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there are 9 titles featuring morton feldman in stock.
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first in stock on
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threads:
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 best of 2008 !!! 
die schachtel (italy) #ds zc01 cd

manuel zurriarepeat!” triple compact disc set

  • lászló sáry - pebble playing in a pot(8:01) 1980
  • arvo part - pari intervallo (4:23) 1976 -1980
  • luc ferrari - madame de shanghai (15:17) 1996
  • louis andriessen - lacrimosa (9:05) 1991
  • salvatore sciarrino - immagine fenicia (5:18) 2000
  • arvo part - spiegel im spiegel (9:37) 1978
  • louis andriessen - de lijn (0:38) 1986
  • lászló sáry - canon (4:53) 1978

  • tom johnson - kirkman's ladies - rational harmonies in three voices (14:13) 2005
  • kevin volans - walking song (5:28) 1984
  • john cage - ryoanji (17:27) 1984-6
  • morton feldman - trio for flutes (4:26) 1972
  • alvin lucier - 947 (7:42) 2001
  • tom johnson - 32 breaths (5:40) 2000)

  • stefano scodanibbio - ritorno a cartagena (9:14) 2001
  • aldo clementi - canzonetta (2:32) 2005
  • viktor ekimovsky - in canes venatici (7:58) 1986
  • jonathan harvey - ricercare una melodia (5:31) 1987
  • zoltan jeney - landscape ad hoc (12:07) 1980
  • aldo clementi - parafrasi 2 (11:09) 2004
  • stefano scodanibbio - voyage resumed (12:17) 2005
january 2008 release ; an impressive, triple-disc recital-set from alter ego flautist manuel zurria, featuring a hand-picked selection of pieces by alvin lucier, luc ferrari, salvatore sciarrino, morton feldman, john cage, lászló sáry, arvo part, louis andriessen, tom johnson, kevin volans, stefano scodanibbio, aldo clementi, viktor ekimovsky, jonathan harvey, and zoltan jeney. much emphasis on psycho-acoustic interference (listen to the clip of the lucier piece), live-electronics & delay-lines ...
die schachtel press release...
dszc1 manuel zurria repeat!

genre: minimalism, electro-acoustic
format: 3xcd digipack
description: triple cd – multi-fold deluxe digipak + 16-pages booklet

the restless experimentation and creativity of manuel zurria (of alter ego fame) has resulted in a brilliant series of collaborative works with legendary composers such as luc ferrari, alvin lucier, arvo part, john cage, morton feldman, lászló sáry, louis andriessen, aldo clementi, zoltan jeney, stefano scodanibbio, salvatore sciarrino, jonathan harvey and kevin volans. a truly stunning mixture of electronic and longform electro-acoustic pieces, repetitive ethnic rhythms, drones and delay, field recordings, flute and the human voice.

repeat is the diary of an obsession that has been accompanying me for four long years. alighiero boetti, one of the fathers of italian conceptual art, had fit out along a wall of his house in rome his most introspective work: the wall. on this wall he showed, continuously modifying their choice and position, objects and works belonging to his own production or to the one of other artists friends, together with objects he found by chance on the street, family pictures and drawings of his children. in other words, his own world. during the realisation of this project i have been reading “difference and repetition” by gilles deleuze, which gave me the occasion to ponder on the involvements that bring back to the principle of repetition in music of our time. in a certain sense, deleuze’s writing allowed me to focus on the importance of repetition as a perceptive fact, and as an experience of listening in accumulation. in the same time, i thought of repetition as difference, as a minimal fact, as trance. this element has been determinant in my activity and allowed me to collaborate during the years with musicians who look at repetition as an exciting experience, both physical and mystic.

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$50.01

back in stock as of
october 25th, 2011

first in stock on
august 11th, 2008


threads:
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digital-musics
concert-recordings
electro-acoustic-improvisation

 best of 2008 !!! 
edition omega point experimental music of japan (japan) #opx 001 sp cd
omega point (japan) #opx 001 sp cd

toshi ichiyanagi / akiko samukawa / tomomi adachiexperimental music of japan vol.1 special edition • live document ‘hommage for space’” compact disc and three inch compact disc-recordable set

  • morton feldman - 2 pianos (6:20)
  • toshi ichiyanagi - time sequence (9:05)
  • michal kleofas oginsky / toshi ichiyanagi - polonaise in a minor “ojczyzny” (4:42)
  • toshi ichiyanagi / akiko samukawa / tomomi adachi - improvisation hommage for space (37:23)

  • astor piazzola - libertango (excerpt from rehearsal) (2:45)
  • toshi ichiyanagi / akiko samukawa / tomomi adachi - improvisation hommage for space (excerpt from performance of pre-opening party) (11:40)
august 2008 release ;last copies of this “deluxe” variant of the first volume in the “experimental music of japan” series ...

identical to the mass-market version, only containing a bonus 3”cdr (in its own printed kraft-paper sleeve) glued onto one of the panels inside the fold-out, containing a short reading of a piazzola tango, then the rehearsal take of the trio improvisation ...

given the price-difference i’m only to recommend this to the ichiyanagi / adachi / omega point completists ; i’m sure the rest of you will sleep just fine @ night owning the “regular” issue ...
edition omega point experimental music of japan press release...

experimental music of japan vol.1
toshi ichiyanagi + akiko samukawa + tomomi adachi - live document "hommage for space"
edition omega point opx-001

this is the live recording of the music performance held at the installation exhibition of chiharu shiota in the gallery of kanagawa kenmin hall in yokohama japan last october. the performance was defined as art complex by toshi ichiyanagi from the music stand point of view. the content of music consists of live computer improvisation as well as some acoustic programed pieces by piano performance by akiko samukawa, toshi ichiyanagi and computer electronics by tomomi adachi to create the interpenetration of temporal and spacial situation in the gallery space. - toshi ichiyanagi

note: art-complex also included symposium, string quartet concert, piano recital, contemporary dance and so on. track 4 includes electric organ drone by samukawa, some metronomes click by ichiyanagi and homemade instrument named "tomoring" by adachi.

special edition with minicdr is also available. it's recorded rehearsal take and performance of pre-opening party. limited to 100 copies

profile of performer :

tomomi adachi
born in kanazawa, japan in 1972, he is performer, composer, sound poet, installation artist, occasional theater director. he studied philosophy and aesthetics at waseda university in tokyo. he has played improvised music with voice, live electronics and self-made instruments. he also has organized many concerts which picks up experimental music, sound art, collaboration work and inter-disciplinary performance in japan and germany, include concerts for chris mann, trevor wishart, nicolas collins and steim in japan.

akiko samukawa
born in kyoto. she studied piano at music department of ferris women's university and under some pianists. she do not play only contemporary music mainly, but also interests improvisation and other field of sound works. she wants to perform extraordinary works, and organized piano recital includes mixed-media or computer assisted works recently.

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$25.01

back in stock as of
october 25th, 2011

first in stock on
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threads:
electro-acoustic-improvisation
live-electronic

 best of 2008 !!! 
edition omega point experimental music of japan (japan) #opx 001 cd
omega point (japan) #opx 001 cd

toshi ichiyanagi / akiko samukawa / tomomi adachiexperimental music of japan vol.1 • live document ‘hommage for space’” compact disc

  • morton feldman - 2 pianos (6:20)
  • toshi ichiyanagi - time sequence (9:05)
  • michal kleofas oginsky / toshi ichiyanagi - polonaise in a minor “ojczyzny” (4:42)
  • toshi ichiyanagi / akiko samukawa / tomomi adachi - improvisation hommage for space (37:23)
august 2008 release ; the first release in this new omega point series offering “experimental music of japan” ... starting out with a straight-up recital of pieces byfeldman, ichiyanagi, & oginsky, the disc then flows into an extended electro-acoustic improvisation by ichiyanagi, pianist akiko samukawa, and laptop musician tomomi adachi that runs the gamut from spry, melodic interplay to full-on explosions of string-rattle & filtered electronic noise (listen to the sound-sample) ...

as always, osamu has outdone himself with a gorgeous edition, featuring a wrap-around obi that holds the 8-panel fold-out sleeve together. highly recommended !!!
edition omega point experimental music of japan press release...

experimental music of japan vol.1
toshi ichiyanagi + akiko samukawa + tomomi adachi - live document "hommage for space"
edition omega point opx-001

this is the live recording of the music performance held at the installation exhibition of chiharu shiota in the gallery of kanagawa kenmin hall in yokohama japan last october. the performance was defined as art complex by toshi ichiyanagi from the music stand point of view. the content of music consists of live computer improvisation as well as some acoustic programed pieces by piano performance by akiko samukawa, toshi ichiyanagi and computer electronics by tomomi adachi to create the interpenetration of temporal and spacial situation in the gallery space. - toshi ichiyanagi

note: art-complex also included symposium, string quartet concert, piano recital, contemporary dance and so on. track 4 includes electric organ drone by samukawa, some metronomes click by ichiyanagi and homemade instrument named "tomoring" by adachi.

profile of performer :

tomomi adachi
born in kanazawa, japan in 1972, he is performer, composer, sound poet, installation artist, occasional theater director. he studied philosophy and aesthetics at waseda university in tokyo. he has played improvised music with voice, live electronics and self-made instruments. he also has organized many concerts which picks up experimental music, sound art, collaboration work and inter-disciplinary performance in japan and germany, include concerts for chris mann, trevor wishart, nicolas collins and steim in japan.

akiko samukawa
born in kyoto. she studied piano at music department of ferris women's university and under some pianists. she do not play only contemporary music mainly, but also interests improvisation and other field of sound works. she wants to perform extraordinary works, and organized piano recital includes mixed-media or computer assisted works recently.

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$38.51

back in stock as of
january 10th, 2012

first in stock on
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threads:
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live-electronic

edition rz (germany) #rz 01018-19 cd

david tudormusic for piano” double compact disc set

  • john cage - music for piano 27 (7:50)
  • john cage - music for piano 22, 21, 32, 36 (8:47)
  • john cage - music for piano 27, 21, 32, 36 (10:18)
  • john cage - variations i (2:21)
  • christian wolff - duo for pianists i (4:13)
  • christian wolff - duo for pianists i, version 1957 ii (4:35)
  • sylvano bussotti - piano piece for david tudor iii (7:25)
  • john cage - winter music (5:10)
  • morton feldman - piece for four pianos (7:31)

  • john cage - variations ii 1961 (26:53)
  • john cage - music for piano 27, 21, 32, 35, 36  1955 (hr 1959) (12:27)
  • john cage - music for piano 21, 22, 26, 29, 34, 36  1955 (wdr 1959) (13:19)
  • christian wolff - duo for pianists i  1957, version 2 (dr 1963) (10:26)
  • david tudor - o-ton (dr 1963) (1:50)
2007 release ; ... well-organized collection of tudor’s realizations of solo piano repertoire by cage, bussotti, feldman, and wolff (including his gratifyingly gnarly, feedback-oriented performance of cage’s “variations ii” from 1961 - listen to the sound-sample) ...
edition rz press release...

ed. rz 1018-19 2cd
david tudor: music for piano

2-cd set with recordings by the legendary 20th century avantgarde pianist. with compositions by sylvano bussotti, john cage, morton feldman, christian wolff.

david tudor, pianist - a profession, a vocation, a life. from 1950 until around 1965, david tudor was the epitome of the pianist who could simply play anything. in fact, david tudor was no longer a name, but an indication for instrumentation as dozens of pieces were written "for david tudor".

as early as 1960, after having conquered all of the challenges posed by serial piano music, tudor began to differentiate between composers who filled him with life and those who left him cold - the focus of his repertory became crystallized. the main criterion for his choices were shaped by the part he would play as interpreter in the composition. he distinguished carefully between having a free choice among prefabricated parts - generally called aleatoric, as for example, stockhausen's klavierstück xi (dedicated, as his klavierstücke v-viii, to tudor) - and indeterminate actions. in the first case, they have a tendency to "put me to sleep", whereby pieces that are less limiting led him to say, "i feel that i'm alive in every part of my consciousness".

the program of these cds portrays these distinctions.

[ frank hilberg ]

john cage: music for piano 27...  1955 (dr 1958) [ john cage / david tudor · pianos, 7'49'' ]

john cage: music for piano 22, 21, 26, 36  1955 (ndr 1956) [ david tudor · piano, 8'46'' ]

john cage: music for piano 27, 21, 32, 36  1955 (rb 1959) [ david tudor · piano, 10'17'' ]

john cage: variations i  1958 (dr 1958) [ john cage / david tudor · pianos, 2'20'' ]

christian wolff: duo for pianists i  1957, version 1 (rb 1960) [ john cage, david tudor · klaviere, 4'12'' ]

christian wolff: duo for pianists i  1957, version 2 (rb 1960) [ john cage, david tudor · klaviere, 4'35'' ]

sylvano bussotti: piano piece for david tudor iii 1959 (rb 1959) [ david tudor · klavier, 7'25'' ]

john cage: winter music  1957 (wdr 1957) [ john cage / david tudor · klaviere, 5'10'']

morton feldman: piece for four pianos  1957 (columbia 1959) [ david tudor, russell sherman, edwin hymovitz, morton feldman · klaviere, 7'36'' ]

john cage: varitations ii  1961 (sony music 1967) [ david tudor · klavier, 26'52'' ]

john cage: music for piano 27, 21, 32, 35, 36  1955 (hr 1959) [ david tudor · klavier, 12'26'' ]

john cage: music for piano 21, 22, 26, 29, 34, 36  1955 (wdr 1959) [ david tudor · klavier, 13'18'' ]

christian wolff: duo for pianists i  1957, version 2 (dr 1963) [ john cage, david tudor · klaviere, 10'26'' ]

david tudor o-ton  (dr 1963, 1'50'')

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threads:
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edition rz (germany) #rz 01010 cd

morton feldmanmorton feldman (1926-87)” compact disc

  • piano three hands (8:03) 1957
  • intermission 5 (3:52) 1952
  • vertical thoughts 2 (6:49) 1963
  • extensions (8:05) 1952
  • four instruments (8:12) 1975
  • intermission 5 (2:11) 1952
  • piano piece 1956 a (2:23) 1956
  • piano piece 1956 b (3:07) 1956
  • intersection 3 (3:08) 1953
  • instruments 1 (24:16) 1974
1994 release ; ... an excellent cross-section of morton feldman’s compositional work, cut between early / formative pieces (dating back to the early 50’s) & those from the mid-late 70s ...

includes performances by david tudor, amm’s john tilbury, cornelius cardew, joseph kubera, eberhard blum, jan williams, garrett list, and feldman himself ...
edition rz press release...

ed. rz 1010 cd
morton feldman (1926 - 87)
piano three hands, intermission 5, vertical thoughts 2, extensions 3, four instruments, intermission 5, piano piece 1956 a + b, intersection 3, instruments 1
piano three hands (m. feldman + j. tilbury)

intermission 5 (m. feldman)

vertical thoughts 2 (c. cardew, j. négyesy)

extensions 3 (m. feldman)

four instruments (cantilena chamber players)

intermission 5 (d. tudor)

piano piece 1956 a + b (d. tudor)

intersection 3 (d. tudor)

instruments 1 (e. blum, n. post, g. list, j. williams, j. kubera)

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back in stock as of
december 22nd, 2010

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threads:
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new world (usa) #nw 80664 cd

john cage / morton feldmanmusic for keyboard 1935-1948 / the early years” double compact disc set

  • john cage - two pieces - slowly (2:18) 1935
  • john cage - two pieces - quite fast (1:21) 1935
  • john cage - metamorphosis (16:18) 1938
  • john cage - bacchanale (9:24) 1940
  • john cage - the perilous night (13:25) 1944
  • john cage - tossed as it is untroubled (2:36) 1943
  • john cage - a valentine out of season (4:01) 1944
  • john cage - root of an unfocus (4:22) 1944
  • john cage - two pieces for piano - i. (4:43) 1946
  • john cage - two pieces for piano - ii. (7:44) 1946
  • john cage - prelude for meditation (2:27) 1944
  • john cage - music for marcel duchamp (6:01) 1947

  • john cage - suite for toy piano (7:46) 1948
  • john cage - dream (9:18) 1948
  • morton feldman - piece for four pianos (7:13) 1957
  • morton feldman - intersection 3 for piano (2:42) 1953
  • morton feldman - extensions 4 for three pianos (6:06) 1953
  • morton feldman - two pieces for two pianos i (1:13) 1954
  • morton feldman - two pieces for two pianos ii (1:17) 1954
  • morton feldman - projection 4 for violin and piano (5:09) 1951
  • morton feldman - structures for string quartet (5:17) 1951
  • morton feldman - extensions 1 for violin and piano (5:48) 1951
  • morton feldman - three pieces for string quartet i (4:30) 1956
  • morton feldman - three pieces for string quartet ii (6:12) 1956
  • morton feldman - three pieces for string quartet iii (3:48) 1956
new world press release...
this double-cd set combines two of the key titles of columbia records’s legendary “music of our time” series curated by david behrman. jeanne kirstein’s recording of cage’s early keyboard works remains a touchstone of cagean interpretation notwithstanding the passage of time. christian wolff recalls, "i remember cage saying that jeanne kirstein’s playing caught the spirit in which the pieces were written at the time he wrote them—a kind of simple excitement and enthusiasm (also, surely, out of the discovery of the preparing of the piano and the great new sounds)."

the seminal 1959 columbia lp that introduced feldman’s work to the listening public features historic performances that still resonate with passion and conviction more than four decades later. the works maybe divided into three categories: the earlier, precisely notated music (extensions 1 for violin and piano, extensions 4 for three pianos, two pieces for two pianos, structures for string quartet, three pieces for string quartet); the first graphic notation pieces (intersection 3 for piano, projection 4 for violin and piano); and the first free durational composition (piece for four pianos).

to quote a prescient critic of the time, "[all eight works are] are full of spots, sparks and spangles of radiant color; a single note becomes an event of epical portent; the final result is to compact hours into seconds with an almost overwhelming intensity and depth of feeling."

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back in stock as of
december 22nd, 2010

first in stock on
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threads:
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new world (usa) #nw 80550 cd

stefan wolpe / morton feldmanfor stefan wolpe” compact disc

  • stefan wolpe - zwei chinesische grabschriften (two chinese epitaphs)

    i. zwölf bauern (twelve peasants) (4:17) 1937
    ii. von eine handvoll reis (by a handful of rice) (4:02) 1937

  • morton feldman - christian wolff in cambridge (3:02) 1963
  • morton feldman - chorus and instruments ii (3:32) 1967

  • stefan wolpe- four pieces for mixed chorus (a.k.a. three pieces for mixed chorus)

    i. psalm 122 (2:28) 1955 - samahtî beomrîm lî (i was glad when they said to me)
    ii. piece by gershon shofman (5:08) 1955 - sh(e)lu na`alękhem (remove your shoes from your feet)
    iii. isaiah 43: 18-21 (3:50) 1955 - 10 al tizkeru rishonot (remember ye not the former things)
    iv. jeremiah 31: 6-12 (4:25) 1955 - ronnu leya `akov simhah (sing aloud with gladness for jacob)

  • morton feldman - for stefan wolpe (31:07) 1986
new world press release...
stefan wolpe (1902–1972), one of the great teachers in twentieth century music, is also now recognized as one of its most significant composers. his two chinese epitaphs, composed in jerusalem in 1937, illustrates the composer’s deep allegiance to socialist issues. he wrote the work swiftly and in anger, just after learning that the basque town of guernica had been bombed by the fascists the previous week. he chose to set two poems by louise peter that decry, in a few short phrases of stark imagery, the atrocities committed against oppressed workers. the four pieces for mixed chorus (1955) were composed for a contest sponsored by the government of israel. it is a setting of four hebrew texts—three from the bible and one from israeli poet gershon shofman. all the texts express hope for the new nation of israel.

morton feldman (1926–1987) studied with wolpe for several years and was deeply influenced by his modernist aesthetic, particularly his interest in the visual arts. for stefan wolpe (1986), for chorus and two vibraphones, is feldman’s tribute to his venerated teacher. it alternates between vocal and instrumental passages. the two never intermingle, even though feldman lets the vibraphones ring into the voices. as is characteristic of his late music, the piece combines the quiet, atonal, austere textures of his earlier music (of which christian wolff in cambridge [1963] and chorus and instruments ii [1967] are stellar examples) with several new elements—greater duration, minimalist repetition, and bigger gestures.

all five works are making their first appearance on cd. an indispensable addition to the discographies of both composers. 

choir of st. ignatius of antioch, new york city / harold chaney, conductor
benjamin ramirez, thomas kolor, percussion
stephen foreman, tuba


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$19.07

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first in stock on
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threads:
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file under:
modern-composition
plunder-phonic
 best of 2005 !!! 
alga marghen (italy) #alga nmn11 cd

rumori alla rotonda” compact disc

  • john cage “duo” (1958) 07’25”
  • walter marchetti “gamapîrt” (1959) 04’22”
  • morton feldman “piano piece 1” (1954) 02’41”
  • juan hidalgo “ciu music quartet” (1959) 11’04”
  • leopoldo la rosa “musica per pianoforte e 3 timpani” (1959) 04’58”
  • john cage “music for piano” (1956) 06’14”
  • juan hidalgo “offenes trio” (1959) 04’49”
  • morton feldman “piano piece ii” (1954) 02’18”
  • walter marchetti “doppio” (1959) 05’10”
  • leopoldo la rosa “rímak” (1959) 12’16”
fantastic compact disc documenting an historic concert which took place at the rotonda del pellegrini, milan, on january 21st 1959 featuring john cage, juan hidalgo, and walter marchetti.
alga marghen press release...
live recording at the rotonda del pellegrini, milan, january 21st, 1959.

performers:
john cage, piano (3, 6, 8)
juan hidalgo piano (4), celesta (10)
leopoldo la rosa piano (5, 10)
walter marchetti celesta (2)
pina lercari viola (1, 4, 10)
franco carabelli flute (1, 7, 10)
giordano cappello oboe (2, 10) english horn (7)
stelio licudi bass clarinet (9, 10)
evadro dall’oca bassoon (4, 7, 10)
giacomo polverino trombone (2, 9, 10)
stanislao massara trombone (4, 9, 10)
domenico torrebruno timpani drums (5, 10)
qintín gonzáles, jesús gonzáles cuatros, maracas, claves, guitarra (10)

...

gabriele bonomo

cage, feldman, hidalgo, la rosa, marchetti: “rumori alla rotonda” milan, january 21, 1959.

among all of the events john cage porticipoted in during his long stay in europe, and more precisely in italy, that followed his controversial appearance at darmstadt ferienkurse on september 1958, the concert he held in milan on january 21, 1959, at the rotonda del pellegriniwith juan hidalgo, walter marchetti, and the peruvian composer leopoldo la rosa - perhops represents a less well-known episode, but not the least relevant one. the reasons of such an interest - reasons that justify the opportunity to present here, after forty years, the complete recording of the concert, and that restore the measure of the exceptionality of this rare document - cam be summarized, first of all, in the contrasting reactions catalyzed by this event, thus prefiguring the front of ill-matched attitudes in which the contradictory european reception of john cage's oeuvre began to crystallize.

featuring cage's intervention both as composer and performer of his awn work as well as of two piano pieces by morton feldman, the concert at pellegrini's rotonda moy be considered the first event of experimental music in europe in which the presentation of american and european composers - if one excepts the non-homogeneaus chorocter of david tudor recitals - consciously acted on an ogreeing and equal aesthetic horizon. it was exactly this peculiarity that tumed out to be differently meaningful for peaple who played 0n. active role in the concert on the one hand, and for those who recognized in it, from an extemal point of view, only the symptoms of a pemicious mixture as regards the kind of cultural phenomenology with which cage's experience was classified at the time of his first clamorous ochievements in europe. the concert, promoted by the 'club intemazionale universitario', was organized thanks to the initiative of juan hidalgo, walter marchetti, and leopoldo la rosa, to crown cage's impending deporture from milan, where he spent almost four months starting from november 1958 - accepting luciana berio's and bruno madema's invitation-to finish the tape of fontana mix at rai television 'studio di fonologia musicale'.

during this period cage was not lacking in other opportunities to perform his compositions, neither did he miss former occasions for presenting his music in italy with a certain continuity, perhaps mare frequently at that time than in other eurapean countries. after the first private performance, reserved to musicians and iriends, of fontana mix simultaneously played with aria written lor cathy berberian (milan, december 20, 195b), cage began a brief tour in italy with luciano berio and the same singer, with a concert programme repeated in rome (ridotta del t eatro elisea, january 5, 1959) and florence (circola leonarda do vinci, january 8, 1959), where they presented music for two pianos, winter music, and variations i, and the first public performance of aria with fontana mix. sytvana bussotti and heinz-klaus metzger, in conjunction with teresa rampazzi, afterwards organized a concert by cage at the circolo culturale 'ii pozzetto' in padua (february 7, 1959), where he performed variations i, music walk, excerpts from music for piano, besides an audition 01 the european premiere of the concert for piano and orchestra recorded in cologne, and metzger's opening lecture entitled the musical progress from schonberg to cage...

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 best of 2010 !!! 
new world (usa) #nw 80712 cd

music for merce (1952-2009)” decuple compact disc set

  • christian wolff - for magnetic tape (1952) [pt. 1 of 4] (5:24)
  • christian wolff - for piano i (1952) (5:19)
  • john cage - music for piano 1–20 (1954) (16:13)
  • earle brown - indices (1955) [excerpt] (20:51)
  • bo nilsson - quantitäten (1958) (12:31)

  • morton feldman - ixion (1958) (20:21)
  • john cage - variations v (1965) [excerpt] (13:41)
  • gordon mumma - mesa (1966) (19:38)
  • toshi ichiyanagi - activities for orchestra (1962) (24:09)

  • david behrman - … for nearly an hour… (1968) [excerpt] (3:23)
  • pauline oliveros - in memoriam: nikola tesla, cosmic engineer (1969) [excerpt] (9:44)
  • christian wolff - for 1, 2, or 3 people (1964) [excerpt] (12:07)
  • christian wolff - burdocks (1971) [excerpt] (16:59)
  • john cagegordon mummadavid tudor - /3 (1972) [excerpt] (16:39)
  • gordon mumma - telepos (1972) (18:27)

  • david tudor - toneburst (1975) (17:45)
  • takehisa kosugi - s.e. wave/e.w. song (1976) [excerpt] (13:03)
  • maryanne amacher - remainder (1976) [excerpt] (14:55)
  • jon gibson - equal distribution (1977) [excerpt] (12:14)
  • john cage - inlets (1977) [excerpt] (10:17)

  • david tudor - weatherings (1978) [excerpt] (14:54)
  • yasunao tone - geography and music (1979) [excerpt] (21:18)
  • david tudor - phonemes (1981) [excerpt] (14:00)
  • david tudor - sextet for seven (1982) (18:15)

  • takehisa kosugi - spacings (1984) (23:52)
  • john king - gliss in sighs (1985) (16:19)
  • john cage - voiceless essay (1986) [excerpt] (10:58)
  • david tudor - webwork (1987) [excerpt] (10:46)
  • michael pugliese - peace talks (1989) [excerpt] (11:44)

  • takehisa kosugi - spectra (1989) (20:29)
  • john cage - sculptures musicales (1989) [excerpt] (12:14)
  • david tudor - virtual focus (1990) [excerpt] (15:15)
  • john cage - four3 (1991) [excerpt] (15:24)
  • david tudor - neural network plus (1992) [excerpt] (13:28)

  • john king - blues ’99 (1993) [excerpt] (19:10)
  • stuart dempster - underground overlays (1995) [excerpt] (15:22)
  • john cage - four6 (1992) [excerpt] (11:17)
  • takehisa kosugi - wave code a–z (1997) [excerpt] (14:42)
  • christian wolff - or 4 people (1994) [excerpt] (6:16)

  • john cage - and one8 (1991) [excerpt] (14:18)
  • john king - longtermparking (2002) [excerpt] (15:31)
  • david behrman - long throw (2007) [excerpt] (18:25)
  • annea lockwood - jitterbug (2007) [excerpt] (20:19)

  • event - february 161993, red wing, minnesota (5:58)
  • event - september 141996, annemasse, france (5:53)
  • event - june 51997, frankfurt (7:30)
  • event - september 121998, minneapolis (5:22)
  • event - september 292002, oslo (4:12)
  • event - october 302002, munich (6:51)
  • event - december 142004, new york city (3:54)
  • event - december 152004, new york city (6:56)
  • event - december 182004, new york city (6:35)
  • event - june 142005, london (5:21)
  • event - june 172005, london (8:44)
december 2010 release ; just incredible ...

inside this mammoth, 10-disc behemoth lies a veritable kings ransom of largely otherwise un-issued pieces, all composed for merce cunningham’s dance company, performed by a whos who of 20th century experimental & electronic music ...

... before you balk at the price, let me point out just some of the contents ::

an absolute treasure-trove of archival david tudor material(s), ranging from his premiere of christian wolff’s “for piano i” in 1952 & his performance of piano pieces by earle brown, bo nilsson, & morton feldman ... through his “jerry-riggedelectronic work with john cage, gordon mumma, malcolm goldstein, max neuhaus, toshi ichiyanagi, pauline oliveros ... and finally his 80’s & 90’s solo live electronic pieces ...

an otherwise never-released recording of takehisa kosugi playing a “catch-wave” lineage piece in 1976, plus three other unreleased live-electronic pieces from the 80’s & 90’s, all of which are insane (listen to the sound-sample for one of the 80’s one ; an “automatedbleep-out par excellence) ...

unheard 70’s & 80’s compositions by maryanne amacher, jon gibson, yasunao tone, john king, michael pugliese, and annea lockwood ... along with several ensemble pieces from the 90’s with jim o’rourke & folks like stuart dempster, kosugi, paul de marinis, and company ... and a disc of “events” featuring folks like christian marclay, ikue mori, george lewis, steve lacy ... and oddly, led zeppelin’s john paul jones & radiohead drummer phil selway ...

... comes as a nice, matte cd-box (similar form-factor as the “music from the once festival” set) with a pull-ribbon, all ten discs (housed in five single-wide double-cases) & a 120-page book offering a succinct history of the cunningham company’s involvement with all of this essential stuff, plus tons of key photos of the happenings & dance-events documented herein ...

easily my single favorite release of 2010 ; highest conceivable recommendation !!!
new world press release...

composer(s): christian wolff, john cage, earle brown, bo nilsson, morton feldman, gordon mumma, toshi ichiyanagi, david behrman, pauline oliveros, david tudor, takehisa kosugi, maryanne amacher, jon gibson, yasunao tone, john king, michael pugliese, stuart dempster, annea lockwood
album title: music for merce (1952-2009) 
cat. no.: 80712 (10 cds)
genre: classical / contemporary
release date: 12/2010

 the late merce cunningham was renowned for his legendary collaborations with the most significant experimental musicians of the late 20th century. particularly notable is his association with john cage, who served as the founding musical director of the merce cunningham dance company until cage’s death in 1992.

spanning six decades from the early 1950s onward, these recordings capture the breadth of the cunningham repertory and the rich diversity of cunningham’s musical collaborations. composers whose work features prominently in this collection include seminal figures of late-20th-century experimental music such as john cage, david tudor, gordon mumma, christian wolff, and takehisa kosugi, among others.

for the most part, these compositions have not been recorded elsewhere and are making their first appearance on cd. this is a document of enormous historical import that will be a revelation to both listeners and scholars interested in the evolution of american experimental music over the past five decades. also included is a 124-page booklet featuring a 15,000-word essay by amy beal, one of the foremost scholars of contemporary american music


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