... on closeout for only ::
back in stock as of
february 8th, 2012
first in stock on
october 9th, 2008
|dekorder (germany) #dekorder 29 cd|
machinefabriek “dauw” compact disc
- porselein (7:03)
- fonograaf (3:27)
- engineer (6:11)
- dauw (5:17)
- singel (25:12)
|october 2008 release ; you know, i’m really starting to come around re: this zuydervelt fellow ... this is an impeccable set of pieces, really nicely done waves of drone-sound with tons of added crackle & almost imperceivable background movement, rife with the same sorts of “off-center” vibrato / warble that made us all fawn over those boards of canada records all those years back ... |
|dekorder press release...|
| machinefabriek "dauw" cd|
machinefabriek is the alias for rutger zuydervelt currently residing in rotterdam, the netherlands. since 2004 zuydervelt has unleashed an uncountable number of self-released 3"cd's (his format of choice) in lovingly designed sleeves (all made by himself). in the past years some of these releases have been compiled into amazing albums such as "slaapzucht" on the root strata label, "weleer" on lampse, the "cello recycling" 10"/cd on type records and "bijeen" on kning disk. recent collaborations with stephen vietiello (on the 12k label), freiband, steinbrüchel and other likeminded artists have expanded the horizon veritably. machinefabriek's music has been remixed by the likes of xela, lesser, svarte greiner, alva noto, pita, kim cascone, ben frost, black to comm and others.
only few machinefabriek material has been recorded specifically for an album release but these have always been stand-outs in the vast catalogue. both "marijn" on lampse and "ranonkel" on burning world records were classic recordings, squeezing a large amount of what people love about zuydervelt's music into one album, at the same time giving him the space to expand on new ideas. likewise "dauw" is one of zuydervelt's most subtle & quiet yet refined works. mainly built around small but gorgeous melodies of piano and guitar playing and the crackling sound of dusty vinyl samples, these songs slowly build into intensive hymn-like angel choirs of sheer heavenly beauty.
zuydervelt's output often has drawn comparisons to the likes of fennesz, godspeed, arvo pärt, basinski, tim hecker, phillip jeck, mogwai and earth, which is certainly not all wrong and some of these have been influences in the early stages of his career but he has since developed a strong and individual language all of his own.
mastered by giuseppe ielasi with elegant artwork by zuydervelt himself; metallic print on grey cardboard stock.