mimaroglu music sales ☞ artists ☞ mayo thompson

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previous artist: diane thome		there are 18 titles featuring mayo thompson in stock. they are listed below.		next artist: steve thomsen

$13.41

back in stock as of
august 25th, 2008

first in stock on
august 25th, 2006

blue chopsticks (usa) #bc 03 cd

van oehlen “we are eggsperienced” compact disc

intro (of the damned) (1:36)
the in kraut (3:12)
conneggtion (2:00)
hare krishna (6:04)
boogie for sale (2:41)
thx style (1:02)
the mask (2:00)
hitrocking (4:48)
late stream (2:27)
new energy soul (3:06)
flat stone-evil woman (1:41)
emergency (4:41)
vertbiking (2:07)
the power of jazz (1:50)

blue chopsticks press release...

van oehlen, we are eggsperienced - bc3 cd

if you think that the blue chopsticks horse is a fusty, knowledge-heavy nag who answers exclusively to the name "reissue label," behold van oehlen. van oehlen is the duo of albert and markus oehlen. albert is best known to listeners for his heavy, integral participation in the red krayola. he currently runs the leiterwagen record label -- rare thing, batting nearly a thousand? -- providing a home for the likes of jailhouse, j.b. slik, and titankatzen as well as the rearcar / rearprojection new stream compilations. albert is among the most heralded visual artists of his generation and has had retrospectives of his work at the wexner center for the arts, hamburg's deichtorhallen, and the kunsthalle basel. markus oehlen is known to listeners as as the drummer of the legendary german punk group mittagspause, as one- third of jailhouse, and as the leiterwagen solo artist don hobby. he is familiar to sharp-eyed souls as an exceptional visual artist, a veteran of numerous gallery and museum shows. (two of markus's drawings grace gastr del sol's camoufleur; the cover of we are eggsperienced is his.) we are eggsperienced features contributions from the red krayola's mayo thompson and tom watson as well as german jazz legend rüdiger carl (cowws quintet and various recordings for the fmp label) and goldenen zitronen frontman schorsch kamerun. what is new stream music? a draft of albert's new stream manifesto was circulated before the red krayola's first live performance of fingerpainting. new stream is not dissimilar to cold jazz, but counts among its progenitors the red krayola's free-form freakouts, "revolution no. 9," sun ra's most bracingly alien synthesizer solos, and the deep freeze mice at their least musical. (released february 2000)

$8.81

back in stock as of
august 25th, 2008

first in stock on
november 20th, 2007

dexter’s cigar (usa) #dex 01 cs
drag city (usa) #dc 049 cs

mayo thompson “corky’s debt to his father” cassette

the lesson
oyster thins
horses
dear betty baby
venus in the morning
to you
fortune
black legs
good brisk blues
around the home
worried worried

dexter’s cigar press release...

mayo thompson
corky's debt to his father lp/cs/cd

lp released in 1969 on texas revolution records
lp reissued in 1988 on glass records
lp/cs/cd released on june 20, 1994 on drag city

mayo thompson's until now ultra-rare solo album. the album was produced in houston, texas in 1970 by thompson, frank davis and roger 'rocket' romano for the short-lived but nonetheless legendary texas revolution label of walt andrus. though pressed and advertised in the pages of rolling stone, the demise of the label meant the album went largely undistributed until the mid 1980s when glass records (london) gave it its first proper release.

coming as the sun set on the first psychedelic rock era, corky's debt evokes the early days of acoustic blues, but is already in the maelstrom from which punk rock would emerge just a few years later. the set features innovative performances by some of houston's finest musicians of the time playing eleven songs by thompson -- one with frederick barthelme, with whom he started the red crayola. they represent a broad range of expressive manners and forms.

made to stand with the finest comparable work of the period, corky's debt shows thompson at his most accessible. unique ballads, blues, rock and love songs flow one to another with style, grace and intensity, and the handling of diverse popular-music idioms and language that characterize his more widely known work in the red crayola are also to be found.

the line between genius and madness is very thin. the line between a million dollars and nothing is also very thin. had corky's debt been heard back then, today, if someone mentioned astral weeks, you might say, 'it does?' the beat lives on.

$12.81

back in stock as of
august 25th, 2008

first in stock on
august 25th, 2006

file under:
art-punk

dexter’s cigar (usa) #dex 01 cd
drag city (usa) #dc 049 cd

mayo thompson “corky’s debt to his father” compact disc

the lesson (2:43)
oyster thins (6:04)
horses (3:13)
dear betty baby (3:52)
venus in the morning (2:33)
to you (2:52)
fortune (2:14)
black legs (3:54)
good brisk blues (3:11)
around the home (2:55)
worried worried (5:14)

dexter’s cigar press release...

$13.41

back in stock as of
august 25th, 2008

first in stock on
november 20th, 2007

threads:
modern-psych

drag city (usa) #dc 343 cd

the red krayola / art & language “sighs trapped by liars” compact disc

fairest of all
jumping through the mirror
laughing at the foot of the cross
il ne reste qu’a chanter
hostage
jerry fodor’s story
the big vacation
four stars: the ideal crew
igor zabel’s song
a pest
perfection
forty thousand words on a chair
sighs trapped by liars

drag city press release...

the red krayola with art & language
sighs trapped by liars
dc343 cd

with the entirely new music statement, sighs trapped by liars, the red krayola renew their association with conceptual artists art & language. beginning in 1973, their collaboration includes the video projects “nine gross and conspicuous errors,” and “struggle in new york,” as well as the much-acclaimed and -decried music releases corrected slogans, kangaroo?, and black snakes. thirty years has mellowed the various parties not at all. the faint-hearted might want to swallow something calming before giving sighs trapped by liars a spin.

sighs trapped by liars is as much a delightful bit of latter-day entertainment as it is a sensational musical excursion not trapped in any era. the composers of red krayola classics such as “keep all your friends,” “portrait of v.i.lenin in the style of jackson pollock,” ”black snakes,” and “born in flames” have made another try at negotiating the relationship between language and music in this new collection. speaking in a contemporary (and frequently foul-mouthed) voice they say something we could all stand to hear — in a popular music format that we can all enjoy.

those expecting a further trip into the radical leftist pamphleteering of the former works will have to listen closely; these are new songs for new days. perspectives are taken from quotes, exhibits and jokes of history and translated into material that addresses the state of the art. this music couldn’t be made without the experiences and politics of former days. the questions the 60s asked about the very idea of music and objects inform the practice today; the relationship of these new songs to the old ones is projective and analytical, subject to change without notice.

art & language’s lyrical contributions were put to music and played by mayo thompson, accompanied by tom watson, john mcentire, noel kupersmith and jim o’rourke. the music is an intimate and expansive setting, a pop framework for deliberate and meditative language. red krayola vocalists elisa randazzo and sandy yang stepped forth to the mic for a lead vocal performance that runs the register from ethereal-to-nursery-rhyme-to-adult-contemporary, with the odd obscenity smoothly integrated into its logic. jumping through the mirror so that you have to follow, the red krayola with art & language bring you sighs trapped by liars.

$13.41

new to stock as of
october 17th, 2008

threads:
modern-psych
sound-art

drag city (usa) #dc 304 lp

the red krayola “introduction” long playing record

introduction (0:55)
breakout (5:03)
cruise boat (2:26)
note to selves (3:37)
l.g.f. (5:06)
a tale of two? (3:26)
psy ops (2:18)
it will be (delivered) (3:02)
puff (1:59)
greasy street (4:24)
vexations (4:27)
elegy (5:17)
when she went swimming (3:54)
swerving (2:41)
bling bling (3:13)

drag city press release...

the red krayola
introduction
dc304 lp

the red krayola — 2006! the time, as ever, is now — and time has every meaning in the world for this band of renown. galloping from the south of texas a couple generations back, the red krayola have remained and reemerged in every era since — from the “transparent radiation” of the parable of arable land to “a portrait of v.i. lenin in the style of jackson pollock” of kangaroo? to the “hard on through the summer” of “amor and language.” when last heard from, mayo thompson was sighing without regret of “magnificence as such.” one could almost feel the long rays of sunset breaking over the heads of the red krayola.

dusk will have to wait, for now comes introduction. the red krayola live to see another day. having communed with their fans around the world in 2005 — in europe, japan and the u.s. — they were invigorated. last summer they returned to one of their favorite haunts, the recording studio, for a session to capture the magic all at once. today the result — introduction, 15 songs strong — is here, and does just that. introduction is an epic that presents the red krayola at their very best.

featuring the contributions of long-time members stephen prina, tom watson and john mcentire (who recorded and mixed the album at his soma recording studio), introduction introduces the accordion styles of charlie abel, whose slow flickering squeeze-box lines the album, and the elegant perfection of noel kupersmith’s bass. the moods of introduction are alternately contemplative, whimsical, aggressive, amorous, innocent and raw — while always decorous in that special way popular music demands.

introduction is a new masterpiece from the red krayola — a world of strengths, a compendium of knowledge, a record for today — to be played for generations to come. for fans and the uninitiated alike, here’s an introduction.

$13.41

new to stock as of
august 25th, 2008

threads:
modern-psych
sound-art

drag city (usa) #dc 304 cd

the red krayola “introduction” compact disc

introduction (0:55)
breakout (5:03)
cruise boat (2:26)
note to selves (3:37)
l.g.f. (5:06)
a tale of two? (3:26)
psy ops (2:18)
it will be (delivered) (3:02)
puff (1:59)
greasy street (4:24)
vexations (4:27)
elegy (5:17)
when she went swimming (3:54)
swerving (2:41)
bling bling (3:13)

drag city press release...

the red krayola
introduction
dc304 cd

the red krayola — 2006! the time, as ever, is now — and time has every meaning in the world for this band of renown. galloping from the south of texas a couple generations back, the red krayola have remained and reemerged in every era since — from the “transparent radiation” of the parable of arable land to “a portrait of v.i. lenin in the style of jackson pollock” of kangaroo? to the “hard on through the summer” of “amor and language.” when last heard from, mayo thompson was sighing without regret of “magnificence as such.” one could almost feel the long rays of sunset breaking over the heads of the red krayola.

dusk will have to wait, for now comes introduction. the red krayola live to see another day. having communed with their fans around the world in 2005 — in europe, japan and the u.s. — they were invigorated. last summer they returned to one of their favorite haunts, the recording studio, for a session to capture the magic all at once. today the result — introduction, 15 songs strong — is here, and does just that. introduction is an epic that presents the red krayola at their very best.

featuring the contributions of long-time members stephen prina, tom watson and john mcentire (who recorded and mixed the album at his soma recording studio), introduction introduces the accordion styles of charlie abel, whose slow flickering squeeze-box lines the album, and the elegant perfection of noel kupersmith’s bass. the moods of introduction are alternately contemplative, whimsical, aggressive, amorous, innocent and raw — while always decorous in that special way popular music demands.

introduction is a new masterpiece from the red krayola — a world of strengths, a compendium of knowledge, a record for today — to be played for generations to come. for fans and the uninitiated alike, here’s an introduction.

$10.85

back in stock as of
october 17th, 2008

first in stock on
august 25th, 2008

threads:
modern-psych
sound-art

drag city (usa) #dc 190 ep

the red krayola “blues, hollers and hellos” twelve inch single record

container of drudgery (never had a name) (16:53)
magnificence as such (9:14)
is there? (3:54)
blues 6 (4:12)
blues 5 (1:35)
blues 3 (5:32)

drag city press release...

the red krayola want to contribute. their new ep continues the tradition of music worthy of the serious attention of busy people. life continues to travesty everything. over time, the red krayola have expected the worst, yet hoped to be surprised. some grim satisfaction in science carries on the blues. the red krayola weigh in, resulting in what we at drag city refer to as 'entertainment.' can blues record an analysis of the position? this is just one question, we understand, that needs no answer everybody gets everything, right?

as the world turns, blues, hollers and hellos, yawns in the open spaces of an old guitar and drums core. any sense of irony must be your blue hammer. but fall, if you will. blues, hollers and hellos is packaged with a tanned, cool southern perspective. it delivers its electrical message on a light breeze, leaving the listener plenty of room. to get comfortable, for those of you that worry ? this is a red krayola record. graphic exterior giving lie to what lies within. which is of course provocative and compelling.

blues, hollers and hellos is a six-track record of new music, listen to it. is impeccable blues an oxymoron?

$10.85

new to stock as of
august 25th, 2008

threads:
modern-psych
sound-art

drag city (usa) #dc 190 cd

the red krayola “blues, hollers and hellos” compact disc single

container of drudgery (never had a name) (16:53)
magnificence as such (9:14)
is there? (3:54)
blues 6 (4:12)
blues 5 (1:35)
blues 3 (5:32)

drag city press release...

$13.41

new to stock as of
august 25th, 2008

threads:
modern-psych
film-video
sound-art

drag city (usa) #dc 171 cd

the red krayola “japan in paris in l.a.” compact disc

generique (2:08)
japan in paris in l.a. (1:10)
trip to paris (0:52)
cafe ... boudoir (2:10)
i saw a photograph (3:50)
the surrealist dream no.1 (5:08)
the surrealist dream no.2 (4:48)
storm sequence (2:16)
the green sun (6:43)
death of a painter (2:44)

drag city press release...

the yonemoto brothers 1997 film, japan in paris in l.a. tells the story of the painter, saeki yuzo -- an authentic bohemian hero lionized in his homeland as the 'japanese van gogh.' the film captures the drama of his plight through a multiplicity of avant-garde visual strategies. they reflect in their form the tragic psychology of the tortured artist.

the red krayola were engaged to provide appropriate atmosphere for this narrative. at the time, the ever-shifting personnel included david grubbs, stephen prina, tom watson, jim o'rourke, mary-lass stewart and mayo thompson. japan in paris in l.a. isn't just soundtrack music, it's also the sound of the rare combination of these individuals. make it the soundtrack to the drama of your own plight today.

$9.91

new to stock as of
october 17th, 2008

threads:
modern-psych
sound-art

drag city (usa) #dc 156 lp

red krayola “fingerpainting” long playing record

george iii
bad medicine
a hybrid creature of greed, ignorance and powers of comprehension plays a vaulted drum kit. the playing corresponds completely to the event. there are entrances and exits. and there is gravitation, where it is needed - tears for example
there there betty betty
the greed of a clarinet that is puffy from crying gets tossed in butter and spread by notes. this process depresses the entire orchestra so much that it only plays behind a golden partition. the partition is decorated with semi-precious attractive diamonds
vile vile grass
a sow with an abbess's bonnet is sitting on four rock-objects and singing along with them. the song sounds like a cheater, and is imprisoned in a striped toy box because its aims are not recognizable. on top of the box is a head that could be elvis's, if he had survived this
mother
out of a trombone that is divided lengthways by a partition of gold sound seven violins of dynamite that are cut sideways into thin slices. they are played by the thrown out ex-members of a very bad band and blown up
in my baby's ruth, sandy's drums with david & shadwell, filthy lucre

drag city press release...

now we have the red krayola's state-of-the-states address 1999, presented to one and all in grand red krayola style, going all the way back to the days when they spelled it with a c instead of a k (c. 1967). back then, the world was hearing it's first of this now legendary outfit. having never tried to do anything the same twice, the red krayola, manage in a way not to again on fingerpainting, although this time, in a way, they tried.

fingerpainting features unreleased songs from the distant days of 1966. the 90s red krayola shuffles these ancient pre-arable red crayola songs with the sounds of neo-freakouts, live on the world's stage -- free, familiar, ugly, for a whole bunch of new generations.

fingerpainting features both the latter day krayola and the original red crayola, from thirty years back, bringing it all full circle. and thus allowing another circle to be formed as soon as possible.

$13.41

new to stock as of
august 25th, 2008

threads:
modern-psych
sound-art

drag city (usa) #dc 156 cd

red krayola “fingerpainting • come on down” double compact disc set

george iii
bad medicine
a hybrid creature of greed, ignorance and powers of comprehension plays a vaulted drum kit. the playing corresponds completely to the event. there are entrances and exits. and there is gravitation, where it is needed - tears for example
there there betty betty
the greed of a clarinet that is puffy from crying gets tossed in butter and spread by notes. this process depresses the entire orchestra so much that it only plays behind a golden partition. the partition is decorated with semi-precious attractive diamonds
vile vile grass
a sow with an abbess's bonnet is sitting on four rock-objects and singing along with them. the song sounds like a cheater, and is imprisoned in a striped toy box because its aims are not recognizable. on top of the box is a head that could be elvis's, if he had survived this
mother
out of a trombone that is divided lengthways by a partition of gold sound seven violins of dynamite that are cut sideways into thin slices. they are played by the thrown out ex-members of a very bad band and blown up
in my baby's ruth, sandy's drums with david & shadwell, filthy lucre
come on down (music by the red krayola)

drag city press release...

$20.38

back in stock as of
august 25th, 2008

first in stock on
november 20th, 2007

threads:
psych-prog
sound-art
free-improvisation

drag city (usa) #dc 092 cd

the red crayola “live 1967” double compact disc set

angry arts festival
thursday june 29, 1967

venice pavillion concert, afternoon
venice motel, evening: piece one
venice motel, evening: piece two
berkeley folk music festival
friday june 30 - tuesday july 4, 1967

7/2, evening: "dust"
7/3, afternoon: red crayola w/john fahey
7/4, afternoon: jubilee concert at hearst greek theater
(radio broadcast on kqed, san francisco)

drag city press release...

recorded live in venice beach, california and at the berkeley folk festival, berkeley, california in june and july 1967.

a strange archival release of '60s maverick psychedelic band the red crayola. this double cd represents a vital missing link in the group's three-decade history. on its first album, the parable of arable land, red crayola linked rock songs with bursts of frenzied group improvisations called "free form freak outs." their live sets were said to have consisted solely of noise, and this set provides the proof.

on both the concert tracks, the band indulges in earsplitting feedback for its own sake, even more abrasive and austere than anything the velvet underground, the mothers of invention, or the grateful dead did in concert at the time. the radio broadcast included here of their berkeley folk festival appearance finds a bewildered broadcaster assuming that the band is tuning up and will be starting their set momentarily. the audience response is predictably chaotic.

the tracks recorded in hotel rooms and with john fahey are considerably more sedate, similar to the instrumentals on the lost coconut hotel album (also issued by drag city). any lover of experimental music should appreciate live 1967, and hardy red crayola devotees will not be disappointed.

...

despite penning a couple of classics of psychedelia on their first lp ('hurricane fighter plane' and 'transparent radiation'), the band showed up at the berkeley folk music festival in the summer of 1967 with a markedly different approach to ensemble playing. taking off from the concept of a 'free-form freak out', the red crayola leaned towards avant-garde approaches. playing feedback-pieces, sound-as-music, time- and no-time pieces, compressions and motions, one-second pieces, music within music, unhearable music and so on.

at the berkeley folk music festival they met john fahey, master of the indexes and finger picked guitar. he sat in on their set there. also included in this mind-melting collection of feedback drones, improvisation and unhearable music are recordings made in their venice hotel room after their concert there. these pieces represent the 'unplugged' crayola approach to their unconventional dictum, as well as their serious attitude towards this often lighthearted, intellectual-physical genre.

$4.08

new to stock as of
august 25th, 2008

threads:
modern-psych
sound-art

drag city (usa) #dc 086 ep

red krayola “chemistry b/w a farewell to arms” seven inch single record

chemistry
a farewell to arms

january 1996 release ; two-tracker w/ the thompson, oehlen, o’rourke, prina, watson lineup ...

$13.41

back in stock as of
august 25th, 2008

first in stock on
november 20th, 2007

drag city (usa) #dc 079 cd

the red crayola “soldier-talk” compact disc

march no.12 (1:58)
on the brink (2:52)letter-bomb (2:00)
conspirator's oath (2:41)
march no.14 (1:19)
soldier-talk (7:00)
discipline (3:23)
x (3:10)
an opposition spokesman (5:02)
uh, knowledge dance (2:54)
wonderland (2:58)

1978 red crayola outing, with guests (mostly pinched from pere ubu) ...

drag city press release...

the red crayola
soldier-talk
dc79 cd

the red crayola’s soldier-talk returns at last. drag city records are proud to announce that, after having been missing in action for twenty-eight years, this vital, much acclaimed work is now available again.

soldier-talk appeared first on radar records. a custom label built around elvis costello, financed and distributed by wea, radar had licensed the international artists catalogue in 1978 and had already re-released the band’s first album, the parable of arable land, and first single, “wives in orbit” b/w “yik-yak”.

soldier-talk was the red crayola’s first new commercial release since 1968. recorded after their second tour of europe where they shared the highways with columns of nato forces on the move in a rapidly heating cold war, it reflects the world as it sat, awash in punk rock and its cognates, dreading mass destruction.

soldier-talk is petit-guignol, a travesty of expression; its screams and sighs, a theatre of terror.

$13.41

back in stock as of
october 17th, 2008

first in stock on
november 20th, 2007

threads:
psych-prog
sound-art

drag city (usa) #dc 062 cd

the red krayola “coconut hotel” compact disc

boards
water pour
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
one-second piece
organ buildup
vocal
free guitar
one-minute imposition
piano
guitar

long unavailable second album by the red (c)krayola - at this stage a trio with mayo thompson, frederick barthelme (whom i only found out recently is the brother of donald barthelme, and a fantastic author in his own right...), and steve cunningham - recorded in 1967 and unreleased until drag city stepped in in 1995 ... arguably the most “out” set in the krayola kanon ; short, entirely improv-based pieces ...

drag city press release...

in 1966 the band signed to international artists, home label to fellow psych-rockers the 13th floor elevators that was run by lelan rogers (brother of country musician kenny rogers). in 1967 the label released the psychedelic album, parable of arable land, featuring six songs by the original three members interwoven with a cacophony generated by approximately 100 anonymous followers known as the familiar ugly who appear on a number of noise tracks called free-form freak-outs. the album's title track was a tape loop of electronic sounds with musical improvisations layered on top of it, a sound that foreshadowed the red crayola's second recording.

the minimalist music album coconut hotel was recorded in 1967 but rejected by international artists for its lack of commercial potential because of its complete departure from the full-sounding guitar/bass/drums/vocals rock sound of the red crayola's first album. coconut hotel featured such self-described tracks as "organ buildup", "free guitar" and a series of atonal "one-second pieces" for piano, trumpet and percussion.

the album did not see release until 1995. during this period, the band performed a concert in berkeley, california where they attached a contact microphone to a sheet of aluminium foil that was set under a block of melting ice. the red crayola also performed with guitarist john fahey and recorded an entire studio album of music in collaboration with him, but label head lelan rogers demanded possession of the tapes and recorded documentation of those sessions has been missing ever since.

$10.85

new to stock as of
august 25th, 2008

threads:
modern-psych
sound-art

drag city (usa) #dc 053 cd

the red krayola “amor and language” compact disc single

hard on through the summer (2:29)
the ballad of younis and sofia (4:33)
luster (2:21)
ai (2:43)
t (i,ii) (5:48)
a-a-allegories (2:03)
the wind (3:14)
stil de grain brun (2:09)
the letter (3:23)

june 1995 release ; a mini-lp released hot on the heels of the s/t 1994 release (well, i guess that makes it close to 9 months later), also featuring the o’rourke / grubbs / mcentire / prina / watson / oehlen / thompson lineup, augmented by minuteman / firehose drummer george hurley ...

$8.81

new to stock as of
august 25th, 2008

threads:
modern-psych

drag city (usa) #dc 052 cs

the red krayola “the red krayola” cassette

jimmy silk / supper be ready medley (1:57)
pride (1:06)
book of kings (2:40)
pessimisty (2:50)
worms, worms, thirst (1:38)
people get ready (the train's not coming) (3:22)
if "s" is (2:06)
miss x (2:37)
raspierre (2:44)
stand-up (2:42)
art-dog (1:09)
i knew it (1:54)
st (2:09)
(why) i'm so blase (2:07)
the big macumba (2:42)
voodoo child (1:47)
suddenly (1:51)

why not rock the cassette version here in your ‘98 dodge durango ???

$12.81

new to stock as of
august 25th, 2008

threads:
modern-psych
sound-art

drag city (usa) #dc 052 cd

the red krayola “the red krayola” compact disc

jimmy silk / supper be ready medley (1:57)
pride (1:06)
book of kings (2:40)
pessimisty (2:50)
worms, worms, thirst (1:38)
people get ready (the train's not coming) (3:22)
if "s" is (2:06)
miss x (2:37)
raspierre (2:44)
stand-up (2:42)
art-dog (1:09)
i knew it (1:54)
st (2:09)
(why) i'm so blase (2:07)
the big macumba (2:42)
voodoo child (1:47)
suddenly (1:51)

september 1994 release ; believe this was the first of the contemporary “comeback” albums for mr. thompson, featuring a chicagoland all-star pick-up group, consisting of david grubbs and jim o’rourke (this record was recorded near-contemporaneously with gastr del sol’s “crookt, crackt, or fly”), john mcentire, stephen prina, tom watson, plus albert oehlen ...

previous artist:
diane thome

...and that's everything in stock featuring mayo thompson.
(why not take a look at the previous and next artists?)

next artist:
steve thomsen

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