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there are 7 titles featuring marc behrens in stock.
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$18.98

new to stock as of
november 21st, 2006


antifrost (spain) #afro 2030/1 cd

marc behrens / nikolaus heyduckplastic metal” double compact disc set

antifrost press release...
behrens/heyduck

plastic / metal (2cd) 2005 antifrost |afro 2030-1|

released: march 2005

"plastic metal" is a collaboration project by german sound artists marc behrens and nikolaus heyduck.

years after they first met, behrens and heyduck realized that each of them independently had been working on the same kind of material, such as plastic bags, bubblewrap, chocolate, medicine, and toy packages.

heyduck had made several sound and video installations, behrens had composed "scenes for contraction" in 1999 (released on his solo cd "contraction").

their first duo performance with a joined pool of this type of material took place inside one of heyduck's installations in the year 2000. for the second performance they used a box filled with plastic material and an integrated handheld videocamera equipped with stereo microphones, thus "playing" the plastic inside...

the metal piece was initiated when heyduck helped to clean behrens' cellar one day in 2001. he found two steel drumsets that behrens had built in 1991 and left to oxidate in a remote angle.

the artists decided to reactivate these instruments for another collaborative project. an extensive recording session and successive digital processing resulted in the basic material used for two performances in 2002 and 2004.

both pieces of this release are products of an evolutionary process - an interaction of sound recordings and physical objects exposed to a live concert situation, and further elaboration to create a concise composition in cd format.

nikolaus heyduck is an artist working with audiovisual media since 1978. he studied art in the 1980s and composition in the early 1990s.

marc behrens is perhaps best classed as a "sound artist", working internationally across performance, installation, and recorded media (audio and video).

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new to stock as of
august 2nd, 2007


threads:
electro-acoustic-composition
sound-art

edition... (usa) #edition xxviii cd

marc behrenssecurity vs. freedom” double three inch compact disc set

  • compressed location 1 (8:34)
  • compressed location 2 (8:49)

  • the unknown (cd version) (4:08)
  • the unknown (cd version) (6:20)
  • the unknown (cd version) (4:09)
  • the unknown (cd version) (4:33)
edition... press release...
xxviii

m. behrens: security vs. freedom 2 x 3" cd

the successor to transition (2001) in the same format -- two mini cds, six full-colour cards with photographs -- further exploits the idea of the absent transition. between two poles of music the listener imagines a huge step from one phase of work to another with a distance of nearly seven years in between, or perhaps just one state of mind to another: security and freedom. but does the security lie in the carefully pronounced minimalist compositions of 'the unknown' on disc 2, or in the dense sound fields of 'compressed location 1 and 2' on disc 1 that engulf and embrace the listener? or vice versa: is freedom expressed in the structurally open, expressive passages of the latter, or in the gap between very low and very high frequencies of 'the unknown - part 1', in which the noise of the surroundings is framed by sound, but still remaining fully audible -- unsuppressed?

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new to stock as of
august 2nd, 2007


threads:
electro-acoustic-composition
sound-art

edition... (usa) #edition xvii cd

marc behrenstransition” double three inch compact disc set

  • decaying sudy 1 (7:48)
  • decaying study 2 (11:02)

  • statics (6:26)
  • political/statement (6:34)
  • political/statement 2 (5:32)
edition... press release...
xvii

m. behrens: transition 2 x 3" cd

two three inch cds -- one comprising new works and another reworkings of older sounds. indeed one finds a marked 'transition' in approach to noise-making among the earlier and later material which is heightened by their physical separation.

disc one highlights behrens' remarkable compositional restraint with slow moving tones and introduction of transient sounds and granular waves into the audio field.

disc two employs an abrupt jump-cut aesthetic and much more primitive sounds in its making: metallic ringing, bursts of low frequencies, voices, and synth-like tones punctuated by sudden dropouts for a jarring overall result.

the cds are carefully packaged in a gatefold plastic sleeve with cards featuring color photographs by the artist.

edition 500.

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new to stock as of
july 7th, 2008


threads:
sound-art
electro-acoustic-composition
field-recordings
musique-concrète

entr’acte (uk) #e45 cd

marc behrensarchitectural commentaries • 4 & 5” compact disc

  • architectural commentary 4 (24:19)
  • untitled (3:07)
  • architectural commentary 5 (23:55)
entr’acte press release...

marc behrens architectural commentaries 4&5 cd (e45)

an architectural commentary is a form of ‘reviewing’ architecture in which functional, symbolic and aesthetic aspects of a building or a bigger architectural structure are analysed. inspiration for this cycle of compositions is drawn from architectural criticism, structures, buildings, involuntary cityscapes (‘architecture without architects’) and technological noise within buildings.

one special recording session took place at resonance fm, the london- based radio station, in june 2004. patrick mcginley of resonance fm and i recorded the studio equipment itself, the drive noises, ventilation, vibrations in the machines, the studio’s air conditioning, doors… this particular array of sound forms the sole and exclusive basic material for architectural commentary 5: some models for resonant behaviour and links the cycle to earlier music pieces i constructed with sounds from computer labs. this part was commissioned by resonance fm. in architectural commentaries i composed some structures (mainly in parts 4 and 5) loosely based on luigi nono’s idea of ‘isole musicali’. this means that encyclopaedic variations of themes are generated and often highlighted by silent breaks, like islands, between the individual parts, all different in form and size, but topologically similar.


frankfurt-based behrens is presently best described as a ‘sound artist’, working across performance, installation and audio-visual recorded media. he also creates photographic works, designs record sleeves, and has even produced a bottle of white wine...

first edition of 300 copies.

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back in stock as of
july 7th, 2008

first in stock on
august 21st, 2006


threads:
digital-musics
electro-acoustic-composition

file under:
site-specific
entr’acte (uk) #e28 cd

marc behrens / dave phillips / cheapmachines / keith berrycoincident” compact disc recordable

  • marc behrens - table and chair (4:00)
  • dave phillips - untitled (4:00)
  • cheapmachines - domestic 151005 (4:00)
  • keith berry - fragments of immersion (4:00)
  • marc behrens / dave phillips / cheapmachines / keith berry - coincident (final layered mix) (4:00)
entr’acte press release...
marc behrens
dave phillips
cheapmachines
keith berry
coincedent (e28)

each of the four participants was invited by phil julian (cheapmachines) to make a recording lasting exactly four minutes at 19.00 gmt on saturday 15 october 2005. the results are presented here with a final layered mix incorporating all submitted tracks.

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$13.32

back in stock as of
august 9th, 2007

first in stock on
march 3rd, 2007


threads:
sound-art
electro-acoustic-composition

wachsender prozess (germany) #wp 05 lp

marc behrenslecture feedback/source feedback/the aesthetics of censorship” long playing record

  • lfdbk 01 (7:52)
  • lfdbk 02 (4:15)
  • sfdbk 04 (3:42)
  • sfdbk 06 (6:26)

  • piano 02 (8:22)
  • piano 03 (2:06)
  • violin 01 (6:58)
  • violin 02 (5:24)
  • harpsichord 01 (4:28)
2000 lp by german sound-artist marc behrens.
wachsender prozess press release...
lecture feedback (lfdbk 01-04) was composed for a lecture on acosutic feedback, which took place in march 1993.

source feedback (sfdbk 01-06) was composed as a soundtrack for the experimental video of the same name, which has been shown on different occasions in 1993.

the original title of this work was "spektren - die aesthetik der zensur" (piano 01-03, violin 01-03, harpsichord 01-02)

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new to stock as of
august 2nd, 2007


threads:
electro-acoustic-composition
field-recordings
digital-musics
minimalism-drones
modern-composition
sound-art

edition... (usa) #edition xv cd

...” compact disc

  • untitled (1:03)

  • nuclear tests, pokham, nw rajasthan (india) 11 may 1998 (8:03)
  • colin potter - this country (6:19)
  • hazard - rotation evident (3:47)
  • v2 broadcast in progress (13374 khz) (0:34)
  • steven lance ledbetter - organ fans (4:46)
  • toy bizarre - kdi dctb 066b (11:16)
  • unedited data from seti.org (0:09)
  • marc behrens - decaying study 4 (7:51)
  • jliat - track made by setting each 16 bit value in the pcm data of a wav file from the maximum value = +32767 to its minimum = -32768 and setting successive values by intervals of +/-100 (10:04)
  • jio shimizu - parallel lines / parallel rhythms ((a') ø (a'')) (3:34)
  • jio shimizu - parallel lines / parallel rhythms ((a') ø (a'')) (3:34)
  • monos - glacier (6:33)

  • untitled (1:03)
2002 compilation from edition..., featuring a track each by most of their roster, plus a few guests. the colin potter & monos tracks stand out (to me at least), as do the two by jio shimizu (underdocumented member of the wrk group, along with toshiya tsunoda & minoru sato)

previous artist:
 eve beglarian 
...and that's everything in stock featuring marc behrens.
(why not take a look at the previous and next artists?)
next artist:
 david behrman 
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... this page was last updated on saturday, february 11th, 2012 @ 5:17 pm