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there are 8 titles featuring olivia block in stock.
they are listed below.
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$19.78

back in stock as of
august 15th, 2008

first in stock on
october 15th, 2007


threads:
electro-acoustic-improvisation
electro-acoustic-composition
digital-musics
harsh-noise
minimalism-drones

bottrop-boy (germany) #b-boy 020 cd

tv powpowerful friends and devoted lovers” double compact disc set

  • oren ambarchi - that’s ok, brush off the dirt and you can still eat it
  • motor - motormx 4 tv pow
  • boris hauf - the return of the expiration date reader
  • thymme jones - fooled into fatality
  • otomo yoshihide - where there’s smoke, there’s weapons
  • m. behrens -
  • ken brown - the law of misonymy
  • vadim sprikut - with friends like these
  • toshimaru nakamura - untitled
  • ernst karel - 1/3 tvp 24.02.02
  • leif elggren - untitled
  • ancient greeks - spiral light wave dispenser
  • tu m’ - ignore 1 version
  • 7000 dying rats - means to an end of myth and power

  • sutekh - guitar heroes mix
  • burkhard stangl - there’s a picture
  • greg kelley - my great grandfather was hung for horse stealing
  • jazzkammer - komm süsser tod
  • drillchop 9 - if bush had a brain...
  • olivia block - untitled
  • panicsville - nazi’s fuck ibm often
  • mike shiflet - being tv pow is funny
  • amnon wolman - pow trail mix
  • koura - tanbo
  • stilluppsteypa - it’s johnny cash not cage
  • freiband - dentist drill mix
  • stephan mathieu - zedernholzflammen
  • vertonen - despite themselves (in sunday propers for attending carnival)
  • reynols - elanio tiermo patribo
bottrop-boy press release...
tv pow
powerful friends and devoted lovers
2cd / b-boy 020

the first part of a giant collection of remixes of tracks mostly taken from tv pow's friendship patrol album, which was released on their own not for profit label in 2001. this is a double-cd set containing remixes from oren ambarchi, sutekh, otomo yoshihide, stephan mathieu, motor, thymme jones, toshimaru nakamura, jazzkammer, stilluppsteypa, freiband, reynols, tu m', leif elggren and many others. 29 remixes in total.

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$16.61

back in stock as of
june 21st, 2008

first in stock on
october 15th, 2005


threads:
electro-acoustic-composition
minimalism-drones
musique-concrète

cut (switzerland) #cut 016 cd

olivia blockchange ringing” compact disc

  • change ringing (1)
  • change ringing (2)
  • change ringing (3)
  • change ringing (4)
  • change ringing (5)
click the play button to hear an excerpt of "change ringing (1)"
the third and final piece in olivia block’s 8-years-in-the-making trilogy of electro-acoustic works; in my mind the most fully realized of the three.

these pieces do everything in their power and succeed in taking the listener on an evocative/vivid aural journey. completely marvelous and very hard to describe. just take my word for it - if you enjoy the lineage of “cinema pour l’oreille” from luc ferrari on, you will absolutely love this and olivia’s other work (featured on the sedimental label, also in stock.)
cut press release...
cut 016
olivia block
«change ringing»

change ringing is the final piece of the cd trilogy including pure gaze and mobius fuse (sedimental records, 1998, 2001). the series has been olivia block’s primary focus for the last eight years. it is stylistically, and to a certain extent thematically, consistent with the other two works. the structure of the slow unfolding arch, the focus on the use of space as a compositional tool, and the careful combination of field material, ensembles of musicians, and electronics, are present in all three works. change ringing is the fanfare which closes the processional.

olivia block is a contemporary composer and sound artist who combines field recordings, scored segments for acoustic instruments, and electronically generated sound. her recorded work seeks to introduce, set at play, and ultimately reconcile nature with artifice in the realms of music and sound. in the process, "organic" soundbecomes subtly processed, digitized and abstracted; "inorganic" sound becomes self-replicating and animate; and "musical" elements such as chamber instruments are defamiliarized from their traditional associations, freeing them to participate in the larger aesthetic possibilities of sound.

block has released several cds, has performed live in venues and throughout the u.s., europe and japan, including festival archipel in geneva, sonic light in amsterdam, and the angelica festival in bologna. she will be participating in the sound field festival in the fall of 2006

she has created several sound installations for galleries and museums, most recently for the stairwell of museum of contemporary art in chicago in january 2005. currently she is expanding her field of interest to include video work, and she has returned to finish her degree in music composition.

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$12.48

back in stock as of
july 14th, 2008

first in stock on
october 17th, 2006


threads:
electro-acoustic-composition
musique-concrète
field-recordings

sedimental (usa) #sed 044 cd

olivia blockheave to” compact disc

  • heave to (part 1) 14:39
  • heave to (part 2) 11:26
  • make the land 9:20
click the play button to hear an excerpt of "heave to (part 1)"
sedimental press release...
olivia block's "heave to" is her fourth full release under her own name (her first two are on sedimental, the most recent on jason kahn's cut label) and marks both a new maturity in her compositional prowess and also a new confidence. "heave to", a composition in three movements, is an investigation into the deep structures of maelstroms. a roiling mixture of crashing waves and wind, jagged strings, clanging metal, complex electronic textures, and clusters of chamber instruments. in our opinion this is her strongest work since her debut, "pure gaze".

olivia block is a contemporary composer and sound artist who combines field recordings, scored segments for acoustic instruments, and electronically generated sound. her recorded work seeks to introduce, set at play, and ultimately reconcile nature with artifice in the realms of music and sound. in the process, "organic" sound becomes subtly processed, digitized and abstracted; "inorganic" sound becomes self-replicating and animate; and "musical" elements such as chamber instruments are defamiliarized from their traditional associations, freeing them to participate in the larger aesthetic possibilities of sound. block has released several cds, has performed live in festivals and tours throughout the u.s., europe and asia, and has created several installations for galleries and museums.  she is currently expanding her interest into video work and orchestral compositions.

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$12.48

back in stock as of
july 14th, 2008

first in stock on
may 17th, 2005


threads:
musique-concrète
electro-acoustic-composition
field-recordings
free-improvisation

sedimental (usa) #sed 034 cd

olivia block / seth nehilsunder, unite” compact disc

  • sunder, unite
  • a. into
  • b. among - i. through
  • b. among - ii. within
  • c. under
  • d. beyond - i. around
  • d. beyond - ii. beside
click the play button to hear an excerpt of "a. into"
i’m a huge fan of both olivia block and seth nehil’s solo output, actually wasn’t aware until recently that they shared a project together (alial straa) all those years back...

this can be seen as something of a “reunion” - with guests kyle bruckmann of ekg, mnortham, and michael shannon (good to see mike on there, the animist orchestra member who is now an honorary “nightcrawler” after joining us for an evening’s music down in orlando last month.)

the music retains olivia’s random-feeling jump-cuts with seth’s particular methods of sound-construct ; this is certainly rooted in the collage tradition, although the two take liberties with materials, almost focusing on banal non-occurences within the collected sounds (as opposed to... say... always fading in before an attack.)
sedimental press release...
sunder, unite began with the destruction of musical sources through the insertion of silence and/or faulty connection. it continued with the playing of small objects, fire and grass on our tour of japan in 2000, being multiplied on many small speakers in each space and recorded in these situations. sources continued to be recorded in our locations, train stations, a market in kyoto... sounds were traded and holes punched in, surfaces distorted. transparencies of sound were overlaid and cut, residues remain. we followed an ever-shifting ground and rate-of-change. a skip and fade, an intuitive mix and then traded again. the crumbling recording of metal. a walking recording of creaking wood. speakers in a room.

composed 1999-2001. instruments and treatments by seth nehil and olivia block except: kyle bruckmann, oboe, chinese oboe; michael northam, objects; michael shannon, reeds. photograph by carmen resendez. drawing by bethany wright and s.n. with thanks to koji tano for assistance in japan.

olivia block is a contemporary composer and sound artist who combines field recordings, scored segments for acoustic instruments, and electronically generated sound. her recorded work seeks to introduce, set at play, and ultimately reconcile nature with artifice in the realms of music and sound. in the process, "organic" sound becomes subtly processed, digitized and abstracted; "inorganic" sound becomes self-replicating and animate; and "musical" elements such as chamber instruments are defamiliarized from their traditional associations, freeing them to participate in the larger aesthetic possibilities of sound.

seth nehil (b. 1973) began working with sound around 1990 using found objects and instruments, old records, reel-to-reel machines, discarded magnetic tape and other detreitus. alial straa was formed in 1994 in collaboration with john grzinich as a studio projectinvolving grzinich's handmade piano-wire instruments and nehil's analog tape-treatments and objects. joined by olivia block, the group went on to perform as an electro-acoustic improvisational trio. seth nehil worked with experimental arts magazine n d as writer and artistic contributor from 1996-2000, and received a ba in studio art from the university of texas at austin in 1998. beginning with 1998's tracing the skins of clouds, seth nehil has pursued an interest in the sensual surface of found objects and materials, and the inner dynamics of their acoustical properties. without altering those properties, the possibilities of the studio are explored as a means of transforming sounds into dense interactions - meditations on physicality, germination and disorientation. recent work has included continued collaborations with john grzinich and olivia block in studio works as well as soundtracks for experimental theatre group hand2mouth

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$12.48

back in stock as of
july 14th, 2008

first in stock on
may 18th, 2003


threads:
electro-acoustic-composition

sedimental (usa) #sed 031 cd

olivia blockmobius fuse” compact disc

  • mobius fuse [1] (28:56)
  • mobius fuse [2] (3:35)
click the play button to hear an excerpt of "mobius fuse [1]"
sedimental press release...
other musicians [many thanks!] jeb bishop: trombone. kyle bruckman: chinese oboe. english horn: oboe. ernst k long: trumpet. john robbins: sax. jason thor: trombone. [drum and cymbal sampled].

field material. fireworks recorded in wisconsin and new mexico. wind birds, ice, etc., recorded in big bend national park, texas. room, speakers recorded in chicago, illinois.


sedimental’s release of the second cd from chicago based electro-acoustic composer olivia block titled mobius fuse. this much anticipated follow up to her critically acclaimed debut pure gaze(sed cd028) continues her rich and unique exploration of both acoustic and electronic sounds reaching a depth and level of emotional intensity rarely heard in the field.

olivia block is a contemporary composer who combines field recordings, scored segments for acoustic instruments, and electronically generated sound. her recorded work seeks to introduce, set at play, and ultimately reconcile nature with artifice in the realms of music and sound. in the process, "organic" sound becomes subtly processed, digitized and abstracted; "inorganic" sound becomes self-replicating and animate; and "musical" elements such as chamber instruments are de familiarized from their traditional associations, freeing them to participate in the larger aesthetic possibilities of sound. her pieces are composed over long periods of time in numerous stages. she often prepares elaborate tape installations in natural sites for field recording sessions which she later integrates into her recorded compositions. in live performance, block introduces additional elements of paradox and tension: chamber musicians perform scores which accompany pre-prepared tape material, and improvisers (often including herself) interact with "lo-fi" speaker installations and digital recordings.

since its release, her debut solo cd, pure gaze (sedimental, 1998) has been consistently included on radio play lists throughout america and europe. it was included in blow-up magazine's "top releases" of 1999 and the wire magazine's top ten section, "charts"; and julian cowley, in the latter publication, described her as "a composer who demands serious attention." another of her works, piece for scrubbing tile, was featured in the modern museum of lyon, france in 1998, as part of the collage jukebox installation and festival (curator: jerome joy). her recorded works have been used as source material recently by achim wollscheid, in his shifts release (ritornell/evolution). her soundtrack work for natalia castro's short video piece, fire-fly, helped earn the project the undergraduate video award at the school for the art institute of chicago in 1997. she has recorded with such artists as jim o'rourke and jeb bishop, and has performed with artists including pauline oliveros and fred lonberg-holm. her radio appearances include wkcr's live constructions (columbia university), wluw's something else (loyola university), and others. she was a visiting lecturer at depaul university. she has toured extensively in japan and has europe.

olivia block is self-taught. she started her musical career in austin, texas, in the experimental rock scene in which she played electric guitar and trumpet, sang, and created abstract tapes for play during live performances in several bands. such tape work led her to her next trio, alial straa, an electro-acoustic and improvisational group including seth nehil ("tracing the skins of clouds," kaon records), and john grznich ("stomach of the sky," staalplaat; "absurd evidence," bobby j.) alial straa's cd, "tunnels/stairwell" is currently out on alluvial records. at present, olivia block lives in chicago. her next collaborative release, oil and water, an electronic composition with petra klusmeyer, will be released on boxmedia records.

note from olivia block:

"it is also important to me to make work that cannot so easily be marginalized within the larger context of the genre. extreme forms of music are often segmented, and collected as a fetish. artists have a certain method that they cannot, choose not to escape. i am a generalist, trying to link disparate elements together in meaningful way. i use quiet sounds and space now because i am interested in these elements, but my pieces will certainly change over time."

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$12.48

back in stock as of
july 16th, 2008

first in stock on
may 18th, 2003


threads:
electro-acoustic-composition
musique-concrète

file under:
sound-research
sedimental (usa) #sed 026 cd

olivia blockpure gaze” compact disc

  • pure gaze (27:23)
sedimental press release...
pure gaze was composed, recorded and mixed by olivia block july 1997-may 1998.

additional musicians - j

eb bishop: trombone
kyle bruckman: oboe, english horn
mike flake: clarinet
mark fry: trombone
christie vohs: bass clarinet, clarinet

recorded at splinter group studio in chicago by rob drinkwater. field material recorded at black lake and in echo canyon amphitheatre, nm with seth nehil and in the upper peninsula, mi.

the debut release from the talented chicago-based composer olivia block. in the few short years of her re-location from austin, texas to chicago she has become a noted figure within its underground and experimental circles performing at the women's avant fest (lounge ax) in '97, the eye of the ear sound festival (links hall) in '98, and women mixing in sound festival(artemesia gallery) in '98, as well as playing trumpet for a palace bros. project and collaborating in live performance with pauline oliveros.

block is an electro-acoustic and modern instrumental composer whose recorded compositions combine layered, processed wind and string instruments with processed sounds from sections of field recordings she has collected from various natural landscapes. her performances include minimalistic scored musical sections played live by a quintet accompanied by taped material , often sounds of field recordings, or the same quintet previously recorded and electronically manipulated. block herself "plays" found objects and instruments (trumpet). the resulting surrealistic sonic landscape and the contrast between these elements create a paradoxical element to the work. in all of her recent works she emphasizes comparisons between organic or "real" sounds and electronic ones, and she demonstrates how electronic technology imitates natural evolution using similar sounds from both worlds. she also explores the difference between "sound" and "music" and the creation of experience through emotional, subjective or intellectual, objective means.

olivia block is self-taught, and began her process in the art-pop band the marble index, where she sang, played guitar, and created abstract tapes for parts of the songs. she left the band in 1995 and began concentrating on electro-acoustic compositions. soon after she joined alial straa, an improv-and experimental group with john grznich and seth nehil. the trio held site specific performances around austin using sounds that existed at the site and homemade instruments. among her influence she cites feldman, ligeti, conrad, g. toniutti, gagaku, baca, eric b & rakim, n. roeg, a. goldsworthy and non-academic intuitively minded artists and composers.

pure gaze is olivia block's first release and sedimental feels this work will clearly place her in the realm of composers to pay very close attention to heading into the next century.

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$35.88

new to stock as of
september 22nd, 2008


threads:
film-video
electro-acoustic-composition
concert-recordings
site-specific
sound-installation

soseditions (usa) #sos 803 dvd

sandra gibson / luis recoder / olivia blockuntitled” digital versatile disc

  • untitled
july 2008 release ; dvd project involving footage of a collaborative installation by artist sandra gibson & luis recorder, re-case with new music by electro-acoustic composer olivia block ...

packaged in an anti-static bag with a series of card-stock cut-out pieces (below) - presumably the intent is to have the end-user assemble them into something along the lines of the pair depicted below :: (that’s what i came up wih anyways !!!) ...
soseditions press release...

untitled, soseditions limited 803, dvd.

this untitled work presents the first digital collection of visual work by the collaborative artists sandra gibson and luis recoder, and what may be described as a "site specific" musical composition by olivia block. the footage documents a version of a performance piece that was later presented and experienced as an installation. an earlier, different incarnation of this work was premiered at the kill your timid notion festival located in glasgow, scotland, in 2006.

audio mastering by salvatore dellaria; thanks to adam sonderberg.


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$9.01

back in stock as of
january 21st, 2008

first in stock on
april 12th, 2004


threads:
digital-musics
electro-acoustic-composition
electro-acoustic-improvisation
free-improvisation
harsh-noise
minimalism-drones
modern-composition
modern-psych
playback-music
plunder-phonic
psych-prog

the sound projector (uk) #tsp 10 mag

the sound projector 10th issue 2002” magazine

  • articles & interviews with those mentioned below
  • hundreds of record reviews
the sound projector press release...
the sound projector 10 - saw delight - dada-mecano in the mechanical way!! - skinny hands i love (the residents) - an apprenticeship to robert fludd

tenth issue - 160pp - published may 2002. mega interviews: achim wollscheid / alejandra & aeron / carl michael von hausswolff / cyclobe / gen ken montgomery / phill niblock / olivia block / pal asle pettersen / jon mueller / michael renkel

art by imagistic magi: middleton, rawling, reynols, bagnall, pinsent, richardson, willis, parentela, sherred, roberts, in addition thereunto over 250 record reviews...

records reviewed in sound projector categories atoms of pure noise (noise music), the crackling esther, the discurator's den, the droning ones engaging with planetary politics, environmental recordings, free jazz, the gorgeous harmonic, in the art gallery, maladroit rhythms, mix bag of aural honk, mutating into a microchip, nightmares and penumbra, no probable purpose, phantom of liberty, presence of a solid body, quirk out, tape maschines maken

previous artist:
 blitter 
...and that's everything in stock featuring olivia block.
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next artist:
 anders blomqvist 
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