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previous artist:
 noumena 
there are 3 titles featuring noveller in stock.
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 novi_sad 
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$13.26

back in stock as of
april 21st, 2010

first in stock on
october 14th, 2008


threads:
modern-psych
art-punk

jagjaguwar (usa) #jag 133 lp

parts & laborreceivers” long playing record

  • satellites
  • nowheres nigh
  • mount misery
  • little ones
  • the ceasing now
  • wedding in a wasteland
  • prefix free
  • solemn show world
click the play button to hear an excerpt of "wedding in a wasteland"
october 2008 release ; eight new jams from north tonawanda’s favorite sons, parts & labor ...

sensing a serious suicide infatuation herein ; much motorik drum-machine & organ misuse coupled with a radio-friendly way with the friendliness harmonies - not bad at all ...
jagjaguwar press release...

parts & labor
receivers

catalog #: jag133
release date: october 21, 2008

brooklyn noisepunk outfit parts & labor has dramatically altered their wall-of-sound: their fourth album, receivers, finds p&l focusing on open spaces, longer movements, expansive arrangements and loftier goals. on eight epic tracks, receivers showcases the band’s catchiest and darkest moods to date, reveling in a growing dynamic sensibility only hinted at in their previous work. though they’ve maintained their love affair with glitchy oscillations and anthemic vocals, they are now utilizing the full possibilities of a band that was once a scrappy punk trio, and now a mature art-rock quartet. it’s is a heady mix of psych, noise, and pop influenced by the arty minimalism of wire, the surreal pop of early eno, and even the spaced out psychedelia of dark side-era pink floyd.

to flesh out the roar of receivers, p&l’s founding members dan friel (vocals, electronics) and bj warshaw (vocals, bass) recruited drummer joewong and guitarist sarah lipstate. wong’s motorik style perfectly complements the band’s bombastic drone with uniquely repetitive rhythms augmented by jaw-dropping, furious fills. lipstate implements a noisy-yet-folky guitar technique tinged with experimental electronics, cassette tape manipulations, and bowed doubleneck guitar. the addition of a full time guitarist allowed friel to focus on his signature keyboard effects — a unique 8-bit clarion call that remains the most recognizable element of this constantly evolving band — and allowed the band to compose their most complex arrangements thus far. with the new lineup solidified, p&l wasted no time, heading straight to wong’s milwaukee studio mere months after playing their first show as a quartet.

in april, parts & labor had an open call on their websites, looking for audio samples and field recordings submitted by friends and fans. the band posed a selection of questions to spur inspiration: “what do your parents sound like?“what are you afraid of?” they received hundreds of sounds in return — all manner of bleeps, conversations and crashes. in a gesture of inclusion, every sound received is used in some degree on the album, either within the chattering satellites whirring by in the aptly titled “satellites” or during the final cacophony of noise that swallows the band during receivers’ final moments. the band’s favorite sounds, however, were given special prominence as source material for the ambient interludes and collages that bridge the eight songs. it’s a unique project that comments on information overload while also championing the democratic nature of working in a increasingly digital music business.

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$11.76

back in stock as of
april 10th, 2010

first in stock on
july 22nd, 2009


threads:
modern-psych
minimalism-drones
guitar-themed

no fun productions (usa) #nfp 50 cd

novellerred rainbows” compact disc

  • rainbows (3:53)
  • brilliant colors (6:46)
  • st. powers (14:05)
  • tunnels (10:17)
  • bends (19:55)

  • video - 'interior variations'
click the play button to hear an excerpt of "tunnels"
august 2009 release ; ace disc of of static-leaning, loop-based solo electric guitar pieces from brooklyn’s sarah lipstate ...

love the earlier nfp lp of her music (of which there’s only one piece in overlap here) ; this raises the bar with a pair of almost skullflower-ian black-metal guitar voids which segue into a pair of more oxygenated offerings, finally culminating in a 20-minute sea of bleeping high frequency gating & zipper patternage, all impeccably played & recorded / assembled ... great stuff.
no fun productions press release...

50 novellerred rainbows’ cd

debut cd from brooklyn musician and film maker sarah lipstate. red rainbows is full of growing tonal drones that evoke visions of menacing multicolored skies alongside tracks full of beautiful minimalistic structures that shoot straight for the heart. sarah uses double-neck guitar and various electronics to create breathtaking atmospheres with an intensity that works on both a cognitive and emotional level. these tracks are either really beautiful or really dirty when the time is right, which is the key here. sarah knows what she is doing and when to do it. this is an essential initial document from one of the new artists bending abstract sound into meaningful structures. includes a collaboration with carlos giffoni. this is an enhanced cd and includes the short film 'interior variations'. artwork by caroline contillo.

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$15.95

back in stock as of
april 10th, 2010

first in stock on
april 20th, 2009


threads:
modern-psych
guitar-themed
minimalism-drones

 best of 2009 !!! 
no fun productions (usa) #nfp 47 lp

novellerpaint on the shadows” long playing record

  • st. powers

  • salt on sand
  • telecine
click the play button to hear an excerpt of "st. powers"
april 2009 release ; loop-matrix / echo-line guitar experiments from parts & labor’s sarah lipstate ...

the first side’s a fantastic set of earthen, full-bodied float, nestled halfway between the maciunas ensemble’s rubber-band / motor experiments & the more structural chime of remko scha et.al (listen to the sound-sample for the latter, then the former) ; the second works some harmonizer / whammy pedal magic recalling alan licht’s recent solo guitar work ...

a bit of a branch-out / departure for carlos / no-fun, but one of the better records in this style in recent times ...
no fun productions press release...
47 noveller 'paint on the shadows' lp

mystery hides in the shadows, dreaming of colors that don't yet exist. noveller is sarah lipstate. she is a young musician and filmmaker currently living in bushwick, brooklyn. when she is not busy working on noveller music or making films she also plays guitar in the band parts & labor. paint on the shadows is her overdue debut lp full of beautiful floating guitar lines, breathtaking soundscapes and precise sculptures of spiraling sound created by sarah using double-neck guitar, a tape player, and various electronic manipulations. add this one to the list of new generation of sound masters we have been bringing you lately. recorded in studio by colin marston and produced by sarah lipstate and carlos giffoni.

limited to 350 copies. artwork by caroline contillo.

previous artist:
 noumena 
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next artist:
 novi_sad 
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... this page was last updated on wednesday, july 28th, 2010 @ 4:37 pm