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previous artist:
 margaret kammerer 
there are 4 titles featuring margareth kammerer in stock.
they are listed below.
next artist:
 kammerflimmer kollektief 
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$27.15

back in stock as of
may 24th, 2010

first in stock on
august 18th, 2007


threads:
free-improvisation
electro-acoustic-improvisation

doubtmusic (japan) #dm 117/118 cd

otomo yoshihide / new jazz orchestralive vol.2 parallel circuit” double compact disc set

  • shichinin no keiji (berlin + tokyo) (12:34)
  • gazzelloni (kyoto) (5:15)
  • te recuerdo amanda > song for che > reducing agent (tokyo) (12:14)
  • super jetter (berlin) (6:17)
  • anodeonjo (tokyo) (15:05)

  • lupin the third - theme of walther (berlin) (5:32)
  • double command 0 > mayonaka no shizuka na kuroi kawa no ue ni ukabiagaru shiroi yuri no hana (tokyo) (29:39)
  • something sweet
  • something tender (berlin + tokyo) (10:28)
  • eureka > climbers high ending (nagoya) (13:53)
2nd volume offering a mixed bag of tunes recorded in concert by otomo yoshihide’s new jazz orchestra, again featuring an a-list of continental & european improvisors including ezaki masafumi, masahiko okura, alfred harth, ko ishikawa, sachiko m, taku unami, axel dörner, joe foster, dickson dee, ichiraku yoshimitsu, choi joonyong, and literally dozens more...

tunes range from minimal/complacent pop & jazz standards (voiced admirably by kahimi karie, margareth kammerer, and ishu kayo) to full-on takayanagi-style flare-outs (check the sound-sample) - double-disc set packaged in a gatefold mini-lp sleeve with liner notes in english and japanese.
doubtmusic press release...
onjo / live vol.2 "parallel circuit"
dmf-117/118
2cds / a folding cardboard jacket / booklet in detail inside

since last year, those titles had been a hold by various matters but onjo (otomo yoshihide's new jazz orchestra) live cd will be release this summer at last. those essential titles, 2cds x 2 sets are organized various live performances and indicate the future onjo. the sound of onjo contains every connection between tone, onkyo, sonority, melody, rhythm and so on.

member:
otomo yoshihide (guitar, conduct)
kahimi karie (vocal)
ishu kayo (vocal)
margareth kammerer (vocal)
axel doerner (trumpet)
joe foster (trumpet, etc.)
aoki taisei (trombone, etc.)
tsugami kenta (alto sax, etc.)
okura masahiko (bass clarinett, etc.)
alfred harth (tenor sax, etc.)
hong chulki (electronics)
choi joonyong (electronics)
jin sangtae (electronics)
ryu hankil (electronics)
dickson dee (computer)
ishikawa ko (sho)
sachiko m (sinewaves)
ito atsuhiro (optron)
unami taku (computer with objects)
hannoda taku (guitar)
oshima teruyuki (guitar)
sato yukie (guitar)
takara kumiko (vibraphone)
mizutani hiroaki (bass)
sugimoto taku (6 string el-bass)
yoshigaki yasuhiro (drums, etc.)
ichitaku yoshimitsu (percussion)
ito ken (percussion, etc.)

+ shinjuku 2 chome orchestra,kondo yoshiaki (live sound)

* some players changed off by each tunes. for details, see booklet inside.

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$27.15

back in stock as of
may 24th, 2010

first in stock on
july 17th, 2007


threads:
free-improvisation
electro-acoustic-improvisation

doubtmusic (japan) #dm 115/116 cd

otomo yoshihide / new jazz orchestralive vol.1 series circuit” double compact disc set

  • lost in the rain (berlin, 2006 / 13:23)
  • out to lunch (tokyo, 2006 / 16:00)
  • playgirl bgm (berlin + tokyo, 2006 / 4:05)
  • double command ii (tokyo, 2006 / 6:09)
  • single command (tokyo, 2006 / 3:30)
  • climbers high opening (tokyo, 2006 / 8:06)

  • straight up and down ~ mayonaka no shizuka na kuroi kawa no ue ni ukabiagaru shiroi yuri no hana (kyoto, 2006 / 23:44)
  • namida kara ashita e (berlin, 2006 / 10:03)
  • double command i (tokyo, 2006 / 7:38)
  • hat and beard (nagoya, 2006 / 12:02)
first volume in a pair of summer 2007 releases by otomo yoshihide’s new jazz orchestra, here with an expanded lineup featuring vocalists kahimi karie & margareth kammerer. the group tackle three eric dolphy charts, two by takeo yamashita, and a whole mess of otomo originals...

one of the more approachable entries into otomo’s vast, vast canon; were it not for sachiko’s incessant 8-16k tweetering throughout, i could almost mistake some of this for 60s/70s film music; which is to say the band stay inside the reigns for the majority of the session(s)...
doubtmusic press release...
onjo / live vol.1 "series circuit"
dmf-115/116
2cds / a folding cardboard jacket / booklet in detail inside

members:
otomo yoshihide (guitar, conduct)
kahimi karie (vocal)
ishu kayo (vocal)
margareth kammerer (vocal)
axel doerner (trumpet)
aoki taisei (trombone, etc)
tsugami kenta (alto sax, etc)
okura masahiko (bass clarinett, etc)
alfred harth (tenor sax, etc)
ishikawa ko (sho)
sachiko m (sinewaves)
unami taku (computer with objects)
takara kumiko (vibraphone)
mizutani hiroaki (bass)
yoshigaki yasuhiro (drums, etc)
itoken (conduct)

+ shinjuku 2 chomeorchestra
kondo yoshiaki (live sound)

* some players changed off by each tunes. for details, see booklet inside.

since last year, those titles had been a hold by various matters but onjo (otomo yoshihide's new jazz orchestra) live cd will be release this summer at last. those essential titles, 2cds x 2 sets are organized various live performances and indicate the future onjo. the sound of onjo contains every connection between tone, onkyo, sonority, melody, rhythm and so on.

click the image above to
add this item to your
shopping cart
$23.52

back in stock as of
november 15th, 2011

first in stock on
february 19th, 2008


threads:
electro-acoustic-improvisation
digital-musics
modern-psych

erstwhile (usa) #erstpop 001 lp
erstpop (usa) #erstpop 001 lp

the magic i.d.till my breath gives out” long playing record

  • true holiday (6:25)
  • feet deep (4:59)
  • wintersong (6:14)
  • martin fierro (3:02)

  • from the same road (8:13)
  • loopstück (12:57)
february 2008 release ; the debut album by the quartet of christof kurzmann, margareth kammerer, michael thieke, and kai fagaschinski as the magic i.d. ... the formation of yet another erstwhile sub-label (following on the heels of erstlive and erstsolo) specifically for this release is telling, as is the fact that it’s the first erst to be released on vinyl (jon & co have done an excellent job here - the mastering/pressing quality is superb & the whole package is very eye-popping, esp. the gatefold [below] ...)

the reason for all of this? “till my breath gives out” is a pop-record - albeit one composed/performed by key members of the berlin electro-acoustic/free improvisationscene” & strongly informed by the lexicon of sound-producing gestures that goes hand-in-hand with said. the instrumentation (guitar, laptop, two clarinets panned hard left / right) lends to a certain impressionistic flair ... the use of space & dissonant tonal clusters does remind me of that oft-cited mark hollis solo record, but not overtly so. kammerer’s vocal delivery is lovely & very much indebted to billie holiday, whereas kurzmann’s has more in common with tom rapp (mainly in that it’s a taste that, when acquired, ends up being very comforting) ... his plaintive guitar figures are simple & unadorned, the digital sequences pushed into the background for the most part. even thieke & fagaschinski’s dovetailing upper-register lines are made somehow more pleasant through their association with the breezy art-song herein ...

a very nice record; one of the few blendings of “experimental” music & song-form that i can get behind ...
erstwhile press release...

the magic i.d. till my breath gives out

erstpop 001

kai fagaschinski clarinet (right)
margareth kammerer vocals & guitars
christof kurzmann vocals, g3 and lloopp
michael thieke clarinet (left)

the magic i.d. is a berlin-based quartet exploring the juncture of song forms with abstract music. the band, consisting of margareth kammerer, christof kurzmann, kai fagaschinski and michael thieke, formed in summer 2005 after previously being connected via smaller groupings and projects. till my breath gives out is their debut release, and consists of six intricately constructed gems, each with its own individual shape, painstakingly sequenced to form a record that becomes more than the sum of its parts.

kammerer was born in italy and moved to berlin in 1994. she is deeply involved in the worlds of both theatre and music, and has a lengthy resume in both areas. her mostly solo album to be an animal of real flesh was released on charhizma in 2004, featuring collaborative tracks with axel dörner, chris abrahams and tatusya yoshida, as well as remixes from fred frith, philip jeck, bernhard fleischmann and kurzmann. her unique, distinctive voice has been underdocumented previously, but is showcased on till my breath gives out to riveting effect.

kurzmann has been a prominent part of both the vienna and (more recently) the berlin scenes over the past decade. as an organizer, he cofounded the phonotaktik festival, helped found the famous rhiz club in vienna, and runs the prestigious charhizma label. kurzmann has been an essential part of many erstwhile-related live events, in tokyo, berlin and nyc, and was the first to work at amann studios for an erstwhile release, beginning a crucial relationship for the label. his duo with burkhard stangl, schnee, is one of the core projects of erstwhile, with a third release for the label currently in preparation for release, and his duo with ami yoshida, a s o, is an underappreciated gem.

fagaschinski has leapt to prominence in the improv world over the last few years, with well-received duo projects such as los glissandinos (w/klaus filip), the international nothing (w/thieke) and kommando raumschiff zitrone (w/kurzmann). his music is rooted in abstraction, but with an increasingly insidious melodious element. this is his first erstwhile release, and his second is already in the works, a duo disc with stangl.

thieke was born in düsseldorf and moved to berlin in 1993. he works in a wide range of styles in the jazz and improv worlds, from a mingus tribute to a collective trio on ayler records (w/christian weber and michael griener) to his own unununium project on charhizma to the aforementioned the international nothing w/fagaschinski, ranging from free blowing to sparse, pointillistic abstraction, from fully improvised to fully composed.

the six pieces contained here are precise collective compositions, three by the full quartet, and one from each of the three potential “duos(the two clarinets form one twinned instrument). till my breath gives out expands song forms through the prism of experimental sensibilities and meshes the two remarkably fluidly. the design has been sourced from a photograph taken by gianmarco bresadola in alexanderplatz, berlin, and stunningly reconceived by berlin designer marion gerth.

till my breath gives out is being released simultaneously in two formats: foldout digipak cd and gatefold 180g vinyl. the content and the running order are identical; the lp version was mastered slightly differently to better fit the format. the lp is an edition of 500 copies; the cd is unlimited and inexpensive.

click the image above to
add this item to your
shopping cart
$13.44

back in stock as of
november 15th, 2011

first in stock on
february 19th, 2008


threads:
electro-acoustic-improvisation
digital-musics
modern-psych
folk

erstwhile (usa) #erstpop 001 cd
erstpop (usa) #erstpop 001 cd

the magic i.d.till my breath gives out” compact disc

  • true holiday (6:25)
  • feet deep (4:59)
  • wintersong (6:14)
  • martin fierro (3:02)
  • from the same road (8:13)
  • loopstück (12:57)
cd version (sound-sample is from the lp) ; but again, erstwhile went through all the trouble of getting this one out on vinyl as well, so i’m going to recommend going that route if you have the capacity / sense to do so ...
erstwhile press release...
the magic i.d. till my breath gives out

erstpop 001

kai fagaschinski clarinet (right)
margareth kammerer vocals & guitars
christof kurzmann vocals, g3 and lloopp
michael thieke clarinet (left)
the magic i.d. is a berlin-based quartet exploring the juncture of song forms with abstract music. the band, consisting of margareth kammerer, christof kurzmann, kai fagaschinski and michael thieke, formed in summer 2005 after previously being connected via smaller groupings and projects. till my breath gives out is their debut release, and consists of six intricately constructed gems, each with its own individual shape, painstakingly sequenced to form a record that becomes more than the sum of its parts.

kammerer was born in italy and moved to berlin in 1994. she is deeply involved in the worlds of both theatre and music, and has a lengthy resume in both areas. her mostly solo album to be an animal of real flesh was released on charhizma in 2004, featuring collaborative tracks with axel dörner, chris abrahams and tatusya yoshida, as well as remixes from fred frith, philip jeck, bernhard fleischmann and kurzmann. her unique, distinctive voice has been underdocumented previously, but is showcased on till my breath gives out to riveting effect.

kurzmann has been a prominent part of both the vienna and (more recently) the berlin scenes over the past decade. as an organizer, he cofounded the phonotaktik festival, helped found the famous rhiz club in vienna, and runs the prestigious charhizma label. kurzmann has been an essential part of many erstwhile-related live events, in tokyo, berlin and nyc, and was the first to work at amann studios for an erstwhile release, beginning a crucial relationship for the label. his duo with burkhard stangl, schnee, is one of the core projects of erstwhile, with a third release for the label currently in preparation for release, and his duo with ami yoshida, a s o, is an underappreciated gem.

fagaschinski has leapt to prominence in the improv world over the last few years, with well-received duo projects such as los glissandinos (w/klaus filip), the international nothing (w/thieke) and kommando raumschiff zitrone (w/kurzmann). his music is rooted in abstraction, but with an increasingly insidious melodious element. this is his first erstwhile release, and his second is already in the works, a duo disc with stangl.

thieke was born in düsseldorf and moved to berlin in 1993. he works in a wide range of styles in the jazz and improv worlds, from a mingus tribute to a collective trio on ayler records (w/christian weber and michael griener) to his own unununium project on charhizma to the aforementioned the international nothing w/fagaschinski, ranging from free blowing to sparse, pointillistic abstraction, from fully improvised to fully composed.

the six pieces contained here are precise collective compositions, three by the full quartet, and one from each of the three potential “duos(the two clarinets form one twinned instrument). till my breath gives out expands song forms through the prism of experimental sensibilities and meshes the two remarkably fluidly. the design has been sourced from a photograph taken by gianmarco bresadola in alexanderplatz, berlin, and stunningly reconceived by berlin designer marion gerth.

till my breath gives out is being released simultaneously in two formats: foldout digipak cd and gatefold 180g vinyl. the content and the running order are identical; the lp version was mastered slightly differently to better fit the format. the lp is an edition of 500 copies; the cd is unlimited and inexpensive.

previous artist:
 margaret kammerer 
...and that's everything in stock featuring margareth kammerer.
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next artist:
 kammerflimmer kollektief 
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... this page was last updated on thursday, may 24th, 2012 @ 5:38 pm