26th, 2010


threads:
analogue-synth
modern-psych
minimalism-drones
electro-acoustic-composition
beat-research
live-electronic
machine-music

 best of 2010 !!! 
editions mego (austria) #emego 104 lp

oneohtrix point neverreturnal” long playing record

  • nil admirari
  • describing bodies
  • stress waves
  • returnal

  • pelham island road
  • where does time go
  • ouroboros
  • preyouandi
june 2010 release ; ah, it warms the cockles of my heart to see dan go global with this, his editions mego debut (not his the social registry debut, his kompakt debut, or his warp debut, but mego ; wise choice) ...

... and in fact the opening track here does a bang-up job of paying homage not just to the label’s influential 90s output (it’s a screeching, digital pile-up with seemingly hand-played drum machine rhythms ; on par with an early farmers manual side) but to the rest of the “noise underground” from which he rose (& with which always seemed a little out-of-sorts) ... that the album immediately dials it back a few notches into the familiar upper-harmonizer pads & floating, auto-arpeggiated chillage with which dan’s more formally associated is telling, and by the end of the first side we’re hearing some straight blade-runner-styled electro-balladeering that ought to lift dan up out of the cold & into the radio spotlight ...

a trilogy of synth-trancers open up the b-side ; in all honesty this sounds like dan’s most fully realized work in this area, with endless layer(ing)s of subtle, floating sawtooth melancholy fleshing out the audio strata in increasingly detailed ways ... and then the garbled, echo-percussion jam at the end seals the deal, linking hassell’s whole “fourth-world” ethos with dan’s trademark soporific/lulling pitch-altered vox-box rocking ...

visually, the record’s another gap-bridger, with stephen o’malley’s layout explicitly bridging the gap between tina frank’s 90s work for the label & dan’s whole greyed-out helical scan matrix ; endless prism-clips rendered in spot varnish coating a full four panels of a “heavygatefold ... best thing from dan yet ; if you’ve only managed to grip any of the small-run / regional / provincial issues of his music, consider this the upgraed ... highly recommended !!!
editions mego press release...

emego 104v
oneohtrix point never: returnal lp gatefold
release date: 18.06.2010

all music by daniel lopatin
recorded and mixed at ridge valley digital, massachusetts july - august 09 & february 10

instrumentation:
akai ax-60, roland juno-60, roland msq-700, korg electribe es-1, voice

recorded using a personal computer
mastered by james plotkin
tape-op & additional engineering by al carlson
vinyl cut at dubplates & mastering, berlin
design by stephen o'malley
photography by yelena avenesova

returnal’ is the fourth album from daniel lopatin’s oneohtrix point never project, after ‘betrayed in the octagon (deception island, 2007), ‘zones without people(arbor, 2009) and ‘russian mind(no fun, 2009). all 3 albums being superbly compiled on the ‘rifts’ double cd set (no fun, 2009).

it sees lopatin fine tune his craft for creation of deep atmospheres and texture even further. starting off with the mind blowing triptych of ‘nil admiari’ / ’describing bodies’ / ’stress waves’, which fires off into a noise/rhythm excess before entering a zone of relative calm building to the melancholy of the final part. this set the tone perfectly for the albums title track, a stunning out of this world ballad featuring lopatin's near desperate vocal delivery, ending what could be seen as one of his most chilling and thought provoking sides to date. 

the atmosphere is slightly lifted as the darkened sun comes up over the ruins on ‘pelham island road’ and ‘where does time go’, with the album closing with edgy broken beats and fourth world possible landscapes of ‘preyouandi’, which fades into the distance with echoes of the ‘returnal’ chorus, closing the loop.

what's burnt into memory here is lopatin’s love affair with the long, slow path back home... the cycle... the hypnotic sector... the ghost in the machine... and whether people are making dance music or hip hop or space head music or metal, the ouroboros is present in every sector -- as it was  in bach's study, and in the elephant songs of the ituri forests.

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$15.51

back in stock as of
december 12th, 2011

first in stock on
september 2nd, 2010


threads:
analogue-synth
modern-psych
minimalism-drones
electro-acoustic-composition
beat-research
live-electronic
machine-music

 best of 2010 !!! 
editions mego (austria) #emego 104 cd

oneohtrix point neverreturnal” compact disc

  • nil admirari
  • describing bodies
  • stress waves
  • returnal
  • pelham island road
  • where does time go
  • ouroboros
  • preyouandi
june 2010 release ; ah, it warms the cockles of my heart to see dan go global with this, his editions mego debut (not his the social registry debut, his kompakt debut, or his warp debut, but mego ; wise choice) ...

... and in fact the opening track here does a bang-up job of paying homage not just to the label’s influential 90s output (it’s a screeching, digital pile-up with seemingly hand-played drum machine rhythms ; on par with an early farmers manual side) but to the rest of the “noise underground” from which he rose (& with which always seemed a little out-of-sorts) ... that the album immediately dials it back a few notches into the familiar upper-harmonizer pads & floating, auto-arpeggiated chillage with which dan’s more formally associated is telling, and by the end of the first side we’re hearing some straight blade-runner-styled electro-balladeering that ought to lift dan up out of the cold & into the radio spotlight ...

a trilogy of synth-trancers harken the second half of the record ; in all honesty this sounds like dan’s most fully realized work in this area, with endless layer(ing)s of subtle, floating sawtooth melancholy fleshing out the audio strata in increasingly detailed ways ... and then the garbled, echo-percussion jam at the end seals the deal, linking hassell’s whole “fourth-world” ethos with dan’s trademark soporific/lulling pitch-altered vox-box rocking ...

visually, the record’s another gap-bridger, with stephen o’malley’s layout explicitly bridging the gap between tina frank’s 90s work for the label & dan’s whole greyed-out helical scan matrix ; endless prism-clips rendered in spot varnish coating a full four panels of a “heavygatefold ... best thing from dan yet ; if you’ve only managed to grip any of the small-run / regional / provincial issues of his music, consider this the upgraed ... highly recommended !!!
editions mego press release...

emego 104 / oneohtrix point never
returnal
cd

all music by daniel lopatin
recorded and mixed at ridge valley digital, massachusetts july - august 09 & february 10

instrumentation:
akai ax-60, roland juno-60, roland msq-700, korg electribe es-1, voice

recorded using a personal computer
mastered by james plotkin
tape-op & additional engineering by al carlson
vinyl cut at dubplates & mastering, berlin
design by stephen o'malley
photography by yelena avenesova

returnal’ is the fourth album from daniel lopatin’s oneohtrix point never project, after ‘betrayed in the octagon (deception island, 2007), ‘zones without people(arbor, 2009) and ‘russian mind(no fun, 2009). all 3 albums being superbly compiled on the ‘rifts’ double cd set (no fun, 2009).

it sees lopatin fine tune his craft for creation of deep atmospheres and texture even further. starting off with the mind blowing triptych of ‘nil admiari’ / ’describing bodies’ / ’stress waves’, which fires off into a noise/rhythm excess before entering a zone of relative calm building to the melancholy of the final part. this set the tone perfectly for the albums title track, a stunning out of this world ballad featuring lopatin's near desperate vocal delivery, ending what could be seen as one of his most chilling and thought provoking sides to date. 

the atmosphere is slightly lifted as the darkened sun comes up over the ruins on ‘pelham island road’ and ‘where does time go’, with the album closing with edgy broken beats and fourth world possible landscapes of ‘preyouandi’, which fades into the distance with echoes of the ‘returnal’ chorus, closing the loop.

what's burnt into memory here is lopatin’s love affair with the long, slow path back home... the cycle... the hypnotic sector... the ghost in the machine... and whether people are making dance music or hip hop or space head music or metal, the ouroboros is present in every sector -- as it was  in bach's study, and in the elephant songs of the ituri forests.

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$7.56

back in stock as of
january 23rd, 2012

first in stock on
june 29th, 2009


threads:
modern-psych
minimalism-drones
analogue-synth

nna tapes (usa) #nna 006 cs

caboladies / oneohtrix point neversplit” c30 cassette

  • caboladies - reweaving the charity basket

  • oneohtrix point never - memory vague

    samovars in tula
    identity
    memory vague
    sand partina
    identity (reprise)
june 2009 release ; split release from the synth trio caboladies & danoneohtrix point neverlopatin ...

caboladies’ transformation from zenith-aspiring droners to ... nuno canvarro acolytes has certainly won them a place close to my heart ; their side here intermingles some rather lovely auto-filter stratagem (listen to the sound-sample) with some post-skaters metallo-flanger moves that are just right ...

n the flip, dan lopatin delivers the goods right off the bat with some sparkling poly-arpeggiator business that segues into a kind of blobby radiophonic workshopburner into a blistering sawtooth phase study, some floating drone-shapes, then the return of the son of the blob ...
nna tapes press release...

nna006: caboladies / oneohtrix point never split c30

this tape is a side to side flowing journey.  caboladies prays to the sun gods while oneohtrix point never wanders through arid deserts of the mind. 

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$20.16

back in stock as of
june 9th, 2011

first in stock on
march 31st, 2011


threads:
1970s-electronic
analogue-synth
machine-music
psych-prog
live-electronic
minimalism-drones

 best of 2011 !!! 
rvng intl. (usa) #rervng01/01.5 lp

harald grosskopfsynthesist • re-synthesist” long playing record and compact disc set

  • so weit, so gut
  • b. aldrian
  • emphasis
  • synthesist

  • 1847-earth
  • trauma
  • transcendental overdrive
  • tai ki

  • bronze - so weit, so gut
  • cfcf - b. aldrian
  • jar moff - b. aldrian
  • arp - emphasis
  • jd twitch - emphasize
  • blondes - synthesist
  • snoretex - synthesist
  • stellar om source - 1847 - earth
  • oneohtrix point never - trauma 2010
  • keyhole voyeur (aka james ferraro) - wishmaster (transcendental overdrive zone)
  • pink skull - tai ki
february 2011 release ; sparkling new issue of this oft overlooked late-berlin-school chestnut, forged by ash ra tempel drummer harald großkopf during a getaway late in 1979 ...

... notable for harald’s killer motorik drumming throughout (easy to see why he was the “go tosession drummer for so many of the original krautrock era’s elite ; just listen to the propulsive, nimble figures underscoring the myriad sequences via the bit in sound-sample to your left) & anthemicend of the nightklassische (such as the title cut) it’s obvious why this was a choice target for the inaugural reissue program on the fledgeling 5-boroughs imprint rvng intl. (whose “frkwys” campaign has done a bang-up job bringing non-denominational acts like excepter & psychic ills in direct contact with folks like juan atkins, faust’s joachim irmler, gibby haynes, chris & cosey, and jim thirwell) ; with the aid of distance, both geographically & temporally, it’s now easy to see this as the missing link between the moe / roe-isms of years prior (certainly the light melodic touches do remind of later cluster) , the looming italo-disco of moroder, and the whole “minimal-synthwave that followed in its wake ...

... comes in a gorgeous, reversed vg-kids” type lp jacket, printed in glorious silver, with a 4-panel fold-out insert with tons of photos (one side) & liner notes (the other) in german & english ... oh, and i almost forgot, there’s a gratis disc in it’s own sleeve w/ reworkings by rvng-relatable artists (i get dan lopatin’s reverence, definitely ... and alexis georgopoulos & even james ferraro turn in pieces that are apropos to grosskopf’s spirit) ... i know i’m all “berlin school” this, “berlin school” that these days (well, not just me ; it would appear that just about everyone has bitten this particular bug) ; this is a great way hear the original formula, impeccably executed, in true boutique fashion ... highly recommended !!!
rvng intl. press release...

harald grosskopf - synthesist lp & v/a - re-synthesist cd
cat #: rervng01 / rervng01.5
release date: february 15th, 2011

synthesist is the debut album by harald grosskopf, the enigmatic percussionist behind ash ra tempel, klaus schulze, and cosmic jokers. originally released by sky records in 1980, rvng intl. celebrates the 30th year anniversary with this newly mastered and packaged reissue.

berlin, germany, summer of 1979, harald grosskopf, then 30 years old, was at a personal and creative crossroads. his girlfriend just left him, and ashra (manuel göttsching's "solo" project) was on temporary hiatus. harald always considered himself a rhythmic accomplice to his numerous collaborators' lead, until prompted by some fellow musician friends to pursue a singular creative vision.

armed with a minimoog and revox reel-to-reel, grosskopf set off for the west german countryside that fall and isolated himself in a home studio for almost two months to record synthesist. the temperamental analog synthesizer and sequencing technology created a long learning curve eventually resulting in a harmonious union of man and machine.

the human response undeniably colors the eight songs of synthesist and aligns the album with some of the more melodic output of the berlin school of electronic music. the title track and "transcendental overdrive" almost take on pop qualities. harald's live percussion opens up tracks like "so weit, so gut" and "emphasis" for jammed out exploration. where the album veers into the ambient space clusters of "b. aldrian" or "trauma", it's hard not to consider synthesist the nexus of krautrock, kosmische, and new age.

re-synthesist, the companion compilation to synthesist, is an assemblage of reinterpretations of grosskopf's work by a new vanguard of electronic and experimental artists including oneohtrix point never, blondes, arp, stellar om source, cfcf, james ferraro, and many others.

although synthesist has been unavailable on vinyl for almost three decades, it doesn't fetch unfathomable collector fees. selecting synthesist as our first reissue is more about the connectivity to a new audience than the scarcity fetish for a select few. it's about sharing harald's story and celebrating an album musically accomplished and compelling from start to end.

the synthesist lp comes as a deluxe package on post-consumer recycled goods, including a unique reverse bound record jacket and full color liner notes by harald grosskopf in english and german. the re-synthesist compilation is only available with vinyl purchase.

composed, arranged, and performed by harald grosskopf.
produced by harald grosskopf.
"space sounds" performed by udo hanten.
recorded by eberhard panne and harald grosskopf.
basic tracks recorded late 1979 at udo hanten's flat.
additional recording & mixing at panne & paulsen studios, frankfurt, germany.
photography by detlef maugsch.
original artwork by siegfried kottler.
remastered by graeme durham at the exchange.
liner note translation by mike burns.
art direction by kevin o'neill.


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new to stock as of
june 30th, 2011


threads:
analogue-synth
modern-psych
minimalism-drones
modern-composition

 best of 2011 !!! 
rvng intl. (usa) #frkwys07 lp

david borden / james ferraro / samuel godin / laurel halo / daniel lopatinfrkwys vol. 7 • borden, ferraro, godin, halo & lopatin” long playing record

  • people of the wind pt. 1 (12:26)
  • internet gospel pt. 1 (5:59)

  • people of the wind pt. 2 (4:55)
  • internet gospel pt. 2 (8:18)
  • twilight pacific (7:20)
july 2011 release ; ... gorgeous, flowing analogue sound-shapes ; the result of a pan-generational meeting-of-the-minds between venerablesynth minimalism” titan david borden & long-time sideman sam godin & contemporary brooklynites danoneohtrix point neverlopatin, laurel halo, and the skatersjames ferraro ...

... the history of winter-spring collaborations (especially in the narrow field of flowing electronic music) being what it is, i have to say this exceeds my expectations of what a two-daypow wow” type, purely improvisational studio session between this lot could produce ... nary a sequence in sight (odd, given borden’s primary rooting in motor-rhythm lines) this instead lurks purely in the gaseous, timbral voids of deep inner space, with dan’s woozy sawtooth lines & laurel’s occasional whisper-vox up front, borden & godin’s slo-mo melodic ooze the bedrock, & ferraro’s phaser-bake the tile-grout that keeps the whole thing unified ...

vinyl version comes with the folkways-style wrap-around cover, generally excels at getting the message across ... highly recommended !!!
rvng intl. press release...
artist: david borden, james ferraro, samuel godin, laurel halo & daniel lopatin
title: frkwys vol. 7 - borden, ferraro, godin, halo & lopatin lplabel: rvng intl.
formats: 12" lp
cat #: frkwys07
release date: 7/17/11
genre: experimental / synthesizer / improvisation

the full-length player of frkwys vol. 7 features pieces improvised in various forms by david borden, james ferraro, samuel godin, laurel halo, and daniel lopatin.

when lopatin (oneohtrix point never, ford & lopatin) and rvng intl. began discussing this frkwys collaboration, borden's work in mother mallard's portable masterpiece co. and his seminal music for amplified keyboard instruments album were mutually / ecstatically acknowledged. while rooted in academia, borden's minimalist compositions deal in natural themes, evoking expansive environments.

the idea to grow the project to include additional collaborators was inspired both by borden's accomplishments in ensemble improvisation and by a basic desire for collective energy and levity. atlantic sound studio in dumbo, brooklyn became the meeting destination for lopatin and borden, alongside musicians halo, godin, and ferraro.

over two days in august 2010, the ensemble played infinitely, taking breaks only to discuss next directions, past pursuits, and, of course, gear. during tour breaks the following fall and winter, the endless hours of recordings were paired down to the selections of frkwys vol. 7. the music of the album represents full session takes, edited only for time.

the cosmically dense but dynamic nature of the recording reveals the diverse ingredients seasoning the spatial stew. "people of wind" parts 1 and 2 were amongst first takes from the two-day session. the pieces exhibit the ensemble in early harmony, allowing each other textural counterpoint play while avoiding rigidity. "internet gospel" parts 1 and 2 demonstrate the players at ease and taking turns at solo accompaniments, ending in a fourth world freak out. "twilight pacific" and "just a little pollution" are compiled from middle points of the session - structured statements in solidarity.

the limited edition lp version of frkwys vol. 7 is packaged in thick black jackets with a two-color adhesive wrap.

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new to stock as of
november 12th, 2011


threads:
analogue-synth
minimalism-drones
modern-psych
plunder-phonic

 best of 2011 !!! 
software (usa) #sft 010 lp

oneohtrix point neverreplica” long playing record

  • andro (3:56)
  • power of persuasion (3:30)
  • sleep dealer (3:10)
  • remember (3:19)
  • replica (4:36)

  • nassau (4:43)
  • submersible (3:49)
  • up (3:57)
  • child soldier (3:12)
  • explain (6:45)
november 2011 release ; ... vinyl version of dan lopatin’s eleventh album as oneohtrix point never (not counting the andrew kirschner, slow listener, caboladies & outer space splits, nor the “rifts” nor “memory vaguecompilations nor his previous work in astronaut & as dania shapes ) ...

... first few tracks dive us directly into the neo-tokyo void(s) that dan does so well, followed immediately by “sleep dealer” ‘s jarring floating-point plunderphonics (a theme strong in dan’s “covert” work as chuck person & kgb man, yet rarely evident in the opn-proper materials) ... my favorite bits involve dan’s expansive acoustic ivory-ticklings (with a great long stretch towards the end of side b simultaneously recalling alice coltrane’s modal transgressions & that really great eliot goldenthal cue from the tail-end of “heat” [seriously, who doesn’t love that piece of music / film] that segues into another plunderphonic étude oddly reminiscent of the books) ...

a great record, easily as appealing as “returnal” while maybe even receding into styles reminiscent of his more formative work ...
software press release...

oneohtrix point never
replica

replica is an electronic song cycle based around audio procured from tv ad compilations. these sample-based meditations are as lyrical as they are ecological, featuring re-purposedghost vocals” which serve as narration for lopatin’s signature amorphous, ambient passages. lopatin’s juno-60 is still prominent, but returnal’s placid, synthetic surroundings are accelerated through darker, more unpredictable terrains via lopatin’s use of samplers, analog filtering, tape-op, piano, plate reverb and sub-bass. the result is a heightened sense of music as part and parcel of an overall sonic terrain.

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$8.41

new to stock as of
november 12th, 2011


threads:
analogue-synth
minimalism-drones
modern-psych
plunder-phonic

 best of 2011 !!! 
software (usa) #sft 010 cs

oneohtrix point neverreplica” c42 cassette

  • andro (3:56)
  • power of persuasion (3:30)
  • sleep dealer (3:10)
  • remember (3:19)
  • replica (4:36)

  • nassau (4:43)
  • submersible (3:49)
  • up (3:57)
  • child soldier (3:12)
  • explain (6:45)
november 2011 release ; ... cassette version of dan lopatin’s eleventh album as oneohtrix point never (not counting the andrew kirschner, slow listener, caboladies & outer space splits, nor the “rifts” nor “memory vaguecompilations nor his previous work in astronaut & as dania shapes ... lovely thing, at that ::


... smudgy basalt-chalk imprinting takes me back to the mall tape-wall shops of my youth)
...

anyways, first few tracks dive us directly into the neo-tokyo void(s) that dan does so well, followed immediately by “sleep dealer” ‘s jarring floating-point plunderphonics (a theme strong in dan’s “covert” work as chuck person & kgb man, yet rarely evident in the opn-proper materials) ... my favorite bits involve dan’s expansive acoustic ivory-ticklings (with a great long stretch towards the end of side b simultaneously recalling alice coltrane’s modal transgressions & that really great eliot goldenthal cue from the tail-end of “heat” [seriously, who doesn’t love that piece of music / film] that segues into another plunderphonic étude oddly reminiscent of the books - listen to the sound-sample for that) ...

a great record, easily as appealing as “returnal” while maybe even receding into styles reminiscent of his more formative work ...
software press release...

oneohtrix point never
replica

replica is an electronic song cycle based around audio procured from tv ad compilations. these sample-based meditations are as lyrical as they are ecological, featuring re-purposedghost vocals” which serve as narration for lopatin’s signature amorphous, ambient passages. lopatin’s juno-60 is still prominent, but returnal’s placid, synthetic surroundings are accelerated through darker, more unpredictable terrains via lopatin’s use of samplers, analog filtering, tape-op, piano, plate reverb and sub-bass. the result is a heightened sense of music as part and parcel of an overall sonic terrain.


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new to stock as of
february 19th, 2010


threads:
modern-psych
machine-music
minimalism-drones
analogue-synth
beat-research
plunder-phonic

upstairs cdr (usa) #u006 cd

manic shooterdog master teleportation” compact disc-recordable

  • cathedral pines
  • dog master teleportation
  • lampreycommandline
  • gliese 581
  • syringe tide
  • awkward beast
  • pwdre sêr
  • misericord
  • ever self same
february 2010 release ; collection/collaging of early materials by buddies shaun trujillo, dankgb manlopatin (aka oneohtrix point never) and the mysterious j. glennon & p. giordano ...

ultra impressive range, from a-grade library electronic blat (listen to the sound-sample) to poly-sci tinkle, general midi step-time drum prog workouts, endless plunderphonia of assorted carpenter / godard touchstones ... all executed with the zeal of a couple of obsessive undergrads hell-bent on “making all the wrong moves” ...

an important early step in establishing dan (et.al)’s psychic makeup ...
upstairs cdr press release...

u006 manic shooter - "dog master teleportation"

manic shooter's dmt is sonic weird hieroglyphs from combination taos, new mexico and long island; the hybrid of which mirrors the effect... bent clues will set you on a path while others are meant to deceive you. powerlines whisper instructions in a non gendered voice. mystical hasid rapper vaporizedendlessly in interlocking dimensional mechanism. remember this was during the initial bush era, pre-dating 911 and thus junior's eyeballs hadn't yet been upgraded to format terrestrial. mirror plates in the eye cavity is how they found terrorists. shooter was the first to command green missle control, similar to a tartan warrior he refracted the beams himself and thus took the problem into his own hands.

dmt is an in and out enhancement of this frightening time, as if the lingering confusion of a post-inside edition childhood had naturally spawned the devastated political mis-en-scene, building up to the 911 simulation telecast we witnessed while en route to yusef lateef's class when we got word of the attacks. this is also a historic document containing some of the first ever kgb man overdubs, as well as marking the first time in riaa history that anyone has ever exclusively fucked with prince of darkness and alphaville on a sampling level, but beyond recognition, musique concret style, plus a touch of cartoon skinny puppy antic meets mike patton isolated in a hotel room with a portastudio while on tour with bungle in '97. i have recommended trujillo to be committed to the material eye institute for dog master evaluation. enjoy it while you can and as lou said, "watch out for worlds behind you."

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... this page was last updated on friday, february 3rd, 2012 @ 5:27 pm