| $14.28
new to stock as of
december 4th, 2003
file under:
sound-research
contemporary-electronic
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| | | lo (uk) #lo 028 cd “further nuggets: luke vibert’s selection” compact disc - 1. blues cynetique - b kaufman
- g jerome
- top rally - jack arel & pierre dutourplay sample
- studio 96 - richard demaria
- crazy flute happy guitar - roger davy
- exotica - roger webb
- perdition - roger roger
- underground agent - paul kass
- jazz samba - jay berliner
- remember billy - richard demaria
- electro aggression - john matthews
- race the sun - johnny scott
- the whistler - johnny hawksworth
- bumblebees dance - jack arel pierre.dutour
- electro springs - eric peters
- robottom - james asher
- velvet clouds - roger roger
- minor mind - georges teperino
- electro twist - john matthews
- syncope mind - roger davy
- harp beat - johnny hawksworth
- electrosonics 4 - georges teperino
- sound industrial 15 - roger roger
- extase - paul bonneau
- jingle 1 - b. kaufman
- let's go - wilf edwards
- pendulum - bernard fevre
| | second in the series of library-music comps curated by mr.vib. knowing a little bit about what’s out there in low runs afa zonked coked-up studio jam warble, i can’t help but feel a little let down at mr. luke’s selection herein. but then again i haven’t heard volume 1... |
| | production (also called "sound library") music generally is canned background for visual-media applications. whether used with an advertising company's presentation or a home-movie screening, production music has the generic qualities presumed suitable for industrial applications. a single theme may be restated in various ways and lengths; timings often are under a minute. vocals are very rare, and the composers and performers are unrecognizable from anything other than production music.
production music from the 1960s and early 1970s includes spacey keyboards, funk, bongo bop, and many other desirable instrumental idioms. library cuts are extremely useful for effects and transitions between styles (as segues between regular records). the anonymity of the composers, tight pop arrangements, and latterday discoveries of these "lost," funky tracks make them very attractive. but when played consecutively --to excess-- their ersatz origins reveal themselves. and post-1975 or so, as with most regular music, production music generally becomes unbearable.
closely associated are vanity-published records, particularly records made by companies offering to arrange, perform, record, and press on vinyl any song one wished to send in. these were unavailable both commercially and to anyone seeking a one-time license to use them. but vanity-published records are another type of published music made just by studio musicians (though amateurs composed the lyrics).
buying: production albums are highly desirable because they were never commercially released. but, not every library lp has interesting or desirable music (or sounds). if the description, if any, mentions moog, space, or something else attractive, chances are it could be good. |
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