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... happy spring everyone !!! to commemorate our favorite season (and to help get this place back to some sort of workable condition) we're having a "spring cleaning" sale !!! please visit the spring (2013) cleaning page to view a list of (recent, mostly 2012) releases that we're now offering at reduced prices (while supplies last, no rainchecks, etc) ...
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there are 6 titles featuring oneohtrix point never in stock.
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alter (uk) #alter 7 lp

richard youngsrurtain” long playing record

  • rurtain (shonny don)
  • rurtain (keymarno)

  • rurtain (astral social club remix)
  • rurtain (john clyde-evans remix)
  • rurtain (oneohtrix point never remix)
september 2012 release ; ... something of a follow-up to the long-running scottish prolificist richard youngs2009like a neuronlp (which a bunch of us had fingered as his finest contemporary-era outing due to it’s rigorous adherence to deconstructingecstaticdance-music tropes) ...

... present on the a-side are “neuron” ‘s axis-defying rhythms, a&aed by some fine, almost chain-reaction-esque filter-mists & oddly placed moans & (organ) groans ... the flip offers a trio of remixes from a pretty damn inspired group :: astral social club, john clyde-evans, and oneohtrix point never ... great record !!!
alter press release...
alt07: richard youngs - rurtain

at this point in time richard youngs should need no introduction. through his vast discography (spanning over twenty years), he has created a fascinating body of work which has found a home on labels such as forced exposure, vhf, jagjaguar and his own no fans imprint. like all great artists, richard’s work is hard to pin down and continues to evolve, mutate, and blossom into new forms, whilst at the same time bearing a unique characteristic that lets you know it could be by no-one else.

split into two parts, “rurtain” is a new electronic piece which picks up from where the “core to the bravelp on root strata left off, but taking a more abstract road into something more skeletal and strange.

in the first part, broken beats cluster around minimal hits of percussion and wordless vocals that sound like they’re trapped in a vacuum, evoking a slightly unsettling atmosphere. things become a little more celebratory in the second part with the addition of some very erratic organ playing, giving an ecstatic and almost ‘free-jazz’ feel to the piece. the b-side features three very different interpretations of richard’s originals by neil campbell (astral social club), john clyde-evans and daniel lopatin (oneohtrix point never). neil’s version expands the organ of the second piece into a huge kaleidoscopic drone, whilst john hones in on the woodblock and percussion to make something more metallic and abrupt. finally daniel lopatin closes the lp grandly by adding violent stabs of digital synth and melancholic guitar playing to richard’s voice, almost creating a kind of futuristic ballad.

five tracks of unclassifiable electronics, limited to 300 copies. recorded by richard youngs, neil campbell, john clyde-evans and daniel lopatin in glasgow, yorkshire and new york, 2011 - 2012. mastered by john hannon at no recording studio and cut by rashad becker at dubplates & mastering.

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 $8.41

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 best of 2010 !!! 
alter (uk) #alter 2 ep

tomutonttu / oneohtrix point nevertour split” seven inch single record

  • tomutonttu - likaiset pilvet

  • oneohtrix point never - wayland lincoln border
may 2010 release ; issued as a “tour onlymerch-table banger for an island jaunt shared by jantomutonttuanderzen & danoneohtrix point neverlopatin, we did get a few (heaping) handfuls of this single, showing both jan (ridiculous, sparkling, mile-a-minute change-uppings, heavy on the tape-manipulation tip - something of a “young person’s guide” to his particular brand of mutant moogknucklery - listen to the sound-sample) & dan (effortlessly elegant mood-ring evocations, pregnant with lush pads & flowing emoticons) at their very-special as-it-ever-was best ...
alter press release...

to mark the occasion of their uk tour, alter is proud to present this vinyl pairing of finland's tomutonttu (kemialliset ystavat's jan anderzen), and new york's oneohtrix point never (daniel lopatin). both artists contribute two new tracks that, whilst being sonically different from each another, create a unique synthesis formed from a diy approach to electronic music, which makes this pairing both logical and inevitable.

tomutonttu's "likaiset pilvet" sees anderzen diving deep into his archives, and re-emerging with something new after a heavy editing session. the track kicks off with some fragmented electronics, bringing to mind an image of a dozen bernard parmegiani records all melting in unison. the second half sees a shift in pace and a more playful atmosphere, introducing elements such as rhythmic loops and other scattered sounds that, as a whole, bear similarities to eric copeland's recent output.

opn's "wayland lincoln border" is a continuation of lopatin's synth work, which is already well recognized in his young career. building deep layers of warm sound from trance-like synth melodies, lopatin's music is evocative of motion as it never feels stuck - always evolving, constructing and deconstructing new worlds from sound, and here he provides the perfect counterpoint to anderzen's chaos.

released in an edition of 500 copies with cover art by jan anderzen.

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threads:
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electro-acoustic-composition
beat-research
live-electronic
machine-music

editions mego (austria) #emego 104x ep

oneohtrix point never / antony / fenneszreturnal” seven inch single record

  • antony: returnal (3:57)

  • fennesz: returnal (4:56)
august 2010 release ; neat little single, offering a “cover” of “returnal” ‘s title track by antony (performed to accompaniment by dan himself on baby grand) f/w a remix of said (all muddled up w/ the original) by christian fennesz ...
editions mego press release...
emego 104x / oneohtrix point never
returnal (antony & fennesz versions)
7"

returnal
voice by antony
piano by daniel lopatin
recorded at lofish, new york, may 2010
engineered and mixed by alex nizich

returnal
remixed by christian fennesz, june 2010

artwork by stephen o'malley
cut at dubplates & mastering, berlin, june 2010

hot on the heels of the acclaimed oneohtrix point neverreturnal’ album come these fabulous versions of the title track. antony swings the mood and strips the track of its delayed harmonised vocals and creates poignant ballad with dan opn on piano. fennesz on the other hand sprinkles some his world famous majestic stardust over the proceedings. all packaged in dazzling artwork by stephen o’malley.

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 $19.51

back in stock as of
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first in stock on
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threads:
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electro-acoustic-composition
beat-research
live-electronic
machine-music

 best of 2010 !!! 
editions mego (austria) #emego 104 lp

oneohtrix point neverreturnal” long playing record

  • nil admirari
  • describing bodies
  • stress waves
  • returnal

  • pelham island road
  • where does time go
  • ouroboros
  • preyouandi
june 2010 release ; ah, it warms the cockles of my heart to see dan go global with this, his editions mego debut (not his the social registry debut, his kompakt debut, or his warp debut, but mego ; wise choice) ...

... and in fact the opening track here does a bang-up job of paying homage not just to the label’s influential 90s output (it’s a screeching, digital pile-up with seemingly hand-played drum machine rhythms ; on par with an early farmers manual side) but to the rest of the “noise underground” from which he rose (& with which always seemed a little out-of-sorts) ... that the album immediately dials it back a few notches into the familiar upper-harmonizer pads & floating, auto-arpeggiated chillage with which dan’s more formally associated is telling, and by the end of the first side we’re hearing some straight blade-runner-styled electro-balladeering that ought to lift dan up out of the cold & into the radio spotlight ...

a trilogy of synth-trancers open up the b-side ; in all honesty this sounds like dan’s most fully realized work in this area, with endless layer(ing)s of subtle, floating sawtooth melancholy fleshing out the audio strata in increasingly detailed ways ... and then the garbled, echo-percussion jam at the end seals the deal, linking hassell’s whole “fourth-world” ethos with dan’s trademark soporific/lulling pitch-altered vox-box rocking ...

visually, the record’s another gap-bridger, with stephen o’malley’s layout explicitly bridging the gap between tina frank’s 90s work for the label & dan’s whole greyed-out helical scan matrix ; endless prism-clips rendered in spot varnish coating a full four panels of a “heavygatefold ... best thing from dan yet ; if you’ve only managed to grip any of the small-run / regional / provincial issues of his music, consider this the upgraed ... highly recommended !!!
editions mego press release...

emego 104v
oneohtrix point never: returnal lp gatefold
release date: 18.06.2010

all music by daniel lopatin
recorded and mixed at ridge valley digital, massachusetts july - august 09 & february 10

instrumentation:
akai ax-60, roland juno-60, roland msq-700, korg electribe es-1, voice

recorded using a personal computer
mastered by james plotkin
tape-op & additional engineering by al carlson
vinyl cut at dubplates & mastering, berlin
design by stephen o'malley
photography by yelena avenesova

returnal’ is the fourth album from daniel lopatin’s oneohtrix point never project, after ‘betrayed in the octagon (deception island, 2007), ‘zones without people(arbor, 2009) and ‘russian mind(no fun, 2009). all 3 albums being superbly compiled on the ‘rifts’ double cd set (no fun, 2009).

it sees lopatin fine tune his craft for creation of deep atmospheres and texture even further. starting off with the mind blowing triptych of ‘nil admiari’ / ’describing bodies’ / ’stress waves’, which fires off into a noise/rhythm excess before entering a zone of relative calm building to the melancholy of the final part. this set the tone perfectly for the albums title track, a stunning out of this world ballad featuring lopatin's near desperate vocal delivery, ending what could be seen as one of his most chilling and thought provoking sides to date. 

the atmosphere is slightly lifted as the darkened sun comes up over the ruins on ‘pelham island road’ and ‘where does time go’, with the album closing with edgy broken beats and fourth world possible landscapes of ‘preyouandi’, which fades into the distance with echoes of the ‘returnal’ chorus, closing the loop.

what's burnt into memory here is lopatin’s love affair with the long, slow path back home... the cycle... the hypnotic sector... the ghost in the machine... and whether people are making dance music or hip hop or space head music or metal, the ouroboros is present in every sector -- as it was  in bach's study, and in the elephant songs of the ituri forests.

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 $15.51

back in stock as of
april 17th, 2013

first in stock on
september 2nd, 2010


threads:
analogue-synth
modern-psych
minimalism-drones
electro-acoustic-composition
beat-research
live-electronic
machine-music

 best of 2010 !!! 
editions mego (austria) #emego 104 cd

oneohtrix point neverreturnal” compact disc

  • nil admirari
  • describing bodies
  • stress waves
  • returnal
  • pelham island road
  • where does time go
  • ouroboros
  • preyouandi
june 2010 release ; ah, it warms the cockles of my heart to see dan go global with this, his editions mego debut (not his the social registry debut, his kompakt debut, or his warp debut, but mego ; wise choice) ...

... and in fact the opening track here does a bang-up job of paying homage not just to the label’s influential 90s output (it’s a screeching, digital pile-up with seemingly hand-played drum machine rhythms ; on par with an early farmers manual side) but to the rest of the “noise underground” from which he rose (& with which always seemed a little out-of-sorts) ... that the album immediately dials it back a few notches into the familiar upper-harmonizer pads & floating, auto-arpeggiated chillage with which dan’s more formally associated is telling, and by the end of the first side we’re hearing some straight blade-runner-styled electro-balladeering that ought to lift dan up out of the cold & into the radio spotlight ...

a trilogy of synth-trancers harken the second half of the record ; in all honesty this sounds like dan’s most fully realized work in this area, with endless layer(ing)s of subtle, floating sawtooth melancholy fleshing out the audio strata in increasingly detailed ways ... and then the garbled, echo-percussion jam at the end seals the deal, linking hassell’s whole “fourth-world” ethos with dan’s trademark soporific/lulling pitch-altered vox-box rocking ...

visually, the record’s another gap-bridger, with stephen o’malley’s layout explicitly bridging the gap between tina frank’s 90s work for the label & dan’s whole greyed-out helical scan matrix ; endless prism-clips rendered in spot varnish coating a full four panels of a “heavygatefold ... best thing from dan yet ; if you’ve only managed to grip any of the small-run / regional / provincial issues of his music, consider this the upgraed ... highly recommended !!!
editions mego press release...

emego 104 / oneohtrix point never
returnal
cd

all music by daniel lopatin
recorded and mixed at ridge valley digital, massachusetts july - august 09 & february 10

instrumentation:
akai ax-60, roland juno-60, roland msq-700, korg electribe es-1, voice

recorded using a personal computer
mastered by james plotkin
tape-op & additional engineering by al carlson
vinyl cut at dubplates & mastering, berlin
design by stephen o'malley
photography by yelena avenesova

returnal’ is the fourth album from daniel lopatin’s oneohtrix point never project, after ‘betrayed in the octagon (deception island, 2007), ‘zones without people(arbor, 2009) and ‘russian mind(no fun, 2009). all 3 albums being superbly compiled on the ‘rifts’ double cd set (no fun, 2009).

it sees lopatin fine tune his craft for creation of deep atmospheres and texture even further. starting off with the mind blowing triptych of ‘nil admiari’ / ’describing bodies’ / ’stress waves’, which fires off into a noise/rhythm excess before entering a zone of relative calm building to the melancholy of the final part. this set the tone perfectly for the albums title track, a stunning out of this world ballad featuring lopatin's near desperate vocal delivery, ending what could be seen as one of his most chilling and thought provoking sides to date. 

the atmosphere is slightly lifted as the darkened sun comes up over the ruins on ‘pelham island road’ and ‘where does time go’, with the album closing with edgy broken beats and fourth world possible landscapes of ‘preyouandi’, which fades into the distance with echoes of the ‘returnal’ chorus, closing the loop.

what's burnt into memory here is lopatin’s love affair with the long, slow path back home... the cycle... the hypnotic sector... the ghost in the machine... and whether people are making dance music or hip hop or space head music or metal, the ouroboros is present in every sector -- as it was  in bach's study, and in the elephant songs of the ituri forests.

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 $20.16 
... on sale for only ::
 $14.98 

new to stock as of
june 30th, 2011


threads:
analogue-synth
modern-psych
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modern-composition

 best of 2011 !!! 
 spring cleaning !!! 
rvng intl. (usa) #frkwys07 lp

david borden / james ferraro / samuel godin / laurel halo / daniel lopatinfrkwys vol. 7 • borden, ferraro, godin, halo & lopatin” long playing record

  • people of the wind pt. 1 (12:26)
  • internet gospel pt. 1 (5:59)

  • people of the wind pt. 2 (4:55)
  • internet gospel pt. 2 (8:18)
  • twilight pacific (7:20)
july 2011 release ; ... gorgeous, flowing analogue sound-shapes ; the result of a pan-generational meeting-of-the-minds between venerablesynth minimalism” titan david borden & long-time sideman sam godin & contemporary brooklynites danoneohtrix point neverlopatin, laurel halo, and the skatersjames ferraro ...

... the history of winter-spring collaborations (especially in the narrow field of flowing electronic music) being what it is, i have to say this exceeds my expectations of what a two-daypow wow” type, purely improvisational studio session between this lot could produce ... nary a sequence in sight (odd, given borden’s primary rooting in motor-rhythm lines) this instead lurks purely in the gaseous, timbral voids of deep inner space, with dan’s woozy sawtooth lines & laurel’s occasional whisper-vox up front, borden & godin’s slo-mo melodic ooze the bedrock, & ferraro’s phaser-bake the tile-grout that keeps the whole thing unified ...

vinyl version comes with the folkways-style wrap-around cover, generally excels at getting the message across ... highly recommended !!!
rvng intl. press release...
artist: david borden, james ferraro, samuel godin, laurel halo & daniel lopatin
title: frkwys vol. 7 - borden, ferraro, godin, halo & lopatin lplabel: rvng intl.
formats: 12" lp
cat #: frkwys07
release date: 7/17/11
genre: experimental / synthesizer / improvisation

the full-length player of frkwys vol. 7 features pieces improvised in various forms by david borden, james ferraro, samuel godin, laurel halo, and daniel lopatin.

when lopatin (oneohtrix point never, ford & lopatin) and rvng intl. began discussing this frkwys collaboration, borden's work in mother mallard's portable masterpiece co. and his seminal music for amplified keyboard instruments album were mutually / ecstatically acknowledged. while rooted in academia, borden's minimalist compositions deal in natural themes, evoking expansive environments.

the idea to grow the project to include additional collaborators was inspired both by borden's accomplishments in ensemble improvisation and by a basic desire for collective energy and levity. atlantic sound studio in dumbo, brooklyn became the meeting destination for lopatin and borden, alongside musicians halo, godin, and ferraro.

over two days in august 2010, the ensemble played infinitely, taking breaks only to discuss next directions, past pursuits, and, of course, gear. during tour breaks the following fall and winter, the endless hours of recordings were paired down to the selections of frkwys vol. 7. the music of the album represents full session takes, edited only for time.

the cosmically dense but dynamic nature of the recording reveals the diverse ingredients seasoning the spatial stew. "people of wind" parts 1 and 2 were amongst first takes from the two-day session. the pieces exhibit the ensemble in early harmony, allowing each other textural counterpoint play while avoiding rigidity. "internet gospel" parts 1 and 2 demonstrate the players at ease and taking turns at solo accompaniments, ending in a fourth world freak out. "twilight pacific" and "just a little pollution" are compiled from middle points of the session - structured statements in solidarity.

the limited edition lp version of frkwys vol. 7 is packaged in thick black jackets with a two-color adhesive wrap.

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...and that's everything in stock featuring oneohtrix point never.
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next artist:
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... this page was last updated on thursday, may 23rd, 2013 @ 7:00 pm