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 bob thompson 		there are 4 titles featuring mayo thompson in stock.
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 thorr’s hammer 
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$13.41

back in stock as of
august 25th, 2008

first in stock on
august 25th, 2006

blue chopsticks (usa) #bc 03 cd

van oehlen “we are eggsperienced” compact disc

  • intro (of the damned) (1:36)
  • the in kraut (3:12)
  • conneggtion (2:00)
  • hare krishna (6:04)
  • boogie for sale (2:41)
  • thx style (1:02)
  • the mask (2:00)
  • hitrocking (4:48)
  • late stream (2:27)
  • new energy soul (3:06)
  • flat stone-evil woman (1:41)
  • emergency (4:41)
  • vertbiking (2:07)
  • the power of jazz (1:50)
blue chopsticks press release...
van oehlen, we are eggsperienced - bc3 cd

if you think that the blue chopsticks horse is a fusty, knowledge-heavy nag who answers exclusively to the name "reissue label," behold van oehlen. van oehlen is the duo of albert and markus oehlen. albert is best known to listeners for his heavy, integral participation in the red krayola. he currently runs the leiterwagen record label -- rare thing, batting nearly a thousand? -- providing a home for the likes of jailhouse, j.b. slik, and titankatzen as well as the rearcar / rearprojection new stream compilations. albert is among the most heralded visual artists of his generation and has had retrospectives of his work at the wexner center for the arts, hamburg's deichtorhallen, and the kunsthalle basel. markus oehlen is known to listeners as as the drummer of the legendary german punk group mittagspause, as one- third of jailhouse, and as the leiterwagen solo artist don hobby. he is familiar to sharp-eyed souls as an exceptional visual artist, a veteran of numerous gallery and museum shows. (two of markus's drawings grace gastr del sol's camoufleur; the cover of we are eggsperienced is his.) we are eggsperienced features contributions from the red krayola's mayo thompson and tom watson as well as german jazz legend rüdiger carl (cowws quintet and various recordings for the fmp label) and goldenen zitronen frontman schorsch kamerun. what is new stream music? a draft of albert's new stream manifesto was circulated before the red krayola's first live performance of fingerpainting. new stream is not dissimilar to cold jazz, but counts among its progenitors the red krayola's free-form freakouts, "revolution no. 9," sun ra's most bracingly alien synthesizer solos, and the deep freeze mice at their least musical. (released february 2000)

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back in stock as of
december 1st, 2011

first in stock on
november 20th, 2007

threads:
modern-psych

drag city (usa) #dc 343 cd

the red krayola / art & language “sighs trapped by liars” compact disc

  • fairest of all
  • jumping through the mirror
  • laughing at the foot of the cross
  • il ne reste qu’a chanter
  • hostage
  • jerry fodor’s story
  • the big vacation
  • four stars: the ideal crew
  • igor zabel’s song
  • a pest
  • perfection
  • forty thousand words on a chair
  • sighs trapped by liars
drag city press release...
the red krayola with art & language
sighs trapped by liars
dc343 cd

with the entirely new music statement, sighs trapped by liars, the red krayola renew their association with conceptual artists art & language. beginning in 1973, their collaboration includes the video projects “nine gross and conspicuous errors,” and “struggle in new york,” as well as the much-acclaimed and -decried music releases corrected slogans, kangaroo?, and black snakes. thirty years has mellowed the various parties not at all. the faint-hearted might want to swallow something calming before giving sighs trapped by liars a spin.

sighs trapped by liars is as much a delightful bit of latter-day entertainment as it is a sensational musical excursion not trapped in any era. the composers of red krayola classics such as “keep all your friends,” “portrait of v.i.lenin in the style of jackson pollock,” ”black snakes,” and “born in flames” have made another try at negotiating the relationship between language and music in this new collection. speaking in a contemporary (and frequently foul-mouthed) voice they say something we could all stand to hear — in a popular music format that we can all enjoy.

those expecting a further trip into the radical leftist pamphleteering of the former works will have to listen closely; these are new songs for new days. perspectives are taken from quotes, exhibits and jokes of history and translated into material that addresses the state of the art. this music couldn’t be made without the experiences and politics of former days. the questions the 60s asked about the very idea of music and objects inform the practice today; the relationship of these new songs to the old ones is projective and analytical, subject to change without notice.

art & language’s lyrical contributions were put to music and played by mayo thompson, accompanied by tom watson, john mcentire, noel kupersmith and jim o’rourke. the music is an intimate and expansive setting, a pop framework for deliberate and meditative language. red krayola vocalists elisa randazzo and sandy yang stepped forth to the mic for a lead vocal performance that runs the register from ethereal-to-nursery-rhyme-to-adult-contemporary, with the odd obscenity smoothly integrated into its logic. jumping through the mirror so that you have to follow, the red krayola with art & language bring you sighs trapped by liars.

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$10.85

back in stock as of
december 1st, 2011

first in stock on
august 25th, 2008

threads:
modern-psych
sound-art

drag city (usa) #dc 190 cd

the red krayola “blues, hollers and hellos” compact disc single

  • container of drudgery (never had a name) (16:53)
  • magnificence as such (9:14)
  • is there? (3:54)
  • blues 6 (4:12)
  • blues 5 (1:35)
  • blues 3 (5:32)
drag city press release...
the red krayola want to contribute. their new ep continues the tradition of music worthy of the serious attention of busy people. life continues to travesty everything. over time, the red krayola have expected the worst, yet hoped to be surprised. some grim satisfaction in science carries on the blues. the red krayola weigh in, resulting in what we at drag city refer to as 'entertainment.' can blues record an analysis of the position? this is just one question, we understand, that needs no answer everybody gets everything, right?

as the world turns, blues, hollers and hellos, yawns in the open spaces of an old guitar and drums core. any sense of irony must be your blue hammer. but fall, if you will. blues, hollers and hellos is packaged with a tanned, cool southern perspective. it delivers its electrical message on a light breeze, leaving the listener plenty of room. to get comfortable, for those of you that worry ? this is a red krayola record. graphic exterior giving lie to what lies within. which is of course provocative and compelling.

blues, hollers and hellos is a six-track record of new music, listen to it. is impeccable blues an oxymoron?

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$13.41

back in stock as of
december 1st, 2011

first in stock on
november 20th, 2007

threads:
psych-prog
sound-art

drag city (usa) #dc 062 cd

the red krayola “coconut hotel” compact disc

  • boards
  • water pour
  • one-second piece
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  • organ buildup
  • vocal
  • free guitar
  • one-minute imposition
  • piano
  • guitar
long unavailable second album by the red (c)krayola - at this stage a trio with mayo thompson, frederick barthelme (whom i only found out recently is the brother of donald barthelme, and a fantastic author in his own right...), and steve cunningham - recorded in 1967 and unreleased until drag city stepped in in 1995 ... arguably the most “out” set in the krayola kanon ; short, entirely improv-based pieces ...
drag city press release...
in 1966 the band signed to international artists, home label to fellow psych-rockers the 13th floor elevators that was run by lelan rogers (brother of country musician kenny rogers). in 1967 the label released the psychedelic album, parable of arable land, featuring six songs by the original three members interwoven with a cacophony generated by approximately 100 anonymous followers known as the familiar ugly who appear on a number of noise tracks called free-form freak-outs. the album's title track was a tape loop of electronic sounds with musical improvisations layered on top of it, a sound that foreshadowed the red crayola's second recording.

the minimalist music album coconut hotel was recorded in 1967 but rejected by international artists for its lack of commercial potential because of its complete departure from the full-sounding guitar/bass/drums/vocals rock sound of the red crayola's first album. coconut hotel featured such self-described tracks as "organ buildup", "free guitar" and a series of atonal "one-second pieces" for piano, trumpet and percussion.

the album did not see release until 1995. during this period, the band performed a concert in berkeley, california where they attached a contact microphone to a sheet of aluminium foil that was set under a block of melting ice. the red crayola also performed with guitarist john fahey and recorded an entire studio album of music in collaboration with him, but label head lelan rogers demanded possession of the tapes and recorded documentation of those sessions has been missing ever since.

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 bob thompson 		...and that's everything in stock featuring mayo thompson.
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 thorr’s hammer 
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... this page was last updated on thursday, may 24th, 2012 @ 6:06 pm