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| | | jinya disc (japan) #jinya b19/20 cd masayuki takayanagi “second concept • 1979.5.27 froggy day” triple compact disc set - hi beck (13:21)
- 317 east 32nd (12:06)
- my new flame (7:05)
- froggy day (10:48)
- palo alto (7:58)
- sound lee (9:47)
- you'd be so nice to come home to (13:31)
- autumn nocturn (6:15)
- kery's trance (11:34)
- subconscious lee (5:57)
- these things (5:17)
- froggy day (1979.5.27) (8:38)
| october 2009 release ; double-disc set covering a complete concert by masayuki takayanagi’s “second concept” (tak, plus kenji kousei, yasuhito mori, yasuhiro yamazaki) recorded at “taro” on november 25th, 1979 ...
the group are on fire throughout, with kousei’s electric piano lending a decidely “late 70s” touch to the largely swinging, loose feel throughout ... tak lays out quite a bit, often playing unison lines with & comping behind kousei’s exploratory lines, but he does step out for a few amazing, internal-logic fueled choruses (such as the one featured in the sound-sample) ...
nice-looking single-wide double-disc set, with liners in japanese & english ; each copy comes with a bonus disc covering an “alternate” take of “froggy day” recorded by a trio version of second concept (mori must have stepped out for a smoke) recorded on tape off of the radio ... |
| | jinya disc press release... |
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...
below: direct babelfish translation from the japanese label info...
second concept
product code: b-1920 [4539113102487]
production origin: jinya disc
masayuki takayanagi (g)
kenji kousei (el.p)
yasuhito mori (b)
yasuhiro yamazaki (dr)
'is picking perseverance'
those where especially it is impressive in the word to which takayanagi leaves 'as for picking' as for this which is perseverance are decisive thing not only the guitarist for the musician. the strength which repels the chord of the guitar with the pick, becomes the barometer of strength of that human. instantaneously is repelled with the pick which it had in the effectiveness hand, feeling of selection of sound, selection of the chord, selection, strength and the nuance of position, and selection of the most important timing everything is not decided before that and the [te] does not become. in a word decision making is the question whether the tip has been visible, whether it does. when there is perplexity somewhere, picking becomes weak. it is the same as word. the aforementioned everything being prepared, it does strong picking, inevitably as for the left hand unless you hold down securely, the chord floats. the sound where this gearing is strong is borne. the truth that 'completeness of mind the sound which it is good losing is not possible'.
(from explanation) |
two groups
sound recording 1979 november 25
nisshin inn tallow
stereo
explanation/english translation 20p jacket
explanation hiroki koichi (guitarist)
jinya disc b-1920
the first limited benefit cd
you prepared the sound source which could not be recorded in this work as a benefit cd.
special track/truck “take one/froggy d” (monaural)
masayuki takayanagi (g)
kenji kousei (el.p)
yasuhiro yamazaki (dr)
the second concept which has become with the base less, it is monaural sound recording of the radio-cassette tape recorder, with the accident but also atmosphere of the meeting place being transmitted, there is an appearance impression strangely |
about noise
as for masayuki's takayanagi which is sold excavation sound source there are times when noise has entered from jinya disc. we do the effort which is removed in the range which the case of mastering does not have hindrance in the sound source, but when it is riding in sound recording largely, we have left that way. we designate cd conversion as a record as purpose. it cuts in tune, as much as possible and/or fading out has tried not to do. this work the ending of last tune there is a noise nearby. removal of noise we would like to entrust to future someone. |
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