masayuki takayanagi / nobuyoshi ino “the complete works of jojo • jazz 1” digital versatile disc

• 900320
  
• you don't know what love is
  
• apelo
  
• round trip
  
• winter moon
  
• 2 degrees east, 3 degrees west

jinya disc press release...

... below: direct babelfish translation from the japanese label info... the complete works of jojo jazz 1 masayuki takayanagi nobuyoshi ino dvd jazz1 article code: v-02 [4539113102425] the real image of the rare musician whom the space of an unreached noise was able to go through revives here while letting talent as the guitarist flower in jazz, tango, the world of the bossa nova -- popular music. duo with nobuyoshi ino whom i recorded at a jazz spot [love lee] of nagoya in 1990. masayuki takayanagi (guitar) nobuyoshi ino (bass) mar 20, 1990 mar 21, 1990 jazz club lovely (nagoya) i photographed this product in consumer 8mm video ccd-v200 (sony) in 1990. the sound uses the pcm audio system truck of the video using the outside microphone. there is the point where a noise sound is left to a master tape under influence of the power supply noise of the meeting place. please understand it beforehand.

masayuki takayanagi “the complete works of jojo • action direct 1” digital versatile disc

• inanimate nature i (20:33)
  
• inanimate neture iii (4:57)
  
  
•  improvisation 1 (23:04)
  
• improvisation 2 (10:24)

jinya disc press release...

... below: direct babelfish translation from the japanese label info... the complete works of jojo action direct 1 masayuki takayanagi dvd action direct1 product code: v-01 [4539113102418] while blooming talent as a guitarist in the world of jazz, tango and bossa nova popular music, the real image of the rare musician whom it keeps penetrating to the outer space of predecessor mitou's noise from avant-garde music revives here. live image of [noizutsukupahuomansu] “action direct”. a live footage which recorded the ultimate noise music performance “action direct” by masayuki takayanagi and an unparalleled guitarist who played an active role in japanese jazz music scene since its beginning.new directon for the arts regular concert vol69 / 70 vol69 (aug 4,1990) vol70 (dec 17,1990) dvd ntsc 0 stereo as for this work in 1990 8mm video ccd-v200 for national welfare (sony) with it is something which was photographed. sound it is not the video sound source and we record from dat and cd. there are times when part image/sound is disordered by the deterioration of the master tape. please acknowledge beforehand.

masayuki takayanagi “second concept • 1979.5.27 froggy day” triple compact disc set

• hi beck (13:21)
  
• 317 east 32nd (12:06)
  
• my new flame (7:05)
  
• froggy day (10:48)
  
• palo alto (7:58)
  
  
• sound lee (9:47)
  
• you'd be so nice to come home to (13:31)
  
• autumn nocturn (6:15)
  
• kery's trance (11:34)
  
• subconscious lee (5:57)
  
• these things (5:17)
  
  
• froggy day (1979.5.27) (8:38)

jinya disc press release...

... below: direct babelfish translation from the japanese label info... second concept product code: b-1920 [4539113102487] production origin: jinya disc masayuki takayanagi (g) kenji kousei (el.p) yasuhito mori (b) yasuhiro yamazaki (dr) 'is picking perseverance' those where especially it is impressive in the word to which takayanagi leaves 'as for picking' as for this which is perseverance are decisive thing not only the guitarist for the musician. the strength which repels the chord of the guitar with the pick, becomes the barometer of strength of that human. instantaneously is repelled with the pick which it had in the effectiveness hand, feeling of selection of sound, selection of the chord, selection, strength and the nuance of position, and selection of the most important timing everything is not decided before that and the [te] does not become. in a word decision making is the question whether the tip has been visible, whether it does. when there is perplexity somewhere, picking becomes weak. it is the same as word. the aforementioned everything being prepared, it does strong picking, inevitably as for the left hand unless you hold down securely, the chord floats. the sound where this gearing is strong is borne. the truth that 'completeness of mind the sound which it is good losing is not possible'. (from explanation) two groups sound recording 1979 november 25 nisshin inn tallow stereo explanation/english translation 20p jacket explanation hiroki koichi (guitarist) jinya disc b-1920 the first limited benefit cd you prepared the sound source which could not be recorded in this work as a benefit cd. special track/truck “take one/froggy d” (monaural) masayuki takayanagi (g) kenji kousei (el.p) yasuhiro yamazaki (dr) the second concept which has become with the base less, it is monaural sound recording of the radio-cassette tape recorder, with the accident but also atmosphere of the meeting place being transmitted, there is an appearance impression strangely about noise as for masayuki's takayanagi which is sold excavation sound source there are times when noise has entered from jinya disc. we do the effort which is removed in the range which the case of mastering does not have hindrance in the sound source, but when it is riding in sound recording largely, we have left that way. we designate cd conversion as a record as purpose. it cuts in tune, as much as possible and/or fading out has tried not to do. this work the ending of last tune there is a noise nearby. removal of noise we would like to entrust to future someone.

masayuki takayanagi / new direction unit “archive 1 (1977/1978)” quintuple compact disc boxed set

• five discs of unreleased takayangi / ndu madness !!!

• improvisation 1 (23:52)
  
• improvisation 2 (16:52)
  
• improvisation 3 (15:35)
  
• improvisation 4 (19:07)

• improvisation 1 (16:19)
  
• improvisation 2 (13:16)
  
• improvisation 3 (9:31)
  
• improvisation 4 (14:13)
  
• improvisation 5 - mass projection (23:53)

• improvisation 1 (13:47)
  
• improvisation 2 (11:43)
  
• improvisation 3 (11:40)
  
• improvisation 4 (9:59)
  
• improvisation 5 - mass projection (27:21)

• improvisation 1 - gradually projection (39:02)
  
• improvisation 2 - mass projection (38:38)

• improvisation 1 (19:40)
  
• improvisation 2 (14:46)
  
• improvisation 3 (12:36)
  
• improvisation 4...mass projection (22:20)

jinya disc press release...

... below: direct babelfish translation from the japanese label info... on 1977/1978, takayanagi made independent gigs regularly and played with ino nobuyoshi (b), mori kenji, fujikawa yoshiaki (as), yamazaki hiroshi (ds), iijima akira (g), seyama kenji (perc), and so on as "new direction unit".  new direction unit was various form --trio, quartet, quintet, sextet, .... this box include 5 gigs on each form into 5 cds.  the booklet will be included chronology of new direction, memo sig. of takayanagi on each gigs and liner note text etc. we attach dvds (8 minutes action direct movie excerpt from next archive series, region free) only initial order. 5cd box is 500 set limited. 2009 june 23rd sale presently the one dvd “inanimate nature /action direct” attaching of order the takayanagi masayuki archive series first feature (5 group all the 6 hours it is strong recording) as for the pioneer it was not “before the takayanagi. when and you look back, no one was there.” second period new direction unit (unpublished sound source) masayuki takayanagi archive machine 5 groups) the open-reel tape 5 responsibility which is left as record of the independent concert of 1977/78 years of takayanagi (6 hours it is strong) sound recording all complete recording. as for tune order and title it is according to the entry and takayanagi handwriting memo of the tape storage box. the last index (non statement) we record the end of a show greeting of the person to the number list. regular concert no.35, no.36, no.39 and n0.43. [anazashichiyueshiyonkonsato] first time masayuki takayanagi (g) ino faith (b) yoshiaki fujikawa forest sword osamu (as and other things) hiro yamazaki (per) akira iijima (g) shoal mountain research two (per) performance tune improvisation (mass projection) improvisation (gradually projection) other things jinya ndu-a101 (b-14/15/16/17/18) before the text takayanagi as for the pioneer mitiko takayanagi which is not direction chronological table cedar valley three bright printing takayanagi handwriting memo photograph

masayuki takayanagi “live at taro” compact disc

• come fall (11:02)
  
• time on my hands (11:39)
  
• you’d be so nice to come home to (11:17)
  
• subconscious-lee (10:30)

masayuki takayanagi “shibito” compact disc

• [the deceased] (21:05)
  
• [ancient observatory] (10:26)
  
• [god of stone] (25:01)

loco takayanagi / los pobres “el pulso” compact disc

• leguisamo solo (2:23)
  
• murmullos (2:36)
  
• silencio (2:45)
  
• milonga del 900 (2:01)
  
• ataniche (2:18)
  
• ay, aurora (2:31)
  
• intimas (2:27)
  
• mi buenos aires querido (4:42)
  
• dos amigos (4:11)
  
• margaritas (2:43)
  
• volver (2:44)
  
• sol tropical (2:45)
  
• amemonos (2:55)
  
• ausencia (2:16)
  
• caprichosa (2:53)
  
• medallita de la suerte (2:33)
  
• el tango es azul (2:53)